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In this part . . . Part II gets you working with your hands, so you don’t look awkward just standing there with a guitar around your neck. In Chapter 4, you tackle chords and figure out exactly how to finger them with your left hand. But Chapter 5 addresses the right hand, which bangs out the strums, rhythms, single notes, and other joyful noises that your guitar is capable of producing. Chapter 6 takes a look at blues forms and moves — those special devices and tricks that separates the blues from other types of music. The last chapter in this part, Chapter 7, presents riffs — the cool moves that get your feet to tappin’ and the joint a-jumpin’. TEAM LinG
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In this part . . .<br />
Part II gets you working with your hands, so you<br />
don’t look awkward just standing there with a guitar<br />
around your neck. In Chapter 4, you tackle chords and<br />
figure out exactly how to finger them with your left hand.<br />
But Chapter 5 addresses the right hand, which bangs out<br />
the strums, rhythms, single notes, and other joyful noises<br />
that your guitar is capable of producing. Chapter 6 takes a<br />
look at blues forms and moves — those special devices<br />
and tricks that separates the blues from other types of<br />
music. The last chapter in this part, Chapter 7, presents<br />
riffs — the cool moves that get your feet to tappin’ and<br />
the joint a-jumpin’.<br />
TEAM LinG