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the air in the house every four hours.” “Wow.” He turns his head to look at me and I can see him trying to come to terms with just how sick I am. I look away. “The settlement paid for it.” Before he can ask I add: “The trucker who killed my dad and brother fell asleep behind the wheel. He’d been working three shifts in a row. They settled with my mom.” He turns his head back toward the ceiling. “I’m sorry.” “It’s strange because I don’t really remember them. Meaning I don’t remember them at all.” I try to ignore the feelings that surface when I think about them. There’s sadness that’s not quite sadness, and then guilt. “It’s weird to miss something you’ve never had— or don’t remember having, anyway.” “Not so weird,” he says. We’re both quiet and he closes his eyes. “Do you ever wonder what your life would be like if you could just change one thing?” he asks. Not usually, but I’m starting to. What if I weren’t sick? What if my dad and brother hadn’t died? Not wondering about impossible things is how I’ve managed to be relatively Zen. “Everyone thinks they’re special,” he says. “Everyone’s a snowflake, right? We’re all unique and complicated. We can never know the human heart, and all that?” I nod slowly, certain I agree with what he’s saying now, but equally certain that I’m going to disagree with whatever’s next. “I think that’s nonsense. We’re not snowflakes. We’re just outputs for a set of inputs.” I stop nodding. “Like a formula?” “Exactly like a formula.” He props himself up to his elbows and looks at me. “I think there are one or two inputs that matter the most. Figure those out and you’ve figured out the person. You can predict anything about them.” “Really? What am I going to say now?” He winks at me. “You think I’m a brute, a heretic, a—” “A crackpot,” I complete for him. “You don’t really believe we’re math equations?” “I might.” He lies back down. “But how do you know which input to change?” I ask. He sighs a long, suffering sigh. “Yeah, that’s the problem. Even if you could figure out which one to change, then how much should you change it? And what if you can’t change it precisely enough? Then you couldn’t predict the new output. You could make things worse.” He sits up again. “Imagine, though, if you could just change the right inputs; you could fix things before they went wrong.” He says this last part quietly, but with the frustration of someone who’s been trying to solve the same unsolvable problem for a long time now. Our eyes meet and he looks embarrassed, like he’s revealed more than he meant to. He lies back down and throws a forearm across his eyes. “The problem is chaos theory.
There are too many inputs to the formula and even the small ones matter more than you think. And you can never measure them precisely enough. But! If you could, you could write a formula to predict the weather, the future, people.” “But chaos theory says you can’t?” “Yup.” “You needed a whole branch of mathematics to tell you that people are unpredictable?” “Had that figured out, did you?” “Books, Olly! I learned it from books.” He laughs, rolls onto his side, and laughs some more. He’s infectious and I’m laughing, too, my whole body responding to him. I watch for the dimple that I’m no longer supposed to be paying attention to. I want to put my finger into it and keep him smiling forever. Maybe we can’t predict everything, but we can predict some things. For example, I am certainly going to fall in love with Olly. It’s almost certainly going to be a disaster.
- Page 33 and 34: The bell rings again. My mom half r
- Page 35 and 36: PIÈCE DE REJECTION BACK IN MY room
- Page 37 and 38: I don’t think Carla has ever said
- Page 39 and 40: FIRST CONTACT TWO DAYS PASS and I
- Page 41 and 42: NIGHT FOUR I CAN’T STAND it. I pe
- Page 43 and 44: NIGHT SIX THE BUNDT IS lying on a w
- Page 45 and 46: FIRST CONTACT, PART TWO From: Madel
- Page 47 and 48: Wednesday, 8:15 P.M. FIRST CONTACT,
- Page 49 and 50: Olly: curiouser and curiouser madel
- Page 51 and 52: Madeline: She must love somebody. I
- Page 53 and 54: Olly: no. he made me quit the mathl
- Page 55 and 56: Olly: come to the window Madeline:
- Page 57 and 58: figure is different. This time he
- Page 59 and 60: “Well, if I didn’t know before
- Page 61 and 62: TWO HOURS LATER I TRY AGAIN. “It
- Page 63 and 64: LATER STILL “PLEASE, CARLA—”
- Page 65 and 66: “You trying to talk me out of it?
- Page 67 and 68: OLLY THE SUNROOM IS my favorite roo
- Page 69 and 70: he’s still, I can feel the need t
- Page 71 and 72: DIAGNOSIS
- Page 74 and 75: WONDERLAND AND IT’S THE wanting t
- Page 76 and 77: MAKES YOU STRONGER THERE’S NO E-M
- Page 78 and 79: NO YES MAYBE Monday, 8:09 P.M. Made
- Page 80: TIME CARLA MAKES US wait a week bef
- Page 83: FORECAST OLLY’S ON THE wall again
- Page 87 and 88: SECRETS MY CONSTANT IMING with Olly
- Page 89 and 90: NUMEROLOGY NUMBER OF: minutes it to
- Page 91 and 92: OLLY SAYS HE’S NOT ON the wall wh
- Page 93: Olly finds himself getting angry, t
- Page 96 and 97: going to go back to school soon. He
- Page 98 and 99: UPSIDE DOWN NORMAL PEOPLE PACE when
- Page 100 and 101: my finger in the palm of his hand.
- Page 102 and 103: FRIENDSHIP Later, 8:16 P.M. Olly: y
- Page 107 and 108: LIFE AND DEATH OLLY’S NOT ON the
- Page 110 and 111: HONESTLY Later, 8:03 P.M. Olly: no
- Page 112 and 113: preparing for a bout. He’s trying
- Page 114 and 115: THE THIRD MADDY I’M ALMOST ASLEEP
- Page 116 and 117: “That’s enough now,” my mom s
- Page 118 and 119: MIRROR IMAGE I PULL THE curtains as
- Page 120 and 121: MORE THAN THIS MY MOM WORDLESSLY kn
- Page 122 and 123: NURSE EVIL MY NEW NURSE is an unsmi
- Page 124 and 125: I stare at the note, remembering th
- Page 126 and 127: HIGHER EDUCATION WITH OLLY BACK in
- Page 128 and 129: ALOHA MEANS HELLO AND GOOD -BYE, PA
- Page 130 and 131: LATER, 9:08 P.M. OLLY’S ALREADY W
- Page 132 and 133: THE GLASS WALL A WEEK LATER, someth
the air in the house every four hours.”<br />
“Wow.” He turns his head to look at me and I can see him trying to come to terms with<br />
just how sick I am.<br />
I look away. “The settlement paid for it.” Before he can ask I add: “The trucker who<br />
killed my dad and brother fell asleep behind the wheel. He’d been working three shifts in<br />
a row. They settled with my mom.”<br />
He turns his head back toward the ceiling. “I’m sorry.”<br />
“It’s strange because I don’t really remember them. Meaning I don’t remember them at<br />
all.” I try to ignore the feelings that surface when I think about them. There’s sadness<br />
that’s not quite sadness, and then guilt. “It’s weird to miss something you’ve never had—<br />
or don’t remember having, anyway.”<br />
“Not so weird,” he says. We’re both quiet and he closes his eyes.<br />
“Do you ever wonder what your life would be like if you could just change one thing?”<br />
he asks.<br />
Not usually, but I’m starting to. What if I weren’t sick? What if my dad and brother<br />
hadn’t died? Not wondering about impossible things is how I’ve managed to be relatively<br />
Zen.<br />
“Everyone thinks they’re special,” he says. “Everyone’s a snowflake, right? We’re all<br />
unique and complicated. We can never know the human heart, and all that?”<br />
I nod slowly, certain I agree with what he’s saying now, but equally certain that I’m<br />
going to disagree with whatever’s next.<br />
“I think that’s nonsense. We’re not snowflakes. We’re just outputs for a set of inputs.”<br />
I stop nodding. “Like a formula?”<br />
“Exactly like a formula.” He props himself up to his elbows and looks at me. “I think<br />
there are one or two inputs that matter the most. Figure those out and you’ve figured out<br />
the person. You can predict anything about them.”<br />
“Really? What am I going to say now?”<br />
He winks at me. “You think I’m a brute, a heretic, a—”<br />
“A crackpot,” I complete for him. “You don’t really believe we’re math equations?”<br />
“I might.” He lies back down.<br />
“But how do you know which input to change?” I ask.<br />
He sighs a long, suffering sigh. “Yeah, that’s the problem. Even if you could figure out<br />
which one to change, then how much should you change it? And what if you can’t change<br />
it precisely enough? Then you couldn’t predict the new output. You could make things<br />
worse.”<br />
He sits up again. “Imagine, though, if you could just change the right inputs; you could<br />
fix things before they went wrong.” He says this last part quietly, but with the frustration<br />
of someone who’s been trying to solve the same unsolvable problem for a long time now.<br />
Our eyes meet and he looks embarrassed, like he’s revealed more than he meant to.<br />
He lies back down and throws a forearm across his eyes. “The problem is chaos theory.