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Namaskar -January 2007

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<strong>Namaskar</strong><br />

A Voice for the Yoga Community in Asia <strong>January</strong> <strong>2007</strong><br />

IN THIS ISSUE<br />

Change • Stress<br />

Kleshas • Joy<br />

Photo courtesy of Nigel Gregory<br />

ngstudio@mac.com


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

EDITOR’S NOTE<br />

In this Issue<br />

Franc<br />

ances s Gairns<br />

The dristi for this issue is Change and the cover photo by<br />

Nigel is an upside-down image of Jon changing from<br />

Prasarita Padottanasana to Adho Mukha Vrksasana. I<br />

watched with admiration as his feet floated gracefully off<br />

the ground and up into a handstand – no muscular force or gritting of teeth,<br />

just the smooth, unobstructed flow of prana. Just how I would like to move<br />

through the changes in my life.<br />

We have three interpretations of the dristi: Angela takes a straight-forward<br />

approach, enlisting the experiences of three yoginis; Paul explores the<br />

subject from the perspective of yogic philosophy and David Bowie while;<br />

Frank introduces the Buddhist perspective. And what is sometimes the<br />

result of change for many of us, stress, is examined by Laura and Vinod<br />

introduces us to Kleshas.<br />

I hope you will read the contributions of Ann, Clayton, Elizabeth, Ivy,<br />

Jennifer, Jyothi, Julie, Mira, Sara, Tia and Valerie. Everyone who<br />

contributes to <strong>Namaskar</strong> is on a path of personal transformation, and<br />

through sharing their experiences and observations, hopes to enrich our<br />

community.<br />

We welcome Yoga Journal to the Asian yoga community. The publication’s<br />

Hong Kong and Thailand editions are now available on news stands, and I<br />

hope you will pick up a copy next time you see it.<br />

Dristi Change<br />

Impermanence..............................................................5<br />

Transformation....................................................................7<br />

Dharma Door of Change....................................8<br />

Special Features<br />

Stress.......................................................................11<br />

Kleshas.......................................................................14<br />

Upward facing dog.............................................17<br />

Book review........................................................22<br />

Moon days...........................................................23<br />

mYoga teacher training...................................24<br />

Mysore Travelogue...........................................26<br />

Book review........................................................26<br />

Practicing cold...................................................29<br />

Joy.........................................................................30<br />

Regular Contributions<br />

Yoga News.............................................................3<br />

Teacher’s Voice....................................................11<br />

Hathi Yogi............................................................32<br />

Crossword ..........................................................35<br />

Kids Yoga.............................................................33<br />

Teacher & Studio listings................................39<br />

And finally I encourage you to embrace the change in your lives with Jon’s<br />

ease, grace and fluidity.<br />

Note to Teachers & Studio Managers<br />

If you would like to list your details in the back page of <strong>Namaskar</strong><br />

throughout <strong>2007</strong>, please send your payment to guarantee your listing will<br />

appear in April, June & October <strong>2007</strong> issues:<br />

Individual teacher HK$500 or Studio HK$1,000<br />

Please make your cheque payable to:<br />

Yoga Services Ltd<br />

c/o Frances Gairns, G/F, Flat 1, 12 Shouson Hill Road West, Hong Kong<br />

Something to Share?<br />

If there is something you would like<br />

to share with the yoga community in<br />

Hong Kong and elsewhere (we<br />

distribute around Asia and even<br />

further), please email<br />

fgairns@netvigator.com<br />

2


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

YOGA NEWS<br />

Yoga Kitchen in Hong<br />

Kong<br />

Yoga Fitness has long been feeding<br />

students’ spirit, and how they’re<br />

feeding stomachs too, with the opening<br />

of Yoga Kitchen. The brainchild of<br />

studio owner and yoga teacher Yvonne,<br />

Yoga Kitchen serves a healthy menu of<br />

vegetarian and non-vegetarian food<br />

and drinks. They also offer take-away<br />

and delivery service. The Yoga Kitchen<br />

is at 5/F Sea Bird House, 22 – 28<br />

Wyndham Street, Central, Hong Kong<br />

and serves lunch, afternoon tea and<br />

dinner. It is open noon – 9 pm daily. For<br />

more information +852 2851 8353,<br />

www.yoga-fitness.com<br />

New Iyengar teachers<br />

in Hong Kong<br />

There are three new Iyengar-certified<br />

teachers in Hong Kong: George Dovas,<br />

Kristine Hodge and Randa Westland all<br />

received their Introductory II<br />

certification in the summer. Linda<br />

Shevloff was re-certified as Senior<br />

Intermediate I. With six certified<br />

Iyengar teachers, The Iyengar Yoga<br />

Centre of Hong Kong now has the<br />

largest group of Iyengar teachers in<br />

Asia.<br />

Bhutan an Yoga Retr<br />

treat<br />

at<br />

Ming Lee, certified Iyengar teacher and former chairman of the Yoga Society of<br />

Hong Kong leads a retreat to the mountain kingdom of Bhutan February 17 – 27.<br />

The 11-day yoga and meditation retreat includes twice daily yoga and meditation,<br />

intertwined with visits to Buddhist temples, attendance at the Punakha Dromche<br />

Festival and much more. Participants will stay at the Metropolitan Hotel in<br />

Bangkok and the exclusive Uma Paro in Bhutan. For more information<br />

bhutan@yogawithming.com or www.yogawithming.com/bhutan.<br />

AcroYoga at Yoga<br />

Central, Hong Kong<br />

AcroYoga, a blend of the spiritual<br />

wisdom of yoga, the loving kindness of<br />

Thai massage, and the dynamic power<br />

of Acrobatics, will be offered by Minhee<br />

Cha at Yoga Central from February. The<br />

practice cultivates trust, connection<br />

and playfulness and aims to bring<br />

individuals into a state of union with<br />

themselves, each other, and the divine.<br />

Also new at Yoga Central is a “DIY”<br />

home practice workshop held by Ivy<br />

Hung. The workshop helps student<br />

select appropriate vinyasa and<br />

sequences to practice at home, or while<br />

travelling. There’s also a series of<br />

monthly workshops held by various<br />

instructors to help students deepen<br />

their practice. For information<br />

www.yogacentral.com.hk<br />

New Instructors at<br />

Yoga Central, Hong<br />

Kong<br />

Minhee Cha lives in Hong Kong, but was<br />

born in Seoul, Korea. She started<br />

practicing yoga in Hong Kong and<br />

received a teaching certificate in India.<br />

She has studied many styles of yoga<br />

and says she currently favours<br />

AcroYoga, which she teaches at Yoga<br />

Central and Amico Studio in Hong<br />

Kong. superyogini@yahoo.com<br />

Minhee Cha<br />

DanceMeditate at Yoga<br />

Senses, Hong Kong<br />

DanceMeditate is a new programme<br />

which combines pranayama, dance,<br />

yoga nidra and somatic therapy in<br />

order to achieve health, joy and peace.<br />

The once weekly classes will start<br />

Saturday, <strong>January</strong> 20 and take place at<br />

Yoga Senses, Tsim Sha Tsui, Hong<br />

Kong. For information<br />

contact@dancemeditate.com<br />

Iyengar Workshop,<br />

Hong Kong<br />

Birjoo Mehta, an advanced Iyengar<br />

practitioner from Mumbai, India, will be<br />

presenting a series of workshops<br />

entitled “Removal of Contortions to<br />

Reach a Pose” at the Iyengar Yoga<br />

Centre, <strong>January</strong> 25 - 28. For<br />

information<br />

www.iyengaryogahongkong.com<br />

Ivy Hung is a yoga teacher, adventure<br />

athlete and Ayurvedic practitioner. She<br />

has studied with Bryan Kest, Max<br />

Strom and Krishna Das, John Friend<br />

and Sharon Gannon. Her classes blend<br />

vigorous vinyasa with balancing, twists<br />

and restorative poses and are<br />

structured to lead students into a fully<br />

state of consciousness. Her own<br />

practice is rooted in the Iyengar<br />

lineage. climbingivy@earthlink.net<br />

3


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

YOGA NEWS<br />

AcroYoga at Pure Yoga,<br />

Hong Kong<br />

February 23 - 25 sees a two-day<br />

AcroYoga workshop at Pure Yoga<br />

presentedd by Jason Nemer and Jenny<br />

Sauer Klein, co-founders of AcroYoga.<br />

For information www.pure-yoga.com or<br />

www.acroyoga.org<br />

Yoga and Pilates,<br />

Bali<br />

Heather Shalabi and Ann Gowing will be<br />

leading a retreat to balance and restore<br />

the body and mind at the Como<br />

Shambala Estate in Ubud, Bali,<br />

February 18 – 24. The programme offers<br />

3 hours of Pilates complemented with 2<br />

hours of yoga daily. For information<br />

res@cse.comoshambala.bz, +65 361<br />

978 888<br />

About <strong>Namaskar</strong><br />

ar<br />

<strong>Namaskar</strong> provides a voice for the yoga<br />

community around Asia. The publication is a<br />

vehicle for practitioners on a yogic path to<br />

share their own knowledge, learnings and<br />

experiences with others.<br />

<strong>Namaskar</strong>, is published by Yoga Services Ltd,<br />

quarterly in <strong>January</strong>, April, July and October.<br />

We welcome unsolicited submissions,<br />

therefore the opinions expressed within<br />

these pages are not necessarily those of the<br />

Yoga Services Ltd.<br />

<strong>Namaskar</strong> is distributed at no charge through<br />

yoga studios, fitness centres, retail outlets,<br />

food & beverage outlets and other yoga<br />

friendly locations throughout Hong Kong and<br />

elsewhere in Asia.<br />

Iyengar Workhop,<br />

Jakarta<br />

“Healthy Living with Iyengar Yoga” was<br />

held at Jakarta International Club, 24 -<br />

26 November by Ming Lee. Close to 40<br />

people, from first timers to yoga<br />

teachers, attended. Riana Singgih, a<br />

long-time student and owner of the<br />

newly-opened yoga studio, Yoga Light,<br />

gave guidelines for healthy eating to<br />

complement their yoga practice.<br />

Teacher Training at<br />

Pure Yoga, Taiwan<br />

The Foundation - Preparing to Teach is<br />

a four-week, full-time teacher training<br />

course in Taipei led by Stephen<br />

Thomas. It will immerse students in all<br />

aspects of yoga and develop their skills<br />

in the fundamentals and methodology<br />

of teaching Hatha yoga, March 19 -<br />

April 14. For information www.pureyoga.com<br />

Yoga Thailand<br />

As well as retreats and classes held<br />

throughout the year at Yoga Thailand,<br />

Koh Samui, in August, there will be an<br />

opportunity to take your yoga<br />

understanding and practice to the next<br />

level with a two-week course on the<br />

main texts of Hatha Yoga with O.P.<br />

Tiwari and Ashtanga Yoga with Paul<br />

Dallaghan. The course will be from<br />

August 12 – 25 and counts towards Yoga<br />

Alliance’s 500-hour certification.<br />

Immediately afterwards, August 25 –<br />

31, there’s a rare opportunity to study<br />

in a small group with Ashtangi Richard<br />

Freeman. And if you’re planning ahead,<br />

mark your diaries for an Advanced<br />

Anatomy course with Neil Barker and<br />

Paul Dallaghan <strong>January</strong> 6 – 20, 2008.<br />

For more information www.yogathailand.com<br />

Popular Hong Kong teacher returns to India<br />

One of Pure Yoga’s most popular teachers, Varun Veer returned to New Delhi in<br />

<strong>January</strong> to open his own yoga and Ayurvedic studio. His students organized a<br />

farewell dinner, at which he shared the following advice: “There are three things a<br />

yoga practitioner and teacher must follow. First, one must follow a pure<br />

vegetarian diet. Second is to improve your yoga, you must practice daily at a<br />

specific time. Third is focus and concentration. I strongly advise during class,<br />

music is not to be used as this alone is already distraction in and of itself. Silence<br />

is the best tool to calm the mind. If you follow these three principles strictly, your<br />

five bodies (Physical, Pranic, mental, wisdom and bliss body) will come to be in a<br />

total balanced state.”<br />

For more information, to contribute or to<br />

order <strong>Namaskar</strong>, please contact:<br />

Frances, Editor<br />

fgairns@netvigator.com / 9460 1967<br />

Jenny, Deputy Editor<br />

jenthomas@netvigator.com / 9889 2022<br />

Deadline for April <strong>2007</strong> issue:<br />

March 15, <strong>2007</strong><br />

Varun (4th from right t seat<br />

ated) with studen<br />

udents s at his far<br />

arewell ell par<br />

arty<br />

4


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

Dristi Change<br />

Impermanence<br />

Angela Jones<br />

Humans are funny creatures. While we know<br />

intellectually that all aspects of our life are<br />

fleeting, even the gift of life itself, we crave<br />

solidity, reliability, rocks on which we can rely,<br />

people we can count on.<br />

We want the reassurance of things remaining the same. We<br />

rage when lovers leave us, when friends move away (even<br />

though this is a constant in Hong Kong), when cherished<br />

landmarks collapse into dust. We find ourselves shocked<br />

when people die, even though death is the most predictable<br />

part of life.<br />

We fight age and even our yoga practice is drawn into this<br />

battle. But our bodies are subject to the laws of nature and<br />

are also changing constantly.<br />

Yoga teaches us that to deny all things must change, is to<br />

sentence ourselves to a lifetime of unhappiness. It is not<br />

change that’s the problem, rather our reaction to it – clinging<br />

to the ankles of that which is cherished even as it strides out<br />

the door.<br />

“Impermanence is the<br />

nature of the human<br />

condition” - Buddha<br />

We should instead cultivate gratitude and appreciation for<br />

this precious life, exactly as it is, as well as non-attachment<br />

and equanimity. As one who is very early on in her spiritual<br />

path, I know all too well that this is the hard part! We’ll hear<br />

from three yoginis who are a little further on.<br />

Two of the most major transitions of our lives can be when<br />

we lose a parent or become one. Hong Kong-based yoga<br />

teacher Nealy Fischer writes of the highs and lows of<br />

motherhood and discovers they’re both parts of the same<br />

ball of silly putty.<br />

Nealy Fischer<br />

“Today felt like one of the longer days of my life. I woke up<br />

at 5 am with a stiff neck. So stiff it took me a couple of<br />

minutes to figure out how to manipulate my body out of bed<br />

to begin feeding the kids and addressing the morning<br />

tantrums. The beauty of my role as a mother today felt<br />

temporarily concealed.<br />

“Yet when my son kisses me good night and tells me he<br />

loves me it’s as if the cloud lifts. Remembering the moments<br />

of cloaking are temporary (terrible twos don’t last forever!)<br />

allows me to be fully present in knowing that this too shall<br />

pass.<br />

“The amount of effort we exert in our asana directly relates<br />

to the level of freedom we experience in any pose. We<br />

ground down to rise up and this boundary is what allows us<br />

to experience the bliss of the extension more fully. We pulse<br />

with the flow of our breath and acknowledge the divine<br />

power behind it guides our offering through each<br />

movement.<br />

“When I was in labour with my five-year-old son, I recalled<br />

my mother’s words of wisdom. She always gave a blessing<br />

of thanks at the moment of intense pain for the gift of the<br />

baby she was about to receive. (I forgot this piece of advice<br />

5


Linda Shevloff<br />

<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

in my own labour!) The contrast in the transition from<br />

intense pain to incredible joy in one single moment is what<br />

makes our lives so rich.”<br />

Linda Shevloff, of the Iyengar Yoga Centre of Hong Kong,<br />

has been practicing yoga for more than 30 years. Through<br />

good times and bad times, yoga has been a constant<br />

practice and a stabilising influence in her life.<br />

From her early childbearing years, when she wanted to be<br />

able to restore her body after pregnancy, to her many years<br />

working in high schools in Canada, when yoga provided her<br />

focus, yoga has been a constant companion.<br />

More recently Linda injured her shoulder and required some<br />

serious surgery. “I had to change my practice every week<br />

according to the condition of my shoulder. Yoga allows me to<br />

overcome life’s obstacles and to be centred.”<br />

“We come to glimpse what<br />

the masters say the true<br />

attitude to change can be:<br />

as if we were the sky looking<br />

at the clouds passing by.” -<br />

Sogyal Rinpoche<br />

Linda points out the aim of a successful asana practice is<br />

the balancing of the three gunas – qualities present in all<br />

beings, but varying in amount. They are: Sattva (purity),<br />

Rajas (activity/change) and Tamas (inertia).<br />

When travelling in Rajasthan, I experienced this balance in a<br />

very tangible way. My two travelling companions were not<br />

yoga practitioners, but would occasionally accompany me to<br />

early morning classes.<br />

We enlisted a teacher for a 7 am class on our first morning<br />

in Jodhpur. Knowing of my friends’ inexperience, the teacher<br />

sensitively set for us a mediation/pranayama practice<br />

instead of the usual asana.<br />

After one hour focusing on our breathing on a restaurant<br />

rooftop, we opened our eyes to watch the clouds pass<br />

overheard – and that was all. Days on the road negotiating<br />

buses, trains, heat and touts fell away. That morning’s<br />

practice was the most relaxing of my life and we three were<br />

utterly transformed and at peace. What a difference an<br />

hour can make if we are truly present!<br />

Through our practice, we can deal with the changes that<br />

must occur in our lives with greater grace. For some, yoga<br />

can even grant the strength to effect changes and gain a<br />

self-confidence that flows into other aspects of life.<br />

Pure Yoga’s Ocean Liang has been practising for about five<br />

years. She found the strength and inner clarity granted by<br />

her yoga practice gave her the courage to move into her<br />

own apartment for the first time.<br />

“My first move out was a quiet celebration of finally<br />

becoming a yoga teacher, something I’ve wanted so badly.<br />

From my practice, I have experienced my own individuality<br />

and started to search for silence from within.<br />

“Living by myself, I feel positive about solitude and still feel<br />

connected with a community of people. Not that I don’t like<br />

having people around, it’s more about the enjoying my own<br />

solitude as well.<br />

“Funnily enough, now I’m living on my own, with more<br />

freedom, I seem to be more disciplined. I guess this is true<br />

independence.”<br />

Angela is a Hong Kong-based journalist from New<br />

Zealand. She’s s been practicing for fiv<br />

ive e year<br />

ars s and<br />

rec<br />

ecen<br />

ently underwen<br />

ent t Pure e Yoga’<br />

oga’s s fir<br />

irst t teacher training<br />

course, which “didn’t kill me, so it must have made me<br />

stronger!”<br />

6


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

Dristi Change<br />

Transformation<br />

Paul Dallaghan<br />

The one thing certain in life is that everything<br />

changes. This is a keystone of Buddha’s<br />

teachings, part of many other philosophies<br />

and even modern physics. “Ch-ch-chchanges”,<br />

sang David Bowie in his rock classic, eulogizing<br />

the temporary nature of all he was experiencing.<br />

Everyone reaches moments of transition, a shift from what<br />

they’re doing now to something they might wish to be doing.<br />

Many students find themselves in transition brought on by<br />

the process of yoga itself. In fact the majority of students I<br />

have met at trainings say they are “in transition”.<br />

What does this transition, change, transformation mean?<br />

Roget (thesaurus and dictionary) defines it as “the process<br />

of passing from one form, state, stage to another”.<br />

Everything is in a state of flux, and all we know is constantly<br />

changing. Yet, as Bowie puts it, “the days flow by but still<br />

they seem the same”. In a sense letting us know how little<br />

we actually observe and see. “Time might change me but I<br />

can’t change time” is the plight of us all, once opportunity<br />

has passed us by.<br />

Transformation takes that even further. It is defined as the<br />

action of “changing form, appearance, condition, function,<br />

especially in relation to potential or type”. This would imply<br />

a certain level of involvement in the transition process.<br />

Taking the perspectives of ancient philosophy, the Buddha’s<br />

teachings and even modern poetic rock ‘n’ roll, we can<br />

perhaps gleam a few nuggets to help us:<br />

• change is inevitable, “pretty soon now you’re going to<br />

get older” (Bowie)<br />

• transition then is continuous and lifelong<br />

• we can, and even should, participate in the changing<br />

process, the transformation<br />

• the best way to engage in this transformation is to be in<br />

the moment of each activity or thought we have.<br />

The yoga philosophy of Sankhya recognizes transformation<br />

and offers tools for it. Parinaama or transformation, means<br />

a change occurs where there is no going back. In practical<br />

terms the behavioural patterns of an individual have been<br />

so affected by changes in the nervous system (due to<br />

correct practice and living) that this person’s outlook and<br />

behaviour are altered so they actually consider themselves<br />

to have grown or changed.<br />

The other major Indian philosophy, Vedanta, uses the word<br />

“vivarta” to define transformation. Here the belief is our<br />

true nature is divine and can never be changed. And it is<br />

only our illusion that appears to be changing.<br />

Affecting a positive and uplifting growth so we come closer<br />

to our true self is a goal of yoga, regardless of which<br />

philosophy you subscribe to. On a daily basis we must find<br />

some practical ways to help us remember our divine nature.<br />

Christians have the Novenas, a festival built around<br />

transformation which includes nine days and nights of<br />

prayer. In India, there is the Navaratri (nine nights) festival,<br />

a celebration of the Holy Mother. The first three nights for<br />

removing the old, stale, stagnant, of no use to our growth<br />

(tamas), the second three nights for building the new, and<br />

raising a new level (rajas) and, the final three nights for the<br />

result, which is transformation (sattva).<br />

I have always found this description apt for the process in<br />

yoga. Initially there is a period of cleaning and clearing out,<br />

which could go on for years. In practical terms, this feels like<br />

aches, pains, emotional outbursts, and toxic releases from<br />

the body. It is best handled by understanding there is a<br />

process of clearing, and watching it happen while continuing<br />

with practice under an appropriate teacher’s guidance.<br />

When much of the old stagnation decreases there is room<br />

for growth of the new. This is experienced as delicate nerve<br />

changes causing temporary trembles throughout the body.<br />

One gets more and more subtle and sensitive before<br />

becoming more durable. One feels the movement of prana<br />

through the body, and sees what is happening on the mental<br />

level. Depending on how one lives, this could go on for years<br />

or even lifetimes, until the complete transformation, a<br />

return to our true nature, is experienced. Along the way one<br />

identifies some key points to stop and recognise “I have<br />

7


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

transformed, I am not the person I was. My behaviour has<br />

changed, my outlook is different, my heart is bigger, my<br />

mind is clearer.”<br />

“If you feel in transition,<br />

embrace it.”<br />

Nature provides the best example. A garden uncared for<br />

grows wild and full of weeds. We cultivate it, first removing<br />

the weeds. Then new flowers and plants start to grow. A new<br />

life is experienced in the soil. Along the way sections of the<br />

garden are transformed and beautiful, but still the work<br />

goes on until the entire garden is transformed and in it a<br />

beauty only nature can offer.<br />

As we have said change is inevitable. What is the<br />

alternative? The garden left untended grows weeds, a plant<br />

in its own pot left abandoned will wither. Without any direct<br />

participation, the outcome follows a downward path - decay.<br />

Though our bodies will age and deteriorate, it need not be<br />

the case for our heart, mind and soul, which are our<br />

essential nature. Thus the teachings of yoga tell us to<br />

participate in our growth and here are the tools.<br />

It is not easy, but is anything worth having, easy? Let it be<br />

earned through self effort. If you feel in transition, embrace<br />

it. Learn the practices in a correct way and give yourself to<br />

them. Embrace your growth and participate in it. Do so by<br />

being with each breath, by being tuned into every little thing<br />

that you do. Be in the moment and do your best. Get up<br />

each day and do it again. You will get stronger, the feelings<br />

of insecurity will pass. A new inner light starts to shine as<br />

you experience your transformation a bit at a time. And<br />

above all, be grateful for what you have, everyday the<br />

opportunity to participate in this change and growth. Think<br />

and thank each day the source of the practices you have<br />

been given to help you through this transition. Love the<br />

process, the doing and the change.<br />

Paul aul is the Direct<br />

ector or of Cen<br />

enter<br />

ered ed Yoga oga Instit<br />

titut<br />

ute e & Yoga<br />

oga<br />

Thailand www.cen<br />

enter<br />

erdy<br />

dyoga.<br />

oga.com om (for training info o and<br />

Paul’<br />

aul’s s work<br />

orkshop schedule<br />

chedule), ), www.yoga-thailand.<br />

oga-thailand.com<br />

om<br />

(yoga oga retr<br />

treat at cen<br />

entr<br />

tre e on Koh oh Samui, Thailand)<br />

Dharma<br />

Door of<br />

Change<br />

Pob<br />

obsa a Frank Jude Boc<br />

occio<br />

cio<br />

A teaching common to Buddhist and Hindu<br />

Yoga traditions is that avidya, most often<br />

translated as “ignorance,” is the root cause of<br />

suffering (duhkha). It literally means, “not<br />

seeing.” In his Yoga-Sutra, Patanjali echoes the Buddha when<br />

he says, “Ignorance is the seeing of that which is eternal,<br />

pure, joyful and the self in that which is ephemeral, impure,<br />

sorrowful and not-self.” After years of practice, I’ve come to<br />

think of ignorance not merely as a lack of knowledge, but as<br />

an almost willful ignoring of reality. Today, we use the term<br />

“denial.” Let’s face it; we know things change. We know we<br />

are changing. Yet, in much of our daily lives, we act in ways<br />

that seem to be a desperate attempt to deny this reality!<br />

The Buddha encouraged developing insight into change<br />

(anicca) because it serves so well as a door into his central<br />

teachings: the truth of suffering (duhkha), its causes and its<br />

cessation; insight into non-self (anatta) and the realization<br />

of the emptiness of a separate self (shunyata); and the<br />

understanding of the “thusness” or “suchness” (tathata) of<br />

all things. These insights are not meant to be philosophical<br />

reflections, but a genuine seeing and experiencing. We are<br />

challenged by the Buddha to use impermanence, the reality<br />

of change, as the ground of practice.<br />

Often it is said because of change there is suffering. But<br />

suffering doesn’t have to be the result of impermanence,<br />

nor is it inextricably tied to it. The real cause of our<br />

suffering in the face of change, is our attachment to what is<br />

8


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

Dristi Change<br />

by nature impermanent, not impermanence itself! And our<br />

attachment is based on ignoring – denying – reality as it is.<br />

But if we truly wish to affirm and celebrate life, we must be<br />

willing to affirm and celebrate impermanence.<br />

One of the practices offered by the Buddha to cultivate<br />

awareness and insight into impermanence is “The Five<br />

Remembrances.” Here is a variation of a version taught by<br />

Thich Nhat Hanh that I’ve practiced with for well over a<br />

decade:<br />

The Five Remembrances<br />

1. I am of the nature to age. There is no way to escape<br />

aging.<br />

2. I am of the nature to have ill-health. There is no way to<br />

escape ever having ill-health.<br />

3. I am of the nature to die. There is no way to escape<br />

death.<br />

4. All that is dear to me, and everyone I love, are of the<br />

nature to change. There is no way to escape being<br />

separated from them.<br />

5. My actions are my only true belongings. I cannot escape<br />

the consequences of my actions. My actions are the ground<br />

upon which I stand.<br />

If we look at impermanence superficially, we might conclude<br />

it is a negative aspect of life. “The Five Remembrances”<br />

may seem at first like nothing more than a grim list of<br />

things we will lose. But, in fact it is a medicine, perhaps bitter<br />

at first, which is a kind, compassionate, truthful reminder of<br />

the wonder and miracle of life as it is. Change is inherently<br />

neither negative nor positive. It just is. This is the<br />

“thusness” of things as they are. Impermanence is not a<br />

mere aspect of life, but its very essence! Without change,<br />

life would be impossible. “Never changing life” is, and can<br />

only ever be, a vacuous concept.<br />

When we use “The Five Remembrances” to look deeply in<br />

order to embrace the reality of change in our body-mind,<br />

environment, and relationships, we no longer take anything<br />

for granted. We begin to loosen our attachments to the<br />

ephemeral phenomena we have clung to, and realize the<br />

very grasping and clinging are painful in themselves! We<br />

come to see for ourselves the problem is not that things<br />

change, but that we try to live as if they don’t!<br />

As you contemplate “The Five Remembrances,” notice in<br />

yourself any reactivity they provoke. Do so without judging,<br />

interpreting or suppressing. Let whatever arises rest in<br />

awareness until it shifts and passes away. Aversion may<br />

arise, and that is okay. Stay with your breath and observe<br />

the sensations in your body that accompany the mental and<br />

emotional reactivity. You may be surprised to experience a<br />

sense of relief as the energy put into denying and hiding<br />

from the truth of impermanence is liberated to move<br />

through your body-mind, allowing for great ease.<br />

One example of how this practice has informed my<br />

relationships is that when I find myself becoming embroiled<br />

in conflict, with my partner or a friend for instance, I look at<br />

them and imagine how we will both look in 100 years.<br />

“The real cause of our<br />

suffering in the face of<br />

change is our attachment to<br />

what is by nature<br />

impermanent, not<br />

impermanence itself.”<br />

Immediately, the situation is defused, and a more skillful<br />

way to deal with the conflict naturally arises. (Often I just<br />

want to hug them!)<br />

If we understand the self to be an entity that persists over<br />

time, a deep understanding that all things are in constant<br />

transformation will lead to a clearer view that all “things”<br />

actually lack such an unchanging, substantiality. Now, when<br />

people hear this teaching about non-self, many mistakenly<br />

think the Buddha is saying we do not exist. His meaning is<br />

rather that we do not exist in the way we imagine ourselves<br />

to exist. Even the consciousness of self we take such pains<br />

to bolster and protect is not an independent and separate<br />

entity; it is a process in constant flux, conditioned by<br />

everything else that is also undergoing constant change.<br />

This is what is meant by “emptiness” (shunyata). Emptiness<br />

is not a “thing” that exists separately either. Emptiness<br />

means we, you and I and all phenomena, are part of the<br />

9


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

ever-changing universal process, not separate solidly<br />

enduring “things.”<br />

Impermanence also leads us through the Dharma Door of<br />

“signlessness.” The reality of the thusness of all that exists<br />

is beyond the concepts and verbal expressions (or signs) we<br />

use to attempt to describe reality. All categories of thought<br />

and expression are signs. They are the models and maps we<br />

use to navigate through the world, but they become traps if<br />

we forget they are maps, and not the territory!<br />

A common analogy used to describe the signless nature of<br />

“...we can free ourselves<br />

from the constriction of<br />

attachment so we can live<br />

fully present in each<br />

moment of our life...”<br />

reality is the relationship between the wave and water.<br />

Waves can be tall or small, rising and falling; these are all<br />

“signs,” specific traits of specific phenomena. If we identify<br />

with a particular wave, then we will feel happy or sad<br />

according to the sign. But if we can touch the nature of the<br />

wave – that it is water – then we go beyond the signs. When<br />

we touch the signless in our own lives, we go beyond fear,<br />

attachment and suffering.<br />

In fact, another name for the “signless” is nirvana, which is<br />

the extinguishing of all our notions and ideas about reality.<br />

To touch the suchness of water, we must go beyond the sign<br />

of the wave. To touch our suchness, we must go beyond<br />

attachment to our particular signs. And just as the wave<br />

need not add to itself any water – after all, it already is<br />

water, we cannot take away or add to the true nature of all<br />

that is – we do not need to add or take away anything in<br />

ourselves. We do not seek liberation outside ourselves or<br />

our experience. For already, just as it is, the awakened<br />

nature is fully present. The tenth century Vietnamese<br />

Master Thang Hoi was asked by a student, “Where can we<br />

touch the world of no-birth and no-death?” He responded,<br />

“Right here in the world of birth and death.”<br />

Here is the paradox of “The Five Remembrances”: only by<br />

touching the relative truth of birth, ageing and death can we<br />

enter into the realm of no-birth and no-death. Because all is<br />

in flux, we cannot point to a time when there is an absolute<br />

beginning or ending. Birth and death are also signs.<br />

We do not cultivate awareness of impermanence as a<br />

practice of grim endurance, but rather so we can free<br />

ourselves from the constriction of attachment so we can<br />

live fully present in each moment, realising the freedom and<br />

inner peace we all seek is already present here and now.<br />

For some, the idea of nonattachment may sound cold and<br />

unappealing, but this confuses nonattachment with<br />

indifference. What is truly lifeless and bitter is the<br />

experience of attachment based upon the denial of change,<br />

since when we are attached in a clinging and grasping way,<br />

what we are attempting is to freeze and hold fast the<br />

elements of our life. When we do this, we squeeze the very<br />

vitality and juice (rasa) out of life itself. Imagine grasping<br />

tightly a marble in your outstretched hand. Squeeze it<br />

tightly so you experience the tension throughout your arm<br />

and perhaps even in your body, breath and mind. Then,<br />

holding your palm upright, open your hand. You are still in<br />

contact with the marble, holding it lightly, without clinging.<br />

What feels better?<br />

Through our clinging attachments, we create what the<br />

English poet William Blake called “mind-forged manacles,”<br />

binding us to the limiting views of my body, my lover, my<br />

family, my possessions, my ideas. When we see, through<br />

insight into impermanence, the truth of no-separate-self<br />

(emptiness), and that in fact we extend beyond every limit<br />

we have created for ourselves (signlessness), we see our<br />

life is not really our own, but that we belong to all of life<br />

itself (suchness).<br />

A fitting conclusion is as the Buddha said: “When one<br />

perceives impermanence, the perception of no-self is<br />

established. With the perception of no-self, the conceit of ‘I’<br />

(asmita) is eliminated, and this is nirvana here and now.”<br />

Frank is a yoga teacher<br />

acher, , interf<br />

erfaith minister<br />

er, , member of<br />

the Tiep Hien Order of Tich Nhat Hanh, and student of<br />

Zen Master<br />

er, , Samu Sunim. He travels wherever er invit<br />

vited,<br />

offering workshops and retreats. judekaruna@aol.com<br />

10


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

Special Feature<br />

Str<br />

tress<br />

Laura a Walsh<br />

Stress! The mere word<br />

is enough to raise our<br />

shoulders to ear level<br />

and heart rates to their<br />

threshold. In today’s fast paced world,<br />

it’s rare to find anyone who isn’t<br />

stressed out for one reason or another.<br />

But having or feeling stress isn’t a<br />

modern phenomenon. It’s been around<br />

for as long as we have. What has<br />

changed are the reasons why we’re<br />

stressed, otherwise known as<br />

stressors, and how we cope.<br />

One of the more popular reasons<br />

people in the West have taken up yoga<br />

is because of how it helps control<br />

stress levels. Even those people who<br />

don’t “do” yoga have linked the<br />

concept of “lowering stress” to yoga,<br />

thanks to the advertising industry. But<br />

Teacher’s Voice<br />

Ivy Hung<br />

What is your most<br />

challenging asana and<br />

why?<br />

Vrksasana, Tree Pose with a soft<br />

receptive inward drishti. Tree Pose is a<br />

fundamental posture that can be<br />

safely practiced by absolute beginners<br />

as well as the most advanced students.<br />

The anatomy of the posture is part<br />

Tadasana, part balance, and part hipflexors<br />

opening and leveling as in<br />

according to health experts, pretty<br />

much any type of exercise is going to<br />

help people cope better with stress. So<br />

what makes yoga such a powerful tool?<br />

At a basic level, stress loads the body<br />

internally, including the central nervous<br />

system, hormones (endocrine),<br />

respiratory, cardiovascular and immune<br />

systems. It doesn’t matter if the<br />

situation we’re facing is negative or<br />

pleasant, the biological response is the<br />

same whenever we feel or experience<br />

stress. Pretty much the whole body<br />

becomes involved. Our muscles tighten,<br />

breathing becomes deep and fast,<br />

heart rate rises, blood vessels<br />

constrict, blood pressure rises,<br />

stomach and intestines halt digestion,<br />

we perspire more, the thyroid gland is<br />

stimulated, more saliva is secreted,<br />

blood sugar rises, our sensory<br />

perception increases and hormone<br />

glands are stimulated to release<br />

hormones including adrenaline and<br />

cortisol (making us stronger and able<br />

Supta Padangusthasana to the side,<br />

but on the vertical plane. Firmness of<br />

the standing leg; grounding of the heel;<br />

even levelness of the pelvis; sternum<br />

up and skyward; chest expansive with<br />

full equal inhalation and exhalation;<br />

shoulder blades rotating away from<br />

each other, down and away from the<br />

ears. And, that final instruction and<br />

secret tip of fixing our gaze to a focal<br />

point on the floor or at the wall, to help<br />

guide our balance. We are all too<br />

familiar with that determined laserbeam<br />

gaze, the projection of will and<br />

to run much faster). Described by<br />

Walter Cannon of Harvard University in<br />

1932 as “fight/flight/freeze”, this<br />

physiological response to stress is in<br />

fact a survival technique humans have<br />

used for thousands of years.<br />

In 1956, Hans Seyle, a Hungarian<br />

endocrinologist, took Cannons<br />

description of stress a bit further. He<br />

identified two types of stress - good<br />

stress, called eustress, and bad stress<br />

called distress. While eustressors tend<br />

to motivate and inspire, distressors can<br />

cause all sorts of physical problems<br />

such as depression, anxiety,<br />

hypertension, heart disease, cancer,<br />

chronic fatigue, headaches and<br />

insomnia. In 1956, Seyle wrote that<br />

stress is “essentially the rate of wear<br />

and tear on the body.” However he also<br />

recognised the need for some stress or<br />

arousal so the heart, skeletal muscles,<br />

lungs, nerves, brain and other tissues in<br />

the body stay in good shape. “Stress<br />

only becomes a problem”, explained<br />

attention that almost burns a hole in<br />

the wall with our focus. Or is that fear<br />

of swaying and falling? Years ago, I<br />

had the good fortune of re-learning<br />

Vrksasana with an intuitive teacher in<br />

Los Angeles, to practice the asana with<br />

“an inward, receiving gaze”. To allow<br />

the pose to come into being without the<br />

pollution of the ego in disguise as will or<br />

focus; to keep our gaze soft and<br />

receptive in Tree Pose, as well as when<br />

off-the-mat in our daily life. Next time<br />

in Vrksasana, try softening your gaze,<br />

continues on page 38<br />

11


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

12


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

Seyle, when there’s a discrepancy<br />

between the “perceived” demands<br />

made on someone and that person’s<br />

capacity to meet those demands.<br />

Today stressors tend to come more<br />

from psychological threats, and less<br />

from physical ones. Yet the<br />

physiological reaction of the body<br />

described above is the same as if there<br />

were a man-eating animal near by. The<br />

problem is there are very few<br />

situations in modern life where you can<br />

“fight, flight or freeze”. Running away<br />

screaming or picking a physical fight<br />

not the same thing as mentally<br />

preparing for a sporting event or a big<br />

presentation at work. It’s always<br />

negative and studies have shown those<br />

who negatively rehearse (ruminate)<br />

over a lengthy period of time are more<br />

prone to depression. The key idea here<br />

is it’s never about an event in the<br />

present.<br />

Emotional Inhibition<br />

The second maladaptive coping<br />

mechanism is emotional inhibition or<br />

the “stiff-upper-lip” syndrome. Show<br />

no emotion, hide all emotions inside<br />

“...accepting things for what they<br />

truly are and not being too attached<br />

to expectations...”<br />

be either up or down. Initially – when<br />

dealing with stress - they feel they<br />

can’t cope. Then they feel better after<br />

awhile but their mood goes back down<br />

again.<br />

Avoidance/Denial<br />

The final maladaptive coping<br />

mechanism is avoidance or denial. It’s<br />

the refusal to accept anything has<br />

either happened or is wrong. People<br />

using this skill will often blow up over<br />

very small matters. The two adaptive<br />

skills, detachment and rational<br />

thinking, both involve removing all<br />

emotional attachment. One of the best<br />

ways to do this is to visualize the<br />

stressful situation and then project it<br />

70 years into the future. Time helps to<br />

take away the emotion. The trick is to<br />

become detached right away.<br />

with someone in the office, for<br />

example, is just not socially acceptable<br />

behavior. Most situations benefit from<br />

a calm, rational, and controlled<br />

approach. As a result, man has<br />

developed cognitive methods to deal<br />

with modern stress. Six are<br />

maladaptive - meaning they don’t<br />

really work and just cause us more<br />

stress in the long run. These include<br />

rehearsal, emotional inhibition,<br />

aggression control, benign control or<br />

impulsivity, emotional coping and<br />

avoidance or denial. The two adaptive<br />

coping mechanisms are rational coping<br />

and detachment.<br />

Rehearsal<br />

Of the six maladaptive skills, rehearsal<br />

is probably the most powerful and<br />

devastating. It’s when we repeat, in<br />

our heads an emotionally upsetting<br />

event either in the past or future. It’s<br />

and just “soldier on”. But in reality, a<br />

problem shared is a problem halved.<br />

Aggression Control<br />

Aggression control is the third one and<br />

is specific to anger. This means you<br />

hide your anger inside until you<br />

explode and either hurt yourself or<br />

someone else.<br />

Impulsion<br />

The fourth, benign control is how<br />

impulsive you are. Unlike rehearsal<br />

where you are thinking of everything,<br />

constantly going over the negative<br />

consequences of your actions – past of<br />

future – impulsivity involves very little<br />

thought.<br />

Emotional Coping<br />

Emotional coping is when someone<br />

uses only their emotions (not always<br />

logical) and thus their moods tend to<br />

While working with incarcerated sex<br />

offenders in the UK, Dr. Richard<br />

Masters, a psychologist now with the<br />

University of Hong Kong, developed a<br />

technique of “mental weight training”<br />

to stop the prisoners from rehearsing<br />

or ruminating. His formula is simple;<br />

stop-relax-listen. When you find<br />

yourself rehearsing, you yell, “stop”<br />

inside your head. This causes you to<br />

clear your mind. Next is to make your<br />

body totally relax, even if that means<br />

slumping at your desk. And of course,<br />

breathe. Finally, and the most crucial<br />

according to Masters, is to listen to any<br />

sound around you. This brings you back<br />

to the present and stops you from<br />

being in the past or present. The basis<br />

behind this technique is to train your<br />

mind to focus on the present. And<br />

since your mind is a muscle, it can be<br />

trained.<br />

continues on page 14<br />

13


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

Ayurveda<br />

Kleshas<br />

Vinod Sharma<br />

Ayurveda, the science of life, explains<br />

material creation and the numerous species<br />

of life. It says all creation is influenced by the<br />

three gunas, or modes of nature: Sattva Guna<br />

(mode of goodness), Raja Guna (mode of passion) and Tama<br />

Guna (mode of ignorance).<br />

At the individual level, in addition to these three modes of<br />

nature, each individual is influenced by three main doshas:<br />

Vata, Pitta and Kapha and three malas (waste products):<br />

stool, urine and sweat. According to Ayurveda, when a<br />

person is mainly under the influence of sattva guna, and his<br />

three doshas and three malas are in proper proportion, he<br />

will enjoy good health. However if he is under the influence<br />

of raja or tama guna, and the three doshas and/or malas are<br />

imbalanced, he becomes easily affected by any or all the<br />

three kinds of miseries: Adi Daivik, Adi Bhaotik and Adi<br />

Atmik.<br />

In this article, I will focus on the three kinds of miseries and<br />

the causes of these miseries, the kleshas.<br />

There are three kinds of miseries:<br />

1) Adi Daivik - miseries which are caused by higher entities<br />

eg., planets, constellations, demigods, and nature such as<br />

floods and earthquakes;<br />

2) Adi Bhautik - miseries caused by the people around us<br />

eg. family members, neighbors, friends, relatives.<br />

3) Adi Atmik - miseries which are caused by one’s own body,<br />

mind and misused intelligence.<br />

The Vedas say of the three, the most harmful is Adi Atmik.<br />

Even if a person has very good astrological influences in his<br />

life, and enjoys strong support from friends and relatives, if<br />

his health is not good, he will not be able to take full<br />

advantage of the favorable situation he has been blessed<br />

with. Due to ill health, he may feel miserable and therefore<br />

make others around him feel miserable as well.<br />

“When we identify with our<br />

body...our thinking<br />

becomes narrow and<br />

limited”<br />

It is interesting to note the causes of the other two miseries<br />

are also individual oriented, i.e. they are caused by an<br />

individual’s own wrong thinking and misdeeds. This will<br />

become clearer when we analyze the causes of these<br />

kleshas.<br />

Stress<br />

continued from page 13<br />

So what does all this have to do with<br />

yoga? It was while listening to Michel<br />

Besnard during a recent teachertraining<br />

lecture that I realised how<br />

similar yoga was when it came to trying<br />

to control the mind. “Don’t involve the<br />

mind”, explained Michel. “According to<br />

your conditioning you respond to your<br />

senses, i.e. smells, sights, sounds. But<br />

don’t make the sight bigger, the sound<br />

more shrill or the smell stronger”, he<br />

added. Michel explained furthered, “it<br />

14<br />

doesn’t mean you stop seeing, hearing,<br />

smelling or feeling an emotion. It<br />

means you don’t make the issue or<br />

sensory input or feeling worse or<br />

better by thinking about it.”<br />

It all comes down to accepting things<br />

for what they truly are and not being<br />

too attached to expectations and<br />

results. In other words, stop<br />

rehearsing and be in the present<br />

moment. And how do we do that? It all<br />

comes back to acceptance. We can<br />

either follow Dr. Masters technique or<br />

“practice yoga with awareness”, says<br />

Michel. Sravaviya DiPecararo, a<br />

veteran yoga teacher and author says<br />

it’s “about going with the plan:<br />

surrender”. And as Sharath<br />

Rangaswamy once told me, “just<br />

practice and everything will be good.”<br />

Laura is a freelance fitness writer<br />

currently living in Hong Kong.<br />

Before she began her journey on<br />

the yoga path, she was a triathlete,<br />

runner and adven<br />

entur<br />

ure e rac<br />

acer<br />

er. . It was<br />

while pregnant four years ago, that<br />

she became enamoured with yoga<br />

and now w practic<br />

actices s regularly<br />

egularly.


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

According to the Sutras of one of the greatest yogis,<br />

Patanjali, there are mainly five kleshas:<br />

Avidya<br />

(ignorance): Avidya is the opposite of Vidya which is derived<br />

from the root word “Vid” which means “to learn”, “to<br />

acquire knowledge/skill”. So Vidya means knowledge or<br />

know-how and Avidya means ignorance. It is said living<br />

entities are immediately influenced by ignorance when they<br />

enter this material creation and due to that influence, they<br />

forget their divine nature, qualities and their relationship<br />

with the Divine. According to a famous Ayurvedic physician,<br />

Charaka, the main cause of disease is this Avidya or<br />

forgetfulness of the relationship between the minute spirit<br />

soul and the Supreme Spirit. This klesha leads to the second<br />

klesha.<br />

Asmita<br />

(false ego): This means to identify oneself with one’s<br />

physical structure or existence. In other words limiting one’s<br />

vision to the bodily concept and not understanding the<br />

existence or presence of the spirit within the body. This kind<br />

of mentality gives rise to the concept of “I”, “Me” and<br />

“Mine” which gives birth to the third klesha.<br />

Raga<br />

(attachment): When we identify with our body (in this<br />

context; comprising the physical body, senses, mind,<br />

intelligence and ego), our thinking becomes narrow and<br />

limited and we start developing an attachment to our body,<br />

as well as to relatives and friends who help us satisfy our<br />

mental and sensual desires, giving us pleasure and<br />

comforting our false ego. But material creation is<br />

conditioned in such a way that these pleasurable and happy<br />

moments do not last long, and we are easily bored by things<br />

and people who give us pleasure. Then we start a new<br />

search for new things of pleasure. And that attachment to<br />

experiencing new pleasures gives rise to the fourth klesha.<br />

15


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

Dvesha<br />

(envy/hatred): This is the opposite of the previous klesha,<br />

Raga. When we develop an attachment to something or<br />

someone, we want to possess that object or person. If<br />

someone then gets in the way of us possessing that<br />

particular object or person and causes some kind of obstacle<br />

in our desire, we develop hatred for the person causing the<br />

obstacle. On the other hand, when we see someone else<br />

possessing the objects we desire but cannot get, we become<br />

“...through mantra therapy<br />

and meditation... one can<br />

...not be affected<br />

negatively by the kleshas”<br />

consumed by envy. So in both cases we suffer, even though<br />

the nature of this suffering is more psychological.<br />

Abhivinesha<br />

(instinctive clinging to worldly life and fear of death due to<br />

attachment to the body): This klesha is the sum total or<br />

result of the previous four kleshas, and is applicable to<br />

almost every creature in existence. Everyday people are<br />

born, they grow old, they fall sick and eventually they die.<br />

But due to our Avidya, Asmita and Raga, our desire to live<br />

and always have a young, healthy and beautiful body is very<br />

strong. Generally no one wants to die, no one wants to grow<br />

old and no one wants to fall sick. But this is the law of<br />

nature, applicable to all species of life. As mentioned in the<br />

Vedas, these four changes - Janma (birth), Mrityu (death),<br />

Jara (old age) and Viyadhi (disease) are facts of life in the<br />

material world, which no one can stop. This helplessness,<br />

and the fear of losing one’s life, causes so much<br />

disappointment and suffering.<br />

Besides these five main kleshas , three additional kleshas<br />

are mentioned in Ayurveda:<br />

Kama<br />

(desire to enjoy the senses): This is one of the main causes<br />

of suffering. Generally people translate Kama in one word -<br />

lust, which is restricted to sexuality. But in Sanskrit, Kama is<br />

a term rather than a word. It includes all kinds of desires to<br />

enjoy sense objects and all the efforts made to satisfy the<br />

senses. It is said when our desires are fulfilled, we get<br />

attached to those sense objects which help satisfy the<br />

senses. That attachment causes another klesha called<br />

Lobha.<br />

Lobha<br />

(greed): This is the desire to accumulate sense objects which<br />

satisfy our senses. Due to greed, we tend to become<br />

selfish and self centered. It is interesting to note this<br />

mentality causes weakness of the nervous and digestive<br />

systems. In Ayurveda, greed is one of the main causes of<br />

constipation and insomnia. Due to greed, a person develops<br />

the habit of holding on to things and sense objects, this kind<br />

of psychology also affects physiology. As a result, the<br />

excretory system also holds back waste matter and toxins<br />

meant for excretion, thus causing constipation. Also on a<br />

subtle level, greed causes an individual to think and plan to<br />

possess and guard the sense objects, and the person always<br />

lives in fear of losing those objects - this kind of psychology<br />

is the root cause of sleepless nights or insomnia.<br />

Krodha<br />

(anger) : This is the third klesha caused by unfulfilled kama.<br />

When kama or desire is not fulfilled, an individual becomes<br />

frustrated, upset and angry. This anger, according to<br />

Ayurveda causes a host of health problems such as acidity,<br />

ulcers and high blood pressure.<br />

From the above information, we can see how kleshas and<br />

miseries are interlinked. Now the question arises: how do<br />

we deal with these miseries?<br />

One way is through mantra therapy and meditation, which<br />

helps an individual elevate his consciousness and evolve<br />

spiritually. Then one can rise above the bodily concept of life<br />

and not be affected negatively by the kleshas, which are a<br />

fact of this material world.<br />

Vinod has been an Ayurv<br />

yurvedic practitioner and yoga<br />

instructor for 20 years. He welcomes feedback and<br />

suggestions. marketing@ayuryoga-intl.com<br />

16


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

Asana<br />

Avdo Mukha<br />

Svanasana:<br />

Upward-facing<br />

Dog<br />

Valerie Wils<br />

ilson Trower<br />

Upward-facing Dog is a<br />

tricky asana (posture):<br />

it looks so easy but it’s<br />

very difficult for many<br />

students to do well. Many students,<br />

especially those who have just begun to<br />

practice, seem to miss the details of<br />

this pose and hurt themselves - usually<br />

in the lower back.<br />

I enlisted the help of my very flexible<br />

friend Catherine from Planet Yoga, who<br />

as you can see from this pictures can<br />

practice this pose incorrectly without<br />

hurting herself. But being less flexible<br />

than her, I would be in pain for several<br />

days if I tried this, so please follow the<br />

correct pictures and don’t copy the<br />

incorrect ones! They are included so<br />

students can have an idea where they<br />

are going wrong. Hopefully by seeing<br />

photographs of someone making the<br />

same mistake, students will realise<br />

areas they need to work on.<br />

Most yoga manuals tell students how to<br />

do something, not how not to, and point<br />

out common mistakes: as you read this<br />

Correct: a great pose for<br />

a less flexible student or<br />

a beginner. . Elbows<br />

slightly bent, held close<br />

to o the body, , looking<br />

forwards.<br />

article, think about your own practice<br />

and what you might improve.<br />

Michel at Yogasana really unlocks this<br />

pose. His advice begins with the<br />

preceding asana if practising Sun<br />

Salutations in the Ashtanga sequence:<br />

“Push your heels back in Chaturanga<br />

dandasana (the Plank pose).”<br />

This secret allows students to move in<br />

to the pose from the correct position.<br />

This is critical as the pose is a very<br />

precise personal triangle created by<br />

the length of the student’s arms; the<br />

position of the hands; and the flexibility<br />

of the back. All these elements must be<br />

Correct: a great<br />

pose for a more<br />

flexible student.<br />

Elbows are slightly<br />

bent and Catherine<br />

is looking forwards.<br />

in the right place for the student to<br />

practice the pose as well as they can.<br />

This is slightly different for each<br />

student, depending on their body<br />

proportions and abilities.<br />

The right way<br />

Examining Catherine’s correct form, we<br />

see her:<br />

• feet are pressed into the mat (not<br />

just her toes)<br />

• feet are hip-width apart<br />

• knees are straight and lifted off the<br />

mat<br />

• spine is bent a little, but not<br />

excessively<br />

• fingers are spread and pressed flat<br />

in to the mat<br />

Correct: a great pose for a flexible<br />

or practiced student.<br />

Shoulders are back<br />

and down away from<br />

ears. Catherine is<br />

looking up.<br />

• elbows are straight and close in to<br />

her body<br />

• shoulders are pressed down and<br />

backwards<br />

• collarbones are lifted and forwards<br />

• neck is lengthening away from her<br />

shoulders<br />

• looking ahead<br />

The wrong way<br />

Many students do not get the most<br />

from this pose because they don’t take<br />

time to work out where their hands and<br />

feet should be. Many start with their<br />

hands too close to the shoulders<br />

instead of beside the ribs. When they<br />

lift up, their shoulders are too far<br />

forwards in front of their hands and in<br />

an attempt to correct the asana, they<br />

squeeze the lower back usually at the<br />

L5/SI joint, at the top of the pelvis<br />

where the pelvis meets the spine,<br />

forcing their shoulders back.<br />

To a casual observer this may appear<br />

to improve the pose but as Clint who<br />

teaches Ashtanga Yoga explained:<br />

“Students should work on opening their<br />

hips and shoulders as they develop<br />

their practice. If the shoulders are<br />

squeezed together it stops the spine<br />

from moving, and if the hips are<br />

squeezed, the lower back is squeezed.”<br />

The second most common mistake is to<br />

take the total weight of the body on to<br />

17


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

18


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

Incorrect: arms are<br />

over extended<br />

(straightened) but<br />

shoulders are not.<br />

the arms and shoulders. The body<br />

weight should be evenly spread<br />

between the hands and the feet. Many<br />

beginners do not have sufficient<br />

strength in their upper arms to lift their<br />

body weight, and by concentrating all<br />

their weight in their arms they collapse<br />

their chests, hanging their body weight<br />

off their shoulders. This is easily<br />

spotted as the distance between their<br />

ears and shoulders is reduced. Allowing<br />

the elbows to remain slightly bent close<br />

to the body, whilst pushing the<br />

shoulders back and down, helps to<br />

correct this. Trying to push the<br />

shoulders back whilst the arms are<br />

straight is almost impossible. It is<br />

important that the elbows remain close<br />

to the body as the asana also becomes<br />

impossible if the elbows are allowed to<br />

stick-out, pushing outwards to the<br />

sides.<br />

Teachers’ Tips<br />

Kim at The Landmark Mandarin<br />

Oriental shala advises to “open the<br />

heart,” as this pushes the shoulders<br />

back and own, focussing the student’s<br />

attention on the breath which<br />

otherwise becomes short and shallow.<br />

Very-new beginners should note, this is<br />

not the Cobra pose (Bhujanga) in which<br />

the knees and hips are on the mat. I roll<br />

the legs of my pants up to show the<br />

position of my knees off the mat, when<br />

I demonstrate this pose.<br />

Michel recommends students think<br />

through a list of points as they practice<br />

the asana which becomes quicker with<br />

practice. These are his directions from<br />

feet to head:<br />

• Front of feet straight and flat on the<br />

mat; feet hip-width apart; toes are not<br />

turned in,<br />

Incorrect: back is<br />

squeezed to force<br />

back in to an upright<br />

position. Her elbows<br />

are locked and her<br />

shoulders are<br />

forwards.<br />

• Knees straight and off the mat,<br />

• Hips relaxed; spine not excessively<br />

bent,<br />

• Hands flat on the mat; elbows<br />

slightly bent; shoulders pushed open,<br />

down, and back down the back,<br />

• Collarbone pushed forwards,<br />

• Head balanced on the spine; looking<br />

ahead.<br />

Ashtanga students may find this<br />

requires they hold the asana for more<br />

than one breath until this becomes<br />

automatic. Gradually the time taken to<br />

self-correct this asana becomes<br />

Incorrect: shoulders<br />

are not opened,<br />

opening her shoulders<br />

would widen her chest<br />

and open her heart.<br />

shorter and with regular practice,<br />

students will be able to move in to the<br />

asana immediately.<br />

The benefit as Alex, who teaches<br />

Ashtanga yoga, explains: “The most<br />

important nerve pathway in our bodies,<br />

the Sushumna, in is the central axis of<br />

our spine. Upward-facing dog and<br />

Downward-facing dog are excellent<br />

postures in which to feel our spine - and<br />

the layers of obstruction encapsulated<br />

in them. When we first begin to<br />

practice Up-dog we may feel<br />

uncomfortable, as though our spine is<br />

about to break in the middle. But as we<br />

move slowly and awaken the<br />

receptivity in our spine we will<br />

eventually be able to lengthen from<br />

within. All the external muscle we work<br />

in yoga practice will sooner or later<br />

deplete us, but if we are able to turn<br />

our gaze inward and feel the upward<br />

Incorrect: Shoulders too<br />

close to ears. Lower back<br />

squeezed to look right,<br />

but less flexible students<br />

could hurt themselves<br />

like this.<br />

movement of energy from within, then<br />

we are truly practicing yoga. Upwardfacing<br />

dog is extremely valuable in this<br />

process: as we allow the Prana (energy)<br />

to rise from within we feel a new<br />

energy within us. This is not a quick-fix<br />

but with daily practice, student’s<br />

digestion improves; shoulders drop; the<br />

chest opens; and a glowing lightness is<br />

felt within. When our hearts fully open<br />

up to life, life embraces us in a new<br />

way.”<br />

19


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

20


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

21


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

Patrick who practices Anusara yoga<br />

and leads yoga at Pure Yoga, suggests<br />

the Camel (Ustrasana) as a helpful<br />

pose to focus a student’s attention on<br />

Incorrect:<br />

elbows are too<br />

far away from<br />

the sides of the<br />

body.<br />

generally recommended to students<br />

with back problems).<br />

Like Kim, Patrick also sees the pose as<br />

“leading with the heart,” and suggests<br />

an adjustment where a partner sitting<br />

in front of the practitioner places the<br />

soles of his feet on the front of the<br />

student’s shoulders whilst holding a<br />

strap around the student’s back and<br />

under their arms. This has the effect of<br />

opening the shoulders and lifting the<br />

back.<br />

the lower back and that there is only so<br />

much that can be squeezed. He adds:<br />

“Think about a string pulling the top of<br />

head upwards.”<br />

Incorrect:<br />

arms and<br />

hands are too<br />

far in front of<br />

the body.<br />

opening the chest and practicing the<br />

backward bend of the spine to improve<br />

Up-Dog, (please note, Ustrasana is not<br />

Book Review<br />

Finally, the last word on this pose is<br />

from Jon who teaches Ashtanga yoga:<br />

his advice is to open and curve the<br />

upper back and open the shoulders. In<br />

his experience people try to squeeze<br />

Valerie follo<br />

ollows s the Siddha<br />

Meditation path, teache<br />

aches s at mYoga<br />

oga<br />

and practic<br />

actices s Mysor<br />

ore e at Pure e Yoga.<br />

Laugh Your Way to<br />

Knowledge; Dance Your<br />

Way to God, by Dayal<br />

N. Harjani<br />

22<br />

Sar<br />

ara a French<br />

Spiritual wake-up calls<br />

can be dramatic or<br />

mundane. Siddhartha<br />

Gautama began big, by<br />

abandoning his high life as a prince. In<br />

contrast, my path started with an<br />

outbreak of eczema. Dayal Harjani’s<br />

initiation fell - literally - somewhere in<br />

between.<br />

In the late 1970s he suffered a slipped<br />

lumbar disc. In 1985 he fell eight feet<br />

off a horse. And in 1994 Mr. Harjani, a<br />

Hong Kong-based exporter of<br />

garments and textiles, developed<br />

ankylosing spondylitis, an incurable<br />

inflammation of the spine. The<br />

prospect of life in a wheelchair<br />

depressed him. He lost weight. His<br />

muscles and joints deteriorated. He<br />

developed an inner-ear disorder. And<br />

those were just his medical problems,<br />

with them came financial and<br />

interpersonal troubles.<br />

This, he says, is when his “battle with<br />

life” began. He sought alternative<br />

therapies, including acupressure,<br />

homeopathy and pranayama. He<br />

became a student of metaphysics and<br />

mysticism. It paid off. The spondylitis<br />

has been arrested, and a wheelchair is<br />

no longer in his future. Laugh Your Way<br />

to Knowledge; Dance Your Way to God<br />

continues on page 36


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

Special Feature<br />

The Pull of the Moon<br />

Clayton Horton<br />

In the Ashtanga tradition of Sri K. Pattabhi<br />

Jois (Guruji), both full and new Moon days are<br />

regarded as holidays on which asana practice<br />

is not recommended. Guruji explains this is<br />

because when the Earth, Sun and Moon are in a straight line,<br />

universal energy is much stronger and the possibility of<br />

injury is greater. Injury during this period is often more<br />

intense and takes longer to heal.<br />

Our bodies are made of over<br />

70% water and so we are<br />

subject to the gravitational pull<br />

of the Sun and Moon much like<br />

our oceans. The month’s<br />

highest tides are during full and<br />

new Moons. During a full Moon,<br />

the Sun is in opposition to the<br />

Moon and Earth is found<br />

between them; we see the Moon rise in the East as the Sun<br />

sets in the West. Usually 14 days later, we experience a new<br />

Moon in which the Sun and Moon are conjunct. We do not see<br />

the Moon when it is new because it is in between the Earth<br />

and the Sun. Sometimes the new moon is referred to as the<br />

dark Moon. The day after this new Moon, we will see a small<br />

sliver of the Moon after sunset.<br />

After the new Moon, the Moon will be waxing and collecting<br />

more light from the Sun day by day until it<br />

becomes full two weeks later. After the full<br />

Moon, the Moon is waning, appearing smaller<br />

and smaller, day by day.<br />

During the full Moon cycle, pranic energy<br />

(prana vayu) is dominant. This pranic energy<br />

is upward moving, towards the head and north<br />

pole of the spinal axis. This period sees an<br />

increase of internal fluid, physical energy and<br />

possible over stimulation of body and mind.<br />

During the new Moon cycle, apranic energy<br />

(apana vayu) is dominant. Apranic energy is<br />

downward moving towards the south pole of the spinal axis.<br />

This period is decreasing and eliminating in nature.<br />

Individuals experience a loss of internal fluid, dry, stiff<br />

muscles and joints, decreased physical and mental energy<br />

and can often appear moody or lethargic. Due to this<br />

downward dominant force of the new Moon, this is the<br />

optimal time for farmers to plant their crops. The uplifting<br />

and flowering time of the full Moon is optimal for<br />

transplanting and harvesting.<br />

In traditional cultures, new and full Moon periods are<br />

favourable times for rituals, auspicious beginnings and<br />

endings, more intense<br />

“Our bodies are ...over 70%<br />

water and so we are subject<br />

to the gravitational pull of<br />

the Sun and Moon much like<br />

our oceans.”<br />

internal sadhana (spiritual<br />

practice), ceremonies and<br />

important decision making.<br />

Astrologers are forever<br />

watching the Moon to predict<br />

and schedule important<br />

calendar dates for the most<br />

advantageous times for<br />

signing contracts, weddings,<br />

birth and death. Women are often much more cognizant of,<br />

and sensitive to, the Moon cycles due to the Moon’s direct<br />

connection to their menstruation cycle. This is the natural<br />

sacred cycle of fertility and creation itself.<br />

Living in highly industrialised areas, human beings generally<br />

become less attuned to lunar cycles. Often, we do not see<br />

the rising or setting of the Moon if we live in an area with tall<br />

buildings. We do not rely on lunar light for night vision as our<br />

ancestors did. We are frequently tuned into<br />

Moon Days <strong>2007</strong><br />

<strong>January</strong> 3 & 18<br />

February 1 & 17<br />

March 3 & 18<br />

April 2 & 17<br />

May 2 & 16 & 31<br />

June 14 & 30<br />

July 14 & 29<br />

August 12 & 28<br />

September 11 & 26<br />

October 10 & 25<br />

November 9 & 24<br />

December 9 & 23<br />

the cycle of a 9-5 workday and a 5-day<br />

work week more than anything.<br />

Tuning into, witnessing and perhaps even<br />

celebrating the lunar cycles of the full and<br />

new Moon is a way for us to connect to the<br />

internal cycles of our own bodies as well as<br />

the macrocosmic dance of the Earth, Sun<br />

and Moon. So look out for the Moon<br />

tonight.<br />

Clayton is the director of Greenpath<br />

Yoga Studio (www<br />

www.gr<br />

greenp<br />

eenpath<br />

athyoga.<br />

oga.or<br />

org)<br />

g)<br />

in San Francis<br />

ancisco.<br />

23


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

Teacher Training<br />

mYoga Teacher Training –<br />

What an Experience!<br />

mYoga held its first teaching training programme in<br />

collaboration with US-based YogaWorks from October 16 -<br />

November 10, 2006. The 200-hour progamme was<br />

conducted by Kim Haegele.<br />

Below are two trainees’ personal experiences:<br />

Jennifer Hui<br />

I was very excited when I decided to take the 200-hour Yoga<br />

Works teacher training course. This was to be my first yoga<br />

training and something I’ve been thinking about doing for<br />

years. The training also gave me an opportunity to get away<br />

from the routine of my working life. More importantly, it<br />

gave me a chance to learn; so much more than I could have<br />

ever imagined.<br />

Throughout the 20-day training, we began with a two to<br />

three hour asana practice. It was grueling but it helped to<br />

bring calmness, happiness and energy to my whole day.<br />

After the practice, we continued with lectures in subjects<br />

such as anatomy, class sequencing, philosophy, verbal<br />

scripting and posture laboratories. The course was very<br />

intense; especially for those who had to go back to work<br />

after the 10-hour training day! With the homework, I only<br />

managed to get about five hours sleep every night. Despite<br />

this, when I woke up each morning, and looked in the mirror,<br />

there was a smile on my face and I always went to the<br />

training feeling perky!<br />

From the daily practice and training, I got to know more<br />

about my body’s strengths and weaknesses. I also got to<br />

know more about my mental strengths and weaknesses. We<br />

were taught how to work with the gunas in our asana<br />

practice. In doing so, I have been able to deepen my practice<br />

both physically and mentally. During the course I developed<br />

a profound interest in the philosophy of yoga. I particularly<br />

enjoyed reading the course textbooks - The Yoga Sutras of<br />

Patanjali (translated by Swami Satchidananda) and The<br />

Heart of Yoga by T.K.V Desikachar. Both these simple and<br />

beautifully-written books led me to see my “true self” a<br />

24


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

Cour<br />

ourse e presen<br />

enter<br />

er, , Kim Haegele<br />

little clearer - to acknowledge the good<br />

and bad things about myself.<br />

All the joyful learning and experience<br />

I’ve gained from the training can be<br />

attributed to Kim Haegele our Yoga<br />

Works teacher-trainer. We were very<br />

blessed to have had her. She is a<br />

generous, gracious lady and must have<br />

the world’s most enormous bank of<br />

patience. I’m very grateful have gotten<br />

to know a group of amazing people who<br />

are passionate about yoga. The<br />

students came from varied<br />

backgrounds, but by the end of the<br />

course we were one big happy family.<br />

The end of the course was an<br />

emotional time. We all wanted to keep<br />

going on our Yoga Works teacher<br />

training journey together! Although the<br />

course is over and we’ve returned to<br />

our normal routines, we get together<br />

whenever we can.<br />

The 200-hour training course was been<br />

an amazing time, definitely one of the<br />

most beautiful chapters in my life. And<br />

I’m looking forward to doing 300-hour<br />

Yoga Works advanced teacher training<br />

in the near future!<br />

Elizabeth Lai<br />

Kim Haegele was the deciding factor<br />

for me to take the Yoga Works teacher<br />

training course. She is a patient,<br />

enthusiastic, knowledgeable and caring<br />

yogi who brought us the appropriate<br />

training required for a yoga teacher.<br />

The intensive nature of the course was<br />

beyond words. Everyday from October<br />

16 to November 10, was like a full-time<br />

job, plus there was reading and<br />

homework to fill our evenings and<br />

weekends.<br />

The course drew in participants from<br />

varied backgrounds – from veteran<br />

yoga teachers, yoga practitioners,<br />

personal trainers and aerobic<br />

instructors. Although we came from<br />

different backgrounds, we worked as a<br />

team towards the success of the<br />

course. We unreservedly shared our<br />

experiences, chipped in when clarifying<br />

concepts and understanding, and<br />

comforted each other in times of<br />

stress.<br />

The yoga philosophy, taught us to<br />

embrace the need to calm our mind to<br />

reach self-actualization and joy. How<br />

much better life can be if we can<br />

achieve this ultimate goal! The asana<br />

workshops and practice teaching<br />

workshops were particularly good, as<br />

we practiced what we learned in<br />

assimilated class environments.<br />

The practical examination was<br />

challenging, yet self-fulfilling and<br />

rewarding as we moved into our first<br />

step of teaching. It was, in a whole, an<br />

experience worth taking if your aim is<br />

to acquire the knowledge to become a<br />

yoga teacher.<br />

Yoga teaching is a rewarding career<br />

and this certification provided us the<br />

first stepping stone into the field. From<br />

now on, it is up to us to continuously<br />

brush up on our knowledge, expertise<br />

and enthusiasm to carry on our yoga<br />

journey.<br />

25


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

Special Feature<br />

Mysore<br />

Travelogue<br />

Jyothi Fong<br />

I fantasised about<br />

Mysore, the source of<br />

Ashtanga yoga, ever<br />

since my first teacher<br />

training with David Swenson four years<br />

ago. I had heard horror stories about<br />

people getting sick in India, and I mean<br />

really sick. Why go to this extreme, as<br />

if Hong Kong isn’t extreme enough. Yet<br />

my heart yearned for an authentic<br />

experience with the Guru. And I was<br />

full of curiosity about the origins of<br />

yoga and India itself - a magical and<br />

surreal place.<br />

But back in May I was at the lowest<br />

point in my life. I had to make a<br />

decision whether or not to go back to<br />

the corporate world or to dedicate my<br />

life to yoga. I asked myself: If my life<br />

were to end in just one day, what would<br />

Book Review<br />

I most desire to do? The answer was<br />

yoga, yoga and more yoga!<br />

My Guru, Sri Swami Satchidananda,<br />

emphasizes being calm and easeful<br />

with one’s mind and life. That we need<br />

to integrate all aspects of yoga, the<br />

physical asana, and other branches,<br />

such as karma yoga (selfless service)<br />

and bhakti yoga (devotion). I realised a<br />

dedicated life of yoga was what I have<br />

always been looking for.<br />

So I packed up my bags and left my old<br />

life behind for three months of<br />

Ashtanga and Mysore. Leaving Hong<br />

Kong, I felt like a real pilgrim who would<br />

soon be in a sacred land far, far away.<br />

My ex-colleagues packed me an<br />

emergency gift pack, filled with the<br />

magical remedies for all sorts of<br />

conditions – travel sickness, mosquito<br />

bites, sun burn, depression and food<br />

poisoning. Mother touched my heart<br />

too. She bought me another<br />

emergency pack filled with medicine<br />

and other goodies to help me on my<br />

pilgrimage.<br />

I went with a vow to give whatever it<br />

takes to make India a worthwhile trip.<br />

Somewhere inside, a voice said “if I<br />

Pattabhi Jois<br />

want transformation to take place, I<br />

would need to shed layers of old<br />

paradigms - my culture, beliefs, values<br />

and habits, and surrender to<br />

experiences and open up to Mother<br />

Earth and India.<br />

The Raz<br />

azor<br />

or’s Edge<br />

dge, , by W.<br />

Somer<br />

omerset t Maugham<br />

Tia Sinha<br />

“The sharp edge of a razor is difficult to pass<br />

over;<br />

thus the wise say the path to Salvation is<br />

hard.”<br />

The title of Maugham’s book was inspired by this quote<br />

from the ancient Sanskrit text, the Katha Upanishad.<br />

Set in the first half of the twentieth century, Maugham’s<br />

classic tale is the story of Larry Darrell, a privileged, young<br />

Chicagoan. After a heart-wrenching incident during the war,<br />

Larry’s mind turns inwards. He begins to question what<br />

many take for granted, such as is this all there is to life and<br />

what are we here for?<br />

Disregarding social disapproval, Larry travels to Paris, a<br />

coalmine, Bonn, a monastery, and through a circuitous route<br />

to India. His search ends when he meets Shri Ganesha, jnana<br />

yogi Ramana Maharshi, in southern India.<br />

continues on page 36<br />

26


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

Located in the southern state of<br />

Karnataka, India, Mysore is a hub for<br />

Ashtangis passionate about yoga. Here<br />

you see advanced students gathered<br />

together in one room, practicing yoga<br />

as if a performance. It was difficult not<br />

to watch others practice when I was in<br />

the shala. One particular student<br />

caught my attention while in Adho<br />

Muka Vrkchasana with one arm beside<br />

his body. But that wasn’t what<br />

impressed me the most. It was the<br />

ease and fluidity of his practice that<br />

caught my attention. The way he<br />

moved through his sequence was like<br />

art, like dancing with total ease.<br />

It was in Mysore that I experienced<br />

perfection. One cannot expect it to<br />

happen instantantly. First there is the<br />

knowledge to develop into a skill. In<br />

between comes practice. As Pattabhi<br />

Jois says “Yoga is 99 percent practice<br />

and 1 percent theory.” I realised the<br />

wisdom of this through my daily<br />

practice in Mysore. Like a flower that<br />

takes time and tending to blossom, so<br />

does one’s practice. According to Sutra<br />

14 of the Yoga Sutras:<br />

Practice becomes firmly grounded<br />

when:<br />

Well attended for a long time; without<br />

break; with all earnestness.<br />

One cannot truly understand this<br />

unless one has experienced this in real<br />

life. Perfection applies to all spheres of<br />

life, whether it is performing our best<br />

at work, giving the most to our<br />

relationships, or simply being present<br />

at any given moment. And practice<br />

becomes even stronger when it is done<br />

with dedication, devotion, faith and<br />

above all, patience.<br />

Mysore retains old-world charm<br />

The most challenging part of my<br />

practice was not the practice itself but<br />

waking up before the sun rises. On<br />

weekdays, I start practice at 6 am and<br />

on Sundays at 5 am. I remember the<br />

months back in June when it was all<br />

dark at night and I needed a torch to<br />

find the shala. Guruji would start<br />

opening prayer and all the students<br />

started their practice under his<br />

guidance.<br />

Nowadays, Guruji no longer adjusts<br />

students, except drop backs. Although<br />

my relationship with Guruji was short,<br />

his presence was intense and I will<br />

never forget him calling “one more”<br />

with his sharp voice, still strong at the<br />

age of 91. It is difficult to describe<br />

Guruji in words. His students say his<br />

presence emanates and touches their<br />

heart. It certainly did mine.<br />

Typical Schedule<br />

The Ashtanga asana practice is from 5<br />

- 7 am or 6 - 8 am. Only two hours a<br />

day of asana, so what else can you do<br />

with your time? Don’t worry, there is<br />

loads to do in Mysore. Here’s a typical<br />

day’s schedule:<br />

6 - 8:15 am Practice with Sarath<br />

and Guruji<br />

8:15 - 8:30am Drink a coconut outside<br />

Shala/ Coconut at<br />

Coconut Stand<br />

8:30 - 9 am Shower<br />

9:15 - 11:15 am Breakfast and friends<br />

gathering at Tina’s<br />

11:15 – 1 pm Nap/ Read a book from<br />

Krishnamurti and/or<br />

Ken Wilber<br />

1 - 3:30 pm Lunch at Sandhya’s<br />

House<br />

4 – 6 pm Painting classes/make<br />

clothes at Badshaw’s/<br />

dance classes/ coffee<br />

break at Coffee Day/<br />

swim in the River/ Sun<br />

Tan at Regalia<br />

5 – 6 pm Ashtanga yoga practice<br />

revision with friends<br />

6 - 7:30 pm Light meal of fruit<br />

7:30 - 8:30 pm Talk about yoga or<br />

watch the World Cup<br />

with friends<br />

8:45 pm Lights out, sleep<br />

In and Around Mysore<br />

On Moon days, which are the new and<br />

full moons, Ashtangis do not practice<br />

asana [Ed note – see The Pull of the<br />

Moon page 21]. Just as the moon<br />

influences tides, it affects us and we<br />

can become very sensitive<br />

physiologically, mentally and<br />

emotionally. Here are some things to<br />

do in Mysore on Moon days:<br />

1) Sightseeing at a Tibetan Village<br />

(three hours from Mysore)<br />

2) Visit the Tea Plantations, famous<br />

continues on page 37<br />

27


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

28


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

My Practice<br />

Practicing<br />

Cold<br />

old<br />

Julie Choi<br />

Stepping onto my mat at<br />

the crack of dawn was<br />

never my favorite thing<br />

to do. I always felt<br />

slightly deprived after yanking myself<br />

from my warm cocoon at an hour so<br />

premature it was almost unkind. I<br />

preferred practicing at say, 7:30 am,<br />

maybe even 8, when the sun was<br />

already illuminating the morning’s<br />

activities. In Hong Kong it is relatively<br />

warm year-round, so you need only<br />

courage to leave the bed, not to brave<br />

arctic conditions on the way to and<br />

during practice.<br />

Northern Germany in mid-November, is<br />

a different story. For starters, my<br />

internal rhythm has shifted later into<br />

the day, for daylight now doesn’t start<br />

until about 8:30 am. Combine this with<br />

rain, wind and 4 degrees Celsius, and<br />

snuggling deep under the eiderdown is<br />

the compelling choice.<br />

The pervasive chilliness also affects<br />

which foods I crave. In the balmy<br />

climes of tropical Asia, I loved copious<br />

amounts of Thai green papaya salad<br />

and frequent visits to XTC on Ice.<br />

Here, the last thing I want is a raw<br />

salad (though ice cream still gets the<br />

green light). Instead, I want warm<br />

bread, and lots of it.<br />

When sunlight peeks meekly through<br />

the clouds, I extract myself from bed<br />

and prepare my practice space in the<br />

living room by turning the radiator up<br />

high and blasting the space heater next<br />

to my mat. Then I put on practice<br />

clothes (no longer chosen for their<br />

sweat-friendliness), with two pairs of<br />

socks, a t-shirt and turtleneck sweater.<br />

My new bread-heavy diet doesn’t<br />

facilitate a light or flowing practice, and<br />

most Ashtangis would sympathise with<br />

the significance of the pre-practice<br />

evacuation. Although all else may be<br />

ready, this often means that practice is<br />

further delayed. I try to make use of<br />

the wait with naulis, warm water with<br />

lemon and a cup of milky coffee.<br />

Finally the room is warm enough and I<br />

begin to breathe. Heat soon rises and<br />

spreads from deep within my body. My<br />

“...this practice holds up a mirror<br />

which serves as a microcosm of my<br />

life off the mat.”<br />

protesting, reluctant mind succumbs to<br />

the quiet, steady vibrations of my<br />

breath with a sense of gratefulness.<br />

By the end of the standing poses, my<br />

whole body, except my feet, is warm,<br />

but the chilly air outside my body is<br />

close and heavy.<br />

As I continue, I take note of the effects<br />

of the minimal amount of sweat. The<br />

air around me so cold, the breeziness<br />

of the space heater actually cools me<br />

Julie’s s chilly practic<br />

actice e spac<br />

ace<br />

down. As I sweat, I feel even colder.<br />

Every pose seems just slightly less<br />

available, and I feel the stiffening and<br />

weighing down effects of the weather.<br />

Despite the obvious challenges to<br />

practicing this way, there is an honesty<br />

to it as well. I am not able to fool<br />

myself into thinking that anything<br />

remains the same, or there is a<br />

formulaic conclusion to wondering,<br />

questioning, investigating, discovering,<br />

and refining. In the midst of the<br />

moment-to-moment swings of my<br />

personality, I am gently and<br />

persistently reminded this practice<br />

holds up a mirror which serves as a<br />

microcosm of my life off the mat. And<br />

sometimes, if I am extra watchful, I can<br />

even catch a glimpse of my Self.<br />

Julie has been studying yoga since<br />

2000. After apprenticing with<br />

Michel Besnard, she left her<br />

corporate life for more time<br />

learning, practicing and teaching<br />

yoga. She moved ed to Germany, , in<br />

November<br />

ember, , and is gradually making<br />

friends with the cold weather<br />

ather.<br />

29


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

Special Feature<br />

Joy<br />

Ann Gowing<br />

Sometimes in life, if you’re lucky, you’ll meet<br />

an amazing soul. A person who truly inspires<br />

you to the point that they are constantly in<br />

your thoughts, and just your memory of<br />

them, brings a big smile to your lips.<br />

You may not know them that well – or for that matter speak<br />

their language, but who cares! In my case, it was laughter<br />

that was the connector. And what has stayed with me since<br />

that meeting is a deep sense of joy – especially when I speak<br />

or think of this divine person.<br />

“He radiated vitality,<br />

prana, joy, love and<br />

happiness in an allencompassing<br />

toothless<br />

smile...”<br />

Attending a personal retreat this year in India, I was staying<br />

in an ashram in Rishikesh with 10 other students. We were<br />

all in India seeking further transformation on our personal<br />

paths and were under the beautiful guidance of our teacher<br />

Yogi Vishvketu.<br />

Vishva had arranged for a dear old friend and yogi to travel<br />

from Delhi to teach our morning practice. That day at 4:30<br />

am I woke up and followed my normal routine of getting my<br />

sleepy self over to the meditation hall. After an hour’s<br />

practice of bhakti yoga (devotional chanting) and<br />

meditation, we came to our asana and pranayama practice.<br />

The visiting Swami had arrived from Delhi the previous<br />

night and I could now hear his footsteps coming up the<br />

stairs. I could hear the laughter of Vishva and the Swami.<br />

The door opened, all our eyes turned to the door, Vishva and<br />

the Swami entered. Is this guy for real? All us students<br />

30


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

The Joyful Swami Ji<br />

looked at each other, we all looked at the Swami, he looked<br />

at us, Vishva looked at everybody and then we all just<br />

laughed! In had walked a yogi gnome! His face glowed, his<br />

body was lean and his eyes truly sparkled. He wore simple<br />

orange robes, wooden flip flops, carried only a small metal<br />

tin and wore a hat - but oh what a hat!!<br />

He radiated vitality, prana, joy, love and happiness in an allencompassing<br />

toothless smile that captivated our hearts in<br />

that very second. How often in this modern life do you meet<br />

someone who captures your heart in this way?<br />

When we had all somehow managed to stop smiling and<br />

smirking, we settled and sat for practice. No fear of<br />

shyness here, just a high sense of body confidence as Swami<br />

Ji un-robbed to reveal the smallest of knickers (great<br />

English word meaning underwear), took off “THE” hat and<br />

begun his teachings.<br />

Right now I am laughing in the middle of the airport lounge<br />

(yes – out aloud – so people are assuming there is something<br />

wrong with me) whilst I type this. Smiling to myself as I<br />

recall that morning session that took us on a roller coaster<br />

of laughter and life.<br />

Practice begun and we were off: pranayama, lots of smiling,<br />

agni sara kriya, laughter, sun salutations, laughter, up, down,<br />

real laughter, asana, more laughing, breathing exercises<br />

laughing, lion’s breathe, uncontrollable laughing and tears by<br />

now, up side down, laughing, then, to cap it all off, would you<br />

believe it, laughing mediation (at this point, it was a huge<br />

relief to laugh hysterically).<br />

As we sat in silence at the end of our practice, I took a little<br />

peek at Swami Ji and was not at all surprised to see him<br />

looking straight back at me with a grin that spoke a<br />

thousand words. In that moment, all my expectations about<br />

how my yoga practice should feel were shattered. Swami Ji<br />

had just taught me a big lesson that morning, a lesson of joy<br />

and how to bring more of it in to my yoga practice and my<br />

life. And oh what joy, we had been laughing for nearly two<br />

hours! I left the yoga hall that day feeling totally uplifted<br />

and extremely positive. My heart was smiling.<br />

Reflecting about happiness later that day, my thoughts were<br />

of Hong Kong and how when I walk around town I often<br />

smile at others or sing along to my music when I am happy. I<br />

then think about the people who live in this highly stressed<br />

city and how they look upon me as either mad, wacky or<br />

strange and how the smile is very rarely returned. But, at<br />

least today my heart feels renewed to witness such a being<br />

with such happiness in his life and who is not embarrassed to<br />

share it!<br />

During our class, Vishva had been loosely translating Swami<br />

Ji’s instruction (when he himself could stop laughing), but<br />

Swami Ji had already managed to learn some vital cuing<br />

skills “up”, “down”, “ok”. He was just so totally with it –<br />

unlike any senior citizen I have ever seen in my life! Oh, did I<br />

mention he was 96 – yes 96! I was gob-smacked at this<br />

guy’s youth, with a personality and mannerisms to match<br />

that of a teenager, who was this guy and what was he on? It<br />

was simple. He was on Prana – pure Prana. I later found out<br />

that most mornings he rises at 2 am and performs 5,000<br />

pumps of Kapalabhati (breath of fire). I also found out more<br />

about this bundle of energy when we asked some group<br />

questions later – here are two of those questions:<br />

“...all my expectations<br />

about how my yoga practice<br />

should feel were shattered.”<br />

Q: What gives you the most joy in your life?<br />

Swami Ji: Emptying my bowels every morning. No toxins<br />

inside my body – no mental or physical blockages/<br />

constipation, only a sense of feeling purified. (I had<br />

expected love or something, so more tears and laughter at<br />

this response from the whole group!).<br />

Q: What diet do you follow?<br />

31


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

Swami Ji: Just juice (we were to witness this the following<br />

morning when he bought pure wheat grass for our<br />

breakfast! Not sure where he had picked it, but we chewed<br />

the grass to take a couple of mouthfuls of not-so-nice<br />

tasting juice). Live on juice were his strong words! Only take<br />

one small meal a day and eat lots of salad. No detox<br />

retreats needed here for Swami Ji!<br />

This radiant yogi has helped many people find health and<br />

joy in their lives in Delhi and has himself led a married life<br />

and fathered children. This man, this beautiful soul, has<br />

lived life with such vigor and gratitude, that I felt ashamed<br />

of my sometimes lack of gratitude for life, my negativity<br />

and my stamina for living.<br />

For me, Swami Ji is the embodiment of yoga. Never before<br />

have I felt, experienced or understood the meaning of real<br />

joy - of laughing out loud for no reason but to just laugh, of<br />

living life so simply. To give, to laugh, to be blessed with life.<br />

I am sending this article to Swami Ji in the hope that he<br />

understands how he has touched my heart and inner-being<br />

forever. To have shared a practice with him and experienced<br />

his path of joy. More over, he does not dress up in hip yoga<br />

clothes or carry a yoga bag or even worry about this yoga or<br />

that yoga. He just lives it, day in day out for over 50 years,<br />

and guess what? He’s going to continue for a long time as<br />

he reckons he will live to 150 years old – go Swami Ji!! He is<br />

my inspiration.<br />

Swami Ji leads Ann and Danny in yoga practice<br />

So, back at the airport on a sad day in my heart - I am<br />

leaving Hong Kong (my home of 14 years) to live and work in<br />

Singapore, I think to myself “what did I not do before I left”.<br />

I instantly thought of Frances and the article I promised to<br />

write for her on this remarkable yogi I had met in India. So, I<br />

started writing the article, and guess what, it has totally<br />

eradicated my sadness. Instead I sit here smiling, thinking<br />

of all the positive changes and challenges that are coming<br />

my way. And how I have been blessed to have experienced<br />

and been part of the amazing energy of Hong Kong these<br />

part 14 years, remembering all the friends that have come,<br />

gone and will remain.<br />

PS I later learned Swami Ji’s name is Yogananda (not to be<br />

confused with Paramahansa Yogananda) and the reason for<br />

the hat - that amazing hat; to further channel energy up to a<br />

higher plane of course!<br />

Ann can be found teaching yoga in Singapore at<br />

COMO Shambhala (www<br />

www.como<br />

omoshambhala.b<br />

shambhala.bz)<br />

32


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

Kids Yoga<br />

Yoga at the Asian<br />

Children<br />

en’s s Festiv<br />

tival<br />

al<br />

Mira Binzen<br />

During the Asian<br />

Children’s Festival in<br />

Singapore, children were<br />

introduced to yoga<br />

through the stories of ancient Indian<br />

myths associated with certain yoga<br />

poses. The Children’s festival promotes<br />

the joyous learning of Asian culture for<br />

children, so Indian mythology seemed<br />

the perfect topic. Stories are an<br />

excellent way to engage children in a<br />

yoga class. The asanas are named<br />

after many different animals and<br />

intriguing characters to which kids can<br />

easily relate.<br />

More than 30 children ages 4 - 11 years<br />

gathered for the class held at the<br />

National Library. Only a few raised their<br />

hands when asked who had tried yoga<br />

before. They were told there are two<br />

important things to know about yoga.<br />

One is that it feels really good. The<br />

other is that it’s lots of fun.<br />

All the kids came into a squatting<br />

position, squeezed knees to exhale<br />

then stood up breathing in to fill up<br />

their balloon bodies. Once the balloon<br />

was full, it was time to let it all out and<br />

everyone fluttered loosely to the floor.<br />

Giggles erupted and the fun had begun.<br />

The first myth was of Lord Surya, the<br />

sun. Considered the source of light,<br />

heat and knowledge, yogis practice sun<br />

salutations to invoke his blessings and<br />

wisdom. The laughter grew as round<br />

A forest full of yogic trees<br />

after round the children’s sun<br />

salutations went faster and faster and<br />

faster…and then slowed down through<br />

the last round.<br />

Then they were wish-fulfilling trees. In<br />

ancient times these magic trees grew<br />

on earth. People had no need for<br />

possessions as they could simply wish<br />

for whatever they wanted. In tree pose<br />

they felt their roots grow deep<br />

grounding them into the earth as they<br />

considered all the gifts trees still give<br />

today; shade, fruit, a home for animals<br />

and birds, as well as stability for the<br />

earth herself.<br />

The children were then asked if they<br />

were ready for another story. “Yeah”<br />

30 voices shouted in unison. They then<br />

heard of the beautiful princess<br />

Draupadi who lived in ancient India. Her<br />

father, King Draupada, wanted to find a<br />

suitable match for his daughter so he<br />

decided to hold a contest. “A coloring<br />

contest?” one boy shouted out,<br />

revealing the inner workings of a sixyear-old<br />

mind.<br />

It was an archery contest, and so the<br />

children stretched their bodies into<br />

Dhanurasana, the bow pose, to<br />

represent the bow made especially for<br />

this contest.<br />

The story went on. One by one, several<br />

men strode up to the bow only to<br />

return disappointed. Then a handsome<br />

stranger approached the bow, easily<br />

lifted it and quickly shot five arrows<br />

through the eye of the fish. With<br />

delight, Draupadi garlanded the winner<br />

who was in fact Arjuna, the greatest<br />

archer in all the land.<br />

Again they stretched up into the bow<br />

pose, the children lifting even higher<br />

than before.<br />

Then it was time to rest. The last story<br />

was of a special magic carpet. As each<br />

child relaxed on the floor they were<br />

continues on page 38<br />

33


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

34


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

Tia’s Crossword<br />

Across<br />

1. Sanskrit term for affliction on the<br />

path of yoga. (6)<br />

3.A knot in the body or mind that<br />

blocks the free flow of energy or prana<br />

and distorts our view of reality. (7)<br />

9. Fishy asana. (6)<br />

11. Indian epic starring Lord Krishna. (11)<br />

13. Thirteenth century Sufi saint and<br />

whirling dervish whose poems burn with<br />

feverish, ecstatic love for God. (4)<br />

14. Jumble ‘hard dash’ to give Sanskrit<br />

for faith in God. (8)<br />

15 & 19 DOWN. Summer City? No!<br />

Stand absolutely still for this asana!<br />

(4,6)<br />

17. Swan posture. (9)<br />

22. …-knowing, ...-seeing, ...-powerful,<br />

...-loving, such is the nature of the<br />

human soul and the nature of God. (3)<br />

23. In the Bible, Salome’s Dance of the<br />

Seven ... could be a reference to our<br />

journey homewards, uncovering the 7<br />

sheaths of ignorance surrounding and<br />

hiding the soul. (5)<br />

25. Egoism, an affliction on the path of<br />

yoga that arises when we identify the<br />

soul with that which merely reflects the<br />

soul. (6)<br />

26. Yoga philosophy talks of the … of all<br />

creation. (7)<br />

28. Attachment to pleasure, another<br />

affliction on the path of yoga. Hint,<br />

classical Indian melody. (4)<br />

29 & 7 DOWN & 8 DOWN. Vietnamese<br />

Buddhist monk and author of Peace is<br />

Every Step. (5,4,4)<br />

30.The pranayama, Nadi ... refers to<br />

purification of energy channels in the<br />

body through alternate nostril<br />

breathing. (8)<br />

31. Right knowledge based on<br />

scriptures, one of the 3 kinds of right<br />

knowledge according to Patanjali. (5)<br />

32. Energy channel starting from the<br />

right nostril and ultimately ending at<br />

the base of the spine. Has a warming<br />

effect and is also called surya-nadi,<br />

after the sun. (7)<br />

33. Enlightened asana! (6)<br />

Down<br />

1. Tortoise pose. (9)<br />

2. German spiritual master and author<br />

of The Power of Now and A New Earth.<br />

(7,5)<br />

4. Indian epic starring Lord Rama, Sita<br />

and Hanumana. (8)<br />

5. Dancing Shiva asana. (8)<br />

6. Energy channel starting from the<br />

left nostril and ultimately ending at the<br />

base of the spine. Has a cooling effect<br />

and is also called chandra-nadi, after<br />

the moon. (3)<br />

7. See 29 ACROSS & 8 DOWN<br />

8. See 29 ACROSS & 7 DOWN<br />

10. Five aspects of one’s behaviour<br />

towards others, Ahimsa, Satya, Asteya,<br />

Brahmacharya & Aparigraha comprise<br />

the first limb of yoga known as ... (4)<br />

12. Sanskrit prefix meaning bound. (6)<br />

16. Past impression stored in the mind,<br />

affecting our behaviour and distorting<br />

our view of reality. It leads to a<br />

conditioned, automatic way of thinking<br />

and responding to the events of life<br />

around us. (8)<br />

18. Mind in Sanskrit. (5)<br />

19. See 15 ACROSS<br />

20. Boat asana. (4)<br />

21. Five aspects of one’s attitude<br />

towards oneself, Shaucha, Santosh,<br />

Tapa, Svadhyaya & Ishvara Pranidhana<br />

comprise the second limb of yoga<br />

known as ... (6)<br />

24. Vatayanasana was inspired by this<br />

swift animal. (5)<br />

27. Restful corpse asana. (5)<br />

29. Buddhist goddess of universal<br />

compassion whose mantra is ‘om tare<br />

tuttare ture svaha’. (4)<br />

30. Adho Mukha Vrikshasana is<br />

commonly known as the ... stand. (4)<br />

Solution on page 39<br />

35


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

Continued here<br />

Dance your way to God<br />

continues from page 22<br />

is the product of that journey.<br />

Mr. Harjani has cast his own alter ego<br />

as the novel’s protagonist, Daduzen, a<br />

Hong Kong businessman turned Indian<br />

ascetic. The story begins when three<br />

of Dadu’s grandchildren drop by the<br />

ashram along with nine schoolmates<br />

from America, Britain, France and<br />

Spain. Dadu, rishi extraordinaire,<br />

begins tutoring this eclectic group.<br />

It’s an ambitious undertaking, as the<br />

dozen acolytes are starting from<br />

scratch. But Dadu dives in with vigour,<br />

distilling several millennia of spiritual<br />

thought into 10 mind-altering days.<br />

Lessons cover the meaning of om;<br />

divine joy; devotional love (bhakti); the<br />

causal, astral and physical bodies;<br />

subliminal activators (samskaras); will;<br />

nonattachment; reincarnation; karma;<br />

dharma; spiritual maturity; mantras;<br />

meditation, and much, much more.<br />

Unfortunately, Mr. Harjani attempts<br />

more than he is able to deliver. He is<br />

obviously devoted to his material and<br />

well read - chapters are sprinkled with<br />

quotations from Indian scripture and<br />

philosophers the world over - but his<br />

presentation is unsystematic and<br />

necessarily superficial. All of the<br />

explanations here can be found in more<br />

readable and thorough versions<br />

elsewhere, often in the very works he<br />

cites.<br />

There are other problems. The book is<br />

self-published by Mr. Harjani’s export<br />

firm, Jianni Enterprises, and does not<br />

appear to have been edited. The<br />

punctuation is variable and unorthodox.<br />

The prose is overwhelming (“Dadu was<br />

stunned as bubbles of emotion surged<br />

into his throat to a torrential choke but<br />

his eyes exposed a tranquilizing joy<br />

with a trickling tear”). Finally, Mr.<br />

Harjani indulges not only his urge to<br />

cast himself as the hero, but also his<br />

desire to get the girl - not just once, but<br />

three times! So be warned: this book<br />

is a tough slog.<br />

But Mr. Harjani is a man of many<br />

projects (three completed manuscripts<br />

sit in his drawer), and his next<br />

enterprise just might be a winner:<br />

In <strong>January</strong> he debuts a yoga workshop<br />

that will draw on somatic disciplines<br />

(practices that seek a deeper<br />

connection with the body as a way to<br />

regenerate the spirit) pioneered by<br />

Americans Bonnie Bainbridge Cohen<br />

and Donna Farhi. He will be assisted by<br />

Bhavatarini Tang, an instructor at the<br />

International Yoga Institute, and<br />

Maggie Blue O’Hara, a co-artistic<br />

director of the All Theatre Company.<br />

The four-session workshop will combine<br />

breathing exercises, dance and<br />

meditation to achieve deep relaxation.<br />

Details: Saturdays starting <strong>January</strong><br />

20, , 6 - 8 pm at Yoga Sens<br />

enses s (11/F<br />

Bowa a House, , 180 Nathan Road, Tsim<br />

Sha Tsui). HK$1,500. . Inquiries:<br />

s:<br />

2782 2 7762, 2415 514<br />

148,<br />

8,<br />

contact@dancemeditate.com. A<br />

second workshop is planned for<br />

March.<br />

Sara was introduced to yoga three<br />

years ago and moved to a new level<br />

this past summer by spending six<br />

weeks practicing for two hours<br />

every weekday morning.<br />

The Razor’s Edge<br />

con<br />

ontinue<br />

tinues s from page 26<br />

Larry’s character is based on the life of<br />

a man who dared follow his heart,<br />

despite the risk others thought he was<br />

taking. He was a seeker of rare<br />

sweetness and uncommon character,<br />

intelligence, will and fire. He may<br />

remind readers familiar with the Katha<br />

Upanishad of young Nachiketa who<br />

confronted the Lord of Death with<br />

questions about life and death.<br />

What does Larry decide to do with his<br />

life when his questions have been<br />

answered? Does he use this<br />

understanding for personal gain,<br />

amassing wealth and gaining power<br />

over people? Does he become a guru,<br />

setting up a spiritual empire and<br />

becoming famous? Read on, the way<br />

the book ends will surprise you.<br />

The Razor’s Edge is a treasure,<br />

revealing in Maugham’s insightful,<br />

humorous style, the supreme passion<br />

that can grip the human soul.<br />

Related reading:<br />

Dialogue with Death<br />

(a a commen<br />

ommentary<br />

ary<br />

on the Katha Upanishad) by Eknath<br />

Easwaran<br />

A Search in Secret India by Paul<br />

Brunton<br />

Ramana Maharshi & The Path of<br />

Self-Knowledge by Arthur Osborne<br />

The Sain<br />

aint (an essay) by Somer<br />

omerset<br />

Maugham<br />

Tia worked as a producer for Star<br />

TV in Hong Kong. She is travelling<br />

for or a year<br />

ar.<br />

36


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

Mysore<br />

continues from page 27<br />

for the white tea (A few hours from<br />

Mysore)<br />

3) Tour Chamundi Hill and the Mysore<br />

Palace<br />

4) Pamper yourself at The Windflower<br />

Spa & Resort<br />

5) Spend a Moon day weekend at the<br />

Ayurvedic Resort<br />

6) Play at Water Jungle Retreat -<br />

usually 20 - 30 people rent a bus<br />

together and go on a group field trip<br />

7) Clubbing at Planet X<br />

8) Drop by House Parties at various<br />

locations in Mysore<br />

If you are interested in going to<br />

Mysore, but worried about travelling<br />

solo – don’t. The last thing you will<br />

notice is that you are alone. In Mysore<br />

you’re constantly surrounded by people<br />

and you will meet people from all<br />

around the world who will give you<br />

contacts for places to stay, shop, eat,<br />

sightsee, etc. Online resources I found<br />

helpful are www.asanas.com.mx and<br />

www.mysore.yogaholidays.net<br />

Back in Hong Kong now during my<br />

morning practice, the left side of my<br />

body is still suffering from a swollen<br />

shoulder and hamstring. But yogis say<br />

there is a reason for things happening<br />

they way they do. Everything is in<br />

perfect synchronicity, and it’s all in the<br />

mind. I’ve convinced myself there is a<br />

reason why my left side is injured. And<br />

now I see it is a blessing because I<br />

understand how injuries and stiffness<br />

affects a student’s practice. It is all<br />

part of the process to develop of<br />

compassion and understanding of<br />

myself and others.<br />

Jyothi has been practicing for 7<br />

year<br />

ars s and teache<br />

aches s Vin<br />

inyas<br />

asa a Flow,<br />

Hatha, Hot, , Yin in and Gentle Yoga.<br />

Her training includes Integral<br />

Hatha Yoga, Ashtanga, Sivananda<br />

and Iyengar Yoga. She graduat<br />

aduated<br />

ed<br />

from om The Univer<br />

ersit<br />

sity y of Tor<br />

oron<br />

onto,<br />

Psychology and Human Resources<br />

Management. jyothifong@gmail.com<br />

37


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

Ivy Hung<br />

continues from page 11<br />

moving it up along the wall in front of<br />

you to the ceiling, skyward to the<br />

infinite beyond… Be joyous in the<br />

strength and resilience of your swaying<br />

Tree Pose. Okay, shoulders relaxed<br />

and away from the ears, chin slightly<br />

tucked and neck long please!<br />

What have you learned from this<br />

asana?<br />

Tree Pose is a deeply revealing asana<br />

for me. There were times during<br />

periods of intense practice when I<br />

effortlessly flowed through advanced<br />

postures like jumping sequences,<br />

Virabhadrasana III or Astavakrasana<br />

(Eight-Angle Pose), but found<br />

Vrksasana with a soft inward drishti<br />

extremely challenging. The pose is a<br />

truly beautiful gift in its simplicity. It is<br />

an accessible posture to practice the<br />

act of just being, to surrender and<br />

honor the truth within. To practice<br />

Tree Pose with a non-projecting,<br />

receiving gaze is to learn acceptance<br />

moment-to-moment, to receive light<br />

and beauty from the Universe without<br />

projection of the self, to practice<br />

witness consciousness with inwardgazing<br />

eyes very much like ears that<br />

listen with infinite patience.<br />

What is the most difficult aspect of<br />

your practice?<br />

The most intriguing aspect of yoga<br />

practice for me is that “welcome-toyour-own-body”<br />

feeling I get whenever<br />

I flow into a much-practiced, familiar<br />

asana. For an experienced practitioner,<br />

discipline, tenacity, the study and<br />

application of anatomical principles<br />

aside, the ultimate challenge is to have<br />

a beginner’s mind and awareness in<br />

asana practice. As we gain strength,<br />

stamina and refinement in forms and<br />

alignments, it is easy to get lost in the<br />

pursuit of that perfect posture, in the<br />

exploration of our physical boundaries<br />

and firmness of will. But as we all<br />

know, there is no such thing as<br />

perfection in yoga practice. Outward<br />

precision is a mere servant of the ego,<br />

and yoga practice is really about union<br />

with the spirit within guided by the<br />

rhythmic cycle of the breathe. To<br />

experience a posture for the hundredth<br />

time just like the very first, without the<br />

burden of the past, old patterns or<br />

established knowledge, and free from<br />

expectations for the future. To<br />

practice with a beginner’s receptivity,<br />

to liberate the self from the limitation<br />

of the known, is the most intriguing and<br />

most difficult aspect of my yoga<br />

practice.<br />

Ivy Hung teache<br />

aches s at Yoga oga Cen<br />

entr<br />

tral al in<br />

Hong Kong.<br />

climbingivy@earthlink.net<br />

<strong>Namaskar</strong> Listing and Display Advertising Rates<br />

Outside back cover HK$2,000 (210 mm x 297 mm)<br />

Inside front cover HK$1,800 (210 mm x 297 mm)<br />

Inside back cover HK$1,600 (210 mm x 297 mm)<br />

Full page HK$1,200 (210 mm x 297 mm)<br />

1/2 page HK$720 (188 mm x 130.5 mm horizontal)<br />

(92 mm x 265 mm vertical)<br />

1/4 page HK$430 (92 mm X 130.5 mm)<br />

1/8 page HK$300 (92 mm x 63 mm)<br />

Individual Teacher listing HK$500 (<strong>January</strong> - October <strong>2007</strong>)<br />

Studio listing HK$1,000 (<strong>January</strong> - October <strong>2007</strong>)<br />

Advertisements should be submitted as high resolution .tiff or .jpg format(no .ai files<br />

please). Effective July 2006, advertising fees are payable to:<br />

Yoga Servic<br />

ervices Ltd<br />

Children’s Festival<br />

continues from page 33<br />

told, “This carpet is woven of all your<br />

favorite colors with your very own<br />

beautiful design. On it you feel very<br />

relaxed and peaceful.” The room, only<br />

a moment earlier full of laughter and<br />

shouts of joy, was now silent. Even the<br />

most active children were able to<br />

become quiet as they were guided on<br />

this magical carpet ride to a very<br />

special place.<br />

Class ended the way it began, with an<br />

OM and the traditional greeting in<br />

India, Namaste.<br />

Mira is a yoga teacher and cofounder<br />

of Global al Family Yoga, a<br />

teacher training programme for<br />

children and families which will be<br />

offering trainings in Singapore in<br />

March. mira@globalfamilyyoga.org,<br />

www.glob<br />

globalf<br />

alfamilyy<br />

amilyyoga.<br />

oga.or<br />

org<br />

Many of these myths about yoga<br />

poses s are e in Yoga oga For Children en by<br />

Rajiv and Swati Chanchani.<br />

c/o Frances Gairns, G/F Flat 1, 12 Shouson Hill Road West, Hong Kong<br />

For more information call (852) 9460 1967 or email: fgairns@netvigator.com<br />

38


<strong>January</strong> <strong>2007</strong> • <strong>Namaskar</strong><br />

Yoga Teachers & Studios<br />

Phyllis Arthur<br />

Yogasana<br />

d: Wanchai<br />

s: Ashtanga<br />

l: English<br />

t: (852) 2511 8892<br />

e: info@yogasana.com.hk<br />

Michel Besnard<br />

Yogasana<br />

d: Wanchai<br />

s: Ashtanga<br />

l: English<br />

t: (852) 2511 8892<br />

e: info@yogasana.com.hk<br />

Kathy Cook<br />

The Iyengar Yoga Centre of<br />

Hong Kong, LRC, Privates,<br />

Workshops<br />

d: Hong Kong<br />

s: Iyengar (certified)<br />

l: English<br />

t: (852) 6292 5440<br />

e: kcinasia@netvigator.com<br />

Flex<br />

1/F Woodleigh House<br />

80 Stanley Village Road<br />

Stanley, Hong Kong<br />

s: Iyengar, Hatha Vinyasa Flow,<br />

Ashtanga, Children’s yoga<br />

t: (852) 2813 2212<br />

f: (852) 2813 2281<br />

e: info@flexhk.com<br />

w: www.flexhk.com<br />

Iyengar Yoga<br />

Centre of Hong<br />

Kong<br />

Room 406 New<br />

Victory House, 93 – 103 Wing<br />

Lok St., Sheung Wan, Hong<br />

Kong<br />

s: Iyengar<br />

t: (852) 2541 0401<br />

e: info@iyengaryogahongkong.com<br />

w: iyengaryogahongkong.com<br />

Ming Lee<br />

Privates, workshops<br />

s: Iyengar<br />

l: English, Cantonese,<br />

Putonghua<br />

t: (852) 9188 1277<br />

e: mleeyoga@netvigator.com<br />

Ursula Moser<br />

The Iyengar Yoga Centre of<br />

Hong Kong<br />

d: Central<br />

s: Iyengar (3 rd year teacher<br />

training)<br />

l: English, German<br />

t: (852) 2918 1798<br />

e: umoser@netvigator.com<br />

Cheuk Na<br />

Yogasana<br />

d: Wanchai<br />

s: Ashtanga<br />

l: English, Cantonese<br />

t: (852) 2511 8892<br />

e: info@yogasana.com.hk<br />

Anna Ng<br />

Privates<br />

d: Hong Kong<br />

s: Hatha yoga<br />

l: Cantonese<br />

t: (852) 9483 1167<br />

e: gazebofl@netvigator.com<br />

Pure Yoga<br />

16/F The Centrium<br />

60 Wyndham Street, Central,<br />

Hong Kong<br />

t: (852) 2971 0055<br />

25/F Soundwill Plaza<br />

38 Russell Street, Causeway<br />

Bay, Hong Kong<br />

t: (852) 2970 2299<br />

14/F The Peninsula Office Tower<br />

18 Middle Road, Tsim Sha Tsui,<br />

Kowloon, Hong Kong<br />

t: (852) 8129 8800<br />

Crossword Solution<br />

9/f Langham Place Office Tower,<br />

8 Argyle Street, Kowloon<br />

Hong Kong<br />

t: (852) 3691 3691<br />

391A Orchard Road, #18-00<br />

Ngee Ann City Tower A,<br />

Singapore<br />

t: (65) 6733 8863<br />

151 Chung Hsiao East Road, Sec<br />

4, Taipei, Taiwan<br />

t: (886) 02 8161 7888<br />

s: Hot, Power, Hatha, Yin,<br />

Ashtanga, Dance, Kids<br />

l: English, Cantonese<br />

e: info@pure-yoga.com<br />

w: www.pure-yoga.com<br />

Ahuja Sangeeta<br />

Life Management Yoga Centre<br />

d: TST and HK Island<br />

s: Classical Yoga ,kids,seniors,<br />

private<br />

I: English, Cantonese<br />

t: (852) 2191 9651<br />

e: life@yoga.org.hk<br />

w: www.yoga.org.hk<br />

Randa Westland<br />

Freelance<br />

d: Kowloon, Hong Kong<br />

s: Iyengar certified<br />

l: English, Arabic<br />

t: 9353 7910<br />

e: rwestland@hotmail.com<br />

Kitty Wong<br />

Yoga Senses<br />

d: Tsimshatsui, Jordan<br />

s: Iyengar style, Hatha<br />

from page 35<br />

Across<br />

1. Klesha, 3. Granthi, 9. Matsya, 11. Mahabharata, 13. Rumi,<br />

14. Shraddha, 15. Sama, 17. Hamsasana, 22. All, 23. Veils, 25.<br />

Asmita, 26. Oneness, 28. Raga, 29. Thich, 30. Shodhana, 31.<br />

Agama, 32. Pingala, 33. Buddha<br />

Down<br />

1. Kurmasana, 2. Eckhart Tolle, 4. Ramayana, 5. Nataraja, 6.<br />

Ida, 7. Nhat, 8. Hanh, 10. Yama, 12. Baddha, 16. Samskara,<br />

18. Manas, 19. Sthiti, 20. Nava, 21. Niyama, 24. Horse, 27.<br />

Shava, 29. Tara, 30. Hand<br />

l: Cantonese, English<br />

t: (852) 9438 9995<br />

e: 001.happy@gmail.com<br />

Connie Yan<br />

Yogasana<br />

d: Wanchai<br />

s: Ashtanga, Yin<br />

l: English, Cantonese<br />

t: (852) 2511 8892<br />

e: info@yogasana.com.hk<br />

Yoga Central<br />

4/F 13 Wyndham Street,<br />

Central, Hong Kong<br />

s: Iyengar, Hatha, Kids, Pilates<br />

t: (852) 2982 4308<br />

e: yogacentralhk@yahoo.com<br />

w: yogacentral.com.hk<br />

Yoga Senses<br />

11/F, Bowa House,<br />

180 Nathan Road,<br />

Tsimshatsui<br />

s: Hatha, Yoga Alliance<br />

Certification, Iyengar style<br />

l: Cantonese, English<br />

t: (852) 2375 7799<br />

e: cs@yogasenses.com<br />

w: yogasenses.com<br />

Yogasana<br />

3/F, Century Court<br />

239 Jaffe Road, Wanchai<br />

s: Ashtanga, Iyengar, Yin<br />

l: English, Cantonese<br />

t: (852) 2511 8892<br />

e: info@yogasana.com.hk<br />

w: www.yogasana.com.hk<br />

Want to list<br />

here?<br />

If you would like to include<br />

your details here, email:<br />

fgairns@netvigator.com<br />

$500 for individual<br />

teachers for the year<br />

$1,000 for studios for the<br />

year<br />

39


<strong>Namaskar</strong> •A Voice for Yoga in Asia<br />

40

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