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Figure 5-4 is a simple pick-strum pattern that’s used in many folk blues and country blues songs. This notation mixes single notes (which appear with normal, rounded noteheads) and rhythm slashes (with the narrower, elongated noteheads). Playing common pick-strum patterns Most strumming patterns in blues are either all strums or a pick-strum combination, and which approach you use depends on the instruments in your ensemble at the time. A pick-strum approach is good for solo playing or if you’re the only rhythm instrument, because the bass notes fall on different parts of the measure than the chord parts. Track 7 C C7 F Fm 76 Part II: Setting Up to Play the Blues TEAM LinG 0 0 0 0 0 0 1 1 1 1 1 1 T 0 0 0 0 0 0 A 2 2 2 2 2 2 B 3 3 0 0 0 0 0 1 1 1 1 1 3 3 3 3 3 2 2 2 2 2 1 1 1 1 1 1 1 2 2 2 2 2 2 3 3 3 3 3 3 1 1 1 1 1 1 3 3 3 3 3 Figure 5-4: A bass-andchord pick-strum pattern for country blues. C A7 Dm G7 C C7 F Fm C 0 0 0 0 1 1 2 2 0 0 0 0 2 2 2 2 3 0 1 1 1 1 3 3 2 2 0 0 0 0 0 3 0 0 1 1 1 0 3 2 1 2 2 3 3 3 3 1 1 0 1 0 2 3

Figure 5-4 is a simple pick-strum pattern that’s used in many folk blues and<br />

country blues songs. This notation mixes single notes (which appear with<br />

normal, rounded noteheads) and rhythm slashes (with the narrower, elongated<br />

noteheads).<br />

Playing common pick-strum patterns<br />

Most strumming patterns in blues are either all strums or a pick-strum combination,<br />

and which approach you use depends on the instruments in your<br />

ensemble at the time. A pick-strum approach is good for solo playing or if<br />

you’re the only rhythm instrument, because the bass notes fall on different<br />

parts of the measure than the chord parts.<br />

Track 7<br />

C<br />

C7<br />

F<br />

Fm<br />

76 Part II: Setting Up to Play the Blues TEAM LinG<br />

0 0 0 0 0 0<br />

1 1 1 1 1 1<br />

T 0 0 0 0 0 0<br />

A 2 2 2 2 2 2<br />

B 3<br />

3<br />

0 0 0 0 0<br />

1 1 1 1 1<br />

3 3 3 3 3<br />

2 2 2 2 2<br />

1<br />

1 1 1 1 1 1<br />

2 2 2 2 2 2<br />

3 3 3 3 3 3<br />

1<br />

1 1 1 1 1<br />

3 3 3 3 3<br />

Figure 5-4:<br />

A bass-andchord<br />

pick-strum<br />

pattern for<br />

country<br />

blues.<br />

C A7 Dm G7 C C7 F Fm C<br />

0 0 0 0<br />

1 1 2 2<br />

0 0 0 0<br />

2 2 2 2<br />

3 0<br />

1 1 1 1<br />

3 3 2 2 0 0<br />

0 0 0<br />

3<br />

0 0 1 1 1 0 3 2 1<br />

2 2 3 3 3 3<br />

1 1<br />

0<br />

1<br />

0<br />

2<br />

3

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