Style DEC (01.12.16)
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18 <strong>Style</strong> | report<br />
To become a prima ballerina requires many years of tuition and<br />
practice. What age were you when you started ballet, and where<br />
did you start learning?<br />
I entered ballet school at the Vaganova Institute when I was eight<br />
years old and graduated at 18, so 10 years of study – and not just<br />
ballet, we also had regular schoolwork to do: maths, history, etc. To<br />
become a leading dancer takes even longer. I danced for five years<br />
before reaching principal status, dancing every day, practising every<br />
day.<br />
Was the St Petersburg Ballet Theatre the first company you<br />
joined?<br />
Yes, I joined SPBT [in 1998] as I liked the idea of a company that<br />
specialised in full-length classical works.<br />
Have you been a member of any other ballet companies, or been<br />
a guest dancer at any other companies?<br />
I have danced in gala programmes in St. Petersburg, Moscow and<br />
London, but mainly I stay with my own company.<br />
What would a typical day be like for you?<br />
A typical day is: Sleep in for as long as I can. Then a class at the<br />
ballet studio for an hour and a half. Rehearsals to follow, then my<br />
big meal of the day – fish, salad, soup. I also nibble on nuts and<br />
seeds for energy. I don’t eat meat, don’t have desserts and I don’t<br />
drink.<br />
of a pair of pointe shoes. I use several pairs during a performance.<br />
Sometimes I prefer a pair that has been worn in; they can be softer<br />
on the toes! Sometimes I use a brand-new pair as they can give me<br />
a special feeling. Over the tour of six weeks, I’ll go through maybe<br />
30 pairs.<br />
You tour extensively with the St. Petersburg Ballet Theatre. Do<br />
you enjoy visiting and performing in different countries?<br />
Oh yes, it’s wonderful to dance to new audiences. Every country<br />
has a new way of reacting. Sometimes you hear no applause but<br />
can feel the emotion across the footlights. Other times it’s wild<br />
cheering and lots of curtain calls.<br />
Is this your first visit to New Zealand?<br />
No, I was here as a soloist about 15 years ago.<br />
Do you get the chance to go sightseeing in other countries, and if<br />
so what are some of your favourite places?<br />
I love London – who wouldn’t? We were there last year and<br />
had a wonderful season at the Coliseum Theatre. I danced<br />
nine performances in 12 days, so there was not much time for<br />
sightseeing. But I do love the history of the city, and Harrods! While<br />
in New Zealand, I hope I can visit the countryside on my days off –<br />
breathe the fresh air and enjoy the famous fresh food.<br />
Is there anything you have to sacrifice for your ballet career?<br />
See the previous answer!<br />
What is your favourite ballet and role, and why?<br />
Swan Lake has to be it. It’s a challenging dual role: Odette – the soft,<br />
vulnerable Swan Queen, and then Odile – the cunning, flamboyant<br />
seductress. Two very different roles. They are both physically and<br />
emotionally demanding.<br />
Do you get nervous before a performance and if so, what do you<br />
do to calm your nerves?<br />
Yes, but in a good, positive way. Maybe I’d say more excited than<br />
nervous. I’m confident in my physical abilities; it’s the emotional side<br />
that brings the challenge as I stand in the wings waiting for my first<br />
entrance.<br />
It’s understood ballet shoes get worn out very quickly, so how<br />
many pairs do you go through in a month and how many pairs do<br />
you take on tour?<br />
It depends on the floor surface. A good stage lino prolongs the life