PORTFÓLIO ANTHONY GOICOLEA
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2008 OH L’AMOUR; Center for Creative<br />
Photography, University of Arizona, Tucson,<br />
Arizona<br />
BOYS OF SUMMER; The Fireplace Project, East<br />
Hampton, NY<br />
DARGER-ISM; Contemporary Artists and Henry<br />
Darger, American Folk Art Museum, New York<br />
BADLANDS; New Horizons in Landscape, Mass<br />
Moca, MA<br />
GEN-X: Post-Boomers and the New South;<br />
Mobile Museum of Art, Mobile, AL<br />
AMERIKA: Back to the Future, Postmasters, NY<br />
PEOPLE AND PLACES: Selections from the<br />
Allen Thomas Jr Photography Collection;<br />
SECCA (Southeast Center of Contemporary<br />
Art), Winston-Salem, NC<br />
RETHINKING LANDSCAPE; Contemporary<br />
Photography from the Allen Thomas Jr.<br />
Collection, Taubman Museum of Art, Roanoke,<br />
VA<br />
2007 NEW DIRECTIONS IN AMERICAN<br />
DRAWING, Columbus Museum, Columbus, GA<br />
KUNST FILM BIENNALE, vertreten durch SK<br />
Stiftung Kultur, Koln<br />
ICH WAR’S NICHT, Haus am Waldsee, Berlin<br />
OMINOUS ATMOSPHERE; Heather Marx<br />
Gallery, San Francisco, CA<br />
PLANO INTIMO; Ciclo de Videoarte, Sala<br />
Parpallo, Valencia<br />
SHELTER; Museum De Fundatie Zwolle, Heino<br />
Contemporary Cool and collected, Mint<br />
Museum of Art Charlotte, NC<br />
OPENING SHOW, Max. Durchfahrts-hohe,<br />
Berlin<br />
STALKING SUBURBIA, Westport Arts Center,<br />
Westport, CT<br />
EXISTENCIAS, Museo De Arte<br />
Contemporeaneo De Castilla Y Leon, Spain<br />
MAT COLLISHAW & <strong>ANTHONY</strong> <strong>GOICOLEA</strong>,<br />
Haunch of Venison Zurich<br />
GLOBAL ANXIETIES; The college of Wooster<br />
Art Museum, Wooster,Ohio<br />
ROLE EXCHANGE; Sean Kelly Gallery, New<br />
York, NY<br />
BEHIND INNOCENCE; Gallery Hyundai, Seoul,<br />
Korea International Video Art Exhibition: Today<br />
Art Museum, Beijing<br />
2006<br />
SENSACIONS EN PRIMEIRA, CGAC, Spain<br />
CONNIVENCES; Collection of Stphane Janssen,<br />
Musee Dixelles, Brussel and Arizona ASU<br />
Museum<br />
MODERN PHOTOGRPHS, Miami Art Museum,<br />
Miami, FL<br />
LOOPED; engages in time, CAS Gallery,<br />
University of Miami<br />
KRIEG DER KNOPFE, Ursula Blickle Stiftung,<br />
Kraichtal-Unterowisheim, Germany<br />
DIE JUDGEND VON HEUTE; Schirn Kunsthalle,<br />
Frankfurt, Germany<br />
MIDDLE GROUND: Photographss ffrom the<br />
whitney Museum of American Art, Culumbia<br />
University in the City of New York<br />
CINTAS EXHIBITION: Finalists, The Buena Vista<br />
Building, Miami, FL<br />
THE HUNGRY EYE; Chelsea Art Museum, New<br />
York<br />
ARCADIA; Yancey Richardson Gallery, New<br />
York<br />
MAKING A SCENE; Haifa Museum of Art, Haifa<br />
Isreal<br />
EMOTIONAL LANDSCAPE: Rotunda Gallery,<br />
Brooklyn, NY<br />
2005 IN FOCUS; Contemporary Photography<br />
from the Allen G. Thomas Jr. Collection, The<br />
North Carolina Museum of Art, Raleigh, NC<br />
WESTERN BIENNALE; Guest currated by<br />
Edward Lucie-Smith, The John Natsoulas<br />
Gallery, Davis, CA<br />
DESVELAR LO INVISIBLE, Videocreacion<br />
contemporanea, El Consejeria de Cultura<br />
yDeportes. Comunidad de Madrid, Madrid,<br />
Spain.<br />
MIXED UP CHILDHOOD; Auckland Art Gallery,<br />
Auckland, New Zealand<br />
MY SO CALLED LIFE; Monte Clark Gallery.<br />
Toronto, Canada.<br />
OBSERVITORI 2005, Museo de las Artes,<br />
Valencia, Spain<br />
NARRATIVES OF THE PRESUMED INVISIBLE,<br />
Kunsthalle Lophem, Lophem, Belgium.<br />
REPRESENTING REPRESENTATION VII: Arnot<br />
Art Museum, Elmira, NY<br />
2004 NOCTURNAL EMISSIONS; The<br />
Groninger Museum, Groninger, The<br />
Netherlands<br />
WILL BOYS BE BOYS? Questioning Adolescent<br />
Masculinity in Contemporary Art, Independent<br />
Curators International, New York, NY.<br />
WORKS ON PAPER; Sandroni-Rey Gallery, Los<br />
Angeles, CA<br />
ME,MYSELF,&I; Photographs, University<br />
Galleries, Florida Atlantic University, Boca<br />
Raton, Florida<br />
DITTO; Multiples From the Collection, The<br />
Museum of Contemporary Photography,<br />
Chicago, IL<br />
The Amazing and the Immutable, University of
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