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Canynges Society Annual Gazette 2015

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ANNUAL GAZETTE <strong>2015</strong>


The President writes<br />

It is a great honour and privilege to<br />

follow in the footsteps of so many<br />

friends and distinguished Bristolians<br />

who have been President of this<br />

<strong>Society</strong> in the past, in particular,<br />

my cousins Alan Tasker and Giles<br />

Clarke, my father Dennis McArthur<br />

and my forebear Sam Lucas, who<br />

was one of the first Presidents<br />

in 1864.<br />

Indeed, two of my sisters were married at St Mary Redcliffe and my<br />

father's memorial service was held there in 1988, so it is very much my<br />

family's church in Bristol.<br />

This year Bristol is the Green Capital of Europe and St Mary Redcliffe<br />

was the first church in Bristol to show support for this initiative by<br />

signing the green pledge. Several articles in the <strong>Gazette</strong> have been<br />

written to demonstrate how St Mary Redcliffe is following the green<br />

principles encouraged by the City and my appeal this year – to raise<br />

funds to improve the church lighting – is in line with the same theme.<br />

The current lighting system in the church was installed some twenty<br />

years ago and is not particularly efficient or easy to control. A new<br />

control panel is required to provide a flexible system with greater<br />

control and spare capacity for the introduction of new circuits. In<br />

addition, after the control panel has been fitted, new lighting can be<br />

installed in high places in the nave, the transepts and chancel. It is<br />

estimated that this upgrading will achieve electricity cost savings of<br />

around 50% and, by changing the bulbs and fittings, there will also be<br />

significant maintenance cost savings through reducing the frequency<br />

of lamp replacements.<br />

Anyone who is unsure of the value of The <strong>Canynges</strong> <strong>Society</strong> to St<br />

Mary Redcliffe just has to see the magnificent restoration of St John’s<br />

Chapel. This was the subject of the appeal of no less than four of my<br />

predecessors and the result is staggering, in particular the medieval<br />

stained glass windows that have been beautifully restored.<br />

There will not be a <strong>Canynges</strong> <strong>Society</strong> Carol Concert this year as<br />

there are already many others planned by the Parish during Advent.<br />

However, I am planning to hold one event this year specifically for<br />

<strong>Canynges</strong> <strong>Society</strong> members, family and friends and this will take<br />

place on Friday 5th February 2016. This will be a performance in<br />

the church of the play, Ruff Guide to Shakespeare by Toby Hulse. This<br />

light-hearted play, performed by students of the Old Vic Theatre<br />

School, is a compendium of all of the Bard’s plays written specially<br />

for the School and lasts for just over an hour. The performance will<br />

be followed by dinner in the church with additional entertainment by<br />

members of the cast.<br />

As the performance and the dinner will take place in the north and<br />

south transepts, seating will be strictly limited so I would urge you to<br />

complete and return the application for tickets which is included with<br />

the <strong>Gazette</strong>.<br />

Thank you all for your support and I hope to thank you in person<br />

during the next few months.<br />

Dayrell McArthur<br />

President<br />

Cover Picture: With kind permission of Chris Duncan ©<br />

2<br />

A year of progress with<br />

St. John’s Chapel<br />

Nearly 12 months have passed since the<br />

majority of the works to St John’s Chapel were<br />

completed and the environmental monitoring of the<br />

isothermal glazing trials is reaching its conclusion.<br />

Last year’s <strong>Gazette</strong><br />

included details of the<br />

research and cleaning<br />

approaches used to<br />

represent the bosses, but<br />

the conservation and<br />

cleaning work to the<br />

sections of the medieval<br />

windows was no less<br />

challenging. Following<br />

an initial assessment that<br />

identified two panels in<br />

the North window and<br />

two in the West window<br />

as being in exceptionally<br />

poor condition, these<br />

panels were removed and<br />

then conserved, repaired<br />

and cleaned at Holywell<br />

Glass’ workshops in<br />

Wells. The glass was first<br />

assessed to determine the<br />

condition of the paintwork<br />

and the extent of<br />

damage. The glass was<br />

also photographed and rubbings taken of each of the units.<br />

The glass was cleaned using a 50/50 mixture of acetone<br />

and de-ionized water with cotton wool swabs and with the<br />

glass cleaning monitored using a microscope throughout. Cracked<br />

panes were repaired using epoxy resin where an 'edge bond' was<br />

possible, which has allowed many of the disfiguring lead repairs to<br />

be removed. Where edges had been grozed (trimmed) during past<br />

repairs, tinted resin repair was employed; but where significant<br />

areas of glass had been lost – such as in the evangelist eagle – new<br />

glass was sourced to match and painted with reference to the<br />

surrounding glass and other examples of eagles from the same<br />

period. All new glass inserts were signed and dated. Lead profiles<br />

matched the existing where possible, with handmade lead cames<br />

made where required to accommodate the extreme profile of some<br />

of the figurative heads in the west window. Fine leading was used<br />

where breaks were found to be unsuitable for edge bonding and<br />

to delineate modern inserts from medieval glass. Photographs<br />

were taken during the duration of the works and an archival<br />

record prepared at completion of the works. The environment<br />

monitoring of the isothermal glazing trials has been a success<br />

with the occurrence of condensation on the face of the glass<br />

significantly reduced. Trials for the most appropriate secondary<br />

glazing have commenced.<br />

Marcus Chantrey<br />

The restored monuments


ANNUAL GAZETTE <strong>2015</strong><br />

Before conservation in situ<br />

Before cleaning<br />

Repaint<br />

After conservation in situ<br />

The new 'circle of light'<br />

Before conservation: many broken fragments with disfiguring repairs<br />

After conservation: cleaner and brighter with finer and reduced leading repairs<br />

© Stained glass photos courtesy Holywell Glass<br />

American visit celebrates historic links<br />

A reception to celebrate the completion of the<br />

restoration of St John’s Chapel (largely funded by<br />

the proceeds of four successive <strong>Canynges</strong> <strong>Society</strong><br />

presidential appeals) was held on 22nd June to<br />

which the Very Reverend, Dean of Philadelphia<br />

Cathedral, Judy Sullivan, was invited along with<br />

members of The <strong>Canynges</strong> <strong>Society</strong>, The Vestry and<br />

The PCC. The reception was followed by a tour<br />

of the church with an interesting insight into its<br />

American connections!<br />

The re-consecration of St John’s Chapel took place<br />

on 24th June during which the Rt. Rev. Bishop of<br />

Swindon, Dr Lee Rayfield, led the blessing of the<br />

new altar and the congregation. The striking new<br />

altar, made by master craftsman, Robert Coles, in<br />

the form of a medieval boat hull, was designed<br />

to reflect the church’s maritime connections and<br />

commemorate the voyage of The Matthew from<br />

Redcliffe Quay on John Cabot’s historic voyage<br />

in 1497.<br />

The Dean of Philadelphia Cathedral, The Very Reverend Judy Sullivan, meets civic dignitaries<br />

and Vicar, Dan Tyndall, during her visit.<br />

3


Redcliffe Away<br />

Changing a large and important area of the city centre is slow<br />

work. The planned changes in Redcliffe have been going on<br />

for many years now and some, perhaps, may have felt they<br />

would never happen! Until plans are adopted, funded and the<br />

bulldozers move in, development never seems real. However,<br />

behind the scenes work presses on and, all being well,<br />

progress will soon be more obvious.<br />

The wider transport system is becoming clearer, with the roads<br />

serving Temple Meads Station, the new Enterprise Zone and the new<br />

Arena now funded and designed by Bristol City Council (BCC).<br />

As expected, it is to be a ground level system controlled by traffic<br />

lights, which we are told will maintain at least current traffic capacity<br />

and, with Temple Circus removed, allow the release of land for<br />

development. Some of this work is due to begin by the end of this year.<br />

See: www.bristoltemplequarter.com/gate.<br />

Redcliffe Neighbourhood Development Forum (RNDF) has<br />

completed its draft Neighbourhood Plan. This shows Redcliffe Way<br />

retained in its present position but with through traffic removed,<br />

except for Metrobus which is due to begin construction soon.<br />

As a result it can be narrowed and, with the Redcliffe Hill roundabout<br />

removed, a large new square can be created with St. Mary Redcliffe<br />

on its south side and new development, designed to balance it,<br />

on its northern side. The space will be shared for a range of<br />

uses and transport in the manner of many continental cities.<br />

See: www.redcliffeforum.org.uk<br />

Portwall Lane and Brunel Mile remain in use, primarily for pedestrians<br />

and cyclists, with the land to the south developed to include a wide<br />

range of different types of housing, some commercial space and lively<br />

ground floor uses. The whole area of the plan is to be landscaped,<br />

with the existing green space along Redcliffe Hill reinforced as a<br />

Fig. 2.2.3 - Illustrative View<br />

linear park, into an extended Quakers Burial Ground. Along with<br />

a redeveloped Redcliffe Wharf and the area around Chatterton’s<br />

House this will make it into the best possible place to live and<br />

work in Bristol.<br />

Once the plan has been agreed, work will begin on choosing<br />

development partners to create a large area of buildings of far more<br />

variety and higher quality than usual. Bristol City Council as major<br />

landowner, working with RNDF through the Joint Development<br />

Board, has expressed enthusiasm and support for the community’s<br />

aspirations and all are now looking forward to working with developers<br />

in creating the best possible new heart for Redcliffe.<br />

St Mary Redcliffe has been closely involved with<br />

RNDF and with BCC through the Joint Development<br />

Board to ensure that its own project is closely related.<br />

See: www.stmaryredcliffedevelopment.com<br />

Both projects are coming forward together and, after many years of<br />

preparation, there is good reason to hope that the design of both<br />

projects will soon begin.<br />

20 Redcliffe Neighbourhood Development Plan - Draft<br />

Peter Floyd<br />

1. Improved connections with the floating harbour.<br />

Queen<br />

Square<br />

The Floating Harbour<br />

1<br />

2<br />

9<br />

3<br />

Quaker<br />

Gardens<br />

Redcliffe Hill<br />

8<br />

4<br />

Redcliffe Street<br />

7<br />

6<br />

12<br />

10<br />

St Mary Redcliffe<br />

Church<br />

St Mary Redcliffe<br />

Churchyard<br />

11<br />

15<br />

14<br />

13<br />

Chatterton’s<br />

House<br />

Portwall Lane<br />

16<br />

17<br />

Hotel<br />

Victoria Street<br />

18<br />

Redcliffe Mead Lane<br />

Redcliffe Way<br />

19<br />

20<br />

Temple Gate<br />

Temple Meads<br />

Railway Station<br />

High Development Development Certainty - Certainty -<br />

High (Blocks Development within Council Development within land Certainty ownership) -Council land Certainty ownership) -<br />

High (Blocks Development within Council Development within land Certainty ownership) -Council land Certainty ownership) -<br />

(Blocks within Council within land ownership) Council land ownership)<br />

Medium Development Development Certainty - Certainty -<br />

Medium (Blocks within Development Council within or church Development Certainty land Council - or church Certainty land -<br />

Medium (Blocks ownership within Development Council constraints) within or church Development Certainty land Council constraints)<br />

- or church Certainty land -<br />

ownership with constraints) with constraints)<br />

(Blocks within Council within or church land Council or church land<br />

ownership with constraints) with constraints)<br />

Low Development Development Certainty - Certainty -<br />

Low (Blocks Development outside Council Development outside land Certainty ownership - or Council land Certainty ownership - or<br />

Low (Blocks on Council Development outside Council land with Development outside long land Certainty leaseholds) ownership land - or Council with long land Certainty leaseholds) ownership - or<br />

on Council Council land with long leaseholds) land with long leaseholds)<br />

(Blocks outside Council outside land ownership or Council land ownership or<br />

on Council Council land with long leaseholds) land with long leaseholds)<br />

2. View of St Mary Redcliffe Church through new<br />

development.<br />

3. Quaker Gardens retained and enhanced.<br />

4. Removed roundabout improves north-south<br />

connection.<br />

6. Space given to southfacing aspect.<br />

7. Creative use of level change and steps in front of St<br />

Mary Redcliffe Church<br />

8. Reconfigured Redcliffe Hill reconnects the<br />

neighbourhood.<br />

9. Linear park providing green linkages and recreation.<br />

10. Glimpse view through to St Mary Redcliffe Church<br />

11. Key opportunity for family housing.<br />

12. The heart of the community - a new public square<br />

in front of St Mary Redcliffe Church.<br />

13. The Port Wall and the Brunel Mile celebrated with<br />

a series of pocket plazas along a pedestrian and<br />

cycle route.<br />

14. Opportunity for community facilities.<br />

15. Block set back to allow key view from Temple<br />

Meads to be retained.<br />

16. Downgraded Redcliffe Way - improved north-south<br />

connections.<br />

17. Potential improved frontages to existing buildings.<br />

18. Existing mature trees integrated with new treeline<br />

along boulevard.<br />

19. Removed roundabout creates better streetscape<br />

and new development opportunity. (This reflects<br />

the road layout produced by the Council for the<br />

Temple Gate Consultation in January <strong>2015</strong>) The<br />

built development layout reflects the community’s<br />

aspirations.<br />

20. Improved connection to Temple Meads Railway<br />

Station.<br />

4


ANNUAL GAZETTE <strong>2015</strong><br />

Mysterious and Compelling<br />

Jon Cannon provides an insight into the rich medieval<br />

carvings that adorn the North Porch – the restoration of<br />

which is one of the projects that The <strong>Canynges</strong> <strong>Society</strong><br />

is supporting.<br />

Hundreds of sculpted figures gaze down from the spectacular North<br />

Porch of St Mary Redcliffe. They crouch against the walls, each<br />

apparently bearing a heavy weight: these carvings are designed to<br />

support statues. Further sculptures, some displaying a breathtaking<br />

technical mastery, surround the three doors.<br />

Inside the porch, there are further statue supporters – and, just<br />

beneath the window level, a mischievous universe of tiny scenes and<br />

faces. Easily overlooked, these are some of the most interesting images<br />

on the porch. Inside the church again, arranged in the nave north<br />

aisle, are more statue supporters, famous carvings that have been sent<br />

to London for exhibition more than once.<br />

All these images are examples of a curious and beguiling aspect of<br />

medieval art, often called ‘incidental’ imagery. Such images, while<br />

deliberately entertaining, were also loaded with meaning. They are<br />

not easy to decode, given that we have lost the stained glass windows,<br />

wall-paintings and statues which were the main subject matter of the<br />

art in the porch. Yet they contain much that is unusual, even unique.<br />

It helps that Rice copied quite closely those medieval originals that<br />

survived, respecting their original location on the porch. His main<br />

alteration was to replace expressions that were originally by turns<br />

disgruntled, agonised and bored with a generalised look of stoic piety.<br />

Very unusually for such images, there are no kings, bishops or knights<br />

among the carvings, and all but one are male. Instead it is the<br />

merchants, artisans and peasants of medieval Bristol that are depicted.<br />

Some display emaciated torsos or prop themselves up on crutches,<br />

presumably allusions to the porch’s medieval role as the centre of a<br />

miracle cult focused on an image of the Virgin Mary.<br />

Inside the porch, a gallery of faces alternate with foliage inhabited by<br />

beasts and further peasants. Here, the everyday is cheek-by-jowl with<br />

a more exotic world. For example, directly above the main door, two<br />

peasants struggle to free a cat from a tree. As one is carrying a bundle<br />

of faggots and the other is crippled, neither can actually do anything.<br />

Such jokey depictions of the peasantry are not unusual, though their<br />

realisation here is unusually sophisticated.<br />

These three groups of carvings have rather different histories. Those<br />

outside the building date from the period 1848-54; they are by the<br />

stonemason William Rice, working for the architect George Godwin<br />

(four of them support statues of saints by A. G. Walker, installed in<br />

the 1930s). Rice’s carvings were replacements for medieval originals,<br />

the best preserved of which were restored and kept as museum pieces.<br />

These are the carvings now displayed in the nave north aisle. Their<br />

carvers are anonymous; their architect is known only as the Bristol<br />

Master: he also designed the east end of Bristol cathedral. The<br />

same team created the carvings on the porch interior, which despite<br />

nineteenth-century repairs, are original work of around 1320.<br />

To their right, by contrast, a naked boy rides a rearing lion in a beastinhabited<br />

forest. This scene, and others like it on the porch, is very<br />

unusual indeed, and the intention seems to be to contrast the burdens<br />

of the everyday with a world that is at once free and exotic. It is this<br />

dramatis personae of downtrodden locals and inhabitants of a distant<br />

or archaic world, alongside the absence of women or of persons of<br />

rank, that make the carvings so distinctive.<br />

We can only speculate on the reasons such imagery was needed, but<br />

it may not be a coincidence that Redcliffe was the focus of violent<br />

tensions between townsmen and the lords Berkeley in the period<br />

shortly before the porch was built. It is also possible that the carvings<br />

relate to some myth of origin concerning the miracle-working image<br />

of the Virgin Mary that lay within it: perhaps this was believed to be<br />

very ancient or to have come from overseas. Ultimately, the carvings<br />

remain at once mysterious – and a compelling window on a lost world.<br />

Jon Cannon<br />

5


Going Green during <strong>2015</strong><br />

St Mary Redcliffe Church signs up to Go Green to demonstrate<br />

its continued commitment to sustainability and a greener<br />

Bristol.<br />

<strong>2015</strong> is Bristol’s year as European Green Capital. This acknowledges<br />

the city’s determination to making sustainable urban living mainstream<br />

and help build stronger more resilient communities across the city<br />

and well beyond. So much has been going on across the city and St<br />

Mary Redcliffe Church is delighted to be playing its part and getting<br />

involved. One way it is doing so has been by signing up to Go Green,<br />

the main business and employer engagement programme being run by<br />

Business West and Low Carbon South West.<br />

The church enjoys strong relationships with the local business<br />

community, in particular through The <strong>Canynges</strong> <strong>Society</strong>, and this<br />

initiative enables it to build on work done to date and now share<br />

its experiences and also learn from others. Its part of how the<br />

church is able to demonstrate its commitment to sustainability in the<br />

widest sense.<br />

BGCP pledge<br />

Implementing environmentally friendly<br />

measures and fittings in a Grade 1 listed,<br />

14th Century building is certainly no<br />

easy task. However, ever since St Mary<br />

Redcliffe church signed the Bristol Green<br />

Capital Partnership (BGCP) pledge back<br />

in 2013, the church has taken a number<br />

of significant steps to help improve<br />

its environmental performance, and is a fantastic case study of<br />

how older, historic premises can be retrofitted to become more<br />

sustainable.<br />

By signing the BGCP pledge, the Church committed itself to helping<br />

make Bristol “a low carbon city with a high quality of life for all”.<br />

In 2014 with the help of the <strong>Canynges</strong> <strong>Society</strong> it set to work and<br />

commissioned an energy audit from Inspired Efficiency to identify<br />

areas where heat and light energy consumption could be improved.<br />

Following Inspired Efficiency’s report, the church bid for, and was<br />

awarded a £4,000 grant from the Bristol Community Building Fund<br />

to replace the building’s heating pump, and upgrade the heating<br />

control system. The installation of the new heating system is<br />

estimated to save the church a staggering £2,500 per year in<br />

gas consumption. The report also suggested improvements to the<br />

lighting systems and as a result, a large number of low energy LED<br />

lights have been fitted.<br />

Alongside this the parish office analysed its activities to identify<br />

areas where it could be more efficient and make other changes. In<br />

response, a new water heating system has recently been installed<br />

in the staff kitchen, and the range of its recycling has been<br />

expanded to include plastics and glass. In all, saving the church<br />

electricity and water bills, and reducing its overall impact on<br />

the environment.<br />

Key initiative<br />

Go Green, as the main business and employer engagement programme<br />

for Bristol <strong>2015</strong>, is an initiative which supports businesses, charities<br />

and organisations of all shapes and sizes, on their journey to embrace<br />

sustainability and reduce impact on the environment. Launched in<br />

February <strong>2015</strong>, as a key initiative for the year (and beyond) it has<br />

already very successfully engaged well over 1,000 business people and<br />

organisations and encouraged them to engage or go further. With a<br />

simple formula it helps embed the green agenda into any organisation,<br />

making it straightforward and easy to use. But is also allows business<br />

people and other employers to share what they are doing and connect<br />

and collaborate in lots of ways and also have some fun along the way.<br />

The church is always looking for ways to improve its sustainability<br />

measures and by adopting the online Go Green tool it has created<br />

itself a unique action plan, which then recommends procedures the<br />

church can undertake across five key themes: energy and efficiency;<br />

travel and transport; planning and resilience; sustainable sourcing,<br />

and happy and healthy.<br />

In addition, Go Green offers<br />

opportunities for collaboration<br />

between businesses and all those<br />

involved through events and<br />

networking, and offers the option to<br />

share case studies and tips regarding<br />

environmental practices. These<br />

collaboration opportunities will help<br />

the church in its further plans to<br />

reduce its energy consumption through<br />

improving the electrical systems and<br />

installing photovoltaic cells on the roof but also of course in its core<br />

mission to reach out, connect and work with the parish and other<br />

communities in the city.<br />

Tallest building<br />

In what is a tall order for Bristol’s tallest building, the Church has<br />

shown that despite the age of a building, measures can be implemented<br />

to help improve environmental performance and sustainability of how<br />

it operates for the building and its people. It is perhaps unlikely that<br />

Bristol’s merchants who built “the fairest, goodliest and most famous<br />

parish church in England” had environmental impact on their agenda,<br />

but through hard work and dedication the Church is on the path to<br />

sustainability and will continue to do so with the help of Go Green.<br />

For more information about Bristol as<br />

European Green Capital visit the Bristol <strong>2015</strong> website:<br />

https://www.bristol<strong>2015</strong>.co.uk/<br />

Go Green Website: http://gogreenbusiness.co.uk/<br />

Frequently Asked Questions about Green Capital:<br />

http://initiativewest.co.uk/wp/bristol-european-green-capital-<strong>2015</strong>-<br />

frequently-asked-questions/<br />

James Durie<br />

6


ANNUAL GAZETTE <strong>2015</strong><br />

From the Vicar<br />

A personal message from the Reverend<br />

Dan Tyndall, Vicar of St Mary Redcliffe.<br />

Dear Friends,<br />

As I am sure you know, <strong>2015</strong> is the year that Bristol is celebrating<br />

being European Green Capital. What you may not know is that<br />

St Mary Redcliffe was probably the first of Bristol’s churches to<br />

sign the city’s Green Pledge. Along with hundreds of businesses,<br />

organisations, churches and other places of worship, we are<br />

committed to improving our ‘green’ credentials. We have made<br />

a start by upgrading our recycling facilities in the parish office<br />

and are looking at how we can provide better amenities around<br />

the whole church site so that we can enable staff, volunteers and<br />

visitors to, quickly and easily, dispose of things more thoughtfully.<br />

However, we’re not only thinking about the small-scale<br />

improvements. We are also actively pursuing two schemes of<br />

major works to the church building that will radically reduce<br />

our reliance on power derived from fossil fuels: installing photovoltaic<br />

cells on the church roof and installing LED lights<br />

throughout a significant part of the church. I am delighted<br />

with both of these developments, which are not only in<br />

line with current philosophical thinking on sustainability,<br />

but also rise from within a deep vein of Christian theology.<br />

So it is good and right that we are playing our part in<br />

supporting both Bristol Green Capital and God’s call on us to<br />

care for this fragile planet which we call ‘home’.<br />

You will read more about the President’s appeal for this coming<br />

year which seeks to enhance our current plans for the lighting<br />

of the church. This would be of huge benefit to us: not only<br />

enhancing the ways in which we can show off this extraordinary<br />

building, but also encouraging us to think more creatively<br />

about how the church could become one of the foremost venues<br />

for the city!<br />

And that’s not all … we are on the cusp of real change in the<br />

landscape around the church and we have just (thanks to Nick<br />

Davis) had wonderful visit from the Dean of Philadelphia! This<br />

is a tremendously exciting time to be Vicar of this glorious place!<br />

With my grateful thanks for all your support<br />

Obituary<br />

Christopher Marsden-Smedley<br />

The <strong>Society</strong> was saddened<br />

to learn of the sudden<br />

death of Christopher<br />

Marsden-Smedley in<br />

February this year. As an<br />

architect, he had always<br />

admired St.Mary Redcliffe<br />

and was delighted to be<br />

invited to be President<br />

in 2001. He took a great<br />

interest in all the fabric<br />

of the church but perhaps<br />

with a special emphasis on<br />

the ironwork.<br />

The <strong>Canynges</strong> <strong>Society</strong> Honorary Secretary<br />

The post of Honorary Secretary will become vacant in April<br />

2016 as the three year tenure of the current Secretary draws<br />

to a close.<br />

The post is an interesting one which requires about one day<br />

per month administrative activity supporting the President<br />

and <strong>Society</strong> members as well as preparing for three committee<br />

meetings per year and the AGM in April.<br />

The post is voluntary and unpaid but costs incurred such as<br />

printing and postage are re-imbursed.<br />

The skills and requirements of the post are:<br />

• IT skills such as word processing and minute taking<br />

• Access to a computer and telephone<br />

• Good telephone manner<br />

• Planning and organisational skills<br />

• Confidentiality and a courteous approach<br />

For further information regarding the position please contact<br />

Annette Marshall on marshallannette@hotmail.com<br />

7


Who are we?<br />

The <strong>Canynges</strong> <strong>Society</strong> is a registered charity dedicated to raising<br />

funds to support the maintenance of the building fabric of the<br />

church of St Mary Redcliffe, described by Queen Elizabeth<br />

I as “the fairest, goodliest and most famous parish church in<br />

England”. The <strong>Society</strong> was originally formed in 1848 in memory<br />

of William <strong>Canynges</strong>, a 15th Century Bristol merchant whose<br />

generosity endowed a major restoration of the church following<br />

a lighting strike in 1446. His memorial stands in the South<br />

Transept of the church. The <strong>Society</strong> is run by a small committee<br />

of volunteers and church officers, led by a President who is<br />

nominated on an annual basis.<br />

What do we do?<br />

The <strong>Society</strong> raises funds for the restoration and upkeep of the<br />

church building and for the improvement and adornment of<br />

the fabric of both the church and churchyard. We rely entirely<br />

on the generosity of the public and the business community for<br />

funds to do this. The society’s principal fundraising initiative is<br />

an annual Presidential appeal.<br />

How can you help?<br />

You can support the <strong>Society</strong> by making a single or regular<br />

donation. A minimum donation of £25.00 confers annual<br />

membership of the <strong>Society</strong> which provides access to<br />

membership events and regular information about the<br />

<strong>Society</strong> and its work. All contributions are welcome - from<br />

individuals, businesses, trusts and other charities.<br />

A donation form is enclosed with this <strong>Gazette</strong> and<br />

further information may be obtained by visiting:<br />

http://stmaryredcliffe.co.uk/our-community/<br />

canynges-society/<br />

or contacting the <strong>Society</strong>’s Administrator at:<br />

St. Mary Redcliffe Parish Office,<br />

12 Colston Parade, Redcliffe, Bristol BS1 6RA.<br />

Tel: 0117 929 1487<br />

Email canynges@stmaryredcliffe.co.uk<br />

The <strong>Canynges</strong> <strong>Society</strong> is a registered charity. No. 242231<br />

Past Presidents<br />

1848 J.K. Haberfield<br />

1849 The Duke of Beaufort<br />

1850 J.S. Harford<br />

1854 Richard Poole King<br />

1856 Mr Shaw<br />

1857 Dr Symonds<br />

1858 W.H.G. Langton<br />

1859 J.A. Cooke<br />

1860 J. Battersby Harford<br />

1862 The Mayor of Bristol<br />

1864 S.W. Lucas<br />

1867 Robert Phippen<br />

1868 Francis Adams<br />

1870 W.A.F. Powell<br />

1871 Thomas Canning<br />

1872 William Proctor Baker<br />

1874 Sholto Vere Hare<br />

1927 Sir Foster Robinson<br />

1928 Sir Lionel Goodenough Taylor<br />

1929 C. Cyril Clarke<br />

1930 F.L. Riseley<br />

1931 E.G. Mardon<br />

1932 H.J.G. Rudman<br />

1933 V.J. Robinson<br />

1934 H. Norton Matthews<br />

1935 Gilbert S. James<br />

1936 Sir Francis Cowlin<br />

1937 E.F. Eberle<br />

1938 Esmond Robinson<br />

1939 Cyril Meade-King<br />

1940-46 A Cecil Powel<br />

1947 Fred Organ<br />

1948 A.S. Ray<br />

1949 E.J. Dunscombe<br />

1950 F.H.C. Barnard<br />

1951 H.G. Robinson<br />

1952 F.O. Wills<br />

1953 E.P. King<br />

1954 The Revd R.F. Scott Tucker<br />

1955 George Tryon<br />

1956 The Revd Canon J.E. Staley<br />

1957 R.M.E. Reeves<br />

1958 W.H. Watkins<br />

1959 J.S. Young<br />

1960 A.J. Dennis McArthur<br />

1961 J. Baldwin<br />

1962 J.R. Ware<br />

1963 J.H. Britton<br />

1964 Sir Reginald Verdon-Smith<br />

1965 A. Anthony Scull<br />

1966 Sir Egbert Cadbury<br />

1967 T.C.M. Stock<br />

1968 Mrs Robert Bernays<br />

1969 S Guy B. James<br />

1970 F.H. Towill<br />

1971 L.K. Stevenson<br />

1972 Sir Kenneth Brown<br />

1973 P.G. Cardew<br />

1974 M.G. Meade-King<br />

1975 Paul Robinson<br />

1976 J.E.C. Clarke<br />

1977 Mrs John Gordon<br />

1978 C.P. Franklin<br />

1979 R.E.J. Bernays<br />

1980 J.B. Morley-Cooper<br />

1981 G.A.K. Robinson<br />

1982 W.G. Beloe<br />

1983 T. Lloyd Robinson<br />

1984 Elizabeth Ralph<br />

1985 G.M. Tricks<br />

1986 J.A.S. Burn<br />

1987 Charles N. Clarke<br />

1988 Christopher Thomas<br />

1989 Roderick Davidson<br />

1990 Giles Clarke<br />

1991 Charles Laws<br />

1992 Alan D. Tasker<br />

1993 Roger C.L. Feneley<br />

1994 Denis Burn<br />

1995 Francis Greenacre<br />

1996 Simon D.J. Awdry<br />

1997 Tony Elgood<br />

1998 Nicholas Hutchen<br />

1999 St. John Hartnell<br />

2000 Robert Durie<br />

2001 Christopher Marsden-Smedley<br />

2002 David Marsh<br />

2003 Ian Hoddell<br />

2004 Richard Lee<br />

2005 Michael Bothamley<br />

2006 Rodney Grey<br />

2007 Alan Stevenson<br />

2008 Peter Floyd<br />

2009 Greg Corrigan<br />

2010 Bill Gibson<br />

2011 Peter Marshall<br />

2012 Sara Hartnell<br />

2013 Alastair Currie<br />

2014 Tom Hood<br />

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