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JIM<br />

Nine o’clock Sunday morning, on Fraser’s instructions, Bennett and I were knocking at a heavy<br />

wooden door set in a stone wall on a wide pavement in the posh end of Sea Mills and listening to the<br />

sound of birdsong while we waited for a reply.<br />

The woman who opened it had the same flaming red hair as Ben’s teaching assistant. She wore an<br />

extravagantly colourful kimono over a pair of pyjamas and had bare legs and feet. Her toes curled in<br />

as the cold hit them. She was polite but perturbed. She was Lucas Grantham’s mother.<br />

‘He’s here but he’s still asleep,’ she said, when we asked if we could have a word with him. ‘He<br />

got in late last night.’<br />

‘Anybody else at home?’ Bennett asked her.<br />

‘No. Just us. Nobody else lives here.’<br />

The house was unusual, 60s built I’d have guessed, single storey, wrapped in an L-shape around a<br />

large garden. Impenetrable looking from the outside, the interior was flooded with light because<br />

almost every wall facing the garden was made of glass.<br />

She asked us to wait in a modest-sized sitting room. There was nothing showy about this home<br />

apart from the architecture. The furnishings weren’t new and the walls were lined with shelves in<br />

cheap brown wood, which carried hundreds of books. Visible across the garden was a room at the<br />

end of the house, which looked like an artist’s studio.<br />

In a far corner of the garden was a very large mound, covered in grass, and at one end of it was a<br />

corrugated metal door that you reached by walking down a few steps.<br />

‘Do you know what that is?’ Bennett said, in a voice that told me he’d quite like to educate me.<br />

‘It’s an Anderson shelter,’ I said. I wasn’t going to give him the pleasure of engaging in his usual<br />

one-upmanship. I’d wanted to do this interview with Fraser but she was still firefighting back at HQ<br />

after Emma’s confession. We’d only been out together for half an hour but already I was tolerating<br />

Bennett at best.<br />

When Lucas Grantham appeared, his pale skin was whiter than I remembered, freckles running<br />

over it like a nasty rash. He wore a crumpled T-shirt, which looked like he’d slept in it, and a pair of<br />

tracksuit bottoms.<br />

His mother had dressed herself and Bennett said, ‘Make us a cup of coffee would you, love? While<br />

we have a chat with Lucas.’<br />

I winced as I saw pride flicker in her face before she made a calculation and quelled it in the face<br />

of our authority. She left us with her son.<br />

The three of us sat down around a low coffee table, and I pulled a photograph from my file and put<br />

it down in front of Grantham. It showed his car, crossing the suspension bridge, at 14.30 on Sunday,<br />

21 October, time and date clearly printed on the photograph.<br />

‘Fuck,’ he said. ‘Oh fuck. I told Sal we shouldn’t have done this, I told her.’<br />

‘Done what, son?’ said Bennett.<br />

‘Now you’re going to think that I’ve done something to Ben Finch. Truth is, I don’t even know him<br />

very well! I don’t. He’s a nice kid, he’s good at art, but that’s all I know!’<br />

‘Reel it back in, son,’ said Bennett. ‘Reel it back in. Let’s start at the beginning.’<br />

Grantham’s panic was palpable now, hands rubbing up and down along his thighs, clawing at his<br />

knees. Eyes darting from Bennett, to me, to the photograph, to the doorway where his mother might<br />

reappear.

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