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RACHEL<br />
It took me twenty-five minutes to get back there.<br />
I stood in front of Miss May’s house, panting and soaked to the skin. The only dry parts of me were<br />
the depths of my pockets where my fingers nestled around the handle of the knife and the hard edges<br />
of the keys.<br />
The street was empty and in front of me the slate sky was reflected in polished windowpanes that<br />
were speckled with rain, and the black wrought iron railings separating the house from the pavement<br />
looked sharp and forbidding.<br />
I approached the house and looked at the names and buzzers beside the front door. None of them<br />
read ‘May’. I peered over the wrought iron railings that enclosed a dank courtyard at least twelve feet<br />
below ground level.<br />
It was worth a try.<br />
I took the steps down one at a time, slowly, stone treads slick and treacherous. The doorbell wasn’t<br />
named. I rang it. No answer.<br />
I got out her keys and tried the Chubb key in the deadlock. It turned smoothly. In went the Yale key<br />
too, soft click, and I had to give the door a bit of a shove but it opened and I saw a dark hallway<br />
ahead, daring me to step into it.<br />
‘Hello?’ I called. It wasn’t too late to pretend I was just returning the keys, but there was no<br />
answer.<br />
‘Ben?’ I called. Nothing. I felt almost disabled by fear, but I forced myself to walk down the dark,<br />
narrow corridor. Filtered daylight beckoned me from the other end.<br />
I glanced through an open door on my left. It was a bathroom, and it was immaculate: fixtures<br />
gleaming, expensive looking toiletries in a neat row. The door opposite showed me her bedroom. On<br />
the bed was a suitcase, lid open, neatly packed.<br />
At the end of the corridor I found her living space. It was large and rectangular, the full width of the<br />
back of the house. There was a compact, neat kitchen area and small dining table at one end of it, a<br />
sitting area at the other. The room had stripped wooden floorboards and three wide, pretty windows<br />
with wooden shutters folded back, sills low and wide enough to sit on. The outside space it<br />
overlooked was little more than a light well, but there were pretty furnishings and the whole effect<br />
was of artful good taste. It was a flat I might have been envious of under different circumstances.<br />
Standing in the centre of the room, I saw myself reflected in a mirror over the mantelpiece. I looked<br />
white as a ghost. My hair, blackened by rain, hung in damp hanks around my face, and patches under<br />
my eyes were as dark as storm clouds. My skin looked slack and undernourished, and the injury on<br />
my forehead was healed, but prominent. My eyes were darting with fear and something else as well:<br />
there was desperation in them, and a glint of wildness.<br />
I looked completely mad.<br />
Doubt coursed through me.<br />
This is what a total breakdown must be, I thought. You find yourself standing somewhere you<br />
shouldn’t be, doing something so out of character that you wonder if you’ve become somebody else<br />
entirely. You’ve lost the plot, taken a wrong turning, jumped onto a train whose destination is total<br />
lunacy.<br />
I must leave, I thought. I must go home.<br />
I would have done that, too, but as I turned to leave I noticed the door. It was in a corner, partially