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MADELINE’S DICTIONARY o•cean (ˈōSHən) n. pl. -s. 1. The endless part of yourself you never knew but always suspected was there. [2015, Whittier]
REWARD IF FOUND OUR HOTEL SITS right on the beach and we can see and smell the ocean from the small open-air lobby. We’re greeted with alohas and more leis. Olly gives his to me so that I now have three layered around my neck. A bellhop in a bright yellow-and- white Hawaiian shirt offers to retrieve our nonexistent luggage. Olly makes a noise about our baggage coming later and steers us around him before he can question us further. I nudge Olly toward the check-in counter and give him our paperwork. “Welcome to Maui, Mr. and Mrs. Whittier,” says the woman at the desk. He doesn’t correct her mistake, just pulls me closer and gives me a loud smack on the lips. “Mahalo very much,” he says, grinning wildly. “You’ll be joining us for…two nights.” Olly looks to me for confirmation and I nod. A few keystrokes later the woman tells us that, though it’s still early, our room is already ready. She gives us a key and property map and tells us about the complimentary continental breakfast buffet. “Enjoy your honeymoon!” She winks and sends us on our way. * The room is small, very small, and decorated much like the lobby, with teak furniture and large pictures of bright tropical flowers. Our balcony—called a lanai—overlooks a small garden and a parking lot. From the center of the room, I turn a 360 to see what’s considered necessary in a temporary home—television, a small fridge, an enormous closet, a desk and chair. I turn another 360 trying to figure out what’s missing. “Olly, where are our beds? Where do we sleep?” He looks momentarily confused until he spots something. “Oh, you mean this?” He walks over to what I thought was an enormous closet, grips the two handles near the top and pulls to reveal a bed. “Voilà,” he says. “The very model of modern-day, space-saving efficiency. The height of style and comfort, of convenience and practicality. I give you the Murphy bed.” “Who is Murphy?” I ask, still surprised that a bed came out of the wall. “The inventor of this bed,” he says, winking. With the bed unfolded, the room feels even smaller. We both stare at it for longer than is strictly necessary. Olly turns to look at me. I’m blushing even before he says: “Just the one bed.” His voice is neutral, but his eyes aren’t. The look in his eyes makes
- Page 107 and 108: LIFE AND DEATH OLLY’S NOT ON the
- Page 110 and 111: HONESTLY Later, 8:03 P.M. Olly: no
- Page 112 and 113: preparing for a bout. He’s trying
- Page 114 and 115: THE THIRD MADDY I’M ALMOST ASLEEP
- Page 116 and 117: “That’s enough now,” my mom s
- Page 118 and 119: MIRROR IMAGE I PULL THE curtains as
- Page 120 and 121: MORE THAN THIS MY MOM WORDLESSLY kn
- Page 122 and 123: NURSE EVIL MY NEW NURSE is an unsmi
- Page 124 and 125: I stare at the note, remembering th
- Page 126 and 127: HIGHER EDUCATION WITH OLLY BACK in
- Page 128 and 129: ALOHA MEANS HELLO AND GOOD -BYE, PA
- Page 130 and 131: LATER, 9:08 P.M. OLLY’S ALREADY W
- Page 132 and 133: THE GLASS WALL A WEEK LATER, someth
- Page 134 and 135: HALF LIFE IT’S A STRANGE thing to
- Page 136 and 137: THE FIVE SENSES HEARING The alarm
- Page 138 and 139: “Maddy—” “I’ll explain ev
- Page 141 and 142: At first I’m not sure what I’m
- Page 143 and 144: HAPPY ALREADY “MADS, BE SERIOUS.
- Page 145 and 146: I reach over and take his hand. “
- Page 147 and 148: eyes. “I must’ve missed a lot o
- Page 149 and 150: TTYL
- Page 151 and 152: THE CAROUSEL “I’VE DECIDED BAGG
- Page 153 and 154: MADELINE’S DICTIONARY prom•ise
- Page 155: And, too, the world is in me.
- Page 159 and 160: three meals and two snacks exactly
- Page 161 and 162: eathed the same filtered air for so
- Page 163 and 164: GUIDE TO HAWAIIAN REEF FISH
- Page 165 and 166: I’m sure I don’t want him to. *
- Page 167 and 168: ZACH BACK AT THE hotel, Olly calls
- Page 169 and 170: Do you have my daughter? Is she OK?
- Page 171 and 172: THE MURPHY BED IT’S LATE AFTERNOO
- Page 173 and 174: ALL THE WORDS I COME AWAKE slowly,
- Page 175 and 176: MADELINE’S DICTIONARY in•fi•n
- Page 177 and 178: THIS TIME OLLY SMILES. HE will not
- Page 179 and 180: “Do you believe it?” he asks.
- Page 181 and 182: THE END SOMEONE HAS PUT me in a hot
- Page 183 and 184: My. Heart. Stops.
- Page 185 and 186: RELEASED, PART ONE
- Page 187 and 188: READMITTED MY MOM HAS transformed m
- Page 189 and 190: RELEASED, PART TWO Wednesday, 6:56
- Page 191 and 192: Madeline: but mine isn’t
- Page 193 and 194: GEOGRAPHY I’M IN AN endless field
- Page 195 and 196: LIFE IS SHORT SPOILER REVIEWS BY MA
- Page 197 and 198: PRETENDING I’M STRONGER WITH each
- Page 199 and 200: I’m trying not to focus on Olly,
- Page 201 and 202: FIVE SYLLABLES A MONTH LATER, just
- Page 203 and 204: HIS LAST LETTER IS HAIKU From: gene
- Page 205 and 206: FOR MY EYES ONLY From: Dr. Melissa
REWARD IF FOUND<br />
OUR HOTEL SITS right on the beach and we can see and smell the ocean from the small<br />
open-air lobby. We’re greeted with alohas and more leis. Olly gives his to me so that I<br />
now have three layered around my neck. A bellhop in a bright yellow-and- white Hawaiian<br />
shirt offers to retrieve our nonexistent luggage. Olly makes a noise about our baggage<br />
coming later and steers us around him before he can question us further.<br />
I nudge Olly toward the check-in counter and give him our paperwork.<br />
“Welcome to Maui, Mr. and Mrs. Whittier,” says the woman at the desk. He doesn’t<br />
correct her mistake, just pulls me closer and gives me a loud smack on the lips.<br />
“Mahalo very much,” he says, grinning wildly.<br />
“You’ll be joining us for…two nights.”<br />
Olly looks to me for confirmation and I nod.<br />
A few keystrokes later the woman tells us that, though it’s still early, our room is<br />
already ready. She gives us a key and property map and tells us about the complimentary<br />
continental breakfast buffet.<br />
“Enjoy your honeymoon!” She winks and sends us on our way.<br />
*<br />
The room is small, very small, and decorated much like the lobby, with teak furniture and<br />
large pictures of bright tropical flowers. Our balcony—called a lanai—overlooks a small<br />
garden and a parking lot.<br />
From the center of the room, I turn a 360 to see what’s considered necessary in a<br />
temporary home—television, a small fridge, an enormous closet, a desk and chair. I turn<br />
another 360 trying to figure out what’s missing.<br />
“Olly, where are our beds? Where do we sleep?”<br />
He looks momentarily confused until he spots something. “Oh, you mean this?” He<br />
walks over to what I thought was an enormous closet, grips the two handles near the top<br />
and pulls to reveal a bed. “Voilà,” he says. “The very model of modern-day, space-saving<br />
efficiency. The height of style and comfort, of convenience and practicality. I give you the<br />
Murphy bed.”<br />
“Who is Murphy?” I ask, still surprised that a bed came out of the wall.<br />
“The inventor of this bed,” he says, winking.<br />
With the bed unfolded, the room feels even smaller. We both stare at it for longer than<br />
is strictly necessary. Olly turns to look at me. I’m blushing even before he says:<br />
“Just the one bed.” His voice is neutral, but his eyes aren’t. The look in his eyes makes