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‘These are just beautiful,’ she said.<br />
I was lost in the pictures myself when she said it, and her sincerity was unexpected, and felt<br />
unfiltered.<br />
‘You’re the first person outside the family to see them,’ I said.<br />
‘Truly? I’m honoured. I really am.’<br />
Her voice caught. She had to take a moment to compose herself.<br />
‘I tried to learn photography when I was younger,’ she said. ‘My dad bought me a camera, an oldfashioned<br />
one. It was a film camera. I was fifteen years old. He set me a project. He told me to go out<br />
and take photographs. He drove me to a place called Old Airport Road, in Singapore, where I grew<br />
up, because he was in the army you see. Anyway, on Old Airport Road there’s an old-fashioned food<br />
court, so you know what I mean, lots of stalls selling street food of every different kind, a<br />
photographer’s dream really. My dad told me to take photographs of the food. I had to ask permission<br />
from the stallholders and my dad sat and watched while I spent ages preparing my shots and looking<br />
at the different angles and shapes, and after two hours I’d taken my twenty-four photographs. We<br />
dropped the film off to be developed and I couldn’t wait to go and collect it the next day, I was so<br />
excited. I had one of those ideas you have when you’re young, you know: I’m going to take one roll of<br />
film and be a famous photographer. I was that excited. But when I went back the next day and the girl<br />
in the shop gave me my packet of photographs, I pulled them out, and every single one of them was<br />
black.’<br />
It was the most I’d ever heard her talk. ‘What happened?’ I asked.<br />
‘Well, I looked at my dad, I had the same question on my lips, and he said, “That will teach you not<br />
to leave the lens cap on.” I was so angry with him for not telling me.’<br />
‘Did he know? While you were taking the photos?’<br />
‘He did. That’s what he’s like though. He believes you should learn things yourself, do things the<br />
hard way.’ She smiled wanly. ‘It worked. I never did it again.’<br />
‘That’s what I was trying to do for Ben,’ I said. She kept her eyes on the photographs. ‘In the<br />
woods, when I let him run ahead. Because I thought that being independent would let him feel life, be<br />
enchanted by it, not fear it, or feel that he has to follow a set of rules to get through it. Because it’s<br />
tough.’<br />
She said nothing. She turned away for a moment and the silence was awkward. When she turned<br />
back her eyes were red and she put a hand on my arm, and said, ‘I’m so sorry, Rachel. I really am.’<br />
Once Zhang had gone I went back into the house, driven by the need to be near the landline in case of<br />
news. The silence was hard to bear and I tried to console and calm myself by looking at Ben’s books<br />
again. I revisited the page where he’d drawn himself spending the whole day in bed, before I turned<br />
over to see what he’d written next.<br />
The following page was startlingly colourful by comparison. Greenery filled every corner: trees<br />
and plants in strong confident lines, and a dog that was obviously meant to be Skittle. Short straight<br />
lines slanted across the page, over the other images, as if somebody had spilled blue hundreds and<br />
thousands across it.<br />
On Sunday Mummy and Skittle and me walked in the woods, he’d written. It was raining all the<br />
time.<br />
I turned another page. The next week’s drawing was very similar. Ben had written: We walked in<br />
the woods agen on Sunday. I found a very big stick and brung it home.<br />
There was a comment in red ink: Your walks sound lovely, Ben. Excellent drawing.