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ACKNOWLEDGMENTS YOU ARE TRULY a thorough reader if you’re here with me in the acknowledgments. And, as a truly thorough reader of books (and their acknowledgments), you know that books do not spring wholly formed from the addled minds of their authors. First, I’d like to thank my mom, who has always dreamed big enough for the both of us. No, Oprah hasn’t selected me for her book club yet, Mom. But! It could happen. When I was young and growing up in Jamaica, my dad wrote movie reviews for a local paper. I thought that it (writing) and him (my dad) were just the coolest. So. I have to thank my dad for showing me that you could write things on paper that came from your head and that those things could affect people. I need to thank the Thursday night drinking and writing crew from Emerson College. You know who you are. You guys were my first community of writers and what a talented, crazy, supportive, mostly sober group you were. In particular, I need to thank Wendy Wunder. You are generous and funny and one of the best writers I know. Thanks to Joelle Hobeika, Sara Shandler, Natalie Sousa, and Josh Bank at Alloy. You made the book better in every way. I especially want to thank Sara for being a mad scientist genius and Joelle (also a genius) for making me laugh and feel good even when giving me twelve pages of single-spaced, double-sided revision notes. And then there’s Wendy Loggia. Truly, I won the lottery having you as my editor. Thank you for your vision and passion and kindness. You believed in this book from the very first words and that has meant the world to me. Another huge thanks to my tireless publicist, Jillian Vandall, and then to the entire team at Delacorte for making my biggest, oldest, wildest dream come true. Finally to my husband, David Yoon. Thank you for drawing me beautiful things at 4 A.M. in between kisses and sips of coffee. Thank you for everything, everything. For love. For adventure. For family. For this life. I love you.
NICOLA YOON grew up in Jamaica (the island) and Brooklyn (part of Long Island). She currently resides in Los Angeles with her husband and daughter, both of whom she loves beyond all reason. Everything, Everything is her first novel. DAVID YOON is a writer and designer. He lives with his wife Nicola Yoon (see above) in Los Angeles, where they spend their days talking about stories and reading to their threeyear-old daughter, Penny. David created the illustrations for Everything, Everything.
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This is a work of fiction. Names, c
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C O N T E N T S Cover Title Page Co
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More Than This Nurse Evil Neighborh
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Takeoff Forgiveness Life is Short T
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THE WHITE ROOM I’VE READ MANY mor
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SCID ROW MY DISEASE IS as rare as i
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“Perfect.” My mom peers over my
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STAYS THE SAME I’M READING ON my
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ALIEN INVASION, PART 2 I’M UP TO
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THE WELCOME COMMITTEE “CARLA,”
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NEIGHBORHOOD WATCH HIS MOM’S SCHE
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I SPY HIS FAMILY CALLS him Olly. We
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The bell rings again. My mom half r
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PIÈCE DE REJECTION BACK IN MY room
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I don’t think Carla has ever said
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FIRST CONTACT TWO DAYS PASS and I
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NIGHT FOUR I CAN’T STAND it. I pe
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NIGHT SIX THE BUNDT IS lying on a w
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FIRST CONTACT, PART TWO From: Madel
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Wednesday, 8:15 P.M. FIRST CONTACT,
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Olly: curiouser and curiouser madel
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Madeline: She must love somebody. I
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Olly: no. he made me quit the mathl
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Olly: come to the window Madeline:
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figure is different. This time he
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“Well, if I didn’t know before
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TWO HOURS LATER I TRY AGAIN. “It
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LATER STILL “PLEASE, CARLA—”
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“You trying to talk me out of it?
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OLLY THE SUNROOM IS my favorite roo
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he’s still, I can feel the need t
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DIAGNOSIS
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WONDERLAND AND IT’S THE wanting t
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MAKES YOU STRONGER THERE’S NO E-M
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NO YES MAYBE Monday, 8:09 P.M. Made
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TIME CARLA MAKES US wait a week bef
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FORECAST OLLY’S ON THE wall again
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There are too many inputs to the fo
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SECRETS MY CONSTANT IMING with Olly
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NUMEROLOGY NUMBER OF: minutes it to
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OLLY SAYS HE’S NOT ON the wall wh
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Olly finds himself getting angry, t
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going to go back to school soon. He
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UPSIDE DOWN NORMAL PEOPLE PACE when
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my finger in the palm of his hand.
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FRIENDSHIP Later, 8:16 P.M. Olly: y
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LIFE AND DEATH OLLY’S NOT ON the
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HONESTLY Later, 8:03 P.M. Olly: no
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preparing for a bout. He’s trying
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THE THIRD MADDY I’M ALMOST ASLEEP
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“That’s enough now,” my mom s
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MIRROR IMAGE I PULL THE curtains as
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MORE THAN THIS MY MOM WORDLESSLY kn
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NURSE EVIL MY NEW NURSE is an unsmi
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I stare at the note, remembering th
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HIGHER EDUCATION WITH OLLY BACK in
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ALOHA MEANS HELLO AND GOOD -BYE, PA
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LATER, 9:08 P.M. OLLY’S ALREADY W
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THE GLASS WALL A WEEK LATER, someth
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HALF LIFE IT’S A STRANGE thing to
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THE FIVE SENSES HEARING The alarm
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“Maddy—” “I’ll explain ev
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At first I’m not sure what I’m
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HAPPY ALREADY “MADS, BE SERIOUS.
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I reach over and take his hand. “
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eyes. “I must’ve missed a lot o
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TTYL
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THE CAROUSEL “I’VE DECIDED BAGG
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MADELINE’S DICTIONARY prom•ise
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And, too, the world is in me.
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REWARD IF FOUND OUR HOTEL SITS righ
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three meals and two snacks exactly
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eathed the same filtered air for so
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GUIDE TO HAWAIIAN REEF FISH
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I’m sure I don’t want him to. *
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ZACH BACK AT THE hotel, Olly calls
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Do you have my daughter? Is she OK?
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THE MURPHY BED IT’S LATE AFTERNOO
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ALL THE WORDS I COME AWAKE slowly,
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MADELINE’S DICTIONARY in•fi•n
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THIS TIME OLLY SMILES. HE will not
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“Do you believe it?” he asks.
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THE END SOMEONE HAS PUT me in a hot
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My. Heart. Stops.
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RELEASED, PART ONE
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READMITTED MY MOM HAS transformed m
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RELEASED, PART TWO Wednesday, 6:56
Page 191 and 192: Madeline: but mine isn’t
Page 193 and 194: GEOGRAPHY I’M IN AN endless field
Page 195 and 196: LIFE IS SHORT SPOILER REVIEWS BY MA
Page 197 and 198: PRETENDING I’M STRONGER WITH each
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Page 201 and 202: FIVE SYLLABLES A MONTH LATER, just
Page 203 and 204: HIS LAST LETTER IS HAIKU From: gene
Page 205 and 206: FOR MY EYES ONLY From: Dr. Melissa
Page 207 and 208: question if I have spoken after all
Page 209 and 210: IDENTITY CARLA’S BARELY IN the do
Page 211 and 212: PROOF OF LIFE ALL I HAVE to do is g
Page 213 and 214: have SCID?” Her concern morphs in
Page 215 and 216: I should feel compassion. But that
Page 217 and 218: THE VOID A UNIVERSE THAT can wink i
Page 219 and 220: “But my heart stopped.” “Yes.
Page 221 and 222: ONE WEEK A.D. I HAVE MY first weekl
Page 223 and 224: THREE WEEKS A.D. MY MOM TRIES to en
Page 225 and 226: FIVE WEEKS A.D. I ORDER REAL plants
Page 227 and 228: MADELINE’S MOM
Page 229 and 230: lot left.” We go back inside. I f
Page 231 and 232: THE END IS THE BEGINNING IS THE END
Page 233 and 234: FUTURE PERFECT #2 From: Madeline F.
Page 235 and 236: FORGIVENESS I STARE OUT the window
Page 237 and 238: THIS LIFE EVEN AT 9 A.M. on a Satur
Page 239: choices you make and all the choice
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