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18 <strong>Style</strong> | report<br />

To become a prima ballerina requires many years of tuition and<br />

practice. What age were you when you started ballet, and where<br />

did you start learning?<br />

I entered ballet school at the Vaganova Institute when I was eight<br />

years old and graduated at 18, so 10 years of study – and not just<br />

ballet, we also had regular schoolwork to do: maths, history, etc. To<br />

become a leading dancer takes even longer. I danced for five years<br />

before reaching principal status, dancing every day, practising every<br />

day.<br />

Was the St Petersburg Ballet Theatre the first company you<br />

joined?<br />

Yes, I joined SPBT [in 1998] as I liked the idea of a company that<br />

specialised in full-length classical works.<br />

Have you been a member of any other ballet companies, or been<br />

a guest dancer at any other companies?<br />

I have danced in gala programmes in St. Petersburg, Moscow and<br />

London, but mainly I stay with my own company.<br />

What would a typical day be like for you?<br />

A typical day is: Sleep in for as long as I can. Then a class at the<br />

ballet studio for an hour and a half. Rehearsals to follow, then my<br />

big meal of the day – fish, salad, soup. I also nibble on nuts and<br />

seeds for energy. I don’t eat meat, don’t have desserts and I don’t<br />

drink.<br />

of a pair of pointe shoes. I use several pairs during a performance.<br />

Sometimes I prefer a pair that has been worn in; they can be softer<br />

on the toes! Sometimes I use a brand-new pair as they can give me<br />

a special feeling. Over the tour of six weeks, I’ll go through maybe<br />

30 pairs.<br />

You tour extensively with the St. Petersburg Ballet Theatre. Do<br />

you enjoy visiting and performing in different countries?<br />

Oh yes, it’s wonderful to dance to new audiences. Every country<br />

has a new way of reacting. Sometimes you hear no applause but<br />

can feel the emotion across the footlights. Other times it’s wild<br />

cheering and lots of curtain calls.<br />

Is this your first visit to New Zealand?<br />

No, I was here as a soloist about 15 years ago.<br />

Do you get the chance to go sightseeing in other countries, and if<br />

so what are some of your favourite places?<br />

I love London – who wouldn’t? We were there last year and<br />

had a wonderful season at the Coliseum Theatre. I danced<br />

nine performances in 12 days, so there was not much time for<br />

sightseeing. But I do love the history of the city, and Harrods! While<br />

in New Zealand, I hope I can visit the countryside on my days off –<br />

breathe the fresh air and enjoy the famous fresh food.<br />

Is there anything you have to sacrifice for your ballet career?<br />

See the previous answer!<br />

What is your favourite ballet and role, and why?<br />

Swan Lake has to be it. It’s a challenging dual role: Odette – the soft,<br />

vulnerable Swan Queen, and then Odile – the cunning, flamboyant<br />

seductress. Two very different roles. They are both physically and<br />

emotionally demanding.<br />

Do you get nervous before a performance and if so, what do you<br />

do to calm your nerves?<br />

Yes, but in a good, positive way. Maybe I’d say more excited than<br />

nervous. I’m confident in my physical abilities; it’s the emotional side<br />

that brings the challenge as I stand in the wings waiting for my first<br />

entrance.<br />

It’s understood ballet shoes get worn out very quickly, so how<br />

many pairs do you go through in a month and how many pairs do<br />

you take on tour?<br />

It depends on the floor surface. A good stage lino prolongs the life

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