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Chapter 4: Getting a Grip on Left-Hand Chords<br />

65<br />

Figure 4-6 is a progression that uses the new chord qualities from Figure 4-5.<br />

Remember to say the names of the chords, according to their corresponding<br />

note on the sixth string, as you change positions.<br />

Figure 4-6:<br />

A<br />

progression<br />

using the<br />

minor,<br />

dominant 7,<br />

minor 7,<br />

and 7<br />

suspended<br />

barre-chord<br />

forms.<br />

B m A 7 C7sus Bm7<br />

6th fret 4th fret 8th fret 7th fret<br />

Track 3<br />

Playing A-form barre chords<br />

A-form barre chords are based on the open-position A chord. Follow these<br />

steps to form the A-form barre chord:<br />

1. Fret the A chord with fingers two, three, and four.<br />

2. Slide the whole chord up one fret, so your A chord rests on the<br />

third fret.<br />

Sliding an A chord up one fret, or half step, produces a B% chord. See<br />

Figure 4-7 for the fingering diagram, and note that the sixth string isn’t used<br />

in the A-based barre chord (indicated by an X above the sixth string).<br />

3. Place your index finger across the first fret up to and including the<br />

fifth string.<br />

4. Slowly strum the chord with your right hand, from the fifth string to<br />

the first, and listen to make sure that all five strings ring out clearly.<br />

When faced with an A-form barre chord, there’s a twist. To maximize the quality<br />

of this chord, make sure to play it two ways:<br />

With three individual fingers and the index finger as the barre<br />

As a two-finger, “double barre” chord, using just the first and third<br />

fingers<br />

TEAM LinG

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