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JIM<br />

Nicky Forbes was on the phone when she opened the door. Her expression told me that we were the<br />

last people she expected to see.<br />

She was dressed already but her face was void of make-up and she wore her paleness like a mask.<br />

She looked like she was sucking a lemon as she led us into the small kitchen and gestured to us to join<br />

her at a small table that was set against the wall.<br />

A smoking cigarette lay in a circular ceramic ashtray that had fag ends crushed into its base. The<br />

table and chairs were a shiny orange pine, dented in places. The floor was tiled with small white<br />

squares grouted in black and the cabinets were white with a wood trim around the edge.<br />

The room was a throwback to the 1980s, nothing had been updated for years. It wasn’t what I<br />

expected from Nicky Forbes, because I’d seen her blog, the pictures of her cooking on her AGA in a<br />

perfectly equipped and decorated modern kitchen.<br />

The kettle had just boiled but she didn’t offer us a drink.<br />

‘Are you a smoker, DI Clemo?’ she asked, and she held out the cigarette packet that was on the<br />

table.<br />

‘No thank you,’ I said. Woodley shook his head too when she aimed the packet at him.<br />

She dropped it back onto the table where it landed with a slap, and retrieved her half-smoked<br />

cigarette from the ashtray.<br />

‘I gave this up years ago,’ she said. ‘When I got pregnant with my first daughter.’<br />

She sucked smoke in deeply, her eyes on mine, her gaze direct and challenging.<br />

‘I’m wondering why you’re here,’ she said, exhaling the smoke slowly so that it billowed between<br />

us, ‘when my sister is in Bristol frantically trying to get hold of somebody who’ll listen to her when<br />

she tells them that she has evidence that Ben’s alive? I’m also wondering why you’re here when you<br />

have a suspect in custody? Ben’s teaching assistant? Is that right? Shouldn’t you be trying to gather<br />

some evidence against him? Maybe?’<br />

She looked from one of us to the other, and when neither of us replied she slammed the side of her<br />

hand on the table, a show of temper that made Woodley jump, but not me.<br />

‘What is the matter with you people?’<br />

Her face was angry red and her manner was that of a teacher demanding an answer. It was all about<br />

control with her, I thought. This was an attempt at a display of control from somebody who had lost it.<br />

But I wasn’t worried about cracking her; I knew I was a good interviewer, very good.<br />

When I was in my first couple of years of training I spent hours with my dad, honing my<br />

interrogation skills, role-playing until he’d caught me out with every dirty trick in the book, and then<br />

taught me how to recognise them, and work with them.<br />

‘You’ll hear excuses,’ Dad said to me one night. I was visiting the family home and it was after<br />

dinner. Mum was washing up and Dad and I were talking in his study. The window was wide open<br />

and outside the late summer heat had just folded itself away, so we were sitting in the early gloom of<br />

a cool, velvety night. ‘Blokes will say that you aren’t a magician,’ Dad went on, ‘that you can only do<br />

what you do. That’s bullshit. It’s whingeing. It’s for people who aren’t good enough. If you’re worth<br />

anything, you can get the truth out of anyone. But you’ve got to be good.’<br />

Two cut glass tumblers sat squat on the table between us, two whiskies. My dad shut the window<br />

and switched on his desk lamp. The shade glowed dark emerald and dropped a rectangle of light onto<br />

the surface of his desk.

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