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Chapter 3: Grab Hold, Tune Up, Play On!<br />

49<br />

acoustic, you can use the tuner’s built-in mic. When you play a note, it registers<br />

as a pitch on the tuner’s display. This display allows you to use your<br />

eyes in addition to, or instead of, your ears to check whether you’re in tune. If<br />

you want to hear your guitar, you need to plug a cord from the tuner’s output<br />

into your amp. But you don’t need to hear the guitar to tune it with an electronic<br />

tuner.<br />

Many people tune silently out of courtesy to fellow musicians and other listeners,<br />

and, of course, because the sound of guitars tuning up can annoy<br />

some people. But tuning silently is required in some situations — like televised<br />

concerts, where the musicians must wait in absolute silence until the<br />

cue to come in with bold, in-tune music. By keeping your tuner on and having<br />

it between your guitar and amp (or, if you’re using effects, between your guitar<br />

and first effect), you can tune by turning down the volume on your amp.<br />

A tuner senses which pitch you’re playing and tells you, by way of its meter<br />

or LEDs (light-emitting diodes), the closest pitch (A, B%, B, C, and so on) and<br />

whether you’re flat or sharp of it. It’s a great system because you can also use<br />

a tuner to get into alternate tunings, such as open G, for the times you have<br />

to retune the guitar to play slide — doing it quickly and silently.<br />

A tuner can occupy a permanent berth in your signal chain, or you can plug it<br />

in at will, just putting it in your guitar case or on top of your amp when you’re<br />

done. Either way, an electronic tuner is the most fundamental electronic<br />

device you need to own — more important than any other outboard effect.<br />

You can play a guitar in tune without effects and still make music, but you<br />

can’t play out of tune and make (tolerable) music, no matter how many<br />

effects you own.<br />

Even though you can get the guitar in tune with itself (using the relative<br />

method) and can, therefore, play by yourself with no problems, it’s a good idea<br />

to check often that you haven’t strayed too far from concert pitch. Playing flat<br />

or sharp of concert pitch isn’t bad for the instrument, but you can condition<br />

your ears to hear flat or sharp if you stay out of tune for too long.<br />

If your harmonica player’s out of tune, guess<br />

what? You’re out of tune. Or more precisely,<br />

you’re the one who has to adjust to him because<br />

you can change your tuning and he can’t. The<br />

same is true with any fixed-pitch instrument.<br />

Some older organs have tuning problems, too,<br />

and tend to play below standard-pitch, which<br />

means you may have to adjust to them. I once<br />

Who let the cats out?<br />

played in a club with a house organ that played<br />

flat, but the house harmonica player’s instruments<br />

were sharp. Worse, the harmonica player<br />

was the club’s owner and you couldn’t refuse<br />

his sitting in! The organ was flat, the harmonica<br />

was sharp, and the musicians were stuck in the<br />

middle. Talk about having the blues!<br />

TEAM LinG

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