07.03.2017 Views

Namaskar - Oct 09

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Workshop Review<br />

Surf<br />

urfing the Vin<br />

inyas<br />

asa a Wave<br />

Leah Kim<br />

As impressive as Simon Park’s Vrischikasana is on the<br />

advertisement for his workshop (and on our front cover),<br />

there is a noticeable fluidity, grace and ease in his inverted<br />

and backward-bending pose. Similarly, Julia Horn’s yoga and<br />

Tripsichore-inspired performance piece, which starts off their<br />

workshop, is a display of incredible physical talent, and (more<br />

importantly) an expression and offering from her heart.<br />

Their story together began in New York City, where they saw each<br />

other in Dharma Mittra’s class. They soon realised that they are two<br />

peas in a pod. “We’re two very different peas, but we’re definitely in<br />

the same pod,” Julia explains. Perhaps more complementary than<br />

different, the two have a similar essence in their view of yoga and<br />

life, but there is a yin/yang unifying duality about them and their<br />

presence together as teachers.<br />

They share their balanced embodiment of, and approach to, yoga on<br />

their first world tour, teaching in seven countries in seven weeks,<br />

with Hong Kong their first stop. While it is Julia’s first time in<br />

Asia, for Simon it is a return home to his roots. Born in Korea, he<br />

moved to the States at a young age; this is his first trip back to Asia.<br />

the globe. People just seem to understand the language and<br />

movements of vinyasa; it’s inherently universal. It’s a reflection of<br />

today’s fast-paced world. What’s especially powerful about vinyasa is<br />

its accessibility. You can bring in a lot of different elements from<br />

different practices. It’s not about constricting yourself to a label to<br />

say who you are, where you’re from, and whom you belong to. Life<br />

is universal, meaning there is a guiding energy that is beyond<br />

human that informs us all. It’s not about limiting yourself to one<br />

guru. Yes, I have teachers and will love and embody them eternally<br />

in who I am. But evolution is key. Dharma always teaches that God<br />

is right here in the centre of your heart. He is devoted to his guru,<br />

but in his own practice, he creates.”<br />

Julia adds, “the sacred part of the practice is the right brain stuff.<br />

This is where creation happens, and where you connect to the<br />

Collective Consciousness. I believe in the art form of yoga, sacred<br />

lines and geometry of the poses. But anything is and can be yoga,<br />

based on the intention and presence. Having a teacher or learning a<br />

particular style is kind of like being in your family. Your family is<br />

your heritage; you love and respect them and you abide by their<br />

rules, but then you grow up and become a very unique individual. “<br />

Their teaching philosophy is evident in their workshop, “Surfing<br />

Simon still felt his Asian influence growing up, “playing karate”<br />

with his brothers and eventually enrolling in proper karate classes.<br />

Later, wanting to assimilate more to American culture, he moved<br />

towards sports, playing rugby and basketball through college. A<br />

motorcycle accident led him to yoga. “I was at UCLA at the time,<br />

and a friend suggested yoga as a way to rehab my injuries. I looked<br />

at the curriculum and signed up for a class called Yoga for Dancers,<br />

taught by Shiva Rea. It was Shiva’s first class as a yoga teacher at<br />

UCLA and my first yoga experience.” Simon studied with and<br />

assisted Shiva for several years, and considers Shiva and Dharma his<br />

main teachers and influences.<br />

For Julia, “mom did yoga, so as a baby, I was already crawling<br />

around her yoga classes. I started dancing at a young age, so I have<br />

always been in my body. I was blessed with amazing circumstances<br />

growing up. We lived in a small town in the mountains of North<br />

Carolina where I was always running around, jumping off of<br />

things, swinging on ropes into the creek. Acrobatic actions became<br />

second nature to me. I danced in college and worked at a gym,<br />

where I met Dana Flynn of Laughing Lotus. That’s when I realised<br />

dance and yoga are an amazing fusion.”<br />

As far as their teaching style, Simon is hesitant to use labels. “I<br />

don’t want to have a label to my style, but for survival as a yoga<br />

teacher today, it’s kind of a necessity. I think of how Bruce Lee said<br />

to learn from everyone, and then to create your own style.” So<br />

Simon loosely dubs his style Liquid Flow Yoga, which falls within<br />

the general framework of Vinyasa. “I have taught in the States,<br />

Paris, Barcelona, Costa Rica, and now being here in Hong Kong,<br />

what strikes me the most is how similar the styles of yoga are across<br />

34<br />

JULIA & SIMON

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!