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Track 11 E7 A7 T A B P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 1 1 1 1 1 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 E7 B7 Figure 5-11: A rhythm figure with palm mutes and accents. 84 Part II: Setting Up to Play the Blues TEAM LinG P.M. P.M. P.M. P.M. 0 0 0 0 0 0 1 1 1 1 1 1 0 0 0 0 0 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 P.M. P.M. 2 2 0 0 0 0 2 2 2 2 1 1 1 1 1 1 1 1 2 2 2 2 2 2 2 2 P.M. 2 2 2 2 2 2 0 0 0 0 0 0 2 2 2 2 2 2 1 1 1 1 1 1 1 1 2 2 2 2 2 2 2 2 Copying the Classics: Plucking Fingerstyle Blues If you want to make money playing the blues, you should probably get yourself an electric guitar and play it with a pick (make sure to practice the styles presented in the following section). But if you want insight into the roots of the blues, grab an acoustic and play it fingerstyle. Acoustic fingerstyle blues is a wonderful tradition, populated with such immortal figures as Robert Johnson, Skip James, Lightnin’ Hopkins, Mance Lipscomb, Leadbelly, Mississippi John Hurt, Reverend Gary Davis, John Hammond, Rory Block, Roy Book Binder, Bob Brozman, Jerry Reed, and Chet Atkins.
- Page 152: Chapter 4: Getting a Grip on Left-H
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- Page 164: Chapter 4: Getting a Grip on Left-H
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- Page 172: Chapter 4: Getting a Grip on Left-H
- Page 176: Chapter 5 Positioning the Right Han
- Page 180: Chapter 5: Positioning the Right Ha
- Page 184: Chapter 5: Positioning the Right Ha
- Page 188: Chapter 5: Positioning the Right Ha
- Page 192: Chapter 5: Positioning the Right Ha
- Page 196: Chapter 5: Positioning the Right Ha
- Page 200: Chapter 5: Positioning the Right Ha
- Page 206: 86 Part II: Setting Up to Play the
- Page 210: Shuffle (qr=qce) E7 A/E N.C. E7 A/E
- Page 214: 90 Part II: Setting Up to Play the
- Page 218: 92 Part II: Setting Up to Play the
- Page 222: The two-beat feel The two-beat feel
- Page 226: (continued) A7 5fr. A 7 4fr. E7 5fr
- Page 230: 98 Part II: Setting Up to Play the
- Page 234: 100 Part II: Setting Up to Play the
- Page 238: 102 Part II: Setting Up to Play the
- Page 242: Track 20 N. C. 1324 6fr. A9 1324 4f
- Page 246: The 8-bar blues The 8-bar blues is
- Page 250: 108 Part II: Setting Up to Play the
Track 11<br />
E7<br />
A7<br />
T<br />
A<br />
B<br />
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.<br />
0 0 0 0 0 0 0 0<br />
0 0 0<br />
0 0 0<br />
2 2 2 2 2 2 2 2<br />
1 1 1<br />
1 1 1<br />
0 0 0 0 0 0 0 0<br />
0 0 0<br />
0 0 0<br />
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2<br />
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0<br />
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0<br />
E7<br />
B7<br />
Figure 5-11:<br />
A rhythm<br />
figure with<br />
palm mutes<br />
and<br />
accents.<br />
84 Part II: Setting Up to Play the Blues TEAM LinG<br />
P.M. P.M. P.M. P.M.<br />
0 0 0<br />
0 0 0<br />
1 1 1<br />
1 1 1<br />
0 0 0<br />
0 0 0<br />
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2<br />
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0<br />
P.M. P.M.<br />
2 2<br />
0 0 0 0<br />
2 2 2 2<br />
1 1 1 1 1 1 1 1<br />
2 2 2 2 2 2 2 2<br />
P.M.<br />
2 2 2 2 2 2<br />
0 0 0 0 0 0<br />
2 2 2 2 2 2<br />
1 1 1 1 1 1 1 1<br />
2 2 2 2 2 2 2 2<br />
Copying the Classics: Plucking<br />
Fingerstyle Blues<br />
If you want to make money playing the blues, you should probably get yourself<br />
an electric guitar and play it with a pick (make sure to practice the styles<br />
presented in the following section). But if you want insight into the roots of<br />
the blues, grab an acoustic and play it fingerstyle. Acoustic fingerstyle blues<br />
is a wonderful tradition, populated with such immortal figures as Robert<br />
Johnson, Skip James, Lightnin’ Hopkins, Mance Lipscomb, Leadbelly,<br />
Mississippi John Hurt, Reverend Gary Davis, John Hammond, Rory Block,<br />
Roy Book Binder, Bob Brozman, Jerry Reed, and Chet Atkins.
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