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RACHEL<br />
My sister Nicky was waiting for me in the foyer at Kenneth Steele House. She was panda-eyed with<br />
strain. I fell into her arms. Her clothing smelled of damp cottage and wood smoke and washing<br />
powder.<br />
She looks a lot like me. You could tell we’re sisters if you saw us together. She’s got the same<br />
green eyes and more or less the same face, and a similar figure, though she’s heavier. She’s not quite<br />
as tall as me either and her hair is cut short and always carefully highlighted, so instead of being curly<br />
it settles in brushed golden waves around her face, which makes her look more sensible than me.<br />
Nicky told me she’d driven straight from Aunt Esther’s cottage. She held me tightly.<br />
The hug felt awkward. We probably hadn’t been in each other’s arms since I was a child. I wasn’t<br />
used to the padded curves of her body, the cotton wool softness of the skin on her cheek. It made me<br />
acutely aware of my own frame, its angularity, as if I were constructed from a more brittle material<br />
than her.<br />
‘Let’s get you home,’ she said, and she brushed a strand of my hair back behind my ear.<br />
Arriving home was my first taste of how it feels to live life in a goldfish bowl.<br />
Journalists had gathered outside my little two-up, two-down cottage. Ben and I lived on a pretty<br />
narrow street of small Victorian terraces in Bishopston, an area that has yellow Neighbourhood<br />
Watch stickers in many house windows and loves recycling and having street parties in the summer.<br />
Our neighbours were a mix of elderly people, young families and some students. Ours was a quiet<br />
street. The biggest drama we’d collectively experienced since I’d lived there was waking up to find<br />
drunk students had put traffic cones on top of the car roofs during the night.<br />
The journalists were impossible to avoid. There was a group of them, big enough to spill off the<br />
pavement. They called my name, thrust microphones towards us, photographed us as we entered the<br />
house, pushed and shoved and tripped up as they ran around each other trying to get in front of us.<br />
Their voices were cajoling, and urgent, and to me they had the menace of a mob.<br />
When we got inside, black dots danced at the edges of my vision, the after-effects of the bright<br />
white of their flashbulbs, and I could still hear them calling from behind the door. My heart rate didn’t<br />
slow until I moved into the kitchen at the back of the house, and there it was silent, and I was able to<br />
sit, and breathe, and focus on the placid ticking of my kitchen clock.<br />
Zhang stayed with us for a short while. The scenes of crime officers had visited the house while I<br />
was being interviewed. She wanted to check that they’d left everything in order upstairs, in Ben’s<br />
room.<br />
She pulled the curtains in the sitting room tightly shut, so that the journalists couldn’t see in. She<br />
advised us not to answer the door without checking who was there, and not to speak directly to the<br />
press.<br />
‘It’s good that they’re here though,’ she said. ‘It’s all good publicity because it means that as many<br />
people as possible will be aware of Ben and will be looking out for him.’<br />
She made sure we had her card with her number on it and then she left us alone. Part of me didn’t<br />
really want her to leave. She was more approachable than Clemo by miles. I felt nervous of him, of<br />
the authority he exuded, of his matter-of-factness and of the power he suddenly held in our lives. But<br />
Zhang was different, more of a kindly guide who might be able to help me navigate this horrendous<br />
new reality, and I felt grateful for her.