Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
ANNUAL GAZETTE <strong>2015</strong>
The President writes<br />
It is a great honour and privilege to<br />
follow in the footsteps of so many<br />
friends and distinguished Bristolians<br />
who have been President of this<br />
<strong>Society</strong> in the past, in particular,<br />
my cousins Alan Tasker and Giles<br />
Clarke, my father Dennis McArthur<br />
and my forebear Sam Lucas, who<br />
was one of the first Presidents<br />
in 1864.<br />
Indeed, two of my sisters were married at St Mary Redcliffe and my<br />
father's memorial service was held there in 1988, so it is very much my<br />
family's church in Bristol.<br />
This year Bristol is the Green Capital of Europe and St Mary Redcliffe<br />
was the first church in Bristol to show support for this initiative by<br />
signing the green pledge. Several articles in the <strong>Gazette</strong> have been<br />
written to demonstrate how St Mary Redcliffe is following the green<br />
principles encouraged by the City and my appeal this year – to raise<br />
funds to improve the church lighting – is in line with the same theme.<br />
The current lighting system in the church was installed some twenty<br />
years ago and is not particularly efficient or easy to control. A new<br />
control panel is required to provide a flexible system with greater<br />
control and spare capacity for the introduction of new circuits. In<br />
addition, after the control panel has been fitted, new lighting can be<br />
installed in high places in the nave, the transepts and chancel. It is<br />
estimated that this upgrading will achieve electricity cost savings of<br />
around 50% and, by changing the bulbs and fittings, there will also be<br />
significant maintenance cost savings through reducing the frequency<br />
of lamp replacements.<br />
Anyone who is unsure of the value of The <strong>Canynges</strong> <strong>Society</strong> to St<br />
Mary Redcliffe just has to see the magnificent restoration of St John’s<br />
Chapel. This was the subject of the appeal of no less than four of my<br />
predecessors and the result is staggering, in particular the medieval<br />
stained glass windows that have been beautifully restored.<br />
There will not be a <strong>Canynges</strong> <strong>Society</strong> Carol Concert this year as<br />
there are already many others planned by the Parish during Advent.<br />
However, I am planning to hold one event this year specifically for<br />
<strong>Canynges</strong> <strong>Society</strong> members, family and friends and this will take<br />
place on Friday 5th February 2016. This will be a performance in<br />
the church of the play, Ruff Guide to Shakespeare by Toby Hulse. This<br />
light-hearted play, performed by students of the Old Vic Theatre<br />
School, is a compendium of all of the Bard’s plays written specially<br />
for the School and lasts for just over an hour. The performance will<br />
be followed by dinner in the church with additional entertainment by<br />
members of the cast.<br />
As the performance and the dinner will take place in the north and<br />
south transepts, seating will be strictly limited so I would urge you to<br />
complete and return the application for tickets which is included with<br />
the <strong>Gazette</strong>.<br />
Thank you all for your support and I hope to thank you in person<br />
during the next few months.<br />
Dayrell McArthur<br />
President<br />
Cover Picture: With kind permission of Chris Duncan ©<br />
2<br />
A year of progress with<br />
St. John’s Chapel<br />
Nearly 12 months have passed since the<br />
majority of the works to St John’s Chapel were<br />
completed and the environmental monitoring of the<br />
isothermal glazing trials is reaching its conclusion.<br />
Last year’s <strong>Gazette</strong><br />
included details of the<br />
research and cleaning<br />
approaches used to<br />
represent the bosses, but<br />
the conservation and<br />
cleaning work to the<br />
sections of the medieval<br />
windows was no less<br />
challenging. Following<br />
an initial assessment that<br />
identified two panels in<br />
the North window and<br />
two in the West window<br />
as being in exceptionally<br />
poor condition, these<br />
panels were removed and<br />
then conserved, repaired<br />
and cleaned at Holywell<br />
Glass’ workshops in<br />
Wells. The glass was first<br />
assessed to determine the<br />
condition of the paintwork<br />
and the extent of<br />
damage. The glass was<br />
also photographed and rubbings taken of each of the units.<br />
The glass was cleaned using a 50/50 mixture of acetone<br />
and de-ionized water with cotton wool swabs and with the<br />
glass cleaning monitored using a microscope throughout. Cracked<br />
panes were repaired using epoxy resin where an 'edge bond' was<br />
possible, which has allowed many of the disfiguring lead repairs to<br />
be removed. Where edges had been grozed (trimmed) during past<br />
repairs, tinted resin repair was employed; but where significant<br />
areas of glass had been lost – such as in the evangelist eagle – new<br />
glass was sourced to match and painted with reference to the<br />
surrounding glass and other examples of eagles from the same<br />
period. All new glass inserts were signed and dated. Lead profiles<br />
matched the existing where possible, with handmade lead cames<br />
made where required to accommodate the extreme profile of some<br />
of the figurative heads in the west window. Fine leading was used<br />
where breaks were found to be unsuitable for edge bonding and<br />
to delineate modern inserts from medieval glass. Photographs<br />
were taken during the duration of the works and an archival<br />
record prepared at completion of the works. The environment<br />
monitoring of the isothermal glazing trials has been a success<br />
with the occurrence of condensation on the face of the glass<br />
significantly reduced. Trials for the most appropriate secondary<br />
glazing have commenced.<br />
Marcus Chantrey<br />
The restored monuments
ANNUAL GAZETTE <strong>2015</strong><br />
Before conservation in situ<br />
Before cleaning<br />
Repaint<br />
After conservation in situ<br />
The new 'circle of light'<br />
Before conservation: many broken fragments with disfiguring repairs<br />
After conservation: cleaner and brighter with finer and reduced leading repairs<br />
© Stained glass photos courtesy Holywell Glass<br />
American visit celebrates historic links<br />
A reception to celebrate the completion of the<br />
restoration of St John’s Chapel (largely funded by<br />
the proceeds of four successive <strong>Canynges</strong> <strong>Society</strong><br />
presidential appeals) was held on 22nd June to<br />
which the Very Reverend, Dean of Philadelphia<br />
Cathedral, Judy Sullivan, was invited along with<br />
members of The <strong>Canynges</strong> <strong>Society</strong>, The Vestry and<br />
The PCC. The reception was followed by a tour<br />
of the church with an interesting insight into its<br />
American connections!<br />
The re-consecration of St John’s Chapel took place<br />
on 24th June during which the Rt. Rev. Bishop of<br />
Swindon, Dr Lee Rayfield, led the blessing of the<br />
new altar and the congregation. The striking new<br />
altar, made by master craftsman, Robert Coles, in<br />
the form of a medieval boat hull, was designed<br />
to reflect the church’s maritime connections and<br />
commemorate the voyage of The Matthew from<br />
Redcliffe Quay on John Cabot’s historic voyage<br />
in 1497.<br />
The Dean of Philadelphia Cathedral, The Very Reverend Judy Sullivan, meets civic dignitaries<br />
and Vicar, Dan Tyndall, during her visit.<br />
3
Redcliffe Away<br />
Changing a large and important area of the city centre is slow<br />
work. The planned changes in Redcliffe have been going on<br />
for many years now and some, perhaps, may have felt they<br />
would never happen! Until plans are adopted, funded and the<br />
bulldozers move in, development never seems real. However,<br />
behind the scenes work presses on and, all being well,<br />
progress will soon be more obvious.<br />
The wider transport system is becoming clearer, with the roads<br />
serving Temple Meads Station, the new Enterprise Zone and the new<br />
Arena now funded and designed by Bristol City Council (BCC).<br />
As expected, it is to be a ground level system controlled by traffic<br />
lights, which we are told will maintain at least current traffic capacity<br />
and, with Temple Circus removed, allow the release of land for<br />
development. Some of this work is due to begin by the end of this year.<br />
See: www.bristoltemplequarter.com/gate.<br />
Redcliffe Neighbourhood Development Forum (RNDF) has<br />
completed its draft Neighbourhood Plan. This shows Redcliffe Way<br />
retained in its present position but with through traffic removed,<br />
except for Metrobus which is due to begin construction soon.<br />
As a result it can be narrowed and, with the Redcliffe Hill roundabout<br />
removed, a large new square can be created with St. Mary Redcliffe<br />
on its south side and new development, designed to balance it,<br />
on its northern side. The space will be shared for a range of<br />
uses and transport in the manner of many continental cities.<br />
See: www.redcliffeforum.org.uk<br />
Portwall Lane and Brunel Mile remain in use, primarily for pedestrians<br />
and cyclists, with the land to the south developed to include a wide<br />
range of different types of housing, some commercial space and lively<br />
ground floor uses. The whole area of the plan is to be landscaped,<br />
with the existing green space along Redcliffe Hill reinforced as a<br />
Fig. 2.2.3 - Illustrative View<br />
linear park, into an extended Quakers Burial Ground. Along with<br />
a redeveloped Redcliffe Wharf and the area around Chatterton’s<br />
House this will make it into the best possible place to live and<br />
work in Bristol.<br />
Once the plan has been agreed, work will begin on choosing<br />
development partners to create a large area of buildings of far more<br />
variety and higher quality than usual. Bristol City Council as major<br />
landowner, working with RNDF through the Joint Development<br />
Board, has expressed enthusiasm and support for the community’s<br />
aspirations and all are now looking forward to working with developers<br />
in creating the best possible new heart for Redcliffe.<br />
St Mary Redcliffe has been closely involved with<br />
RNDF and with BCC through the Joint Development<br />
Board to ensure that its own project is closely related.<br />
See: www.stmaryredcliffedevelopment.com<br />
Both projects are coming forward together and, after many years of<br />
preparation, there is good reason to hope that the design of both<br />
projects will soon begin.<br />
20 Redcliffe Neighbourhood Development Plan - Draft<br />
Peter Floyd<br />
1. Improved connections with the floating harbour.<br />
Queen<br />
Square<br />
The Floating Harbour<br />
1<br />
2<br />
9<br />
3<br />
Quaker<br />
Gardens<br />
Redcliffe Hill<br />
8<br />
4<br />
Redcliffe Street<br />
7<br />
6<br />
12<br />
10<br />
St Mary Redcliffe<br />
Church<br />
St Mary Redcliffe<br />
Churchyard<br />
11<br />
15<br />
14<br />
13<br />
Chatterton’s<br />
House<br />
Portwall Lane<br />
16<br />
17<br />
Hotel<br />
Victoria Street<br />
18<br />
Redcliffe Mead Lane<br />
Redcliffe Way<br />
19<br />
20<br />
Temple Gate<br />
Temple Meads<br />
Railway Station<br />
High Development Development Certainty - Certainty -<br />
High (Blocks Development within Council Development within land Certainty ownership) -Council land Certainty ownership) -<br />
High (Blocks Development within Council Development within land Certainty ownership) -Council land Certainty ownership) -<br />
(Blocks within Council within land ownership) Council land ownership)<br />
Medium Development Development Certainty - Certainty -<br />
Medium (Blocks within Development Council within or church Development Certainty land Council - or church Certainty land -<br />
Medium (Blocks ownership within Development Council constraints) within or church Development Certainty land Council constraints)<br />
- or church Certainty land -<br />
ownership with constraints) with constraints)<br />
(Blocks within Council within or church land Council or church land<br />
ownership with constraints) with constraints)<br />
Low Development Development Certainty - Certainty -<br />
Low (Blocks Development outside Council Development outside land Certainty ownership - or Council land Certainty ownership - or<br />
Low (Blocks on Council Development outside Council land with Development outside long land Certainty leaseholds) ownership land - or Council with long land Certainty leaseholds) ownership - or<br />
on Council Council land with long leaseholds) land with long leaseholds)<br />
(Blocks outside Council outside land ownership or Council land ownership or<br />
on Council Council land with long leaseholds) land with long leaseholds)<br />
2. View of St Mary Redcliffe Church through new<br />
development.<br />
3. Quaker Gardens retained and enhanced.<br />
4. Removed roundabout improves north-south<br />
connection.<br />
6. Space given to southfacing aspect.<br />
7. Creative use of level change and steps in front of St<br />
Mary Redcliffe Church<br />
8. Reconfigured Redcliffe Hill reconnects the<br />
neighbourhood.<br />
9. Linear park providing green linkages and recreation.<br />
10. Glimpse view through to St Mary Redcliffe Church<br />
11. Key opportunity for family housing.<br />
12. The heart of the community - a new public square<br />
in front of St Mary Redcliffe Church.<br />
13. The Port Wall and the Brunel Mile celebrated with<br />
a series of pocket plazas along a pedestrian and<br />
cycle route.<br />
14. Opportunity for community facilities.<br />
15. Block set back to allow key view from Temple<br />
Meads to be retained.<br />
16. Downgraded Redcliffe Way - improved north-south<br />
connections.<br />
17. Potential improved frontages to existing buildings.<br />
18. Existing mature trees integrated with new treeline<br />
along boulevard.<br />
19. Removed roundabout creates better streetscape<br />
and new development opportunity. (This reflects<br />
the road layout produced by the Council for the<br />
Temple Gate Consultation in January <strong>2015</strong>) The<br />
built development layout reflects the community’s<br />
aspirations.<br />
20. Improved connection to Temple Meads Railway<br />
Station.<br />
4
ANNUAL GAZETTE <strong>2015</strong><br />
Mysterious and Compelling<br />
Jon Cannon provides an insight into the rich medieval<br />
carvings that adorn the North Porch – the restoration of<br />
which is one of the projects that The <strong>Canynges</strong> <strong>Society</strong><br />
is supporting.<br />
Hundreds of sculpted figures gaze down from the spectacular North<br />
Porch of St Mary Redcliffe. They crouch against the walls, each<br />
apparently bearing a heavy weight: these carvings are designed to<br />
support statues. Further sculptures, some displaying a breathtaking<br />
technical mastery, surround the three doors.<br />
Inside the porch, there are further statue supporters – and, just<br />
beneath the window level, a mischievous universe of tiny scenes and<br />
faces. Easily overlooked, these are some of the most interesting images<br />
on the porch. Inside the church again, arranged in the nave north<br />
aisle, are more statue supporters, famous carvings that have been sent<br />
to London for exhibition more than once.<br />
All these images are examples of a curious and beguiling aspect of<br />
medieval art, often called ‘incidental’ imagery. Such images, while<br />
deliberately entertaining, were also loaded with meaning. They are<br />
not easy to decode, given that we have lost the stained glass windows,<br />
wall-paintings and statues which were the main subject matter of the<br />
art in the porch. Yet they contain much that is unusual, even unique.<br />
It helps that Rice copied quite closely those medieval originals that<br />
survived, respecting their original location on the porch. His main<br />
alteration was to replace expressions that were originally by turns<br />
disgruntled, agonised and bored with a generalised look of stoic piety.<br />
Very unusually for such images, there are no kings, bishops or knights<br />
among the carvings, and all but one are male. Instead it is the<br />
merchants, artisans and peasants of medieval Bristol that are depicted.<br />
Some display emaciated torsos or prop themselves up on crutches,<br />
presumably allusions to the porch’s medieval role as the centre of a<br />
miracle cult focused on an image of the Virgin Mary.<br />
Inside the porch, a gallery of faces alternate with foliage inhabited by<br />
beasts and further peasants. Here, the everyday is cheek-by-jowl with<br />
a more exotic world. For example, directly above the main door, two<br />
peasants struggle to free a cat from a tree. As one is carrying a bundle<br />
of faggots and the other is crippled, neither can actually do anything.<br />
Such jokey depictions of the peasantry are not unusual, though their<br />
realisation here is unusually sophisticated.<br />
These three groups of carvings have rather different histories. Those<br />
outside the building date from the period 1848-54; they are by the<br />
stonemason William Rice, working for the architect George Godwin<br />
(four of them support statues of saints by A. G. Walker, installed in<br />
the 1930s). Rice’s carvings were replacements for medieval originals,<br />
the best preserved of which were restored and kept as museum pieces.<br />
These are the carvings now displayed in the nave north aisle. Their<br />
carvers are anonymous; their architect is known only as the Bristol<br />
Master: he also designed the east end of Bristol cathedral. The<br />
same team created the carvings on the porch interior, which despite<br />
nineteenth-century repairs, are original work of around 1320.<br />
To their right, by contrast, a naked boy rides a rearing lion in a beastinhabited<br />
forest. This scene, and others like it on the porch, is very<br />
unusual indeed, and the intention seems to be to contrast the burdens<br />
of the everyday with a world that is at once free and exotic. It is this<br />
dramatis personae of downtrodden locals and inhabitants of a distant<br />
or archaic world, alongside the absence of women or of persons of<br />
rank, that make the carvings so distinctive.<br />
We can only speculate on the reasons such imagery was needed, but<br />
it may not be a coincidence that Redcliffe was the focus of violent<br />
tensions between townsmen and the lords Berkeley in the period<br />
shortly before the porch was built. It is also possible that the carvings<br />
relate to some myth of origin concerning the miracle-working image<br />
of the Virgin Mary that lay within it: perhaps this was believed to be<br />
very ancient or to have come from overseas. Ultimately, the carvings<br />
remain at once mysterious – and a compelling window on a lost world.<br />
Jon Cannon<br />
5
Going Green during <strong>2015</strong><br />
St Mary Redcliffe Church signs up to Go Green to demonstrate<br />
its continued commitment to sustainability and a greener<br />
Bristol.<br />
<strong>2015</strong> is Bristol’s year as European Green Capital. This acknowledges<br />
the city’s determination to making sustainable urban living mainstream<br />
and help build stronger more resilient communities across the city<br />
and well beyond. So much has been going on across the city and St<br />
Mary Redcliffe Church is delighted to be playing its part and getting<br />
involved. One way it is doing so has been by signing up to Go Green,<br />
the main business and employer engagement programme being run by<br />
Business West and Low Carbon South West.<br />
The church enjoys strong relationships with the local business<br />
community, in particular through The <strong>Canynges</strong> <strong>Society</strong>, and this<br />
initiative enables it to build on work done to date and now share<br />
its experiences and also learn from others. Its part of how the<br />
church is able to demonstrate its commitment to sustainability in the<br />
widest sense.<br />
BGCP pledge<br />
Implementing environmentally friendly<br />
measures and fittings in a Grade 1 listed,<br />
14th Century building is certainly no<br />
easy task. However, ever since St Mary<br />
Redcliffe church signed the Bristol Green<br />
Capital Partnership (BGCP) pledge back<br />
in 2013, the church has taken a number<br />
of significant steps to help improve<br />
its environmental performance, and is a fantastic case study of<br />
how older, historic premises can be retrofitted to become more<br />
sustainable.<br />
By signing the BGCP pledge, the Church committed itself to helping<br />
make Bristol “a low carbon city with a high quality of life for all”.<br />
In 2014 with the help of the <strong>Canynges</strong> <strong>Society</strong> it set to work and<br />
commissioned an energy audit from Inspired Efficiency to identify<br />
areas where heat and light energy consumption could be improved.<br />
Following Inspired Efficiency’s report, the church bid for, and was<br />
awarded a £4,000 grant from the Bristol Community Building Fund<br />
to replace the building’s heating pump, and upgrade the heating<br />
control system. The installation of the new heating system is<br />
estimated to save the church a staggering £2,500 per year in<br />
gas consumption. The report also suggested improvements to the<br />
lighting systems and as a result, a large number of low energy LED<br />
lights have been fitted.<br />
Alongside this the parish office analysed its activities to identify<br />
areas where it could be more efficient and make other changes. In<br />
response, a new water heating system has recently been installed<br />
in the staff kitchen, and the range of its recycling has been<br />
expanded to include plastics and glass. In all, saving the church<br />
electricity and water bills, and reducing its overall impact on<br />
the environment.<br />
Key initiative<br />
Go Green, as the main business and employer engagement programme<br />
for Bristol <strong>2015</strong>, is an initiative which supports businesses, charities<br />
and organisations of all shapes and sizes, on their journey to embrace<br />
sustainability and reduce impact on the environment. Launched in<br />
February <strong>2015</strong>, as a key initiative for the year (and beyond) it has<br />
already very successfully engaged well over 1,000 business people and<br />
organisations and encouraged them to engage or go further. With a<br />
simple formula it helps embed the green agenda into any organisation,<br />
making it straightforward and easy to use. But is also allows business<br />
people and other employers to share what they are doing and connect<br />
and collaborate in lots of ways and also have some fun along the way.<br />
The church is always looking for ways to improve its sustainability<br />
measures and by adopting the online Go Green tool it has created<br />
itself a unique action plan, which then recommends procedures the<br />
church can undertake across five key themes: energy and efficiency;<br />
travel and transport; planning and resilience; sustainable sourcing,<br />
and happy and healthy.<br />
In addition, Go Green offers<br />
opportunities for collaboration<br />
between businesses and all those<br />
involved through events and<br />
networking, and offers the option to<br />
share case studies and tips regarding<br />
environmental practices. These<br />
collaboration opportunities will help<br />
the church in its further plans to<br />
reduce its energy consumption through<br />
improving the electrical systems and<br />
installing photovoltaic cells on the roof but also of course in its core<br />
mission to reach out, connect and work with the parish and other<br />
communities in the city.<br />
Tallest building<br />
In what is a tall order for Bristol’s tallest building, the Church has<br />
shown that despite the age of a building, measures can be implemented<br />
to help improve environmental performance and sustainability of how<br />
it operates for the building and its people. It is perhaps unlikely that<br />
Bristol’s merchants who built “the fairest, goodliest and most famous<br />
parish church in England” had environmental impact on their agenda,<br />
but through hard work and dedication the Church is on the path to<br />
sustainability and will continue to do so with the help of Go Green.<br />
For more information about Bristol as<br />
European Green Capital visit the Bristol <strong>2015</strong> website:<br />
https://www.bristol<strong>2015</strong>.co.uk/<br />
Go Green Website: http://gogreenbusiness.co.uk/<br />
Frequently Asked Questions about Green Capital:<br />
http://initiativewest.co.uk/wp/bristol-european-green-capital-<strong>2015</strong>-<br />
frequently-asked-questions/<br />
James Durie<br />
6
ANNUAL GAZETTE <strong>2015</strong><br />
From the Vicar<br />
A personal message from the Reverend<br />
Dan Tyndall, Vicar of St Mary Redcliffe.<br />
Dear Friends,<br />
As I am sure you know, <strong>2015</strong> is the year that Bristol is celebrating<br />
being European Green Capital. What you may not know is that<br />
St Mary Redcliffe was probably the first of Bristol’s churches to<br />
sign the city’s Green Pledge. Along with hundreds of businesses,<br />
organisations, churches and other places of worship, we are<br />
committed to improving our ‘green’ credentials. We have made<br />
a start by upgrading our recycling facilities in the parish office<br />
and are looking at how we can provide better amenities around<br />
the whole church site so that we can enable staff, volunteers and<br />
visitors to, quickly and easily, dispose of things more thoughtfully.<br />
However, we’re not only thinking about the small-scale<br />
improvements. We are also actively pursuing two schemes of<br />
major works to the church building that will radically reduce<br />
our reliance on power derived from fossil fuels: installing photovoltaic<br />
cells on the church roof and installing LED lights<br />
throughout a significant part of the church. I am delighted<br />
with both of these developments, which are not only in<br />
line with current philosophical thinking on sustainability,<br />
but also rise from within a deep vein of Christian theology.<br />
So it is good and right that we are playing our part in<br />
supporting both Bristol Green Capital and God’s call on us to<br />
care for this fragile planet which we call ‘home’.<br />
You will read more about the President’s appeal for this coming<br />
year which seeks to enhance our current plans for the lighting<br />
of the church. This would be of huge benefit to us: not only<br />
enhancing the ways in which we can show off this extraordinary<br />
building, but also encouraging us to think more creatively<br />
about how the church could become one of the foremost venues<br />
for the city!<br />
And that’s not all … we are on the cusp of real change in the<br />
landscape around the church and we have just (thanks to Nick<br />
Davis) had wonderful visit from the Dean of Philadelphia! This<br />
is a tremendously exciting time to be Vicar of this glorious place!<br />
With my grateful thanks for all your support<br />
Obituary<br />
Christopher Marsden-Smedley<br />
The <strong>Society</strong> was saddened<br />
to learn of the sudden<br />
death of Christopher<br />
Marsden-Smedley in<br />
February this year. As an<br />
architect, he had always<br />
admired St.Mary Redcliffe<br />
and was delighted to be<br />
invited to be President<br />
in 2001. He took a great<br />
interest in all the fabric<br />
of the church but perhaps<br />
with a special emphasis on<br />
the ironwork.<br />
The <strong>Canynges</strong> <strong>Society</strong> Honorary Secretary<br />
The post of Honorary Secretary will become vacant in April<br />
2016 as the three year tenure of the current Secretary draws<br />
to a close.<br />
The post is an interesting one which requires about one day<br />
per month administrative activity supporting the President<br />
and <strong>Society</strong> members as well as preparing for three committee<br />
meetings per year and the AGM in April.<br />
The post is voluntary and unpaid but costs incurred such as<br />
printing and postage are re-imbursed.<br />
The skills and requirements of the post are:<br />
• IT skills such as word processing and minute taking<br />
• Access to a computer and telephone<br />
• Good telephone manner<br />
• Planning and organisational skills<br />
• Confidentiality and a courteous approach<br />
For further information regarding the position please contact<br />
Annette Marshall on marshallannette@hotmail.com<br />
7
Who are we?<br />
The <strong>Canynges</strong> <strong>Society</strong> is a registered charity dedicated to raising<br />
funds to support the maintenance of the building fabric of the<br />
church of St Mary Redcliffe, described by Queen Elizabeth<br />
I as “the fairest, goodliest and most famous parish church in<br />
England”. The <strong>Society</strong> was originally formed in 1848 in memory<br />
of William <strong>Canynges</strong>, a 15th Century Bristol merchant whose<br />
generosity endowed a major restoration of the church following<br />
a lighting strike in 1446. His memorial stands in the South<br />
Transept of the church. The <strong>Society</strong> is run by a small committee<br />
of volunteers and church officers, led by a President who is<br />
nominated on an annual basis.<br />
What do we do?<br />
The <strong>Society</strong> raises funds for the restoration and upkeep of the<br />
church building and for the improvement and adornment of<br />
the fabric of both the church and churchyard. We rely entirely<br />
on the generosity of the public and the business community for<br />
funds to do this. The society’s principal fundraising initiative is<br />
an annual Presidential appeal.<br />
How can you help?<br />
You can support the <strong>Society</strong> by making a single or regular<br />
donation. A minimum donation of £25.00 confers annual<br />
membership of the <strong>Society</strong> which provides access to<br />
membership events and regular information about the<br />
<strong>Society</strong> and its work. All contributions are welcome - from<br />
individuals, businesses, trusts and other charities.<br />
A donation form is enclosed with this <strong>Gazette</strong> and<br />
further information may be obtained by visiting:<br />
http://stmaryredcliffe.co.uk/our-community/<br />
canynges-society/<br />
or contacting the <strong>Society</strong>’s Administrator at:<br />
St. Mary Redcliffe Parish Office,<br />
12 Colston Parade, Redcliffe, Bristol BS1 6RA.<br />
Tel: 0117 929 1487<br />
Email canynges@stmaryredcliffe.co.uk<br />
The <strong>Canynges</strong> <strong>Society</strong> is a registered charity. No. 242231<br />
Past Presidents<br />
1848 J.K. Haberfield<br />
1849 The Duke of Beaufort<br />
1850 J.S. Harford<br />
1854 Richard Poole King<br />
1856 Mr Shaw<br />
1857 Dr Symonds<br />
1858 W.H.G. Langton<br />
1859 J.A. Cooke<br />
1860 J. Battersby Harford<br />
1862 The Mayor of Bristol<br />
1864 S.W. Lucas<br />
1867 Robert Phippen<br />
1868 Francis Adams<br />
1870 W.A.F. Powell<br />
1871 Thomas Canning<br />
1872 William Proctor Baker<br />
1874 Sholto Vere Hare<br />
1927 Sir Foster Robinson<br />
1928 Sir Lionel Goodenough Taylor<br />
1929 C. Cyril Clarke<br />
1930 F.L. Riseley<br />
1931 E.G. Mardon<br />
1932 H.J.G. Rudman<br />
1933 V.J. Robinson<br />
1934 H. Norton Matthews<br />
1935 Gilbert S. James<br />
1936 Sir Francis Cowlin<br />
1937 E.F. Eberle<br />
1938 Esmond Robinson<br />
1939 Cyril Meade-King<br />
1940-46 A Cecil Powel<br />
1947 Fred Organ<br />
1948 A.S. Ray<br />
1949 E.J. Dunscombe<br />
1950 F.H.C. Barnard<br />
1951 H.G. Robinson<br />
1952 F.O. Wills<br />
1953 E.P. King<br />
1954 The Revd R.F. Scott Tucker<br />
1955 George Tryon<br />
1956 The Revd Canon J.E. Staley<br />
1957 R.M.E. Reeves<br />
1958 W.H. Watkins<br />
1959 J.S. Young<br />
1960 A.J. Dennis McArthur<br />
1961 J. Baldwin<br />
1962 J.R. Ware<br />
1963 J.H. Britton<br />
1964 Sir Reginald Verdon-Smith<br />
1965 A. Anthony Scull<br />
1966 Sir Egbert Cadbury<br />
1967 T.C.M. Stock<br />
1968 Mrs Robert Bernays<br />
1969 S Guy B. James<br />
1970 F.H. Towill<br />
1971 L.K. Stevenson<br />
1972 Sir Kenneth Brown<br />
1973 P.G. Cardew<br />
1974 M.G. Meade-King<br />
1975 Paul Robinson<br />
1976 J.E.C. Clarke<br />
1977 Mrs John Gordon<br />
1978 C.P. Franklin<br />
1979 R.E.J. Bernays<br />
1980 J.B. Morley-Cooper<br />
1981 G.A.K. Robinson<br />
1982 W.G. Beloe<br />
1983 T. Lloyd Robinson<br />
1984 Elizabeth Ralph<br />
1985 G.M. Tricks<br />
1986 J.A.S. Burn<br />
1987 Charles N. Clarke<br />
1988 Christopher Thomas<br />
1989 Roderick Davidson<br />
1990 Giles Clarke<br />
1991 Charles Laws<br />
1992 Alan D. Tasker<br />
1993 Roger C.L. Feneley<br />
1994 Denis Burn<br />
1995 Francis Greenacre<br />
1996 Simon D.J. Awdry<br />
1997 Tony Elgood<br />
1998 Nicholas Hutchen<br />
1999 St. John Hartnell<br />
2000 Robert Durie<br />
2001 Christopher Marsden-Smedley<br />
2002 David Marsh<br />
2003 Ian Hoddell<br />
2004 Richard Lee<br />
2005 Michael Bothamley<br />
2006 Rodney Grey<br />
2007 Alan Stevenson<br />
2008 Peter Floyd<br />
2009 Greg Corrigan<br />
2010 Bill Gibson<br />
2011 Peter Marshall<br />
2012 Sara Hartnell<br />
2013 Alastair Currie<br />
2014 Tom Hood<br />
Design & print: .BurleighPortishead Ltd. www.burleighportishead.co.uk