Atlantic Ave Magazine - April 2017
► regulars ║ city people City People The Wizard Of Art MELANIE JOHANSON By Diane Feen { Photo by melissa korman When you look into Melanie Johanson’s eyes you can see forever. They widen as she speaks and illuminate the room she inhabits. It makes you wonder if this 36-year-old woman is as much a work of art as her occupation implies. Her life has been punctuated by bouts of creativity with an obsession with art. It started when she was only eight-years-old. She began copying Disney Cartoons in her sketch book and progressed to summer art camps, art classes and art excursions. Her mother Susan (a kindergarten teacher) nurtured her daughters’ artistic curiosity and inherent ability. At Mount Carmel Academy High School in New Orleans (where she grew up) she took every art class available. But when it came to getting a degree, reality overtook her passion. “I wanted to major in something art related, but I wasn’t sure how to parlay my interest in visual art into something that would make money.” Reality is an admirable pursuit, but it can derail us when trying to reach our loftiest goals. In this case, it means Johanson would have left dormant her ability to create wizardry through art for others to admire and be inspired by. But we don’t have to worry about that now because Johanson has taken up residence as Curator of the Cornell Museum. Her gift for discovering artistic talent and culling it together to create miraculous art exhibits (that combine brain power and will power) has overtaken her need for security. And for that we are thrilled. “Melanie has a sense for putting things together in unexpected ways. I’m blown away every time I walk into a new exhibition at the Corner Museum. She has brought a fresh contemporary approach to the museum unlike anything we’ve seen in the area,” said Brenda Zappitell, art professor and Cornell Board member. One example of her firecracker ability to see art as one continuous visual orgy was the “Lit” Exhibition. The entire museum was filled with colorful artwork lit up by way of neon, video, fiber optics and painting. The exhibition was a huge success and answered the proverbial question – can a museum with a traditional past make a sharp departure into the world of contemporary art? The answer was (and still is) Yes. Attendance is up at the museum (that was built in 1913 as a schoolhouse) and the exhibits continue to stretch the imagination though the intersection of art and suspended reality. Rob Steele can attest to that. “Melanie’s ethereally fresh approach to curating contemporary art exhibits at the Cornell Museum has opened eyes and lifted spirits in magical ways. Her vision, and the Cornell’s charm, dovetails beautifully to create an unmatched experience for our guests,” said the President & CEO of Old School Square. Steele is right. The museum has big city momentum and small town charm rooted in historic Dade County Pine floors, a soaring staircase and old world molding. Combine that with exhibits such as “From the Ordinary to Extraordinary: Paper As Art” and you have a center of artistic gravity that holds down the medium with flights of fancy that uplift and inspire. That’s exactly the way Johanson saw her mission from the start. “I like to design exhibitions that do not assume the viewer knows about art history. That way everyone who comes to the Museum can be inspired and expanded by art from different mediums.” The result is a new patronage that spans in age from five to 95. It also has big city sophistication in an intimate setting that appeals to the new demographic of Delray. When the art is on the walls - and the burst of genius is strewn around the energy field of the museum - it looks like an easy task. But that’s far from the truth. “I come up with ideas for exhibits by going to art galleries and art fairs in New York, Miami and New Orleans. I also save thousands of photos and blogs for future exhibits. It may start with one piece of art that inspires me, or a theme I can’t get out of my head.” This has not always been the case. Johanson’s first 96 April 2017 | www.AtlanticAveMagazine.com
job was at a web design company. After that she taught art teacher at an all-girls school in New Orleans. When her husband took a job in South Florida she started over. As luck would have it Johanson ended up at the Cornell Museum. “When I took the Museum Assistant position at the Cornell I thought it would be a temporary thing, but it ended up being something far better than I could have ever imagined.” Many people are glad about that. “Melanie has an eye for edgy, quality, fun art that suits the Cornell and the following that the Museum is cultivating. I’m sure she doesn’t believe that imaging and planning exhibits for the Museum has anything to do with work. For her it’s a challenge and a pleasure. She is simply great at what she does,” said arts patron Margaret Blume. Because of her advertising background Johanson designs print material, outdoor and indoor signage, mailers and promotional material for the Museum. She also plans and designs exhibitions, gets sponsorships, facilitates art installations, cultivates donors and connects collectors with artists. On a more personal note, Johanson is married to her soulmate, Greer Prather. The petroleum businessman is her most ardent supporter. “I bounce ideas off my husband and rely on him for support in all aspects of my life. He is a great listener and businessman, and he helps me in my role at the Cornell.” It seems that Johanson doesn’t need too much help. She is divinely guided by an inner artistic passion that lights the way for all who enter the Cornell Museum. Welcome to Melanie’s world. It’s a place of wonderment and excitement with color and art as the unspoken orator. www.AtlanticAveMagazine.com | April 2017 97
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►<br />
regulars ║ city people<br />
City People<br />
The Wizard Of Art<br />
MELANIE JOHANSON<br />
By Diane Feen<br />
{<br />
Photo by melissa korman<br />
When you look into Melanie Johanson’s eyes you<br />
can see forever. They widen as she speaks and<br />
illuminate the room she inhabits.<br />
It makes you wonder if this 36-year-old woman is<br />
as much a work of art as her occupation implies. Her<br />
life has been punctuated by bouts of creativity with an<br />
obsession with art.<br />
It started when she was only eight-years-old. She<br />
began copying Disney Cartoons in her sketch book<br />
and progressed to summer art camps, art classes and<br />
art excursions. Her mother Susan (a kindergarten<br />
teacher) nurtured her daughters’ artistic curiosity<br />
and inherent ability.<br />
At Mount Carmel Academy High School in New<br />
Orleans (where she grew up) she took every art<br />
class available. But when it came to getting a degree,<br />
reality overtook her passion. “I wanted to major<br />
in something art related, but I wasn’t sure how to<br />
parlay my interest in visual art into something that<br />
would make money.”<br />
Reality is an admirable pursuit, but it can derail us<br />
when trying to reach our loftiest goals. In this case, it<br />
means Johanson would have left dormant her ability<br />
to create wizardry through art for others to admire<br />
and be inspired by.<br />
But we don’t have to worry about that now because<br />
Johanson has taken up residence as Curator of the<br />
Cornell Museum. Her gift for discovering artistic talent<br />
and culling it together to create miraculous art<br />
exhibits (that combine brain power and will power)<br />
has overtaken her need for security.<br />
And for that we are thrilled. “Melanie has a sense<br />
for putting things together in unexpected ways. I’m<br />
blown away every time I walk into a new exhibition<br />
at the Corner Museum. She has brought a fresh contemporary<br />
approach to the museum unlike anything<br />
we’ve seen in the area,” said Brenda Zappitell, art professor<br />
and Cornell Board member.<br />
One example of her firecracker ability to see art as<br />
one continuous visual orgy was the “Lit” Exhibition.<br />
The entire museum was filled with colorful artwork<br />
lit up by way of neon, video, fiber optics and painting.<br />
The exhibition was a huge success and answered<br />
the proverbial question – can a museum with a traditional<br />
past make a sharp departure into the world of<br />
contemporary art?<br />
The answer was (and still is) Yes.<br />
Attendance is up at the museum (that was built in<br />
1913 as a schoolhouse) and the exhibits continue to<br />
stretch the imagination though the intersection of art<br />
and suspended reality.<br />
Rob Steele can attest to that.<br />
“Melanie’s ethereally fresh approach to curating<br />
contemporary art exhibits at the Cornell Museum has<br />
opened eyes and lifted spirits in magical ways. Her vision,<br />
and the Cornell’s charm, dovetails beautifully to<br />
create an unmatched experience for our guests,” said<br />
the President & CEO of Old School Square.<br />
Steele is right. The museum has big city momentum<br />
and small town charm rooted in historic Dade<br />
County Pine floors, a soaring staircase and old world<br />
molding. Combine that with exhibits such as “From<br />
the Ordinary to Extraordinary: Paper As Art” and you<br />
have a center of artistic gravity that holds down the<br />
medium with flights of fancy that uplift and inspire.<br />
That’s exactly the way Johanson saw her mission<br />
from the start. “I like to design exhibitions that do not<br />
assume the viewer knows about art history. That way<br />
everyone who comes to the Museum can be inspired<br />
and expanded by art from different mediums.”<br />
The result is a new patronage that spans in age<br />
from five to 95. It also has big city sophistication in<br />
an intimate setting that appeals to the new demographic<br />
of Delray.<br />
When the art is on the walls - and the burst of genius<br />
is strewn around the energy field of the museum<br />
- it looks like an easy task. But that’s far from the<br />
truth. “I come up with ideas for exhibits by going to<br />
art galleries and art fairs in New York, Miami and New<br />
Orleans. I also save thousands of photos and blogs for<br />
future exhibits. It may start with one piece of art that<br />
inspires me, or a theme I can’t get out of my head.”<br />
This has not always been the case. Johanson’s first<br />
96<br />
<strong>April</strong> <strong>2017</strong> | www.<strong>Atlantic</strong><strong>Ave</strong><strong>Magazine</strong>.com