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Chapter 5: Positioning the Right Hand for Rhythm and Lead 93 (continued) A7 Bm7 C m7 4fr. Cm7 3fr. 2 3 1 31 2 1 1 31 2 1 1 31 2 1 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 0 0 0 0 0 0 2 2 2 2 2 2 5 5 5 5 5 5 4 4 4 4 4 4 4 4 4 4 4 4 3 3 3 3 3 3 6 6 6 6 6 6 5 5 5 5 5 5 4 4 4 4 4 4 3 3 3 3 3 3 Bm7 E7 1 31 2 1 2 1 2 2 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 4 4 4 4 4 4 4 4 4 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 A A7 D/A Dm/A A7 E7 213 2 3 321 213 2 3 2 1 0 0 0 0 0 0 2 2 2 2 2 2 3 3 3 3 3 3 2 2 2 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 4 4 4 3 3 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 0 0 0 0 0 0 0 0 0 1 1 1 1 1 1 2 2 2 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 0 0 0 0 0 0 TEAM LinG
- Page 168: Chapter 4: Getting a Grip on Left-H
- Page 172: Chapter 4: Getting a Grip on Left-H
- Page 176: Chapter 5 Positioning the Right Han
- Page 180: Chapter 5: Positioning the Right Ha
- Page 184: Chapter 5: Positioning the Right Ha
- Page 188: Chapter 5: Positioning the Right Ha
- Page 192: Chapter 5: Positioning the Right Ha
- Page 196: Chapter 5: Positioning the Right Ha
- Page 200: Chapter 5: Positioning the Right Ha
- Page 204: Chapter 5: Positioning the Right Ha
- Page 208: Chapter 5: Positioning the Right Ha
- Page 212: Chapter 5: Positioning the Right Ha
- Page 216: Chapter 5: Positioning the Right Ha
- Page 222: The two-beat feel The two-beat feel
- Page 226: (continued) A7 5fr. A 7 4fr. E7 5fr
- Page 230: 98 Part II: Setting Up to Play the
- Page 234: 100 Part II: Setting Up to Play the
- Page 238: 102 Part II: Setting Up to Play the
- Page 242: Track 20 N. C. 1324 6fr. A9 1324 4f
- Page 246: The 8-bar blues The 8-bar blues is
- Page 250: 108 Part II: Setting Up to Play the
- Page 254: Track 24 (qr=qce) G G6 G G6 C C6 C
- Page 258: Track 25 Shuffle (qr=qce) A5 A6 A5
- Page 262: 114 Part II: Setting Up to Play the
- Page 266: Figure 6-15: A two-bar turnaround w
Chapter 5: Positioning the Right Hand for Rhythm and Lead<br />
93<br />
(continued)<br />
A7<br />
Bm7<br />
C m7<br />
4fr.<br />
Cm7<br />
3fr.<br />
2 3<br />
1 31 2 1<br />
1 31 2 1<br />
1 31 2 1<br />
0 0 0 0 0 0 2 2 2 2 2 2<br />
2 2 2 2 2 2 3 3 3 3 3 3<br />
0 0 0 0 0 0 2 2 2 2 2 2<br />
2 2 2 2 2 2 4 4 4 4 4 4<br />
0 0 0 0 0 0 2 2 2 2 2 2<br />
5 5 5 5 5 5 4 4 4 4 4 4<br />
4 4 4 4 4 4 3 3 3 3 3 3<br />
6 6 6 6 6 6 5 5 5 5 5 5<br />
4 4 4 4 4 4 3 3 3 3 3 3<br />
Bm7<br />
E7<br />
1 31 2 1<br />
2 1<br />
2 2 2 2 2 2 2 2 2 2 2 2<br />
3 3 3 3 3 3 3 3 3 3 3 3<br />
2 2 2 2 2 2 2 2 2 2 2 2<br />
4 4 4 4 4 4 4 4 4 4 4 4<br />
2 2 2 2 2 2 2 2 2 2 2 2<br />
0 0 0 0 0 0 0 0 0 0 0 0<br />
0 0 0 0 0 0 0 0 0 0 0 0<br />
1 1 1 1 1 1 1 1 1 1 1 1<br />
0 0 0 0 0 0 0 0 0 0 0 0<br />
2 2 2 2 2 2 2 2 2 2 2 2<br />
0 0 0 0 0 0 0 0 0 0 0 0<br />
A<br />
A7<br />
D/A<br />
Dm/A<br />
A7<br />
E7<br />
213<br />
2 3<br />
321<br />
213<br />
2 3<br />
2 1<br />
0 0 0 0 0 0<br />
2 2 2 2 2 2 3 3 3 3 3 3<br />
2 2 2 0 0 0 2 2 2 2 2 2<br />
2 2 2 2 2 2 4 4 4 3 3 3<br />
0 0 0 0 0 0 0 0 0 0 0 0<br />
0 0 0 0 0 0 0 0 0<br />
2 2 2 0 0 0 0 0 0<br />
0 0 0 1 1 1 1 1 1<br />
2 2 2 0 0 0 0 0 0<br />
0 0 0 2 2 2 2 2 2<br />
0 0 0 0 0 0<br />
TEAM LinG
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