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RACHEL<br />

Halfway through the morning Nicky announced, ‘I’ve spoken to John. He wants us to go round to his<br />

house so we can agree together on a design for a “Missing” flyer, and print some there. He’s got a<br />

laser printer.’<br />

I’d never been to John and Katrina’s new house. Not past the front door anyway. I’d spent plenty of<br />

time standing on the gravel outside when I’d dropped Ben off for the weekend.<br />

‘Will Katrina be there?’<br />

‘I expect so, yes, but at this point I think you need to think of her as another pair of hands. She<br />

wants to help and we need all the help we can get.’<br />

I thought of the blog and the comments I’d read this morning.<br />

‘Any port in a storm?’ I said.<br />

‘Exactly!’ she said, and she smiled just a little.<br />

It pleased Nicky when I said that because it’s what our Aunt Esther used to say. ‘You’d been<br />

through a storm,’ she would say if we ever discussed the circumstances that had led us to live with<br />

her. ‘A terrible storm, and I was your port.’<br />

‘A safe haven,’ Nicky would say and Esther would agree.<br />

Esther had taken us in after our parents’ death. She was our mother’s much older sister. She brought us<br />

to her house immediately after the accident that killed our parents and we never left after that. She<br />

sheltered us from gossip, which sometimes hung around us like a cloud of biting midges. She gave us<br />

the chance to have a childhood, or her version of one.<br />

It wasn’t a usual upbringing, because Esther was a spinster, who’d always lived alone. She taught<br />

English Literature A level to the children of the local wealthy at a small private school and could<br />

quote a huge amount of poetry by heart. She also played bridge and had a passion for growing roses.<br />

She wore knee-length skirts and flat shoes, with simple cardigans, and had bobbed flyaway white hair<br />

that she clipped back with kirby grips. She kept gold-topped milk in the fridge, which the birds had<br />

invariably pecked at before she brought it in in the morning, so each lid had neat puncture marks in it<br />

when it arrived on the breakfast table.<br />

I don’t think Esther was a naturally maternal figure. She was unaccustomed to young children apart<br />

from a regular annual visit she’d made to our family before our parents died, so when Nicky and I<br />

arrived suddenly in her life she treated us as miniature adults, and shared her passions with us. She<br />

surrounded us with art and music and books, she pointed out the possibility of beauty in life. Nicky<br />

drank this up as if it were nectar, and fell into Esther’s arms gratefully.<br />

I was different. When I was growing up I always felt like the baby that I’d been when we arrived<br />

there, a bit of an addendum to their lives, too little to understand things properly, always in bed when<br />

the proper conversations took place. It was ironic, as I’d never known our mother or father, that I was<br />

the one who found it most difficult to accept Esther in her role in loco parentis, while Nicky, nine<br />

years old when we arrived, wouldn’t leave her side.<br />

As a teenager I’d meanly thought that Esther was fusty, tweedy and better suited to another era,<br />

more like other people’s grandparents than their parents. I’d rejected her gentle offerings of culture<br />

and knowledge because they hadn’t immediately bolstered me, or given me an obvious direction or<br />

purpose. That came later in life, when I took up photography, when I sat beside John in St George’s<br />

concert hall and fell in love with him and with classical music, and then I regretted that I’d never

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