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JIM<br />
Nine o’clock Sunday morning, on Fraser’s instructions, Bennett and I were knocking at a heavy<br />
wooden door set in a stone wall on a wide pavement in the posh end of Sea Mills and listening to the<br />
sound of birdsong while we waited for a reply.<br />
The woman who opened it had the same flaming red hair as Ben’s teaching assistant. She wore an<br />
extravagantly colourful kimono over a pair of pyjamas and had bare legs and feet. Her toes curled in<br />
as the cold hit them. She was polite but perturbed. She was Lucas Grantham’s mother.<br />
‘He’s here but he’s still asleep,’ she said, when we asked if we could have a word with him. ‘He<br />
got in late last night.’<br />
‘Anybody else at home?’ Bennett asked her.<br />
‘No. Just us. Nobody else lives here.’<br />
The house was unusual, 60s built I’d have guessed, single storey, wrapped in an L-shape around a<br />
large garden. Impenetrable looking from the outside, the interior was flooded with light because<br />
almost every wall facing the garden was made of glass.<br />
She asked us to wait in a modest-sized sitting room. There was nothing showy about this home<br />
apart from the architecture. The furnishings weren’t new and the walls were lined with shelves in<br />
cheap brown wood, which carried hundreds of books. Visible across the garden was a room at the<br />
end of the house, which looked like an artist’s studio.<br />
In a far corner of the garden was a very large mound, covered in grass, and at one end of it was a<br />
corrugated metal door that you reached by walking down a few steps.<br />
‘Do you know what that is?’ Bennett said, in a voice that told me he’d quite like to educate me.<br />
‘It’s an Anderson shelter,’ I said. I wasn’t going to give him the pleasure of engaging in his usual<br />
one-upmanship. I’d wanted to do this interview with Fraser but she was still firefighting back at HQ<br />
after Emma’s confession. We’d only been out together for half an hour but already I was tolerating<br />
Bennett at best.<br />
When Lucas Grantham appeared, his pale skin was whiter than I remembered, freckles running<br />
over it like a nasty rash. He wore a crumpled T-shirt, which looked like he’d slept in it, and a pair of<br />
tracksuit bottoms.<br />
His mother had dressed herself and Bennett said, ‘Make us a cup of coffee would you, love? While<br />
we have a chat with Lucas.’<br />
I winced as I saw pride flicker in her face before she made a calculation and quelled it in the face<br />
of our authority. She left us with her son.<br />
The three of us sat down around a low coffee table, and I pulled a photograph from my file and put<br />
it down in front of Grantham. It showed his car, crossing the suspension bridge, at 14.30 on Sunday,<br />
21 October, time and date clearly printed on the photograph.<br />
‘Fuck,’ he said. ‘Oh fuck. I told Sal we shouldn’t have done this, I told her.’<br />
‘Done what, son?’ said Bennett.<br />
‘Now you’re going to think that I’ve done something to Ben Finch. Truth is, I don’t even know him<br />
very well! I don’t. He’s a nice kid, he’s good at art, but that’s all I know!’<br />
‘Reel it back in, son,’ said Bennett. ‘Reel it back in. Let’s start at the beginning.’<br />
Grantham’s panic was palpable now, hands rubbing up and down along his thighs, clawing at his<br />
knees. Eyes darting from Bennett, to me, to the photograph, to the doorway where his mother might<br />
reappear.