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Sam Harper ’74 at his home in<br />

Tivoli, New York<br />

Sam Harper ’74 Rookie of the Year<br />

The definition of the term “longsuffering”<br />

has rarely had a more powerful<br />

illustration than the 108-year championship<br />

drought experienced by fans<br />

of Major League Baseball’s Chicago<br />

Cubs. One of those fans is Sam Harper<br />

’74, a New York native who moved to<br />

Chicago at age 10 and grew up a diehard<br />

Cubs fan. Although the Cubs’ 2016<br />

World Series victory may have rendered<br />

“long-suffering” inapt, a more appropriate<br />

descriptor might be “prophet,”<br />

because Sam actually “foretold” of a<br />

Cubs championship in the screenplay<br />

he wrote for 1993’s Rookie of the Year.<br />

In the film, a Little League bench rider<br />

suffers an arm injury that results in an<br />

uncanny ability to throw a baseball at<br />

blinding speed, resulting in a contract<br />

with the Cubs and a World Series<br />

victory. The first original screenplay he<br />

ever wrote, the film made him something<br />

of a “Rookie of the Year” himself.<br />

Sam took his first steps toward the<br />

big screen when he joined Darrow as<br />

a sophomore in 1972 and cultivated his<br />

love for writing. “I was a shy kid from a<br />

large family, so it was not unusual for me<br />

to escape to a quiet room and write in<br />

my journal,” he said. Having attended<br />

public schools, as well as more rigid<br />

“coat and tie” private schools, he found<br />

at Darrow the ideal mix of academic<br />

and creative stimuli, complemented<br />

by the grounding structure of activities<br />

like Hands-to-Work and the collective<br />

support of teachers and mentors such<br />

as Bob McCannon, Herb Lape, and Mike<br />

Clarke, who spent time with him and<br />

encouraged his development as a writer.<br />

“My senior project was writing four<br />

creative short stories, and my Hands-to-<br />

Work job senior year was putting together<br />

the weekly newsletter with Jane Feldman<br />

’74 and Kemp Parker ’74, so I was writing<br />

a lot,” he said. “It was Bob McCannon<br />

who pulled me aside one day and said,<br />

‘You really need to pursue your writing<br />

because there’s something there.’”<br />

After Darrow, he attended Colorado<br />

College, where he majored first in<br />

English and then in history. Though the<br />

School had no film program, a teacher<br />

who taught a course on history as seen<br />

through movies suggested screenwriting<br />

as a possible career for the<br />

confirmed movie addict. Before that,<br />

though, he tried his hand as a writer<br />

for Advertising Age. “There was an<br />

editor there who just cut my writing to<br />

ribbons, but it was so helpful. It was the<br />

best schooling I ever got in writing,” he<br />

said. The subject matter, on the other<br />

hand, was extremely boring. “I had the<br />

chewing gum beat, the cigarette beat,<br />

and the sporting goods beat. After<br />

three years, I was dying to do something<br />

more creative.”<br />

While visiting his older sister, who<br />

had moved to Los Angeles to pursue<br />

an acting career, he met an agent friend<br />

of hers who encouraged him to move<br />

west and pursue screenwriting. “I had<br />

been writing creatively in New York but<br />

couldn’t get any traction. So I saved<br />

what money I had and quit. I moved<br />

to L.A. in 1981 and started out reading<br />

scripts and writing synopses and<br />

criticism for studios. They paid me $15<br />

a script and $25 per book. I was just<br />

barely getting by but I was still writing<br />

my own creative stuff on the side.”<br />

Sam’s first paying studio job arrived<br />

in 1987 with a film called Revenge of the<br />

Nerds II: Nerds in Paradise, for which he<br />

wrote a version of the script. “I didn’t get<br />

credited on it, but the experience was<br />

fantastic. I was able to quit my other job<br />

and things began to pick up. I was getting<br />

one script deal a year.” While working in<br />

script development, rewriting scripts that<br />

“might or might not get made,” he wrote<br />

Rookie of the Year in 1991, which became<br />

a major release in 1993.<br />

In 1997, in the midst of a career slump,<br />

he wrote a romantic comedy titled Just<br />

Married, which was based on his 1985<br />

honeymoon with his wife, Anna McDonnell.<br />

The film released in 2003, starring<br />

Brittany Murphy and Ashton Kutcher.<br />

“I felt like I was back in it,” Sam said of<br />

the box office success.<br />

DARROW SCHOOL 19

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