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Workshop Review<br />

A journey into Anatom<br />

omy – with Paul and Suz<br />

uzee Grilley<br />

Rani Kamaruddin<br />

In this, the first of a two-part<br />

workshop review, Rani<br />

introduces readers to the<br />

anatomy of yoga as taught by<br />

Paul and Suzee Grilley at True<br />

Yoga in Singapore 25 th - 30 th<br />

September. Part two - “Yin<br />

Yoga: Theory & Practice” will<br />

follow in the next issue.<br />

PAUL & SUZEE GRILLEY<br />

As glossy pictures of asanas fill<br />

pages of yoga magazines, the<br />

descriptive annotations to them<br />

ease the visualization of how a<br />

pose should ‘look’ like. These<br />

aesthetic descriptions (with or<br />

without the pictures) are often<br />

mistaken as a standard of<br />

achievement, the norm for<br />

posture alignment or a<br />

measurement of the right and<br />

wrong of a shape. It presents a<br />

picture-perfect pretzelicious<br />

pose, but rarely pays attention to<br />

the functional purpose of the<br />

pose or the anatomical range of<br />

motions for each unique and<br />

individual body, as is<br />

predetermined in the womb.<br />

To understand the functional<br />

purpose of a pose, we must<br />

understand the anatomical range<br />

of motion. At the workshop we<br />

learned the anatomical range of<br />

motions can be analyzed<br />

through 14 body segments.<br />

Each segment is limited by a<br />

number of possible<br />

movements. While there are<br />

numerous yoga poses and<br />

variations, all poses find their<br />

functional purpose in these<br />

segments, one at a time, or<br />

combined.<br />

The 14 segments are scapula,<br />

humerus, ulna, radius, wrist,<br />

fingers, cervical, thorax, lumbar,<br />

pelvis, femur, tibia, ankle and<br />

toes.<br />

Paul took a pragmatic approach<br />

to analysing the range of<br />

motions in each of these<br />

segments by having us<br />

experiment with each other to<br />

feel at which point the<br />

compression of the bones<br />

started to limit the range of<br />

motion. Many times I wished<br />

for super x-ray glasses so I could<br />

look through my partner’s skin<br />

and muscles and recognise her<br />

body as a walking skeleton!<br />

It’s not so much about<br />

someone’s persistence, wanting<br />

to go beyond the edges,<br />

stamina, focus, ability to endure<br />

pain, taking a deeper breath or<br />

number of years of practice that<br />

determines whether the person<br />

can do a pose or not; it is the<br />

compression of the bones and<br />

tension in the muscles that limit<br />

the range of motion. These<br />

experiments certainly peeled<br />

away the layers of concepts of<br />

how a pose should be aligned or<br />

whether a pose is advanced.<br />

Take, for instance, seated spinal<br />

twist (ardha matsyendrasana). The<br />

placement of the arm has<br />

nothing to do with the degree<br />

of the twist itself. Whether or<br />

not the elbow could be placed<br />

against the outer edge of the<br />

knee had to do with how much<br />

the femur could adduct, the<br />

more the knee could move<br />

across the midline of the torso,<br />

the easier it is for the person to<br />

place the elbow against the outer<br />

edge of the knee. Neither did it<br />

matter if the placement of the<br />

foot was closer to the buttocks<br />

or further away, right next to the<br />

straight leg or slightly away from<br />

it. The straight leg and the foot<br />

on the leg that is bent serve the<br />

purpose of anchoring. The arm<br />

serves as leverage to twist the<br />

thoracic spine. The limbs are<br />

completely of secondary<br />

importance. The functional<br />

target of the twist is the thoracic<br />

spine. How deep the twist is, is<br />

a measurement of the thoracic<br />

spine relative to the pelvis, not<br />

to the floor, the edges of the<br />

mat, or the placement of the<br />

limbs. One student who could<br />

not bring her knee across the<br />

midline of her torso (as a result<br />

she wrapped her arm around her<br />

knee to pull it into her chest),<br />

had a twist of 75 degrees.<br />

Another student who, from<br />

appearance looked to have a<br />

deeper twist (her elbow was<br />

against her knee) had a twist of<br />

70 degrees. The average twist is<br />

70-75 degrees; both students<br />

were average and normal.<br />

Through these experiments,<br />

Paul and Suzee brought us<br />

valuable insights into the<br />

anatomy of yoga and completely<br />

turned the approach we take to<br />

our own yoga practices upside<br />

down. It brought the focus of<br />

the asana practice back to its core:<br />

what functional purpose does a<br />

pose have? Which area in my<br />

body does this pose target? The<br />

functional purpose of a pose<br />

could also be different to each<br />

of us: where someone may use<br />

downward dog to stretch the<br />

hamstrings; someone else may<br />

use it to stretch the spine. If we<br />

work from the basis of looking<br />

at the functional purpose of a<br />

pose, we are able to work<br />

compassionately<br />

in our practice.<br />

Rani is forever<br />

thankful to the<br />

teachers who<br />

introduced her<br />

to yoga.<br />

33

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