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Figure 5-4 is a simple pick-strum pattern that’s used in many folk blues and country blues songs. This notation mixes single notes (which appear with normal, rounded noteheads) and rhythm slashes (with the narrower, elongated noteheads). Playing common pick-strum patterns Most strumming patterns in blues are either all strums or a pick-strum combination, and which approach you use depends on the instruments in your ensemble at the time. A pick-strum approach is good for solo playing or if you’re the only rhythm instrument, because the bass notes fall on different parts of the measure than the chord parts. Track 7 C C7 F Fm 76 Part II: Setting Up to Play the Blues TEAM LinG 0 0 0 0 0 0 1 1 1 1 1 1 T 0 0 0 0 0 0 A 2 2 2 2 2 2 B 3 3 0 0 0 0 0 1 1 1 1 1 3 3 3 3 3 2 2 2 2 2 1 1 1 1 1 1 1 2 2 2 2 2 2 3 3 3 3 3 3 1 1 1 1 1 1 3 3 3 3 3 Figure 5-4: A bass-andchord pick-strum pattern for country blues. C A7 Dm G7 C C7 F Fm C 0 0 0 0 1 1 2 2 0 0 0 0 2 2 2 2 3 0 1 1 1 1 3 3 2 2 0 0 0 0 0 3 0 0 1 1 1 0 3 2 1 2 2 3 3 3 3 1 1 0 1 0 2 3
- Page 136: Chapter 3: Grab Hold, Tune Up, Play
- Page 140: Chapter 3: Grab Hold, Tune Up, Play
- Page 144: Part II Setting Up to Play the Blue
- Page 148: Chapter 4 Getting a Grip on Left-Ha
- Page 152: Chapter 4: Getting a Grip on Left-H
- Page 156: Chapter 4: Getting a Grip on Left-H
- Page 160: Chapter 4: Getting a Grip on Left-H
- Page 164: Chapter 4: Getting a Grip on Left-H
- Page 168: Chapter 4: Getting a Grip on Left-H
- Page 172: Chapter 4: Getting a Grip on Left-H
- Page 176: Chapter 5 Positioning the Right Han
- Page 180: Chapter 5: Positioning the Right Ha
- Page 184: Chapter 5: Positioning the Right Ha
- Page 190: The 12/8 groove The 12/8 groove is
- Page 194: 80 Part II: Setting Up to Play the
- Page 198: 82 Part II: Setting Up to Play the
- Page 202: Track 11 E7 A7 T A B P.M. P.M. P.M.
- Page 206: 86 Part II: Setting Up to Play the
- Page 210: Shuffle (qr=qce) E7 A/E N.C. E7 A/E
- Page 214: 90 Part II: Setting Up to Play the
- Page 218: 92 Part II: Setting Up to Play the
- Page 222: The two-beat feel The two-beat feel
- Page 226: (continued) A7 5fr. A 7 4fr. E7 5fr
- Page 230: 98 Part II: Setting Up to Play the
- Page 234: 100 Part II: Setting Up to Play the
Figure 5-4 is a simple pick-strum pattern that’s used in many folk blues and<br />
country blues songs. This notation mixes single notes (which appear with<br />
normal, rounded noteheads) and rhythm slashes (with the narrower, elongated<br />
noteheads).<br />
Playing common pick-strum patterns<br />
Most strumming patterns in blues are either all strums or a pick-strum combination,<br />
and which approach you use depends on the instruments in your<br />
ensemble at the time. A pick-strum approach is good for solo playing or if<br />
you’re the only rhythm instrument, because the bass notes fall on different<br />
parts of the measure than the chord parts.<br />
Track 7<br />
C<br />
C7<br />
F<br />
Fm<br />
76 Part II: Setting Up to Play the Blues TEAM LinG<br />
0 0 0 0 0 0<br />
1 1 1 1 1 1<br />
T 0 0 0 0 0 0<br />
A 2 2 2 2 2 2<br />
B 3<br />
3<br />
0 0 0 0 0<br />
1 1 1 1 1<br />
3 3 3 3 3<br />
2 2 2 2 2<br />
1<br />
1 1 1 1 1 1<br />
2 2 2 2 2 2<br />
3 3 3 3 3 3<br />
1<br />
1 1 1 1 1<br />
3 3 3 3 3<br />
Figure 5-4:<br />
A bass-andchord<br />
pick-strum<br />
pattern for<br />
country<br />
blues.<br />
C A7 Dm G7 C C7 F Fm C<br />
0 0 0 0<br />
1 1 2 2<br />
0 0 0 0<br />
2 2 2 2<br />
3 0<br />
1 1 1 1<br />
3 3 2 2 0 0<br />
0 0 0<br />
3<br />
0 0 1 1 1 0 3 2 1<br />
2 2 3 3 3 3<br />
1 1<br />
0<br />
1<br />
0<br />
2<br />
3