Peg Board
3px7IEch4
3px7IEch4
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
ON<br />
CAMPUS<br />
The Darrow Theater Workshop presents...<br />
The Burial at Thebes<br />
For its fall production November 11–12, the Darrow Theater Workshop took on two<br />
unique challenges: staging a modern adaptation of a classic Greek tragedy, and performing<br />
in the unusual setting of the Tannery rather than the Darrow Theater. The play—<br />
The Burial at Thebes: A Version of Sophocles’s Antigone by Seamus Heaney— is based<br />
on the fifth century B.C.E. tragedy Antigone, by Sophocles, which tells the story of the<br />
daughter of Oedipus, King of Thebes. Addressing themes of morality, individual freedoms,<br />
and the imposition of restrictions by the state, the play featured several variations<br />
on the original, said Jennifer Pytleski, Director of Performing Arts. Heaney’s adaptation,<br />
she said, blends both current events with classic elements of Greek tragedy.<br />
Clockwise from top left: Maddie<br />
Nicholson ’18, as Creon, wrestles<br />
with a dilemma; Mickey Mastrianni<br />
’18, as Antigone, makes her<br />
argument before the king; Max<br />
Sidell ’18 and Constanza Carty ’19<br />
provide comments and context;<br />
Max Paladino ’19, as Tiresias,<br />
and Tench Cholnoky ’20, as his<br />
boy, provide their testimony;<br />
and Rachel Yang ’18 delivers an<br />
important message to the court<br />
as Ewen McManus ’18, as Hades,<br />
observes in the background.<br />
See more photos from The<br />
Burial at Thebes at www.flickr.<br />
com/photos/darrowschool.<br />
Photos by Steve Ricci<br />
10<br />
PEG BOARD FALL/WINTER 2016–17