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Chapter 5: Positioning the Right Hand for Rhythm and Lead<br />

75<br />

Figure 5-3:<br />

A strumming<br />

passage in<br />

quarter and<br />

eighth<br />

notes, using<br />

downstrokes<br />

and<br />

upstrokes.<br />

E<br />

A<br />

E<br />

B7<br />

Track 6, 0:25<br />

Mixing Single Notes and Strumming<br />

Downstrokes and upstrokes are used for playing single notes as well as for<br />

strumming. Combining single notes with strums is an important part of<br />

rhythm guitar playing and gives the guitarist more options than just strumming.<br />

For example, a piano player doesn’t plunk down all her fingers at once<br />

every time she plays, and guitarists shouldn’t have to strike all the strings<br />

every time they bring their picks down (or up, for that matter).<br />

In fact, guitarists share a technique with their keyboard-pounding<br />

counterparts — they play bass notes with the left hand and chords with the<br />

right hand. When guitarists separate the bass notes from the chord, they<br />

do it with just the right hand, but the principle is the same.<br />

Separating bass and treble:<br />

The pick-strum<br />

Separating the bass and treble so they play independently is a great way to<br />

provide rhythmic variety and introduce different textures into your playing.<br />

In the pick-strum pattern, the pick refers to picking the single bass note, and<br />

the strum refers to the upper-string chord that follows. Both the pick and the<br />

strum are played with the pick in downstrokes.<br />

TEAM LinG

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