Issue 2

AN
NE
An Insight behind
the mind of
L.A Interior
Designer
Ryan
Saghian
“ Transform
through Music
inspire by Light”
Started as a
Coffee stain
ended as
“The
Divorce
Diary”
2017
SECOND ISSUE

AN
NE
ANNE’S MAGAZINE

“Music is liquid architecture; Architecture is frozen music.”
- Johann Wolfgang Von Goethe

D esign . ..
C reate . ..
I nspire

A N N E
First note strung passionately with a vibrato by a string of a violin.
As the tempo picks up the Crescendo was introduced, harmonized with the
soft tones of the remaining orchestra. That there, was the sound of my
inspiration.
As listening to Rieding, Oskar violin concerto op. 35, the sound of each
note guided my hands. The movement of the interior space flowed with the
melody of the music. The soft pastel colors accented by the vibrant tones
of copper gold complimented by the diminuendos and the crescendos.
“Architecture is frozen music”.
How would a building sound like if the architect was instead a
composer? Where each note and bar were a medium of lines and shapes?
Just as we express ourselves through art and music, the process of
creation, especially through a building is connected to one’s need to
express oneself.
I’ve always used music as my escape rout from all the Chaos and the
distractions of my surroundings. With just one small note, it can easily
turn into a masterpiece of a building. Just as my father said, “listen to
the flow of the music and follow its rhythm, it will guide your mind. Just
look at the flow of a building, look how the architect carefully assembled
each wall element creating its movement becoming one entirety, just as a
composer carefully arranged each note of a concerto”. This is proof that
Architecture is indeed frozen music.
Anneelmeri

SECOND ISSUE 2017
AN
NE
Founder and Editor in Chief
Anne EL Meri
Front & Back Cover
Courtesy of Kofta Konstantine
Photograph Tasya Kudryk
Editor’s Photography
Ahmed Al Nqueeb
For advertisement or any
Inquiries
Contact:
anne@annesmagazine.com
Instagram:
annesmagazineofficial
Creative Director
Anwar Al Attar
6

SNEAK
PEEK
W hat Inspires you?
Style by Architecture
Konstantine Kofta
Mcqueen by LUXXU
Light vs Architecture
AGI Architects Al Ghanim CLinic
Jean Nouvel Architect Ateliers
Louvre Abu Dhabi
Doha Tower
Design Transformation Sound
“BUTTONS” I.Am Plus
Bang & Olufsen
HULT
“Change the Record” Paul Cocksedge
Design trend Light
Manooi
Lee Broom
Arik Levy
Design Inspiration
Designer’s insight Ryan Saghian
“Belle Nouvelle” Nika Vorotynstseva
Design Insight Waleed Shaalan
“The Divorce Diary”
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SECOND ISSUE 2017
Ryan Saghian
Interior Designer
Los Angeles
“Everything and anything but what’s
travel.”
most inspiring for me is
To get an insight behind the minds in the design world of L.A what
better way than to Get to an inspirational source. An Interview with
one of L.A’s top designers Ryan Saghian, sharing his love and
passion with ANNE Magazine.
Faten El meri
Architect at Zaha Hadid Architects
London
The sensory perception is what inspires my designs. All of our
senses lead us to some sort of experience: our eyes perceive light
What Inspires You?
8
and shadow, our bodies in space recognise scale, and our skin
reads textures. Beauty is an emotional outcome of these
perceptions; it is a feeling specific to each individual. No singular
sense is responsible for a specific experience; rather it is the
culmination of our sensory outcomes that leads to our reaction to
a space or work of art. All experiences are emotional.
Consequently i am constantly striving towards designs targeting
the senses. The result is a canvas rich in light, shadow and
materiality.
CAMILLA DEGLI ESPOSTI
Managing partner at Deckora Design
London
My work focuses on the contrast of the opposites, in particular
when their juxtaposition enables the creation of a space. Void and
solid, new and old, exterior and interior, light and dark, shiny and
mat, are fundamental elements in a continuous dialogue with each
other. The Architect is the one who knows how to capture these
subtleties sensitively and transform them into shape, into a more
complex and complete entity. Material research and geometrical
studies are precious tools of the trade. Each brief is unique as
unique is the experience connected to that place, which represents
our real source of inspiration.

Waleed Shaalan
Architect / Artist
Kuwait
I get Inspired from the world. Not just the design world. I love
what Charlie Parker said about jazz : learn everything you can and
when you play forget it all. I try to do this with design, I learn as
much as I can but when i work I forget it all
Danny Sanabria
From Colombia living in Houston
What inspires me in the design world?
The purpose of design is to convey emotion to the observer and
provoke a reaction, whether it’s an article of clothing, a building, a
picture, et cetera. My inspiration comes from that unique moment
of instantaneous emotion that art, in all its many forms, is able to
produce. As an aesthete I find a building, a picture, or a garment
very powerful. I believe art and design empower people to impact
society.
As much as art and design can empower people, it can also do the
opposite. What inspires me in this world is the opportunity to have
a positive impact on a person—to change their viewpoint or
empower them—even if it is only for a short-lived moment.
Salsabeel
Egypt
Founder of “Sal”
I’ve always been obsessed with lighting, I’ve been inspired by
lighting for over four years now, so I’ve always been
experimenting with it, maybe in the future I’ll be doing some more
home accessories. We’re striving to get out there, we’re striving
to have this unity and trying to get there its against the grain and
it is a bit difficult but it’s promising i think we just have to keep
on trying. I used to be based in London but then i came back in
Egypt, I would like to explore and become more international and
that would be good representative for Egypt as well
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SECOND ISSUE 2017
design
. ..
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Sketch credit : CSCEC
Ateliers Jean Nouvel
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SECOND ISSUE 2017
Photograph Tasya Kudryk
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“ As an artist, I see the images of
my future works. But I should say that
unbodied things, which only can b e
felt and not imagined, inspire m e .
As for the spirit of a collection, the
peak of mastery, for me, is the
transformation of the emotions,
with all their versatility, into an image
or its chain. ”
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SECOND ISSUE 2017
S tyle
By Architecture
Konstantin Kofta created his own label, Kofta which
combines seemingly contradictory elements outside
the traditional canons of the fashion industry. His
garments are sensual, effortlessly elegant, practical
and wearable. Kofta uses rough skin, irregular shapes
and unique scents to create a totally new vision of
the attire as a whole. Designer Konstantin Kofta
combines rural and urban perceptions, and embraces
the unintentional and unexpected, which provide
inspiration for current and future collections. Each
collection appears as a form of art installation.
Konstantin Kofta believes that the perfect is hidden
in the sacramental places away from an ordinary
vision littered by common standards. Designer strives
to fuse unusual components to achieve distinctions
that add to person’s lifestyle rather than just to the
wardrobe.
Information, interview and photographs courtesy of Konstantin Kofta
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Photograph Tasya Kudryk
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SECOND ISSUE 2017
What is the identity of
Kofta? What kind of
message do you want to
deliver through the works?
While thinking about the
brand’s name I was about to
find a senseless word for me
to fill it with sense myself.
Art as the perfect adaptation
of imperfect things, the
infinite play with different
objects and topics- that’s the
basis of the brand. At first,
KOFTA meant nothing to me,
then years later it meant
everything.
There are distinctive
concepts behind all
collections of Kofta, do you
usually start off with a
concept or some designs
would come to mind first?
How do you create a new
object usually?
I’m trying to explain
everything I think about,
while creating a collection,
with one word. It gives me
frames to fill myself with
information before the work
on a new collection starts.
Reading books and watching
movies in the future
collection tune inspires me.
But most of all I get ispired
by the specific atmospheic
locations, as everything that
surrounds us carries its own
information, which you can
put inside so things will come
to your mind by themselves.
You should only wander
around the spaces of your
mind, imagination and
fantasies.
Every design from Kofta
seems having a strong
personality/some kind of
emotions in it. What type
of personality do you have?
Would you please describe
yourself a little bit?
Though it’s hard to talk
about myself, I’ll try to be
emotionally precise. If I was
asked to choose one of the
four elements, I’d be water.
While being calm sometimes,
it can be furious. Water tends
to the balance and hides the
inner secrets of our planet. It
absorbs information,
having its quality and fetures
changed, concerning this
information as well. Water
adabts to everything and is a
basis of life. I’m flowing with
the river of life to face the
eternal ocean.
Information, interview and photographs courtesy of Konstantin Kofta
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K onstantin
Photograph Tasya Kudryk
K ofta
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SECOND ISSUE 2017
What makes you choose to
design leather ware?
The leather is a perfect
material that creates by nature.
It’s only one suitable
material at this time which
make my ideas come true. But I
always open for something new.
Your design style has great
coherence. How do you
definite your design style?
How is your style formed?
What have you done to achieve
this coherence?
I can say that my design is
more art than fashion. I’m a
perfectionist by nature, thus if
the result doesn’t seem
satisfactory, I’ll changed it as
much as needed so it makes me
pleased. It started with
objectification of my worldview
into things for myself. The first
product created by me was a
little clatch, sewed of
leather, which I selected
accurately. Then it didn’t look
like the image I had, that’s why
I deformed it with the help of
water, temperature and
mechanical impact until it was
just the object I was carrying
in my mind.
What styling rule do you live
by? Why?
Comfort and protection covers
everything- colour, cut and
material.
What is the theme of your
new collection? What provides
the inspiration?
What do you usually do
besides work? What’s your
hobby?
I love to travel if I need to be
out from work. I like to make
art that have no connection
with work, especially I love not
only to play music as a DJ and
also I create electronic sounds.
That is my hobby, that makes
me high.
Other than fashion, do you
design other things?
Everything I do happens with
sense, arrangement and
measure. Starting with the
simplest casual things that
everyone does and than going
further to the more complex
constructions and systems. Thus
my first showroom was planned
and created by me, without any
help of professional designers
and architects. I used natural
materials, created by the
nature such as bark, moss,
stone, the play of light and
shadow, the principals of
natural zonality.
What’s your philosophy in
life?
My life philosophy is the
truth. Being honest with yourself
is the first thing otherwise
any action has no sense either
for me or for others.
I cant be sure, but I have idea
to play with ornaments,
patterns and tracery witch
comes from historical background
of any culture but in my
way of interpretation
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Photograph Tasya Kudryk
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SECOND ISSUE 2017
LUXXU
MODERN LAMPS
Information and photographs
courtesy of LUXXU
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MCQUEEN WALL (left image)
Stimulated by McQueen’s style of
turning every design into a dramatic
narrative, LUXXU created McQueen Wall,
a version of McQueen Chandelier. Made
of brass with gold plated and handmade
butterflies and imposing flowers ending
with the trace of lovely Swarovski
crystals, this masterpiece gives a
dramatic ambiance to any room and it
has the eccentric sensation of beauty, so
characteristic of McQueen’s work.
“Long live McQueen.
Unfortunately, the World lost the
legendary designer, but he will
always be in our minds due to his
unforgettable designs and his
unmistakable style. Soon, we will
see the story of his life unfold in an
upcoming Alexander McQueen
movie. This is the best way to pay
homage to the extraordinary
designer and visionary.”
“We are inspired by McQueen’s style because he can
see the beauty in the grotesque, he was a true artist and
his work motivated us to create different and extravagant
pieces. He used to say that he wanted to shock people and
to provoke a reaction. And we want to make the difference
with our designs! It’s a risk to design “outside the box” but
this kind of inspirations gives us strength to work more
and without fear!”
- LUXXU
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SECOND ISSUE 2017
MCQUEEN CHANDELIER
Inspired in his work, LUXXU created
McQueen Chandelier. This is a powerful
lighting piece like McQueen’s exhibitions.
This stunning chandelier combines the best
luxury and handmade materials. It’s made of
hammered brass with gold plated and
handmade butterflies and majestic flowers
ending with the touch of beautiful
Swarovski crystals.
Audacious and feminine this is creation
that fits perfectly in a luxurious home or in a
magnificent hotel.
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Alexander Mcqueen
Fall Collection 2016
London Fashion Week
Getty Images
Alexander McQueen is one of LUXXU’s inspirations. His
signature looks included billowy dresses cut in hourglass
outlines, frock coats paired with skinny pants, sharp,
angular suiting, and darkly romantic gowns covered in
intricate embroidery and lace. His style is so different and
that’s why LUXXU loves it so much.
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24

Photograph courtesy of
AGI Architects
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Light VS Architecture
Over the past several decades, day-by-day our world
emerged, where conquests took place, introducing different
cultures to one another as well as influencing the design
world in every region. Known as the identity of the Middle
Eastern culture and an architectural veil, Mashrabiya, a
cultural element have preserved its traditional identity yet
developed and adapted as the design world evolved throughout
the years.
Derived from early cooling methods, mashrabiyas have
been used for homes in hot Middle Eastern climates.
The theory began as water coolers, where drinking water pots
were stored in a shelf, enclosed by wood and located at the
window. Mashrabiya Later on has evolved becoming more as
an architectural element, by providing shading as well as
natural sunlight within the space, and Acts as a shield of
those who require privacy yet without being isolated from the
outside world.
Now in Modern Middle Eastern architecture, the
Mashrabiya has inspired Many Architects as well from the
western world. Further developed from just practicality, to
more of a design feature where light and shadow, as well as
different materials other than wood have transformed a
cultural identity to a powerful design element.
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Photograph courtesy of
AGI Architects
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28

Ali Mohammed T.
Al-Ghanim Clinic
AGi Architects
Project Name:
Ali Mohammed T. Al-Ghanim
Clinic
Type: Health | 6,500 sqm
Location: Kuwait
Date: 2011-2014
Client: Ministry of Health
of Kuwait / Mr. Ali Mohammad
Thuniyan Al-Ghanim
Images: Nelson Garrido
Project Description
Ali Mohammed T. Al-Ghanim Clinic
building by AGi architects stands as a
pioneer in the healthcare sector, where
challenging issues such as privacy and
security are addressed using a new
model, where courtyards attached to
the facade are the driving element
behind this unique typology.
Photographs and Documents courtesy of
AGI Architects
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SECOND ISSUE 2017
Working directly with manufacturers and parametric
processes that generate maximum areas based on minimum
thicknesses, and adaptable geometries to incorporate efficient
substructures have allowed creating a contemporary mesh that
connects to the cultural identity of end users. An anodized and
perforated metal sheet allows sufficient light to enter,
constructing a veiled threshold in between exterior and internal
courtyards.
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Photographs and Documents courtesy of
AGI Architects
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Upon entering the clinic, a colorful ceramic mosaic
welcomes patients. This range of colors will go with
visitors during their stay at the clinic, identifying
counters of each medical specialty with different
colors included in the mosaic. This common practice
in the hospital use is especially useful when building
users belong to very different cultures, users who not
only do not know the language but use different
alphabets –Devanagari, Arabic or Roman
Photographs and Documents courtesy of
AGI Architects
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SECOND ISSUE 2017
Louvre Abu Dhabi
Cultural District - Abu Dhabi - United Arab Emirates
Type
Art museum
Architect: Jean Nouvel
Completed: 2017
The museum will be designed as a “seemingly floating
dome structure”; its web-patterned dome allowing the
sun to filter through. The overall effect is meant to
represent “rays of sunlight passing through date palm
fronds in an oasis.”
Photographs and Documents courtesy of Brunswick
Group
© TDIC, Architect Ateliers Jean Nouvel
34

Jean Nouvel is one of the leading architects who has strongly influenced
the debate about modern mashrabiyas. His Institut du monde arabe in
Paris was only the precedent to two buildings he designed for the harsh
sun of the Middle East: The Doha Tower, which is completely wrapped
with a re-interpretation of the mashrabiya, and the Louvre Abu Dhabi
museum with its luminous dome.
In the upcoming Louvre Abu Dhabi museum, Jean Nouvel translates the
vertical screen into a horizontal roof element. Formed as a compressed
dome, the construction consists of several layers of metal to optimize
the thermal situation for the space. The Louvre Abu Dhabi will include
kinetic light effects, as Jean Nouvel explains in an interview with The
National: “Sunlight passes through two holes, then it is blocked by the
third. But this soon changes as the rays move and we get spots of light
that appear and disappear, enlarge and shrink it’s a kinetic effect that is
visible to the naked eye because in 30 to 40 seconds you’ll see that one
spot is getting bigger and another is disappearing.”
At the Institut du monde arabe (1987) Jean Nouvel has realized a
dynamic rede sign of the vernacular Arabic screen. 27.000 light sensitive
diaphragms regulate the amount of daylight entering the building. Visible
from a close distance, the metallic brise soleil on the south facade has
fine and precise details similar to those of the traditional mashrabiya. At
first the structure might appear as an Arabic decoration, but its
functions derive from filtering the daylight dynamically, depending on
the specific weather situation.
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SECOND ISSUE 2017
Along the facade of the building, Traditional Islamic “Mashrabiya”
was designed by creating different overlaid layers using a single geometric
motif at different scales and densities. The result of the over layering has
created shading, reducing the solar conditions as in addition an artistic
design element. The building became an iconic statement and a trademark
of the Doha skyline where it’s artistic mashrabiya facades stood out in both
daytime and nighttime, especially when architectural lighting is introduced
further enhancing the beauty of the features.
Photos credit :
CSCEC
Documents
credit :
Ateliers Jean
Nouvel
36

Doha Tower
Ateliers Jean Nouvel
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38

Photos credit :
CSCEC
Documents
credit :
Ateliers Jean
Nouvel
Designed by French Architect Jean
Nouvel, the tower stands among other
towers along the coast line of the city of
Qatar with a height of 232 metres, with 46
stories. The service core is slightly offcenter
to maximize the interior space and
flexibility of use. This was also achieved
by providing diagrid columns of reinforced
concrete set in the shape of a cross.
The conceptual inspiration behind the
cylindrical shape came from an office
building known as Nouvel’s Torre Agbar in
Barcelona. However The tower’s facade in
Qatar was specially designed and adapted
for the local conditions
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Photos credit : CSCEC
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create
. ..
Sketch by Waleed Shaalan
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DESIGN T RANSFORMATION
Sound
One of the most fascinating transformation since
the beginning of the invention of fire is technology.
We watched technologies grow and develop as our lives
fast-forwarded to today’s world. Now in the palms of
our hands we hold a small compact device that acts as
our eyes, our hearing, our mind and the entire world
captured experiences and inspirations. With just one
click of a button, our lives can change from
travelling the world to new job opportunities.
New innovative technologies have played a huge
role in the fashion world, allowing us to explore and
expand all the possibility of form and style that we can
place on our own bodies and owning the world’s stage.
Technologies have helped put a huge spotlight on the
fashion world, but how about sharing that spotlight with
technology for a change?
Now rather looking for a basic good quality mobile
smartphones, tablets or even headphones. We now look
for stylish technology that would compliment our
fashion sense or more as a fashionable accessory.
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Images ©I.am Plus
“You know, we all love buying shoes
to match our outfits and bags to match
our outfits, but for some reason we
don’t expect our technology to match
our outfits. Why not? Why should we just
accept that? What I want to do is change
that.”
- Will.I.Am
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In the music world Will.I.Am, a musician, entrepreneur,
co-founder of the Black Eyed Peas, and founder of i.am+ have
emerged his passion in music to fashion by exploring new ways
of wearing and using headphones. His concept is wearable
technology disguised as fashionable accessory that can be
matched and added to an outfit. The trending headphones
given the name “Buttons”, have derived from the buttons found
in both the tech - world and the fashion world. By choosing
buttons, it shows us how common both worlds are and how they
are actually in fusion.
To bring this concept to life, he partnered up with apple,
creating wireless headphones known as “Buttons”. Andre Leon
Talley, former Vogue editor who as well serves as style and
fashion director of I.am + have creatively infused fashion and
style with technology. The headphones, inspired by vinyl
records are designed to morph into a necklace where the discs
snap together magnetically. So rather than taking your
headphones off and chucking the pair in your bag, just wear
them as an accessory.
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Images ©I.am Plus
Will.I.Am involved Naomi Campbell and
Kendall Jenner to join the company as
partners and ambassadors of the new
product. He believed that by doing so,
Kendall Jenner represents “the new
millennial face of fashion” and Naomi
Campbell “the queen of fashion”.
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DESIGN T RANSFORMATION
Music is liquid Architecture
Designed by: Frackenpohl Poulheim
Photographer: Casper Sejersen
Credited Bang&Olufsen
48

Stepping back from technology
emerging in the fashion world,
let’s step into the design world of
technology.
Rather than a big rectangular
block with wires attached to it’s
rear end, designers have
experimented with forms and
angles,wireless and sleek in order
to create eye-catching products.
New doors have been open when it
comes to materials, giving endless
choices to customize according to
your own personality and style
Now, We see a speaker, or
mobile phones wearing fashion with
its fabrics and accessories and
taking the form of architecture
with its sharp angles and smooth
curves.
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BeoLab 90, Future of Sound
Designed by: Frackenpohl Poulheim
Image Credited Bang&Olufsen
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Bang And Olufsen have designed beautiful speakers and
technologies that dresses up your space making it stand out as
well as having their own purpose for our homes without
cluttering it with wires or compromising the interior design while
each shape and form has it’s own function.
Image Credited Bang&Olufsen
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We dress according to our own style as we like to
costomise our own look. Given us the opportunity to custom
make our speaker’s designs, Bang and Olufsen have created
choices of different materials from a variety of fabric
colors as well as the tones of wood and aluminium that would
better reflect our style as well as becoming a statement piece
in our space.
BeoSound 2, Brass tone
Images Credited Bang&Olufsen
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Bang and Olufsen have found inspiration from many
unusual areas, such as the “BeoLab 19 Subwoofer, where its
form is taken from a jet engine. The purpose of their
speakers are to not be a hidden function in a space, but to as
well be an art piece that serves a beautiful high quality
purpose to the space.
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BeoLab 19 subwoofer, Brass tone
Images Credited Bang&Olufsen
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About
HULT is a Corporation, a consumer product manufacturer based in Los Angeles,
California founded in 2015 by the group of audio engineer and creative designer.
“Pavilion” speakers are polished symbiosis of architectural form. Pavilion disconnects
itself from cliches box design and plastic housing to make a new approach with pure
and powerful speaker.
Their variety of materials is from architecture, some of which have not been used in
speaker construction. The use of varnished oak top of the speakers and a mix of
copper and concrete, a way to bring architectural elements in an interior space
Inspiration
Inspired by the greatest modern architecture designed by Mies Van der Rohe, Ando
Tadao and Frank Lloyd Wright. They have studied how these architectural elements
were constructed with modern materials and designs. Spiral acoustic, a copper spiral
inside the clear wall resembles brass instrument, and makes it attractive from 360
degrees. The spiral copper pipe is not just for the design; the pipe boosts the lower
registers to make clean and warm bass.
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Images and Documents credited
to HULT
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SECOND ISSUE 2017
From what once creates the music transformed to the sound of music.
Last Issue’s ANNE Magazine have transformed us with recycling
aircrafts to furniture. Taken an iconic object from the past – the 12” vinyl
LP – and recycles it to enhance the very latest audio digital technology.
This have been achieved by Paul Cocksedge, made by heated and molding
the plastic disks into a funnel shape. Known as Change the record,
The loudspeaker created for smart-phones, Because of it’s form, it requires
no wires or connection, just as we get a cup or place a smart phone
between our curved hands, the sound is amplified as it does like electronic
sound-system.
Photographs courtesy of Paul
Cocksedge Studio
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Change the Record
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inspire
. ..
Sketch by Waleed Shaalan
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64

Arik Levy
Splash Marble
Photograph courtesy of Alexandra
Public Relations ©ArikLEVY
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D ESIGN TREND
Light
Who knew that after thousands of failed attempts
of inventing a long lasting incandescent light bulb, with
determination and success Thomas Edison’s vision had
a powerful and eternal impact in the world. His success
in inventing the lightbulb filled a huge gap in the
design world and in result, designers are now given the
chance to transform a simple light bulb into a
chandelier or a floor lamp, a centerpiece or a beautiful
installation.
When it comes to designing, I always keep lighting
in consideration as I find it one of the most important
elements in design. There are three layers of light,
Ambient, Accent and Task Lighting; together they unite
and bring the space to life. I love the endless
possibilities that lighting provides, With lighting you
can enhance an architectural element with “wall
washing” or “cove lighting”, it creates a path to where
the designer wants to lead you to as well as creating
the mood of the space. With lighting, creates shadows
and with shadows, we can manipulate them into
creating form and movement within the space.
“If we did all the things we are capable of, we would
literally astound ourselves”
Thomas Edison
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Photographs and Documesnt
credited to Manooi
Manooi is an offshoot of Judit Zoltai and
János Héder’s interior design and
architecture studio. Their magnificent
chandeliers came about almost accidentally;
some of Judit and János’ work in retail
design inspired them to reinvent the
traditional crystal chandelier.
János and Judit
Founders, Judit and János, have nurtured and
evolved the Manooi atelier into what it is
today. Their very particular vision for Manooi
grew out of their own personal experiences,
beliefs and expertise. Inspired lead designer
János Héder invites us to experience a new
world in lighting. “Light creates space – as
an architect I work with light sources as
determining elements of a given space.”
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“Our Passion Is Light”
Light is essential. It is all around us. When shaped and
controlled with elements, it gives us the possibility to
create feelings or emotions in space. The beauty of light
is inherent in all its spectrum, and a light artist brings
it to life. There cannot be a better manifestation of light
artistry than a chandelier designer at his best.
Chandeliers are pieces of magnificence, embodied in the
glory of display. It adds timeless grandeur and
gracefulness to any interior. For an architect or an
interior designer, a chandelier is not just a piece of light
implant hanging from a ceiling or fixed on a wall. It is a
magnificent piece of art, conceived and designed to
complement the scheme, design and texture of the room.
With every new collection, Manooi expands the frontiers of
creativity by marrying simplicity and luxury, modernity and
tradition, innovation and craftsmanship. While perfecting its
products, Manooi remains committed to its core values of
limitless artistic creation, exclusivity, and uncompromising
quality.
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SECOND ISSUE 2017
In the beginning, when
he was creating Manooi’s 2005
debut collection, the concept that
János Héder had wanted to capture
with his first lighting product was
that of two galaxies embracing each
other. After making and rejecting
dozens of designs, he found his
perfect shape. He named it
‘Artica’. The Artica chandelier has
since become an iconic symbol of
the Manooi brand, its
distinctive ellipse recognized
around the world.
Photographs and Documesnt
credited to Manooi
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Swarovski has been Manooi’s conceptual partner
from the outset, inspiring the designers with the
brilliance of its crystal, so János and Judit then
approached Swarovski with the idea of making a
bespoke Artica-shaped crystal. János would design
the shape and Swarovski’s skilled technicians would
create it. The resulting Artica cut would embody the
synergy between the two companies—a unique
partnership, like two galaxies embracing.
What better representation of Manooi’s success?
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Documents & Photographs
courtesy of ©Lee Broom
Lee Broom
Lee Broom is one of the UK’s leading product & interior designers.
Since 2007 Broom has released 75 furniture and lighting products,
which he designs and manufactures under his own label and created
20 products for other brands. He has also designed over 45 commercial
retail, restaurant and bar interiors. He has won more than 20
awards including the Queen’s Award for Enterprise in 2015, the prestigious
British Designer of the Year Award in 2012 and he won his
4th award in 3 consecutive years in the British Design Awards for his
renowned lighting product, the ‘Crystal Bulb’ in 2013. A supporter of
British manufacturing techniques, Broom designs, manufactures and
retails his own collections, in addition to collaborating with leading
brands including Christian Louboutin, and Mulberry. His products are
sold in over 150 stores in 45 countries.
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Nominated for the Milano Design Award 2016 and named one
of the 16 best shows out of over 1,500 installations during Milan
Design Week 2016, with the #MILANVAN Broom created a unique
and compact mobile installation. The interior - all in Lee Broom
signature grey - with its ornate columns and architrave was an
unexpected backdrop for the graphic new monochrome lighting
collection. Highlighted by an illuminated floor, the result was
a theatrical and engaging moment for people to share as they
passed by.
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SECOND ISSUE 2017
“I wanted to make the same impact as last year
but without creating a huge installation. While
deciding where I should exhibit I thought - what
about everywhere? Making my Salone del Mobile
mobile is an exciting way to exhibit. My designs
are often surreal and the idea behind the
installation is to see something unexpected — a
captivating optical illusion.”
- Lee Broom
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Documents & Photographs
courtesy of ©Lee Broom
Optical also holds strong personal associations
for Broom: “It’s really inspired by the period in
which I grew up in. I guess my first real foray
into interiors was decorating my own bedroom
in the early 90’s and Optical really reflects the
monochrome graphics and mood of that era.”
The Optical collection’s floor and pendant
lights reflect Broom’s recent move towards
more understated, modern designs. The Op
Art-inspired graphic patterns on the
illuminated globes echo the asymmetry of some
of Broom’s previous designs, such as his
Crescent light. When viewed from all sides,
Optical’s linear pattern changes at every
angle.
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SECOND ISSUE 2017
Mini Crescent
Light
A miniature version of the
popular Crescent Light, this
illuminated sphere is sliced
asymmetrically in half to
reveal a crescent-shaped
brushed brass fascia. The
Mini Crescent Light
seamlessly combines the
solid and the opaque.
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Ring Light
Documents & Photographs
courtesy of ©Lee Broom
A polished brass sphere, pierced
by a dimmable circular fluorescent
tube to form Ring Light, a pendant
of simplicity and elegance.
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SECOND ISSUE 2017
ARIK LEVY
Arik Levy
WireFlow
Photograph courtesy of Alexandra
Public Relations ©ArikLEVY
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Arik Levy
Photograph and Documents courtesy of
AlexandraPublic Relations ©ArikLEVY
“Creation is an uncontrolled muscle”
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Arik Levy (born 1963).
Artist, technician, photographer, designer, video artist,
Levy’s skills are multi-disciplinary and his work can be seen in
prestigious galleries and museums worldwide. Best known
publicly for his sculptures – such as his signature Rock pieces,
his installations, limited editions and design, Levy nevertheless
feels “The world is about people, not objects.”
Hailing originally from Israel and moving to Europe after his
first participation in a group sculpture exhibition in Tel-Aviv in
1986, Levy currently works in his studio in Paris.
His formation was unconventional where surfing, as well as
his art and graphic design studio, took up much of his time back
home. Following studies at the Art Center Europe in Switzerland
he gained a distinction in Industrial Design in 1991.
After a stint in Japan where he consolidated his ideas
producing products and pieces for exhibitions, Levy returned to
Europe where he contributed his artistry to another field –
contemporary dance and opera by way of set design.

The creation of his studio
then meant a foray back to his
first love, art and industrial
design, as well as other branches
of his talents.
Considering himself now
more of a “feeling” artist, Arik
Levy continues to contribute
substantially to our interior and
exterior milieu, his work
including public sculpture, as well
as complete environments that can
be adapted for multi-use. “Life is
a system of signs and symbols,”
he says, “where nothing is quite
as it seems.”
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WIREFLOW
Light through Transparency
Arik Levy
WireFlow
Photograph courtesy of Alexandra
Public Relations ©ArikLEVY
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WIREFLOW is a pendant light fixture
that reinter- prets and gives a
completely new twist to the aesthetics
of classical chandeliers. The light
structure is formed by black electrical
wire and 3W LED termi- nals but is
enhanced and transformed into the
fun- damental feature that distinguishes
this unique co- llection. This
simplifying process attains impressive
physical presence that WIREFLOW
creates, without losing its weightless,
ethereal consistence.
WIREFLOW’s electrical wire draws
geometrical shapes in two or threedimensions
that, in spite of their large
size, allow a see-through effect
providing the light x- ture with its
captivating graphic essence. According
to Levy, WIREFLOW combines “presence
and absence, transparency and
luminosity, light and uidity”.
Architects and interior designers can
experiment with endless configurations
on the online platform vibia.com, where
they are also given the chance to
visualize simulations of this collection
in space.
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Ellipse CHandelier Baccarat
Taking a step back from the contemporary world and
introducing one of the many iconic classics, one of the core
sources of where lighting design have taken it’s mark in history.
Designer Arik Levy takes on a classic, an iconic Zenith
Chandelier - Baccarat and recreated it by transforming it’s
traditional round form into an ellipse.
Arik Levy
Photograph courtesy of Alexandra
Public Relations ©ArikLEVY
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“Splash Marble”
The beauty of the world we are living in is the transition of the
natural elements around us and their unexpected formation in different
phases. Marble is an incredible material that has been in use during all of
mankind’s history. the tools and experience we now have allow us to go a
step forward with the presence of the material and the projected
emotional values it can give out. Citco is a perfect partner for making the
experiment of turning marble into “liquid” once again.
My idea is to make marble look
and feel flexible and fluid, as if
it was melting in front of our
eyes or constantly changing. Like
the waves in the ocean splashing
over the rocks, my Splash Marble
marks the connection of
dynamic movements, elasticity
and motion. The perfection of
the making, the intelligence of
the operator and of his machine
as well as the eye, the emotions,
the attention to details and the
finishing of the perfect craft..
bring together the idea and
transform the making into an
experience.
Arik Levy
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Photographs
courtesy of Ryan Saghian
DESIGN
INSPIRATION
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What inspires you?
“ Everything and anything but what’s
most inspiring for me is travel.”
To get an insight behind the minds of the design
world of L.A what better way than to Get to an
inspirational source. An Interview with one of L.A’s
top designers Ryan Saghian, sharing his love and
passion with ANNE Magazine.
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Designer’s Insight
Ryan Saghian
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SECOND ISSUE 2017
ANNE
Many Designers has their own
little black book Do you have
your own little black book? or
do you have your own way in
capturing inspiration?
RYAN SAGHIAN
I don’t have sketches but my
phone is filled with images of
anything that inspires me.
Whether it is a sconce I found
while walking my dog or a piece
of hardware I see while
shopping, I take a photo to
always turn back to for a
project.
ANNE
Who has been your
greatest design influence?
RYAN SAGHIAN
Dorothy Draper, Kelly
Wearstler, and William Haines.
ANNE
Young designers have gone
through a few “bump on the road”
when going through the journey
of starting their own path.What
is yours?
RYAN SAGHIAN
My biggest bump in the road has
been measuring. It is so
important and the slightest inch
can be the biggest mistake!
ANNE
Do you see yourself
entering the fashion business ?
RYAN SAGHIAN
I love to wear clothes and be
creative with my outfits but not
design them.
ANNE
Why did you choose the path as an
interior designer?
RYAN SAGHIAN
It was always my dream and I
always had an immense amount of
passion for it. From the time I was
about 10 years old I would
rearrange the house.
ANNE
Fashion, architecture and
interior design strongly inspire
and influence each other. What are
your views on that?
RYAN SAGHIAN
I think that interior design and
architecture are a tad bit slower
when it comes to trends primarily
because of the cost factor on
comparison to fashion. With that
said though, little things like
color, texture, and composition in
all three worlds totally influence
each other.
ANNE
Many Projects come with design
dilemmas. What is the most
Dilemma you ever encountered
in a project?
RYAN SAGHIAN
Long lead times. They are the
WORST.
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ANNE
Many Designers carry their own little black book
Do you have your own little black book? or do you
have your own way in capturing inspiration?
RYAN SAGHIAN
I don’t have sketches but my phone is filled with
images of anything that inspires me. Whether it is
a sconce I found while walking my dog or a piece
of hardware I see while shopping, I take a photo to
always turn back to for a project.
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SECOND ISSUE 2017
ANNE
Clients tend to come with the most unusual requests when designing
their homes. Tell us what was the most unusual request a client asked and
how did you deal with it?
RYAN SAGHIAN
A client once asked for their entire 5,000 sqft house to be
completely furnished and decorated in 2 months. That was nearly
impossible and after carefully explaining the process of designing,
sourcing, and fabricating, I was able to convince them otherwise.
ANNE
What is your most favourite go to element when it comes to
designing?
RYAN SAGHIAN
Right now? Satin gold. It adds so much richness to a space.
Photographs
courtesy of Ryan Saghian
92

ANNE
What’s next for Ryan Saghian?
RYAN SAGHIAN
I want to focus on my furniture line and expand my
collection. Fabric is next on my list!
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Belle
Nouvelle
A Modern and Eclectic
Style Apartment in Paris
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Documents & Photographs
courtesy of Delighfull
Nika Vorotynstseva
Nika is a young Ukrainian designer based in Kiev, owner of the Nika
Vorotyntseva Design & Architecture Bureau. She has currently
several works in progress all over the world.
“We love what we do. Our work - is the ability to create something
special, important for people. Each project is unique and also unique
experience that we acquire. We try to implement the ideas that bring
pleasure to the customer and ourselves. Our team is ready to work
actively, sharing fresh ideas and take part in the formation of modern
trends.”
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To create the elegance and balance necessary with this vibrant
emerald wall the designer opted once more to innovate in the dining
area by choosing a lamp that is itself a statement Ella Suspension
Lamp by DelightFULL. The lines of this Lamp are so timeless as the
decor can be, inspired by the 50’s and 60‘s this is the perfect
combinations for the classic but modern look that emerges all over
the apartment.
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To create has must space as
possible Nika opted to
eliminate the small and
old-fashioned division style
and open in bigger and more
spacious blokes like “fireplace
area, TV area, dining room
with kitchen, master unit with
bathroom and
dressing room, and a guest
room with a bathroom. As a
result, we got an open space
flooded with sunlight”,
explains Nika.
She elaborates “Our client
has an artistic sort, loves
bright colours and mirrors,
we used this information to
play with the space. Since the
apartment is not for
permanent residence, it
gave us an opportunity to
use bright colours and vivid
graphics freely.”
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The color palette present at this residential project is so
varied as the color Paris may have. The sleeping area is
opposite to the living room. It’s created with soft cream
colors that invites to relax.
To create a balance between this classic look and the modern
flair of today’s design Nika opted to use current pieces of
furniture, as well as areas such as the kitchen, that function as a
bridge to everything beautiful, comfortable and
ergonomic, created today.
“The centerpiece of this interior is considered to be the
emerald wall with decorative protruding elements in the TV area,
which was created according to our sketches made in Ukraine.”
Nika tells us.
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Documents & Photographs
courtesy of Delighfull
This 140 sq.m. apartment in the center of Paris is mainly used by
its owners as a guest house, since they are a young couple of travel
lovers.
Before starting to create the ideal ambience, the designer
chosen for this project, Nika Vorotynstseva, made an intensive study
by analyzing the Parisian chic interiors. She found out that most of
the interiors had an eclectic design with a gentle touch of glamour,
so after this research, the designer opted to create an ambiance
that was fresh, open and modern.
The curved ceiling in the bathroom and in the hall relate to a
classic style, that supports the classic spirit of this apartment.
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By the fireplace, we can relax, enjoy the nature outside and
appreciate the light inside with the two Ella Wall Lamps also by
DelightFULL, which can make the nights seems calm and
everlasting together with the classic mirror.
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D esign Insight
WALEED SHAALAN
What led you through that path as an architect?
Originally I always felt inclined to do art, from the age of 10 when I
have been attracted to expressing myself visually. I’ve been inspired
by my early childhood memories, from when my father use to take us
to Kirdassa to make carpet weaving and potteries and because of that,
I had a very colorful childhood full of art and music.
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I grew up in the states the first five years of my life and then from
there I went to Cairo where during that period there were a lot of arts
and crafts. However in school, art did not count as a major subject, it
was never taken seriously since it has always seen and treated by
society as a hobby. The educational system in Egypt was not structured
as the highest grade goes to university but the highest grade goes to
medical school, followed by engineering school. So subconsciously
it has been drilled into our minds that in order to be successful, one
must be a doctor or an engineer, therefore my mind was telling me one
thing yet my heart was telling me another. My mind was telling me to
do engineering, doctor or medicine as the rest of my family did, while
my heart was telling me to do art.
When I went to study university in the states, we had the first year
to take electives and to try out, so I took advantage and tried everything
from chemical to nuclear engineering all the way to art. Every
single art course that I took I got an “A” on, so all the art courses and
electives that I have taken was enough to give me art as a minor. Then
came the decision to decide what to study, and I felt that
architecture was kind of a compromise because it involved drawing,
which in a sense looking back is quiet of a very fundamental process
between architecture and art.
The difference between art and architecture is that in art you are an
introvert during the creative process and when displaying your work
in an art gallery, you’re an extrovert. The creative process is already
done when you’re alone, since you don’t have anybody while your
exploring and while your expressing yourself without being told what
to do. Where is in architecture, you are an extrovert from day one
because you have to interact with clients, engineers and with
different people in the profession. You end up having a lot of
interference, which requires a lot of people skills from politics to
phycology, all kinds of things that I found myself distracted in the
creative process. So in order to be an architect you really have to be
able to work with people not just to get along, but in some situations
to be dominant and to be able to push your way through. I mean look
at people like Zaha Hadid, she’s like a bulldozer when it comes to her
ideas. So I found myself now wanting to go back to do art, to do what I
want not that I want to leave architecture, but at some point I want to
actually return to architecture as an artist, approaching architecture
as art. In that case where I look at the building as the end product,
because in an architectural firm, your end product is the intermediate
product, which is the drawings, and all of that process. I use to draw
a lot with my hands and produce architectural drawings, but with
computers now the profession became dominant by business.
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Today many architecture has become more business based and less of an
art. Therefore you’ll find that because it’s more as a business it’s driven
by bottom line, by figures, by time so things are done at a very
accelerated pace and people are compromising the end quality. So I’m
hoping that through my current journey of art I’ll start back again in
drawing, painting, sculpting and from sculpture I start to make furniture
and from furniture I start to make architecture by actually working on
pieces.
So you mentioned about one being an introvert or an extrovert.
Which one are you?
I’m very much an extrovert, very social, I’m all over the place on
social media but when it comes to my creative process in creating
I found that I prefer to work alone, even though I love to
collaborate with people. The type of people I interacted with through
my professional career have been a draining process because your
dealing with ego, your dealing with different priorities, your
dealing with different visions and politics, envy and so many
different aspects of human beings and human beings are complex
which it defies itself. So I found myself lack the desire to acquire
political skills - I’m not interested in politics, I’m not interested in
navigating my way in power structures or trying to be able to use
other people to execute what I am doing. I would much rather work
on my own, and then people come and interact with my work. If my
work is up on the wall, they may like it or if they don’t, their
critique is well constructive, if its not constructive critique so be
it, it’s between the people and the work and I’m out of it already
working on something else. However nothing is more painful than
having a vision and watching that vision get destroyed through a
process just as having a project that you have worked on for so
many years and it gets terminated for some reason, it’s draining
and it’s exhausting. So because of that at least for me I’m unable
to utilize what I’m good at.
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Now I’m finding that when I immerse myself in work, because I’m
such an extrovert it is important for me to have some introverted
time. To be able to focus and go deeper, other wise I’ll be scattered
and I will exist across a horizontal surface. Sometimes you need to
deep dive, sort of like the birds that land on the surface of the
water and needs to dive deep down to get the fish, so sometimes
you need to go to a deeper level. At times I express that with my
work and part of my work becomes therapeutic, it becomes
reflective, it becomes an opportunity for me to explore hard
feelings or to get in touch with my emotions. Some part of my work
also becomes therapeutic for me, I’m not drawing to sell, I’m not
drawing it for a client, I’m not drawing it to get commissioned, I’m
just doing it as a way of being therapeutically myself.
Sketch By Waleed Shaalan
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The Divorce Diary
Waleed Shaalan
interviewed by Anne
I came across a diary, however it was not any ordinary diary. A
diary that was not filled with words but instead, with lines and
vibrant colors. I was intrigued into knowing more about that unique
diary. A diary that started off from a coffee stain and bled through
each pages have transformed into a journey of continuous emotions
through art. Waleed Shaalan, an artist and an architect who held
this diary, shared with us his emotional journey behind the “Divorce
Diary”.
How did it all start?
During a period of time, I was going through a divorce. One day
during my lunch break back when I had a corporate job, I had my
sketchbook with me - which I carried around as an architect to
capture any form of inspiration. I was flipping through the pages
and I came across an unfinished sketch of an eye. I had an
emotional moment where I was unable to shed a tear, and there I
let the sketch do it for me thus I poured the first drop of coffee.
It was that stain that begun that process for me.. The process of
self-healing. So while I was doing my art, I came across a PHD in art
therapy in social media, right away corresponded with me that I’m
doing art therapy. So I was healing myself through my art, through
these sketches which where kind of a selfie, but more of a selfie
that goes beyond the surface. More into what’s happening inside of
me, in an extract language that I am processing in. What’s
interesting is that I was documenting this process live such as on
Snapchat, as I was drawing and posting them on Instagram; it was
interesting to see how others would actually pick up on these
emotions.
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“As Bruce Lee once said that water, can shape like a
tea cup, it has the ability that you cant punch it yet you
can’t break it. However it can break steel, it can break
rock, while with water you cannot break. So the strength
that you can get like water as Bruce Lee said, can give you
flexibility and greater richness rather than being ridged,
so you don’t have to be ridged to be strong . Personally,
I don’t have a problem in being vulnerable, I don’t have a
problem in feeling pain.”
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Others would sometimes send me a private message asking if
I’m ok today without me talking about the details of my problem
which is personal because it involves other parties, and was able
to reach out and feel that I’m connected with other people in an
abstract way through my art, through an abstract emotion
without going through into any specifics. So sharing that was
kind of healing for me because it made me feel that I was not
alone. It made me feel that other people also had their own
issues and they’re open to sharing it.
Tell us about your divorce diary
That diary was an opportunity for me to deal with a painful
situation, which I had in my life. To be able to express it and to
go through the complexity of these feelings because feelings are
like colors, I can see sixteen million shades of colors yet we’re
only allowed to see black and white as a man, angry, happy and
that’s it. Where is the pallet of the complexity of all of these
colors? Of these emotions? So I chose that rather than taking
my emotion of anger and bitterness of which I have experienced,
how do I channel it? It is through complex processing of which
can be done in many ways, it can be done through therapy, it can
be done through sports, prayers, travel, through art, whichever.
The society that we live in behind these facades - that every
body pretends to be “normal” or “perfect”, creates more
pressure on us because it makes us feel like we’re the only ones
who are abnormal or imperfect, when in fact we are actually not.
If any body’s normal he would be abnormal, because everybody
has issues, everybody has pain and it is important for us to share
it. This is where art comes in as art, theater, literature, music,
all of these creative sources is a platform for us to exchange
and vent these emotions, rather than resorting to just anger or
violence. If we collectively as a culture are able to do that, then
we collectively start to create a certain culture of civilization.
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Sketches By Waleed Shaalan

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I think that once we get in touch with our completeness as
a human, with our vulnerability and our strengths, we could
potentially have a lot of greater strength. Such as some of the
strongest individuals in history like the Gandhi, or Martin
Luther king, all of these men where not angry and violent but
they where gentle yet strong.
Tell us more about the process of your sketchbook
So that was the process that I went through of my divorce, where
the process of divorce was a painful process and it was very
important for me to not repress these feelings of emotions or
run away from these feelings, but to process them. That sketchbook
for me was the process of everyday, by flipping the page
and continuing the sketch, where the previous page would be
continued - and where the coffee stain bled through each page
of the book. These emotions come in waves, sometimes you feel
that the heal is going away and sometimes it comes back, but
every time it comes back it comes back a little bit smaller, or
gentle. As I mentioned, it is a complex process, it is not a linear
process and that’s what I learnt looking back at my sketchbook
and watching how my story with the healing took place.
What is important is as painful as these feelings are, it is
important to face them and to feel them and to process them
rather than carry them around, because if you carry them around,
it will be like carrying a baggage - a burden. I’ve done that
before, there where situations where I wasn’t able to process
them for whatever reason I carried it on and on. But life will
keep putting you back in the same situation until you deal with
what you actually need to deal with, and sometimes these issues
go way back to your childhood where it all started. When we
where young and had a negative experience that we didn’t
process, in your life you will subconsciously take yourself back
to the same situation, which will create or repeat the same
pattern.
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Many have asked if I would sell my sketchbook, but for some
reason this sketchbook is so much like a personal diary. Unlike
my other work, it would be something that I would rather keep,
at least for the time being; it’s like selling your family album.
It is part of my story, however I have no issues with sharing, in
fact I had people tell me that they truly appreciate me sharing
my vulnerability because it have helped them in a certain way,
feel like it’s okay and for guys it is ok to not be okay.
Sketch By Waleed Shaalan
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Photograph Courtesy of
Waleed Shaalan
Tell us about your paintings, Some are
pixilated, What is the inspiration behind them? Why
did you choose to pixilate them?
I came to realize that I was excessively looking at the issue of
appropriation in art. For example that painting I created hung at
“Poel cafe” (Kuwait City), is a painting of my phone,
photographing that space that previously had other paintings
created by another artist hung on that wall. Does it mean I’m
copying those paintings? Or not? And then came another topic
about “privacy”. I was in the middle of doing a painting of a
person and that person said, “no I don’t want you to post that
painting for privacy reasons”. However I wanted to post and
share that painting, so I thought what if I pixelated that person?
And then I started to explore the idea of pixilation, because I
thought ok what happens if I painted somebody naked? And I
pixilated them? So technically speaking, you really are not
seeing anything however you know that that person is naked, or
are they not naked? Does this painting need to be censored with
a black marker? Or not? It Is the thought of knowing that someone
wearing a dress, while it’s the fact that you know they’re
naked behind that dress.
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I was also intrigued with the relationship between the digital world
and the physical world. So I started to say we use dabs of paints to
create images to make ourselves permanent. Today we are using
pixels, where everything we post on the Internet is nothing but
pixels. So I started to go back and fourth between digital media and
painting and thought what if I actually took a pixel as a unit and
started to play with it? I’m still going to explore that further
because I like that theme a lot.
Waleed Shaalan
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SECOND ISSUE 2017
what do you hope achieve through your work?
I think the desire to do art for myself is to interpret certain
experiences, whether it’s a visual experience of a place or a
certain emotion specific to me or universal to others. How I
interact with it or interpret it and create a piece of work that
could have others to either enjoy it or respond to it, whether
getting offended by it or get inspired from it. It is a form of
communication between me as an individual and the collective
of the society that is around me
as whole and by that back and
fourth communication, gives me
feedback and creates a type of an
interaction. For example a recent
painting that I did was inspired
from many sources, from a song
from another piece of art that I
saw from another artist. Another
experience that I had, a
collection of all of these my mind
puts it all together that creates a
certain piece that signifies a
certain moment that other people
can relate to in other ways.
Sometimes people would look at a
painting that I did and it would
trigger a certain emotion from
their side. So really it’s about
feeling connected, an emotional
connection to others.
Sketch by Waleed Shaalan
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Waleed Shaalan
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SECOND ISSUE 2017
What Inspires you ?
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SECOND ISSUE 2017
D esign . ..
C reate . ..
I nspire
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