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UPSTAGE CALLBOARD<br />

If I Forget<br />

By Steven Levenson<br />

Directed by Daniel Sullivan<br />

Ln the final months before 9/11, liberal Jewish studies pr<strong>of</strong>essor Michael Fischer has<br />

reunited with his two sisters to celebrate their father's 75th birthday. Each deeply<br />

invested in their own version <strong>of</strong> family history, the siblings clash over everything from<br />

Michael’s controversial scholarly work to the mounting pressures <strong>of</strong> caring for an ailing<br />

parent. As destructive secrets and long-held resentments bubble to the surface, the<br />

three negotiate—with biting humor and razor—sharp insight—how much <strong>of</strong> the past they’re<br />

willing to sacrifice for a chance at a new beginning. If I Forget tells a powerful tale<br />

<strong>of</strong> a family and a culture at odds with itself.<br />

From Steven Levenson, acclaimed writer <strong>of</strong> Dear Evan Hansen and Roundabout’s The Language<br />

<strong>of</strong> Trees, comes If I Forget, a sharply funny, unflinchingly honest new play about the<br />

stories we choose to believe, the compromises we can’t avoid and the hurt only our<br />

nearest and dearest can inflict.<br />

a note from Artistic Director Todd Haimes<br />

This production <strong>of</strong> If I Forget marks the third time that Roundabout is bringing the work<br />

<strong>of</strong> playwright Steven Levenson to the stage. I would say third time’s the charm, but<br />

frankly, our first two outings with this gifted artist were nothing short <strong>of</strong> charming<br />

themselves. Steven was only the second playwright ever produced in our Roundabout<br />

Underground program, and to have this ongoing relationship with him as his career and<br />

work continue to grow has been incredibly rewarding. Steven has never shied away from<br />

taking on the major issues <strong>of</strong> the day, and this piece is no different. Treading into<br />

sensitive territory, this play asks us to really look at the America we were before<br />

9/11, the way that American Jews have or have not assimilated, and the attitude <strong>of</strong> this<br />

country towards Israel. It’s sure to provoke discussion, which is exactly what a great<br />

new play should do.<br />

when July 29, 2000 and<br />

where Tenleytown, a white, upper-middle class neighborhood<br />

February 18, 2001<br />

who<br />

<strong>of</strong> Northwest Washington, D.C.<br />

Lou Fischer<br />

Holly Fischer<br />

Michael Fischer<br />

Sharon Fischer<br />

Ellen Manning<br />

Howard Kilberg<br />

Joey Oren<br />

2 ROUNDABOUT THEATRE COMPANY

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