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‘These are just beautiful,’ she said.<br />

I was lost in the pictures myself when she said it, and her sincerity was unexpected, and felt<br />

unfiltered.<br />

‘You’re the first person outside the family to see them,’ I said.<br />

‘Truly? I’m honoured. I really am.’<br />

Her voice caught. She had to take a moment to compose herself.<br />

‘I tried to learn photography when I was younger,’ she said. ‘My dad bought me a camera, an oldfashioned<br />

one. It was a film camera. I was fifteen years old. He set me a project. He told me to go out<br />

and take photographs. He drove me to a place called Old Airport Road, in Singapore, where I grew<br />

up, because he was in the army you see. Anyway, on Old Airport Road there’s an old-fashioned food<br />

court, so you know what I mean, lots of stalls selling street food of every different kind, a<br />

photographer’s dream really. My dad told me to take photographs of the food. I had to ask permission<br />

from the stallholders and my dad sat and watched while I spent ages preparing my shots and looking<br />

at the different angles and shapes, and after two hours I’d taken my twenty-four photographs. We<br />

dropped the film off to be developed and I couldn’t wait to go and collect it the next day, I was so<br />

excited. I had one of those ideas you have when you’re young, you know: I’m going to take one roll of<br />

film and be a famous photographer. I was that excited. But when I went back the next day and the girl<br />

in the shop gave me my packet of photographs, I pulled them out, and every single one of them was<br />

black.’<br />

It was the most I’d ever heard her talk. ‘What happened?’ I asked.<br />

‘Well, I looked at my dad, I had the same question on my lips, and he said, “That will teach you not<br />

to leave the lens cap on.” I was so angry with him for not telling me.’<br />

‘Did he know? While you were taking the photos?’<br />

‘He did. That’s what he’s like though. He believes you should learn things yourself, do things the<br />

hard way.’ She smiled wanly. ‘It worked. I never did it again.’<br />

‘That’s what I was trying to do for Ben,’ I said. She kept her eyes on the photographs. ‘In the<br />

woods, when I let him run ahead. Because I thought that being independent would let him feel life, be<br />

enchanted by it, not fear it, or feel that he has to follow a set of rules to get through it. Because it’s<br />

tough.’<br />

She said nothing. She turned away for a moment and the silence was awkward. When she turned<br />

back her eyes were red and she put a hand on my arm, and said, ‘I’m so sorry, Rachel. I really am.’<br />

Once Zhang had gone I went back into the house, driven by the need to be near the landline in case of<br />

news. The silence was hard to bear and I tried to console and calm myself by looking at Ben’s books<br />

again. I revisited the page where he’d drawn himself spending the whole day in bed, before I turned<br />

over to see what he’d written next.<br />

The following page was startlingly colourful by comparison. Greenery filled every corner: trees<br />

and plants in strong confident lines, and a dog that was obviously meant to be Skittle. Short straight<br />

lines slanted across the page, over the other images, as if somebody had spilled blue hundreds and<br />

thousands across it.<br />

On Sunday Mummy and Skittle and me walked in the woods, he’d written. It was raining all the<br />

time.<br />

I turned another page. The next week’s drawing was very similar. Ben had written: We walked in<br />

the woods agen on Sunday. I found a very big stick and brung it home.<br />

There was a comment in red ink: Your walks sound lovely, Ben. Excellent drawing.

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