Zane Robles- My Portfolio

ARCHITECTURE PORTFOLIO
TEXAS TECH UNIVERSITY

Table of
Contents
Undergraduate Portfolio
STUDIO IV
CONSTRUCTION II
STUDIO VI
STUDIO III
DESIGN BUILD COMP
STUDIO V
BIT-REVIT
STUDIO II
1
8
12
16
22
26
32
36
RESUME
43

STUDIO IV
FALL 2015
HOTEL & SPA
1

The context of the design begins in a situation of stress. Like
a business man relieving himself from the daily stress of life
the hotel encompasses this idea. Surrounded by a canyon
wall this foreign form is contrasting in its placement but
crumbles away to compliment it’s surroundings. Entering
from the far north of the canyon the pathway leads you to
the very tip of this rigid geometry. As you move down deeper
into the canyon spaces become more intimate descending
through programs of hotel, public, and spa. Along with this
concept are the balconies, facades, and walls that begin to
fall away, strengthening the overall project. Like a person
escaping the stressful confined daily routine of life, the
form of the structure relates with the user and expresses
the inhabitants experience in static structural arrangement.

Egress System
1st Floor
2nd Floor
3rd Floor
4th Floor
In simplification of the project, the diagram explains the major
arrangements and aspects of the design. Because of the shape
of the canyon the perfect square was rotated ninety degrees to
fill the void and give the model the appearance of its ability to
open up to the canyon and give direction at its north and south
points. The removal of portions of the model come from the
erosion process that naturally occurs in the canyon. Creation
a central void by rotation of a member opens the central
portion of the model, creating a view straight down the canyon.
1/16” = 1’
16’
32’

N
16’
1/16” = 1’
3rd Floor
Yoga
Outside
Yoga
Fitness
Outside
Massage
Outside
Massage
4th Floor
Massage
Massage
Sana
Massage
Indoor Pool
Sana
Multi-Room
Massage
Massage
32’
Lobby
Stairwell
Elevator Elevator
Lobby
Stairwell
Elevator Elevator
Bar
Pool
Lounge
Bath
Pool
Foot Massage
Waiting
Room
Bath
Bath
Mens Dressing
Rooom
Indoor Pool
Mani/ Pedi
Womens Dressing
Room
PLANS
1st Floor
Room
Room
2nd Floor
Room
Room
Room
Room
Room
Lobby
Stairwell
Room
Storage
Stairwell
Elevator Elevator
Room
Room
Room
Dining
Balcony
Room
Room
Kitchen
Break Room
Balcony
Elevator Elevator

In plan the form is expressed as a square. This geometry
balances itself with equal sides and angles
which is the expression of the design. Within the
prism is a sub-grid that follows the same pure
qualities of the overall square form.
When viewed in model and perspective
the grid and orthogonality is much more
noticeable. The rigidity of the structure is a
strong reminder of what once was before
the process of erosion took action. Again,
its placement on site is foreign and unusual
to the nature like environment. But,
being so, it does make it a focal point for
surrounding areas and draws in attention

West Canyonview Dr
1/16” = 1’
16’
32’
Zane Robles ARCH 3501 Fall 2015 - Wade
East Canyonview Dr
Room
Elevator
Room
Room
Lobby
Room
Stairwell
Room
Room
Room
Room

CONSTRUCTION II
FALL 2015
STRUCTURE
8

white mullions of the glass shell.
ROOF TO FOOTING SECTION
The dramatic view of sea and sky that greets one upon entering
is framed and intensified in the transparent skin of the rear
façade. Placed directly opposite the entry, a painted brick
fireplace pushes to the outside through the tight frame of
mullions. Suspended between the chimney and the steel
structural columns, the glazed wall creates a subtle tension that
draws the occupant across the living space to the outside. The
balustrades of the lower and upper levels are set back from the
glass, amplifying that tension.
STRUCTURAL EXPLODED AXONOMETRIC
WALL SECTION DET
As an exploded axonometric the clear
definition of the assembly of this hotel spa
structure is understood. Main structural
members are defined in color and allow for
simplified reading. The main construction
of the project is steel framing. The choice
of concrete slaps, hollow square tube
columns, wide flange beams and girders,
and other materials such as concrete shear
walls complete the structural summary of
this design.
STEEL
CONRETE
OTHER
As a camera records the moment of an event, the experience of
changing light and weather activates the crisp surfaces of the
house, while the clear glazing gathers subtle reflections of the
interior across its surface. The natural and the manmade exist as
separate, elemental experiences, yet it is impossible to separate
one from the other.
FLOOR TO WALL SECTION
STEEL SQUARE
TUBE COLUMN
INSULATION
EXTERIOR
METAL DECKING
FINISH
ROOF TO
WIDE FLANGE
EGRESS SYSTEM
1’
STEE
CONR
WIDE FLANGE
1st Floor
CONCRETE
FINISH
OTHE
6”
1 1/2” = 1’
1’
2’
CONCRETE
SLABS
WALL TO FOOTING SECTION
6”
STEEL SQUARE
TUBE COLUMN
STEEL SQUARE
TUBE COLUMN
2nd Floor
WELD
WIDE FLANGE
WIDE FLANGE
1’
WIDE FLANGE
STEEL
STEEL SQUARE
TUBE COLUMN
STEEL BASE
PLATE
ANCHOR BOLTS
NONSHRINKING
GROUT
SHEAR WALL
ASSEMBLY
CONCRETE
FOOTING
3rd Floor
CONCRETE FOOTING
3’
WALL FOOTING
3’
1/2” = 1’
1 1/2” = 1’
2’
4’
1’
2’
Primary: (Columns, Girders, Beams)
Secondary: (Footings, Shear Walls)
4th Floor
Tertiary: (Flooring, Roofing)

CONCRETE
FOOTING
WIDE FLANGE
ANCHOR
BOLTS
6”
3’
WIDE FLANGE
STEEL
SQUARE
TUBE
COLUMN
WELD
STEEL
SQUARE TUBE
COLUMN
STEEL BASE
PLATE
WIDE FLANGE
NONSHRINKING
GROUT
6”
3’
1’
STEEL
SQUARE TUBE
COLUMN
EXTERIOR
FINISH
CONCRETE
FINISH
WIDE FLANGE
INSULATION
METAL DECKING
1’
MOMENT
STEEL SQUARE TUBE TO FOOTING CONNECTION
STEEL
SQUARE TUBE
COLUMN
6”
I-BEAM INTERECTING STEEEL COLUMN
6”
STEEL BASE
PLATE
ANCHOR
BOLTS
STEEL
SQUARE TUBE
COLUMN
NONSHRINKING
GROUT
6”
STEEL PLATE
6”
CONCRETE
FOOTING
AXIS THROUGH STRUCTURE
1’
3’
3’
6’
1’
HORIZONTAL
I-BEAM
3’
3’
WELD
6”
18’
10’
WALL TO FOOTING SECTION
HOLLOW SQUARE TUBE
6”
6”
.75”
WIDE FLANGE
6”
10”
FLOOR TO WALL SECTION
3’
1”
12’
SHEAR WALL
6”
STEEL
DOWELS
WALL FITS
INTO
FOOTING
STEEL PLATE
6”
6”
CONCRETE
FOOTING
10’
2’
3’
3’
6’
1’
HORIZONTAL
I-BEAM
6”
WELD
STEEL
SQUARE TUBE
COLUMN
SHEAR WALL TO FOOTING CONNECTION
I-BEAM TO STEEL COLUMN CORNER

PRIMARY-BEAMS,COLUMNS SECONDARY - PRECAST CONCRETE SLABS TERTIARY- FOOTINGS AND SHEAR WALLS
STRUCTURAL
COMPONENTS
The understanding of primary, secondary, and tertiary members can be observed above
in the axonometric drawings above. In coordination with these are the materials and their
locations. For a simplified look color is added to locate the specific structures with ease.

Triana
STUDIO VI
FALL 2015
PUBLIC SPACE-SPAIN
ZANE ROBLES, FAITH HARDCASTLE, LEO MARTINEZ, IAN DUPONT, EDUARDO
MARTINEZ, PHYRE BURNS
iana"
e la O
ña
12
Zane Robles, Eduardo Martinez

Along Canal de la Alfonso XIII is the waterfront design
“Orillas de Triana.” It is located along the west side of
the river on Paseo Nuestra Senora de la O between Puente
de Isabel II and Puente del Cachorro. The current
shoreline defines Triana’s existing edge, giving opportunity
for a new and redeveloped boarder. By refining
and expressing the current edge through land manipulation
and waterfront design, the “edge of Triana”
becomes a vivid and exciting proposal. Its focus of the
design relies heavily on the symbolic explanation of Triana’s
proud and significant culture.

DN
DN
DN
DN
DN
DN
DN
DN
DN
DN
DN
DN
DN
DN DN DN DN DN DN DN
DN
DN
DN
DN
DN
DN
DN
DN
DN
DN
DN
DN
Calle Plaza Chapina
Flamenqueria
Calle Castilla
Hotel Ribera
de Triana
Mercado
Lola Cacerola
Castillo de
San Jorge
Canal de Alfonso XIII
Puente del Cachorro
Puente de Isabel II
0 30 m 90 m 180 m

In looking at the current conditions of the site, the most useful design tool
is the water’s edge. The river provides opportunity to unify with the water
that is otherwise limited in other parts of Seville.
For an exciting and successful path, there are three destinations along a
comfortable and inviting paseo. The comfort is achieved by the added
shading and seating, while the invitation is visual by the destinations
extending into the water to express the culture of Triana and provide
entertainment for all ages. Both of these are complimented by the intimate
relationship to the water.
As an overall idea the vision was to express the culture of Triana by land
protrusion and refine the current edge though land alteration to symbolize
Triana as a proud and unique culture. In doing so the “edge of Triana” is
refined and renewed to new physical edges.

STUDIO III
SPRING 2015
16

FOLLY DIAGRAMMING: LINES,
AREAS, POINTS
By taking a previous project, “Rodchenko model,” and
through process, two dimensional objects became a
platform for diagramming and expansion. The folly
is in the multiple translations from two dimensional
into three dimensional and repeated but iterated
differently. The purpose of lines, areas, and points derive
from an image of a portion of the “Rodchenko model”.
Diagramming without limitation and constructing a
composition develops a system from which design has a
foundation. Extruding the diagram allows for depth and
new translation of the previous. The weaving of linear
elements through masses and between planes reveals a
systematic approach that goes from a folly background
into having the characteristics of a design strategy.

There is a strong tie between sound,
body movement, and body placement.
The style of music determines the
dance technique applied. It is displayed
with gracefulness and elegance. The
proper and smooth rhythm that takes
place forms the sound, space, and body
together. The arms and legs function
most often as two separate members
in the structure of the dance. Observing
the body, the legs act as the stabilizer and
core structure to the dance sequence.
The head and arms act as visual guides
to compliment a motion or a position.
The legs that stabilize the bodies are
much heavier and appear in such a
manor. The arms appear light and free.

BALLET LUBBOCK: ANATOMY
OF DANCE
Design criteria develops from the
understanding of the members, their role in
dance sequence, and their relationship among
the body as a whole. Main spaces branch from
a core hallway which connects the entirety of
the design. To hold context important axis
align with existing surroundings. Views align
with the site in order to take advantage of visual
appeals and restrict unwanted disturbance.
2
1
3
4
N
1’=1/16”
16’
32’

28’
28’
20’
20’
16’
16’
12’
12’
28’
4’
2’
28’
4’
2’
20’
16’
North Elevation
20’
16’
East Elevation
12’
12’
4’
2’
4’
2’
North Elevation
East Elevation
28’
28’
20’
16’
12’
20’
16’
12’
4’
2’
28’
4’
2’
28’
20’
16’
12’
South Elevation
20’
16’
12’
West Elevation
28’ 4’
2’
4’
2’
20’
16’
12’
East
South
Elevation
Elevation
West Elevation
4’
2’
East Elevation
28’
20’
16’
12’
28’ 4’
2’
20’
16’
12’
West Elevation
4’
2’
West Elevation
16’ -
32’ -
48’ -
1’=1/16”

Stage Set Shop/Storage
28’
20’
16’
12’
Lobby
4’
2’
Reception Office
Section 1
28’
20’
Studio II
Company Studio
Company Studio
16’
12’
Costume/Shop and Storage
Mechanical Room
4’
2’
Section 2
28’
20’
16’
12’
Company Studio
4’
2’
Womens Restroom
Section 3
28’
20’
16’
12’
Studio I
4’
2’
1’=1/16”
16’
Section 4
32’

DESIGN BUILD
FALL 2015
FRONT-DESK
ZANE ROBLES, STEPHANIE HELMBERGER, LOGAN PATTON
22

ARCHITECTURE FRONT DESK
Designed for the TTU College of Architecture lobby, this front
desk was thought of with a modern minimal design using
complementary materials of glass and wood, with a secondary
in steel. The glazing in the design became the motion and
continuity through the design. The wood material defines the
structure and the framework for the desk. Steel, as it does
define rigidity, expresses the strong leggings which describe its
ability to stand firm. The laminated panels of plywood used for
the main top of the desk reveal the layered and sturdy system.
The overall design expresses modernity while staying connected
with academic truth.
1’-0”
3’-0”
Shelving
Hatch Drawer
5’-0”
4’-0”
Laminated Wood
1’-0”
Open Drawer
3’-8”
Drawer
Iron
Glass
2’-0”
2’-2”
2’-7”
Wind Block
Locked Drawer
Stained Wood
1’-0”
Iron
1’-0”
2’-4”

+3’-8”
+3’-8”
+2’-11”
+2’-11”
+2’-7”
+2’-7”
+2’-2”
+2’-2”
+1’-6”
+1’-6”
+10” +10”
Front Elevation
Side Elevation
Legging to Table
Connection
Hatch Drawer Laminated Wood Iron Leg
Corner
Bracket
Connection Hatch Drawer Stained Wood Glass
Shelving
Glass
Hinge
Connection
Drawer Lid
Hatch Drawer

STUDIO V
SPRING 2016
FACADE
26

6. Exteri
7. Egres
8. Come
9. Come
10. Loung
11. Office
The placement of the mid rise office building on the site of a corner street with a riverfront to the north
creates multiple points of interest. The river level layout is designed for small shops to rent and have
indoor and outdoor space accessible to the public. The experience on the street level becomes a place of
retail, accessible through full glass facades on street facing elevations. For office level design, the floors
are divided by slight elevation changes dividing the space into three sections, useful to two potential
owners with a central share space. The changes in elevation heighten lower level ceilings and allow for
more grand spaces. The beauty of the facade is the key feature in the project.
San Antonio River
1. Restro
2. Comm
3. Cafe/
4. Interio
5. Egres
12. Office
13. Offic
6.
13.
dn
5.
dn
dn
dn
3.
4.
9.
10.
12.
7.
1.
dn
dn
dn
dn
North Saint Mary's St.
2.
9.
11.
East Commerce St.
Office Plan
zane robles ARCH 3502 SP 2016 aranha
River Level
Street Level

2.
.
2.
4.
3.
Roof Level
Office 3
4.
1.
Aluminum Steel Tube Skin
Module Frame
Dimensional
Lumber Joists
2.
5.
1.
Rubber Spacer
2.
3.
4.
5.
1.
5.
Glass Panel
Aluminum Skin
Module
Concrete Pavers
Rubber Spacer
Sand Bedding
Protection Board
6.
7.
8.
Rigid Insulation 9.
Concrete Pavers
Concrete Sand Bedding Roof
Protection Steel Decking Board
Rigid Wide Insulation
Flange:
Girder
Concrete Roof
Wide Flange:
Beam Joist
Steel Decking
Drop Cieling
Components
Wide Flange:
Girder
Wide Flange:
Beam Joist
Drop Cieling
Components
6.
10.
7.
11. 8.
12.
9.
10.
13.
14.
11.
12.
13.
14.
1. Steel Tube
Frame
2.
Dimensional
Lumber Joists
3. Glass Panel
4. Aluminum Skin
Module
5.
Rubber Spacer
Concrete Pavers
Sand Bedding 7.
Protection Board
9.
Rigid Insulation 9.
13.
Concrete Roof
Steel Decking
Wide Flange:
Girder
6.
8.
10.
11.
12.
Wide Flange: 13.
Beam Joist
Drop Cieling 14.
Components
Double Glazing 15.
Mullion 16.
Floor Finish 17.
Inset Steel 18.
C Channel
Steel Angle 19.
C Channel Skin 20.
Structure
C Channel Frame 21.
Bracing
6.
7.
8.
9.
10.
Construciton III: Skin
Zane Robles ARCH 3502 Spring 2016
6.
11.
7.
8.
10.
13.
11.
1.
Construciton III: Skin
Peter Raab TA Zach Sprinkle
Zane Robles ARCH 3502 Spring 2016
Peter Raab TA Zach Sprinkle
6.
7.
8.
9.
10.
13.
17.
10.
13.
11.
11.
1.
14.
2.
14.
14.
19.
12.
12.
16.
16.
18.
15.
15.
12.
23.
12.
Location: San Antonio
Program: Office/Commercial
20.
16.
21.
1.
15.
16.
1.
24.
15.
4.
Roof Detail
25.
Location: San Antonio
Program: Office/Commercial
1.
1.
4.
4.
Roof Detail
Roof Detail
The facade consists of modular
aluminum framed panels which are
pre-fabricated with voids removed
from each panel. These voids are the
same size as a standard brick in order
to relate to the brick masonry context,
while introducing a modernity to the
area. The panels are layered three
panels deep for the sake of light
penetration. Through a diagrammatic
process, filled within certain voids are
fogged glazing units which diffuse
light. The three layered panels allow
for depth to be created concerning
the glass units, and therefore creates
a unique light diffusion throughout
the inner building. As light passes
through the facade, the fogged glass,
complimented with open voids,
are arranged in a diagrammatic
randomness which diffuses the light
that passes into the interior.
Beam Bracket 22.
14.
22.
Double Glazing
15.
Spandrel 23.
Spandrel Support 24.
2.
15.
25.
Mullion
16.
Steel Spanning 25.
Angle
Office 2
Office 1
Floor Finish
17.
Inset Steel
Double C Channel Glazing
18.
Mullion
Steel Angle
19.
Floor Finish
C Channel Skin
Structure
Inset Steel
C Channel
C Channel Frame
Bracing
Steel Angle
20.
21.
Beam Bracket 22.
C Channel Skin
Structure
Spandrel
23.
C Channel Frame
Spandrel Support 24.
Bracing
Steel Beam Spanning Bracket
Angle
15.
16.
17.
18.
19.
20.
21.
25.
22.
Fogged Glass 26.
Units
17.
10.
11.
27. Poured Concrete
Floor
28. Leveled Sand
29. Concrete Footing
13.
17.
30. Load Bearing
Wall
10.
31. Vertical
Reinforcement
11.
32. Footing
Reinforcement
33. Ground
13.
2.
Facade Concept
15.
In thinking of the context of downtown San Antonio
the masonry façade dominates most of the
surrounding area. It holds to the history; therefore, it
is important to maintain this contextual quality. The
18.
façade consists of modular aluminum framed panels
which are pre-fabricated with voids removed from
each panel. These voids are the same size as a
16.
standard brick in order to relate to the brick
masonry context, while introducing 19. a modernity to
the area. The panels are layered three panels deep
for the sake of light penetration. Through a
diagrammatic process, filled within certain voids are
12.
fogged glazing units which diffuse light. The three 23.
layered panels allow for depth to be created
concerning the glass units, and therefore creates a
unique light diffusion throughout the inner building. 18.
As light passes through the façade, the fogged
glass, 14. complimented with open voids, are arranged in
22.
a diagrammatic randomness which diffuses the light
that passes into the interior. 19. During the morning, the
direct light can enter the east façade in a controlled
manor by the depth of the panels and diffusion of
glazing units. Since San Antonio has a warm dry
12.
climate, this system is useful for removing direct
23.
light off the south and east façade, as well as a
similar system that covers the habitable roof. It not
only creates interior lighting conditions that are
unique, but it contains and controls the climate
through the facades design.
14.
22.
16.
Floor Detail
20.
20.
21.
24.
21.
24.
1.
1.
25.
25.
25.
Fogged
Spandrel
Glass
Units
Spandrel Support
23.
26.
24.
25.
Floor Detail
Street Level
Steel Spanning
Angle
25.
Facade Concept
31.
30.
In thinking 3. of the context of downtown San Antonio

52’
40’
28’
16’
0’
-10’

52’
40’
28’
16’
0’
-10’

BIT-REVITT
FALL 2015
RESIDENTIAL/STUDIO
32

UP
6"
6"
6"
6"
1
1 2
3
1
A-300
4
5
6
2' - 1 3/4" 6' - 4" 8' - 5 1/2" 9' - 4 3/4" 8' - 1 1/4" 10' - 0"
7
1
2
3
A-300
4
5
6
7
2' - 1 3/4" 6' - 4" 8' - 5 1/2" 9' - 4 3/4" 8' - 1 1/4" 10' - 0"
32' - 3 1/2"
44' - 5 1/2"
6' - 4" 25' - 11 1/2"
1' - 0" 5' - 10" 6" 16' - 11 1/4" 3 1/2" 7' - 8 3/4" 6"
-0' - 0 1/2"
26' - 6 3/4" 7' - 10 1/2" 10' - 0 1/4"
5 1/2" 1' - 3 3/4" 3' - 0" 8' - 6" 3' - 0" 9' - 7 3/4" 5 1/2" 7' - 7 1/4" 5 1/2"
-0' - 0 1/2"
LIBRARY PATIO
E
D
C
B
A
8' - 5 1/4" 12' - 2" 14' - 4" 10' - 0"
45' - 1 1/4"
8' - 7 1/4"
26' - 6"
10' - 0"
6" 7' - 7 1/4" 1' - 0" 11' - 2" 1' - 0" 13' - 4" 1' - 0" 9' - 0"
CONCRETE SIDEWALK
-0' - 0 1/2"
A-600 1
2
A-400
6
MECH.
STORAGE
SECOND FLOOR
6
OVERHANG
5
53 SF
156 SF TILE FLOOR
TILE FLOOR
-0' - 0 1/32"
1A 5
3 1/2"
0' - 0"
WASH ROOM
3 1/2"
TILE FLOOR
0' - 0"
7
1B
WOOD FLOOR
ENTRY
WORK ROOM 0' - 0"
1
4
4A
88 SF
236 SF
TILE FLOOR
6
83
A-500
6"
3 1/2"
2A 2B 3
9' - 11 3/4"
2
A-600 3
1
A-400
DISPLAY AREA
3 1/2" 9' - 8 3/4"
DISPLAY WALL
2
LOUNGE
227 SF
3
141 SF
WOOD FLOOR
3 1/2"
5' - 3" 8' - 1 1/4"
WOOD FLOOR
8 3/4" 3 1/2"
1' - 8"
4 3/4"
7' - 0"
4' - 9 1/2" 3 1/2"
7
1 1 R-1
57 SF
A-401
-0' - 0 1/32"
8' - 5"
Room
6"
20
47 SF
TILE FLOOR
31 31 31 31
83
DISPLAY WALL
0' - 0"
3B
CONCRETE PATIO
36
-0' - 0 1/2"
ROOF OVERHANG
3
A-400
-0' - 0 1/2"
5' - 4"
15' - 7"
-0' - 0 1/2"
STAIR RAIL
-0' - 0 1/2"
4' - 3 1/4"
-0' - 0 1/2"
SECOND FLOOR
COVERED ENTRANCE
2' - 5"
5' - 5"
7' - 8 3/4"
7 1/2"
7' - 3"
4' - 5 1/2"
1 3/4" 6' - 11 3/4"
8' - 1"
8' - 7"
12' - 1"
8' - 4"
16' - 1 1/4"
45' - 1 1/4"
8' - 5 1/4"
12' - 2"
14' - 4"
10' - 0"
E
D
C
B
A
3
A-300
3
A-300
E
D
C
B
A
8' - 5 1/4"
12' - 2"
14' - 4"
10' - 0"
44' - 11 1/4"
7 1/2" 18' - 7 1/2" 26' - 3 3/4"
5 1/2" 5' - 8 3/4" 3 1/2"
7 1/2" 4' - 1 1/4" 7 1/2" 6' - 2" 5' - 7 1/4" 9' - 1 3/4" 3 1/2" 2' - 10" 3' - 0" 3' - 0" 1' - 11 3/4" 5 1/2"
1
A-500
83
83
83
83
UP 2
A-400
83 83 83 83
15
83
LIBRARY
83
15
207 SF
14
3 1/2"
BEDROOM
12
157 SF
CLOSET
13
40 SF
3 1/2"
16
BAHTROOM
14
63 SF
3
3 1/2"
12
6 K-2
3 1/2"
A-401 5
LAUNDRY
16
67 SF
KITCHEN
17
218 SF
BALCONY
137 SF
DINING AREA
10
18
100 SF
115 SF
10B
83
4 R-2
A-401
7 1/2"
1
10A
A-400
8
LIVING ROOM
A-600 9
11
R-1
3' - 8 1/2" 3 1/2"
3 1/2" 3 1/2"
3' - 11 1/2" 5' - 6" 7 3/4"
6' - 7 1/2"
RESTROOM
9
A-401 9
HALLWAY ENTRY
49 SF
8
2 R-3
132 SF
3 1/2"
4' - 2"
K-1
35 35 35
3 1/2"
REF. DW
35
35
35
35
3
A-400
DN
5 1/2" 5' - 0 3/4" 3 1/2" 2' - 4" 5' - 0" 2' - 7" 3 1/2" 4' - 7" 5' - 0" 4' - 0 1/4" 3 1/2" 5' - 10" 5 1/2" 3' - 3 1/2" 3' - 0" 1' - 11 3/4" 5 1/2"
5' - 5 1/4" 30' - 11 1/2" 8' - 8 3/4"
45' - 1 1/2"
8' - 5 1/4" 12' - 2" 14' - 4" 10' - 0"
E
D
C
B
A
8
A-500
4' - 5" 4' - 5" 4' - 5" 5' - 6" 5' - 4 3/4" 1' - 10 1/4"
7 1/2" 7' - 6" 5 1/2" 8' - 8 1/2" 3 1/2" 1' - 10 1/2" 5' - 5 3/4" 5' - 0" 10' - 4 3/4" 5 1/2"
1' - 0" 5' - 6 3/4" 1' - 0" 3' - 3 1/4" 3' - 11 1/2" 6" 2' - 4 3/4" 4' - 0" 4' - 0" 4' - 0" 2' - 7 1/2" 6"
6' - 4" 8' - 5 1/2" 17' - 6 1/4"
32' - 3 1/2"
2' - 1 3/4" 6' - 4" 8' - 5 1/2" 9' - 4 3/4" 8' - 1 1/4" 10' - 0"
8' - 8" 35' - 11 3/4"
44' - 7"
2' - 1 3/4" 6' - 4" 8' - 5 1/2" 17' - 6" 10' - 0"
1
2
3
4
5
6
2
A-300
7
1
2
3
4
5
6
7
2
A-300
The simple material, simple design of the modern residential studio becomes a place of
Level TWO FLOOR PLAN
1
1/4" = 1'-0"
work and rest. Split into three levels, two upper residential, and one lower studio, allows
for a building of multipurpose. The materials of wood and concrete, with a wood stud
frame offer simple construction and beautiful finish. As the first design in Revit it is a
well developed project which lends the opportunity for furthering future and previous
models.

STUDIO II
FALL 2014
COTTON FIELD
36

MOTION CREATING SPACE
When motion occurs, space transforms. The creation of mobile study models allows
for existing initial space to transform into new space and develop new spacial quality
as an outcome. Through diagramming motion it reveals a new way to document
and understand space through motion. These techniques were the allowance for
designing a moving model that creates new experience of the changing spaces.
+24
Surface Setting Upper
Boundary
+23
Rotation Surface 3
(Horizontal Effects
Beneath and Upon)
+23
+19
Enclosing Bounding Thickened
Surface
Surface Setting
Upper Boundary
+19
Surface 2 Rotated
(Vertical)
Diagonal Surface
Sets Enclosure
Boundary
+18
Rotation Surface 2
(Sloped but Inhabitable)
Consistent Platform
Rotated Surface 2
(More Vertical Condition
+14
+14
+12 +12
+10
Rotation Surface 1
(Sloped and Inhabitable)
Surface 1 Rotated
Rotated Surface 3
(Diagonal Acts Below and
Above Surface Differently)
+7 1/2
+7
+7
+7
+4
Consistent Platform
Structural Pivoting Member 1
(Raises Entire Sctructure)
Scructural Pivoting Member 2
(Raises Entire Structure)
Sctructural 1 (Ending
Pivot Position Effects
Mechanic Heighth)
Sctructural 2 (Ending
Pivot Position Effects
Mechanic Heighth)
Rotated Steeped
Surface 1
(effects the use)
Consistent Platform
+1/2

1
2
N
Kitchen
1/4”= 1’ 0”
5’ 20’
10’
Rest Room in a Cotton Field
The Rest-room concept enables farmers who have an
ADA need to have access to a resting area while out on
the job. The structure is formed upon an elongated path
that bends as it ascends vertically. Through the use of
extruded paths, surface, and related space transitions,
the restroom program becomes a continuous loop.
The elongated path highlights the directional hierarchy
of the structure and its correspondence with its
situation. In observing the situational characteristics
the structure runs parallel to its surroundings. The
parallel of the cotton field on its immediate north and
a road condition to its south determine this direction.
Rest Area 2
Restroom 1
Rest Room Detail
Stair Detail
Restroom 2
Rest Area 4
1/4”= 1’ 0”
Telephone Lines
5’ 20’
10’
Section 1
Rest Area 1
+24
Storage
Storage
Storage
Storage
Rest Area 3
+19
Conceptual Diagram
+14
+9
+8
+7
+4
+3
1/4”= 1’ 0”
5’ 20’
10’
Section 2
+24
Ramp Detail
+19
+14
+9
+8
+7
Ramp Detail
Cotton Rows
+4
+3

Offset from path are the program spaces. The spatial
places being set aside from the path allow for rest
and moments to step off the continuous path. In
creating relationship between Program space and
the pathway, surfaces of solid and void react to
program space placement. Where voids are created
for entrance into space, solid surfaces are inverted
along the path. The ground to program connection
is ordered and minimal. The mass is elevated to
minimize the footprint on the soil. With less contact
Stair Detail
Rest Room as Path
Stair Detail
Rest Room as Path

RESUME
ZANE ROBLES
OBJECTIVE STATEMENT
Senior majoring in Architectural Design, hoping to influence the future of
architecture through the awarding honor of scholarship.
EDUCATION
Texas Tech University, Lubbock, Texas
Bachelor of Science in Architecture
Clarendon College, Pampa Texas
38 hours; General Education
COMMUNITY AND CAMPUS INVOLVEMENT
AIAS Officer: Historian
-Help organize members meetings, organize events, fundraising
Dream Center (Local Church North Campus) Saturday Outreach (Once a month)
-Outreach program, passing out food, clothes, give a message, and go to the Coronado Project (Coronado Apartments)
Saturday mornings.
Gama Beta Phi (Honor Society), Texas Tech
Alpha Lambda Delta Phi Eta Sigma (Honor Society), Texas Tech
The National Society of Collegiate Scholars (Honor Society), Texas Tech
Knights of Architecture, Texas Tech
Christians @ Tech, Texas Tech
Worship Vocalist, Co-Worship Leader
-Trinity Fellowship Church, Pampa Texas/Church On The Rock, Lubbock Texas/ Awaken College Ministry, Lubbock Texas
Rotary Interact Club, Pampa Texas
-Bi-weekly personally dedicated to collecting aluminum cans and newspapers for recycle
- Elected Vice President and later President
Pampa High School Show Choir, Pampa Texas
-Elected President
National Honor Society, Pampa Texas
-Elected Vice President
Varsity Soccer Team, Pampa Texas
-Team Captain, Received outstanding leadership award
SPRING 2017
GPA: 3.752
FALL 2011-SPRING 2013
GPA: 3.85
FALL 2016-PRESENT
SPRING 2016-PRESENT
SPRING 2014-PRESENT
SPRING 2015-PRESENT
SPRING 2015-PRESENT
FALL 2015-SPRING 2016
FALL 2013-SPRING 2015
SUMMER 2011-PRESENT
FALL 2011-SPRING 2013
SPRING 2011-SPRING 2013
FALL 2011-SPRING 2013
FALL 2012-SPRING 2013
43

EXPERIENCE
Pampa H2O Aquatic Center, General Staff, Pampa, Texas
Working with both adults and children, I developed skills for communicating with others in
different situations. Keeping the park organized and clean was another duty.
SUMMER 2013
Superb Auto Detailing, Detail Assistant, Pampa Texas
Communication with costumers and fulfilling their needs was of greatest importance. Time
management and learning to work under a timed pace was an acquired skill.
Fowler Access Controls, Field Worker, Pampa Texas
I worked hands on in the construction process of chain link and wood fence building. Learning
the construction process was of great benefit (Similar to a building process on a smaller scale). I
had to Listen to orders given by our field manager and communicate with our team to get the job
done correctly.
B’s Beds (Landscaping and Mowing Service), Maintenance Worker, Lubbock Texas
Overcoming physical exhaustion and maintaining a team effort mentality during difficult
conditions kept the work load on schedule and under control. I developed an appreciation for
hard work and maximum effort in difficult situations.
Student Recreational Sports Facility, Facilities Assistant, Lubbock Texas
While cleaning the facility, and checking out equipment, I learned to value and do every task
assigned to the best of my ability, even when no one is watching. It was a minimal effort job, but I
treated it as if it was necessary to perform as full energy. Doing the job right was most important
to me, even if no one else was.
UrbanTech, Undergraduate Assistant, Lubbock Texas
Working with TTU’s Architecture Department, at Urban Tech I’ve been able to work on master
plans of facilities such as the Lubbock Lake Landmark. Learning to design for something that
has the potential to be built has been something the educational system has not given me. I’ve
collaborated with clients, colleagues, and professors to better my process of design.
Dekker Perich Sabatini, Intern, Amarillo Texas
This has been my first true experience with an architecture firm. They’ve allowed me to design
in Revit, fix red line markups, sit in on client meetings, and visit job sites and sit in on site
collaboration. I’ve also been allowed to offer some design into recent projects as well.
WINTER 2013
SUMMER 2014
SPRING 2015-SUMMER 2015
FALL 2015-SPRING 2016
FALL 2016-PRESENT
SUMMER 2016, WINTER 2016