PORTFÓLIO ANTHONY GOICOLEA

ANTHONY GOICOLEA

ANTHONY GOICOLEA

Monument | 2011
C-Print sobre Di-Bond com Plexiglass UV sem brilho C-Print on Di-Bond with Non-Glare UV Plexi Laminate Face Mount
127 x178 cm 50 x 70 inches ©2011

Sleeping Giants | 2011
C-Print P/B sobre Di-Bond com Plexiglass UV sem brilho B&W C-Print on Di-Bond with Non-Glare UV Plexi Laminate Face Mount
114 x158 cm 45 x 62 inches ©2011

The Follow | 2011
C-Print sobre Di-Bond com Plexiglass UV sem brilho C-Print on Di-Bond with Non-Glare UV Plexi Laminate Face Mount
127 x171,5 cm 50 x 67,5 inches ©2011

Stained Glass Forest | 2013
C-Print sobre Di-Bond com Plexiglass UV sem brilho C-Print on Di-Bond with Non-Glare UV Plexi Laminate Face Mount
114,3 x165 cm 45 x 65 inches ©2013

Ruis in the Forest (after Caspar David Friedrich) | 2011
C-Print sobre Di-Bond com Plexiglass UV sem brilho C-Print on Di-Bond with Non-Glare UV Plexi Laminate Face Mount
114,3 x179 cm 45 x 70,5 inches ©2011

Ruis in the Forest (after Caspar David Friedrich) | 2011
C-Print sobre Di-Bond com Plexiglass UV sem brilho C-Print on Di-Bond with Non-Glare UV Plexi Laminate Face Mount
114,3 x179 cm 45 x 70,5 inches ©2011

Guardians | 2007
C-Print sobre Di-Bond com Plexiglass UV sem brilho C-Print on Di-Bond with Non-Glare UV Plexi Laminate Face Mount
101 x 238,76 cm 40 x 94 inches ©2007

Black House | 2010
C-Print sobre Di-Bond com Plexiglass UV sem brilho C-Print on Di-Bond with Non-Glare UV Plexi Laminate Face Mount
50,8 x 50,8 cm 20 x 20 inches ©2010

Temporary | 2013
C-Print sobre Di-Bond com Plexiglass UV sem brilho C-Print on Di-Bond with Non-Glare UV Plexi Laminate Face Mount
127 x104 cm 41 x 40 inches ©2013

Ghost Stump | 2013
Acrílico e grafite sobre Mylar e papel Kraft Acrylic and Graphite on Mylar and Butcher Paper
127 x104 cm 41 x 40 inches ©2013

Sodium Vapor Street Lamps | 2014
Acrílico e tinta sobre Mylar montado Acrylic and Ink on Mylar Mounted to Board
193 x188 cm 76 x 74 inches ©2014

Feral Forest | 2014
Acrílico e tinta sobre Mylar montado Acrylic and Ink on Mylar Mounted to Board
203 x281 cm 80 x 111,5 inches ©2014

Frozen Marsh | 2014
Acrílico sobre Mylar montado Acrylic on layered Mylar on Board
166,37 x 162,56 cm 65,5 x 64 inches ©2014

Portrait of a video-still | 2014
Acrylic and Ink on Free-Standing Portable Projector Screen Rear Mounted on Aluminum with Tripod.
170 x 213,36 cm 67 x 84 Inches ©2014

Night Sitting | 2009
Grafite e acrílico sobre Mylar Graphite and Acrylic on Mylar mounted on Board
205,74 x 106,68 cm 81 x 42 inches ©2009

Born in 1971 in Atlanta, Georgia, Anthony
Goicolea is a first-generation Cuban American
artist now living and working in Brooklyn, New
York. His extended family immigrated to the
United States in 1961, fleeing Cuba soon after
Castro came to power—a fact that underpins
many of the artist’s works. Employing a variety
of media, Goicolea explores themes ranging
from personal history and identity, to cultural
tradition and heritage, to alienation and
displacement. His diverse oeuvre encompasses
digitally manipulated self-portraits, landscapes,
and narrative tableaux executed in a variety of
media, including black-and-white and color
photography, sculpture and video installations,
and multi-layered drawings on Mylar. Best
known for his powerful, and often unsettling,
staged photographic and video works,
Goicolea made his artistic debut in the late
1990s with a series of provocative multiple selfportrait
images. These early works featured
groups of young boys on the threshold of
adolescence, acting out childhood fantasies
and bizarre rituals of revelry and social taboo in
highly staged domestic or institutional settings
or dense, fairy-tale forests. Revealing a playful
self-consciousness, they often consisted of
complex composites of the artist himself, in all
manner of poses and guises. Soon thereafter,
Goicolea garnered international attention with
his ambiguous, yet strangely compelling,
landscapes, ranging from dream-like woodland
environments to vast, unforgiving urban and
industrial wastelands. The artist has created
several series of digitally composited, and
heretofore uncharted, topographies, often
Self - contained works (anonymus - self portrait) | 2014-2015

populated by bands of masked and uniformed
figures. In recent series, many of the images are
devoid of humans, although the landscape
reflects an anonymous and increasingly
tenuous human presence. In these works,
primitive lean-tos and crudely constructed
shanties coexist in an uneasy union with the
technological vestiges of an industrialized
society. Suggesting a world on the brink of
obsolescence, these chilling images further
cement the pervasive undercurrent of human
alienation—from one another as well as the
natural environment—that can be traced
throughout the artist’s work. In a marked
departure, Goicolea trained his unflinching eye
on his own personal history in a highly
acclaimed body of work exploring his roots and
family heritage. These poignant, sometimes
cinematic, images and installations are
characterized by a fervent search for ancestral
and social connections to a mythical homeland,
Cuba—at once revealing nostalgia for a past
that the artist never actually experienced, as
well as a pronounced sense of cultural
dislocation and estrangement. Remarkably
prolific and inventive, Goicolea continues to
intrigue his viewers with meticulously crafted,
thought-provoking works. The artist has
exhibited widely in group and solo exhibitions
throughout the United States, Canada, Europe,
and Asia—notably at the Museum of
Contemporary Photography, Chicago, Illinois;
the Corcoran Gallery of Art, Washington, D.C.;
the International Center of Photography, New
York; Postmasters Gallery, New York; Haunch of
Venison Gallery, London, United Kingdom;
Galerie Aurel Scheibler, Berlin, Germany; the
Groninger Museum, the Netherlands; and the
Museo Nacional Centro de Arte Reina Sofia,
Madrid, Spain. Alter Ego: A Decade of Work by
Anthony Goicolea is the first major traveling
museum exhibition devoted solely to his work.
Goicolea’s art is held in many public collections,
including those of the Whitney Museum of
American Art, the Solomon R. Guggenheim
Museum, and the Museum of Modern Art, New
York; as well as the Yale University Art
Collection, New Haven, Connecticut; the North
Carolina Museum of Art, Raleigh; and Telfair
Museums, Savannah, Georgia. To date,
Goicolea’s work has been the subject of four
books. It has been featured in ARTnews, Art in
America, Art Forum, the New Yorker, the New
York Times, the Los Angeles Times, the Chicago
Sun-Times, and the Chicago Tribune, among
many others. The artist’s grants and awards
include a Cintas Fellowship (2006) and the
BMW Photo Paris Award (2005) and the Joan
Mitchell Fellowship Foundation. Goicolea holds
a B.A. in art history, with a minor in romance
languages, and a B.F.A. in drawing and painting
—both earned at the University of Georgia,
Athens, in 1992 and 1994, respectively. He
received an M.F.A. in sculpture and
photography, from Pratt Institute of Art, New
York, in 1997.
Self - contained works (compression sculpt) | 2014-2015

Nautica | 2010
Grafite e acrílico sobre Mylar Graphite and Acrylic on Mylar
127 x 106 cm 50 x 42 Inches ©2010

Chorus | 2014 - 2015
"CHORUS" is a collection of 18 X 18 inch drawings rendered in acrylic and graphite on
Mylar and mounted to aluminum. They rest on chrome-plated folding music stands. The
seamless photo back-drop or skype is approximately 96"H X 216"W X 84"D and is
constructed from ply-wood, plaster, and paint. A soundscape is composed by reducing the
playback speed of Mozart's Mass Requiem one time for each choral member; thus
producing a low chanting hum.

Widow’s Speak | 2013
12 Digital play-back cameras on tri-pods surround a life size effigy of a horse in the guise of a
Piñata. The horse is constructed from a taxidermy resin casted form, artificial hair, leather, metal,
rope, canvas, paint, and black tissue festooning. The video plays on the camera flip-screens as if
it were a live feed. The cameras are connected and synched via a network of co-axial cables
and stream the video into the next room as a large projection. The video can be seen at the
following link: vimeo.com/73065360

Widow’s Speak | 2013
12 Digital play-back cameras on tri-pods surround a life size effigy of a horse in the guise of a
Piñata. The horse is constructed from a taxidermy resin casted form, artificial hair, leather, metal,
rope, canvas, paint, and black tissue festooning. The video plays on the camera flip-screens as if
it were a live feed. The cameras are connected and synched via a network of co-axial cables
and stream the video into the next room as a large projection. The video can be seen at the
following link: vimeo.com/73065360

Self - contained works | 2014-2015
Vintage Type-Writer and Acrylic, Graphite and Spray Paint on Mylar resting on Steel Table
132 x 33 x 33 cm 52 X 13 X 13 Inches ©2014
Self - contained works | 2014-2015
Vintage Type-Writer and Acrylic, Graphite and Spray Paint on Mylar resting on Steel Table
132 x 33 x 33 cm 52 X 13 X 13 Inches ©2014

Self - contained works | 2014-2015
Máquina de escrever e acrílico, grafite e tinta spray sobre Mylar Vintage Type-Writer and Acrylic, Graphite and Spray
Paint on Mylar resting on Steel Table
132 x 33 x 33 cm 52 X 13 X 13 Inches ©2014
Splint | 2014-2015
Grafite , acrílico e fita Acid-Free sobre Mylar e paperl kraft montado em 45 livros
Graphite, Acrylic, and Acid-Free Tape on Mylar and Butcher Paper Mounted on 45 Leather Bound Books Coated in
Enamel with a Hidden Steel Rod Base. Cerca de Approximately 13 x 45,72 x 190 cm 13 X 18 x 75 Inches ©2014

Anthony Goicolea (Cuba, 1971. Lives and
works in NY)
EDUCATION:
Born 1971 and Lives and Works in New York.
Pratt Institute of Art, MFA, Sculpture; Minor,
Photography, 1994–96
The University of Georgia, BFA, Drawing &
Painting, 1992–93
The University of Georgia, BA, Art History;
Minor, Romance Languages, 1989–92
SOLO EXHIBITIONS:
2015 HERE and ELSEWHERE: Galerie Ron
Mandos, Amsterdam, The Netherlands.
2014 Middle Ending: Galerie Crone, Berlin,
Germany.
NSEW: Monte Clark Gallery, Vancouver,
Canada.
WIDOW’S SPEAK: Luis Adelantado,DF, Mexico
2013 PERMENANT MARKER: Galeria Ron
Mandos, Amsterdam, The Netherlands.
WANDERING WILD: La Galeria Particulier, Paris,
France.
2012 DOMESTICATED: Galeria Senda,
Barcelona, Spain
2011 PATHETIC FALACY: Postmasters Gallery,
New York City, NY.
ALTER EGO: A Decade of Work by Anthony
Goicolea; (catalog)
NC Museum of Art, Raleigh, NC
Telfair Museum, Savannah, GA
21c Museum, Louisville, KY
2010 HOME; Ron Mandos Gallery,
Amsterdam, NL
DECEMBERMAY: Galerie Scheibler Mitte,
Berlin
RELATED; Houston Center for Photography, TX
2009 ANTHONY GOICOLEA,MCA,Denver
Museum of Contemporary Art
THE LAST MAN STANDING; photography &
video works; Fireplace Project, East Hampton,
NY
ONCE REMOVED; Postmasters Gallery, NY
2008 RELATED I; Aurel Scheibler, Berlin
RELATED II; Haunch of Venison, London
RELATED III; Sandroni Rey, Los Angeles
ALMOST SAFE; Monte Clark Gallery, Toronto
2007 ALMOST SAFE; Photographs, Drawings
and Video,Postmasters, NY
THE SEPTEMBERISTS: Photographs by Anthony
Goicolea; Gallery Hyundai, Seoul, Korea
2006 THE SEPTEMBERISTS: Monte Clark
Gallery, Toronto, Canada
ANTHONY GOICOLEA, Photographs, Monte
Clark Gallery, Vancouver, Canada
THE SEPTEMBERISTS, Aurel Scheibler, Berlin,
Germany
ACTOS COMPULSIVOS, MAPR, San Juan,
Puerto Rico DRAWINGS: Sandroni.Rey Gallery,
Los Angeles, CA
2005 Anthony Goicolea, Photographs,
Drawings and Video: The Arizona State
University Museum of Art, Tempe, AZ
SHELTERED LIFE, New Drawings, Photographs
and Video Installation, Postmasters Gallery,
New York, NY.
OUTSIDERS, Photographs and Video,
Cheekwood Museum of Art: the Contemporary
Temporary Series, Nashville, Tennessee.
ESTACIONES; Galeria Luis Adelantado,
Valencia, Spain.
ANTHONY GOICOLEA, Galeria Adelantado
Miami, Miami, FL.
2004 SHELTERED; New Drawings,
Photographs and Video Installation, Galerie
Aurel Scheibler Cologne, Germany
RECENT WORKS, New Photographs, Angstrom
Gallery, Dallas, TX
KIDNAP; New Drawings, Photographs and
Video Installation, Sandroni-Rey Gallery, Los
Angeles, CA
KIDNAP; New Drawings, Photographs and
Video Installation, Torch Gallery, Amsterdam,
The Netherlands
TEA PARTY; New Video Installation, Madison
Avenue Calvin Klein Space, NYC
ANTHONY GOICOLEA, New Videos, Spazio-(H),
Milan, Italy
BOYS WILL BE BOYS; The John Michael Kohler
Arts Center, Sheboygan, WI
KIDNAP: Galerie Aurel Scheibler, Cologne,
Germany
2003 Galerie Aurel Scheibler, Cologne,
Germany
Photos & Films, Curated by Edsel Williams, The
GREEN BARN, Sagaponack, NY
Gow Langsford, Sydney, Australia
Gow Langsford, Auckland, New Zealand
Cotthem Gallery, Barcelona, Spain Cotthem
Gallery, Brussels, Belgium
Casa De America, Madrid, Spain
Contemporary Center of Photography,
Melbourne, Australia
The Sargeant Gallery, Wanganui, New Zealand
2002 Land, RARE Gallery, New York, NY
Water, Sandroni-Rey, Los Angeles, CA
Arizona State University Art Museum, Tempe,
AZ

Miami, Miami, FL.
2004 SHELTERED; New Drawings,
Photographs and Video Installation, Galerie
Aurel Scheibler Cologne, Germany
RECENT WORKS, New Photographs, Angstrom
Gallery, Dallas, TX
KIDNAP; New Drawings, Photographs and
Video Installation, Sandroni-Rey Gallery, Los
Angeles, CA
KIDNAP; New Drawings, Photographs and
Video Installation, Torch Gallery, Amsterdam,
The Netherlands
TEA PARTY; New Video Installation, Madison
Avenue Calvin Klein Space, NYC
ANTHONY GOICOLEA, New Videos, Spazio-(H),
Milan, Italy
BOYS WILL BE BOYS; The John Michael Kohler
Arts Center, Sheboygan, WI
KIDNAP: Galerie Aurel Scheibler, Cologne,
Germany
2003 Galerie Aurel Scheibler, Cologne,
Germany
Photos & Films, Curated by Edsel Williams, The
GREEN BARN, Sagaponack, NY
Gow Langsford, Sydney, Australia
Gow Langsford, Auckland, New Zealand
Cotthem Gallery, Barcelona, Spain Cotthem
Gallery, Brussels, Belgium
Casa De America, Madrid, Spain
Contemporary Center of Photography,
Melbourne, Australia
The Sargeant Gallery, Wanganui, New Zealand
2002 Land, RARE Gallery, New York, NY
Water, Sandroni-Rey, Los Angeles, CA
Arizona State University Art Museum, Tempe,
AZ
Art Space, Auckland, New Zealand
Galerie Aurel Scheibler, Cologne, Germany
The Museum of Contemporary Photography,
Chicago, IL
Torch Gallery, Amsterdam, Holland
2001 DETENTION; RARE Gallery, New York,
NY
Angstrom Gallery, Dallas, TX
The Corcoran College of Art and Design at The
Corcoran Gallery of Art, Washington, D.C.
MCMAGMA, Milan, Italy
2000 SOLO, Vedanta, Chicago, IL
Fabien Fryns, Marbella, Spain
Luis Adelantado, Valencia, Spain
1999 YOU AND WHAT ARMY; RARE Gallery,
New York, NY
GROUP EXHIBITIONS
2015 I AM: Always New: KCAD, Grand
Rapids, MI
2014 A BOOK BETWEEN TWO STOOLS:
Boghossian Foundation, Brusells, Belgium.
CUBAN AMERICA: AN EMPIRE STATE OF
MIND: Lehman College Art Gallery, Bronx, New
York.
VANITAS: Works from the Collection of
Stephane Janssen. Arizona State University
Museum of Art
HYBRIDITY: 21C Museum, Bentonville, AK
2013 "The Adventures of truth" curated by
Bernard-Henri LevyFoundation Maeght, Saint-
Paul-de-Vence, France
2012 3am: WONDER AND PARANOIA:
Bluecoat Gallery. Liverpool, UK
2011 PERFORMING FOR THE CAMERA:
Arizona Sate University Art Museum. Tempe,
AZ
HIDE/SEEK: Brooklyn Museum. Brooklyn, NY
CUBA NOW; 21c Museum. Louisville, KY
DEAD LINES; Death in Art-Media-Everyday Life:
Von Der Heydt Kunsthalle. Wuppertal Germany
(10/2011-02/2012)
30: A BROOKLYN SALON: Celebrating Thirty
years of Contemporary Art. BRIC Rotunda
Gallery. Brooklyn, NY (09/2011-10/2011)
COLORIFIC: WE MAKE AN ART RAINBOW;
Postmasters Gallery, NYC.
LATE SUMMER BLUES: Storefront Gallery.
Brooklyn, NY
2010 HAUNTED; Guggenheim Museum of
Art, NYC, NY
IKON Gallery: Birmingham, England
TOOL; Fotofestival Cultuurcentrum
Scharpoord, Knokke-Heist, Belgium
OPEN SEASON; Flanders Gallery, 2010
TRANSPARENCY AND TRANS-FORMATIONS:
US Embassy, Stockholm
SUPERFICES DEL DESEO, curated by Cecilia
Delgado Masse: Museo Universario Arte
CONTEMPORANEO, Universidad Nacional
Autónoma de México [catalog]
HIDE/SEEK; Different and Desire in American
Portraiture: National Portrait Gallery,
Washington, DC
2009 GROUP SHOW, Monte Clark Gallery,
Vancouver, BC
MASCULINE: Interpretations of Manhood;
Charles Cowles Gallery, NY
MI VIDA. From Heaven to Hell, Műcsarnok ,
Budapest
MYTOLOGIES; Haunch of Venison, London, UK
GENERATION: Art Gallery of Alberta, Canada

2008 OH L’AMOUR; Center for Creative
Photography, University of Arizona, Tucson,
Arizona
BOYS OF SUMMER; The Fireplace Project, East
Hampton, NY
DARGER-ISM; Contemporary Artists and Henry
Darger, American Folk Art Museum, New York
BADLANDS; New Horizons in Landscape, Mass
Moca, MA
GEN-X: Post-Boomers and the New South;
Mobile Museum of Art, Mobile, AL
AMERIKA: Back to the Future, Postmasters, NY
PEOPLE AND PLACES: Selections from the
Allen Thomas Jr Photography Collection;
SECCA (Southeast Center of Contemporary
Art), Winston-Salem, NC
RETHINKING LANDSCAPE; Contemporary
Photography from the Allen Thomas Jr.
Collection, Taubman Museum of Art, Roanoke,
VA
2007 NEW DIRECTIONS IN AMERICAN
DRAWING, Columbus Museum, Columbus, GA
KUNST FILM BIENNALE, vertreten durch SK
Stiftung Kultur, Koln
ICH WAR’S NICHT, Haus am Waldsee, Berlin
OMINOUS ATMOSPHERE; Heather Marx
Gallery, San Francisco, CA
PLANO INTIMO; Ciclo de Videoarte, Sala
Parpallo, Valencia
SHELTER; Museum De Fundatie Zwolle, Heino
Contemporary Cool and collected, Mint
Museum of Art Charlotte, NC
OPENING SHOW, Max. Durchfahrts-hohe,
Berlin
STALKING SUBURBIA, Westport Arts Center,
Westport, CT
EXISTENCIAS, Museo De Arte
Contemporeaneo De Castilla Y Leon, Spain
MAT COLLISHAW & ANTHONY GOICOLEA,
Haunch of Venison Zurich
GLOBAL ANXIETIES; The college of Wooster
Art Museum, Wooster,Ohio
ROLE EXCHANGE; Sean Kelly Gallery, New
York, NY
BEHIND INNOCENCE; Gallery Hyundai, Seoul,
Korea International Video Art Exhibition: Today
Art Museum, Beijing
2006
SENSACIONS EN PRIMEIRA, CGAC, Spain
CONNIVENCES; Collection of Stphane Janssen,
Musee Dixelles, Brussel and Arizona ASU
Museum
MODERN PHOTOGRPHS, Miami Art Museum,
Miami, FL
LOOPED; engages in time, CAS Gallery,
University of Miami
KRIEG DER KNOPFE, Ursula Blickle Stiftung,
Kraichtal-Unterowisheim, Germany
DIE JUDGEND VON HEUTE; Schirn Kunsthalle,
Frankfurt, Germany
MIDDLE GROUND: Photographss ffrom the
whitney Museum of American Art, Culumbia
University in the City of New York
CINTAS EXHIBITION: Finalists, The Buena Vista
Building, Miami, FL
THE HUNGRY EYE; Chelsea Art Museum, New
York
ARCADIA; Yancey Richardson Gallery, New
York
MAKING A SCENE; Haifa Museum of Art, Haifa
Isreal
EMOTIONAL LANDSCAPE: Rotunda Gallery,
Brooklyn, NY
2005 IN FOCUS; Contemporary Photography
from the Allen G. Thomas Jr. Collection, The
North Carolina Museum of Art, Raleigh, NC
WESTERN BIENNALE; Guest currated by
Edward Lucie-Smith, The John Natsoulas
Gallery, Davis, CA
DESVELAR LO INVISIBLE, Videocreacion
contemporanea, El Consejeria de Cultura
yDeportes. Comunidad de Madrid, Madrid,
Spain.
MIXED UP CHILDHOOD; Auckland Art Gallery,
Auckland, New Zealand
MY SO CALLED LIFE; Monte Clark Gallery.
Toronto, Canada.
OBSERVITORI 2005, Museo de las Artes,
Valencia, Spain
NARRATIVES OF THE PRESUMED INVISIBLE,
Kunsthalle Lophem, Lophem, Belgium.
REPRESENTING REPRESENTATION VII: Arnot
Art Museum, Elmira, NY
2004 NOCTURNAL EMISSIONS; The
Groninger Museum, Groninger, The
Netherlands
WILL BOYS BE BOYS? Questioning Adolescent
Masculinity in Contemporary Art, Independent
Curators International, New York, NY.
WORKS ON PAPER; Sandroni-Rey Gallery, Los
Angeles, CA
ME,MYSELF,&I; Photographs, University
Galleries, Florida Atlantic University, Boca
Raton, Florida
DITTO; Multiples From the Collection, The
Museum of Contemporary Photography,
Chicago, IL
The Amazing and the Immutable, University of

South Florida Contemporary Art Museum,
Tampa, FL
EXCESS; Food as Metaphor and other
Strategies of Consumption, Fine Arts Center
Galleries University of Rhode Island, Kingston,
RI
OUT OF PLACE; Part II, Indianapolis Museum of
Contemporary Art, Indianapolis, IN
IS ONE GOOD THING BETTER THAN
ANOTHER; Galerie Aurel Scheibler, Cologne,
Germany
PRETTY WORLD; Aeroplastics Contemporary,
Brussels, Belgium
SWIMMING POOL; Yossi Milo Gallery, New
York, NY
DRAWINGS ON PAPER; Lucas Schoreman
Gallery, New York, NY
DREAM WEAVER, Yancey Richardson Gallery,
New York, NY
THE DRAWINGS SHOW, Curated by Edsel
Williams; The Green Barn, Sagaponack, NY
NEW LOCATION; Sandroni-Rey Gallery, Los
Angeles, CA
ROYAL HIBERNIAN ACADEMYR, Gallagher
Gallery, Dublin, Ireland
OPEN HOUSE: Working in Brooklyn, The
Brooklyn Museum of Art, Brooklyn, NY
BOYS BEHAVING BADLY; Contemporary Arts
Museum, Houston, Texas
LIJF: Reizende tentoonstelling over het lichaam,
RAZA, Flanders, Belgium
Á Fripon Fripon et Demi (Pour une école
buissonniere), Collection Lambert en Avignon,
France
SCHOOLIN’; AOV Gallery, San Fransisco,
California
ONLY SKIN DEEP; Changing Visions of the
American Self, International Center of
Photography, New York, NY
2003
MAMA’S BOY; White Columns, New York, NY
POTENTIAL IMAGES OF THE WORLD; SPEED
Art Museum, Louisville, KY
PICTURES FROM WITHIN; American
Photographs, 1958-2003, Whitney Museum of
American Art, New York, NY
REALITY VS. FICTION; Jamaica Center for the
Arts, Queens, NY
TOMBE LA NEIGE, Galerie Anne De Villepoix,
Paris, France
Atlanta Celebrates Photography; Momus,
Atlanta, GA
ART UNLIMITED; Installation: Basel,
Switzerland
WHISPER; Galerie Aurel Scheibler, Cologne,
Germany
ANTHONY GOICOLEA AND PATRICIA
PICCININI; Gow Langsford Gallery, Auckland,
New Zealand
WINDSTILL; Cotthem Gallery, Brussels,
Belgium
NAKED BEFORE GOD; The Museum of New
Art, Parnu, Estonia
BAD BOYS; Galeria Luis Adelantado, Valencia,
Spain
CHILD IN TIME; The Museum of Helmond, The
Netherlands
COMIC RELEASE; Negotiating Identity For A
New Generation, Carnegie Mellon University,
Pittsburgh, PA & other locations
CONSTRUCTED REALITIES; Las Vegas Art
Museum, Las Vegas, Nevada
GROUP EXHIBITION, Gow Langsford Gallery,
Auckland, New Zealand
HOW HUMAN: Life in the Post-Genome Era;
International Center of Photography, New York,
NY
MURSOLLAICI; Centre Culturel Suisse, Paris,
France
2002
ART DOWNTOWN; New Photography, Wall
Street Rising, New York, NY
CONSTRUCTED REALITIES; Grand Arts, Kansas
City, MO
THE DUBROW BIENNIAL, Kagan Martos, New
York, NY
ENOUGH ABOUT ME; Momenta, Brooklyn, NY
GUIDE TO TRUST No. 2; Yerba Buena Center for
Arts, San Francisco, CA, and other locations
WHISPER; Galerie Aurel Scheibler, Cologne,
Germany
HASH BROWN POTATOES; Smack Mellon
Studios, Brooklyn, NY
HOME MOVIES; SF Cameraworks, San
Francisco, CA
NTERPLAY; The Moore Building, Miami Design
District, Miami, FL
MASQUERADE; John Michael Kohler Arts
Center, Sheboygan, WI
SITUATED REALITIES; Alyce de Roulet
Williamson Gallery, Art Center College of
Design, Pasadena, CA
SITUATED REALITIES; Maryland Institute,
College of Art, Baltimore, MD
SITUATED REALITIES; MCAD Galleries,
Minneapolis College of Art and Design,
Minneapolis, MN
WHO? ME?; Role Play In Self-Portrait

Photography, Zabriskie Gallery, New York, NY
2001 Collector’s Choice, Nassau County
Museum of Art, Roslyn Harbor, NY
FOR SKIN; Henrique Faria Fine Arts, NYC, NY
2000 Art in General; New York, NY Collector’s
Choice; Exit Art, New York, NY
FLESH OF THE BOY; Flesh of the Girl, P.S. 122,
New York, NY
GOOD BUSINESS IS THE BEST ART; The Bronx
Museum, Bronx, New York
HARD; TATE, New York, NY
MANLY; Art in General, New York, NY
NEW NEW YORK; Texas Fine Arts Association,
Austin, TX
POSTERS; White Columns, New York, NY
SIDELONG GLANCE; IM n IL, New York, NY
SUMMER SHOW 2000; Angstrom Gallery,
Dallas, TX
UNTITLED (CONJECTURE); SF Cameraworks,
San Francisco, CA
1998 GENDER (Con)sumption Assumption
Exhibition; The Bronx Museum, Bronx, New
York
OPEN; TATE, New York, NY
FILM FESTIVALS/ VIDEO PROJECTS
2011 The Septemberists; The Cartier
Foundation, Paris
The Grid of One; Pacific Film Archive, Berkley,
CA
Cine Y Casi Cine 2004; The Museum National
Center of Art Reina Sofia, Madrid, Spain
Videocreación Contemporánea; Barcelona and
Madrid, Spain
The Intternational Canary Islands’ Multimedia
and Video Festival; Canary Islands, Spain
artFORCE, PLUM TV; Currated by Yvone Force,
New York, NY
MIT LIST Visual Arts Center; Media Test Wall,
Cambridge, MA
The 17th Annual Dallas Video Festival; Dallas
Theater Center, Dallas, TX
Fear No Film Festival at the Utah Film Festival;
Salt Lake City, UT
Art Film; Art Basel 35, Basel, Switzerland
The Sunset Boulevard Video Billboard Project;
Sponsored by the West Hollywood Arts and
Cultural Affairs Commission, Los Angeles, CA
Gallery 845/LAAA; Video screening, Los
Angeles, CA
2003
Art Film; Art Basel 34, Basel, Switzerland
The New York Video Festival; New York, NY
The Belgian Film Festival; Brussels, Belgium
The Indonesian Film Festival; Indonesia
The Rotterdam Film Festival; The Netherlands
Video International; F A Projects, London,
England
Arizona State University Art Museum, Arizona
The Museum of Helmond, The Netherlands
The Groninger Museum, Groninger, The
Netherlands
Museum of Contemporary Photography,
Chicago, IL
Yale University Art Collection, Photography, CT
El Museo de Arte Contemporaneo de Castilla,
Leon, Spain
The Herbert F. Johnson Museum of Art at
Cornell University, Ithica, NY
Centro Galego De Arte Contemporanea,
Santiago De Compostela, Spain
The Telfair Museum of Art, Savanah, GA
The University of Georgia Museum of Art,
Athens, GA
The Israel Museum, Jerusalem
Anonymous Portraits | 2015-2016
Graphite and Turpentine Oil on double-sided frosted Mylar film with Oil Paint Mounted to Board
155 x 250 cm 61x98 inches ©2016

Hot House | 2015
Acrílico e tinta sobre Mylar Acrylic and ink on Mylar
200 x 195 cm 79 x 77 Inches ©2015

Carlos Carvalho Arte Contemporânea
Rua Joly Braga Santos, lote f r/c
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