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Caribbean Times 12.02.2016

Caribbean Times Newspaper A family-owned local newspaper located in New York City serving a vast growing Caribbean population living throughout the New York area. http://caribbeantimessite.com A bi-weekly newspapers and website that is working towards keeping the caribbean community informed about news and events as it relates to us right here in the USA as well as our respective first homes. http://caribbeantimessite.com

Caribbean Times Newspaper

A family-owned local newspaper located in New York City serving a vast growing Caribbean population living throughout the New York area.

http://caribbeantimessite.com

A bi-weekly newspapers and website that is working towards keeping the caribbean community informed about news and events as it relates to us right here in the USA as well as our respective first homes.

http://caribbeantimessite.com

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20<br />

MUSIC<br />

<strong>Caribbean</strong> <strong>Times</strong> | December 1-14, 2016<br />

Christianity/Rastafarian song by Sasha/<br />

By Anthony Turner<br />

One of the hottest songs currently making<br />

the rounds on reggae radio in Jamaica<br />

is 'Sticky Situation' that was recorded<br />

by reggae turn gospel artiste Sasha and<br />

Rastafarian DJ Chuck Fenda. The song is<br />

a playful banter that talks about a possible<br />

relationship between the two and the<br />

conflicts that could accompanies such a<br />

union.<br />

'Yes it is a controversial song but it is a<br />

real situation that many people face that<br />

we need to talk about' Sasha told <strong>Caribbean</strong><br />

<strong>Times</strong>.<br />

In explaining how the song materialized<br />

Sasha said 'Me and Chuck Fenda link<br />

up and started reasoning about doing a<br />

song together and I came up with the idea<br />

about the subject Christianity/Rastafarian.<br />

We went into the studio and hooked<br />

Chuck Fenda Stirs Controversy<br />

up with Marvin and Black Pearl the producers<br />

and we created the tune" she noted.<br />

"If you really look in the churches,<br />

80 percent of the congregation are females,<br />

15 percent are married men and<br />

5 percent are single men. When single<br />

christian women go out there and face<br />

the world, they meet men with different<br />

beliefs and different cultures....Knowing<br />

the Church and the principles, I believe<br />

that with God, all things are possible. Just<br />

maybe that individual can be taught the<br />

way of Christianity and have a change of<br />

heart if given a chance rather than shutting<br />

the door on them. I am basically putting<br />

a mike under a situation that many<br />

people face and they are afraid to talk<br />

about. People fall in love and their beliefs<br />

keep them separated" she reasoned.<br />

In 2004 Sasha had one of the biggest<br />

tracks globally with "I'm Still In Love<br />

With You," a duet with Sean Paul for his<br />

Dutty Rock album on Atlantic Records.<br />

I am basically putting a mike under a situation<br />

that many people face and they are afraid to<br />

talk about. People fall in love and their beliefs<br />

keep them separated.<br />

The song topped reggae charts and peaked<br />

at #14 on the Billboard Hot 100 chart.<br />

Sasha recently returned from performances<br />

in Canada, England, Italy and<br />

Dubai. She is currently in Jamaica recording<br />

tracks for a soon to be completed<br />

new album.<br />

Parang in the diaspora<br />

By Gerry Hopkin, JD<br />

Parang, Soca Parang and Chutney Parang,<br />

are seasonal, folk musical genres of<br />

the southern <strong>Caribbean</strong>, annually performed,<br />

listened to and danced to, from<br />

the beginning of October to the end of<br />

December.<br />

Uniquely orchestrated in Trinidad and<br />

Tobago initially, as a result of the influence<br />

of the Spaniards who governed from<br />

1498 to 1797, as well as through contact<br />

with Venezuelans who migrated to this<br />

twin-island state in the 19th century, this<br />

genre has evolved and bifurcated.<br />

Soca Parang and Chutney Parang,<br />

evolved from Parang, while incorporating<br />

other musical influences, thus making<br />

it a rich confluence of rhythms, harmonizations,<br />

orchestrations, storytelling,<br />

expressive gestures and dance moves.<br />

The English lyrics of the Soca Parang<br />

and Chutney Parang, are not always centered<br />

on the purpose of the season (the<br />

nativity), which tends to be the case with<br />

the mostly Biblical, Spanish lyrics of original<br />

Parang.<br />

Nevertheless, Soca and Chutney Parang<br />

stylistically maintain most of the<br />

basic musical structures of Parang with<br />

some variations, while they both generally<br />

impart melodious narratives about the<br />

merriment of the season and the current<br />

‘brango’ happenings of local life. In fact,<br />

the word “Parang” is derived from “Parranda,”<br />

a Spanish word meaning “merrymaking.”<br />

In the <strong>Caribbean</strong> today, Parang, Soca<br />

Parang and Chutney Parang are most<br />

evident in Trinidad & Tobago, Grenada<br />

(especially in Carriacou), Venequela,<br />

St. Vincent & the Grenadines, Barbados<br />

and Guyana; while in the Diaspora,<br />

these genres are enjoyed especially in<br />

New York, mostly by Trinidadians, Gre-<br />

“So get your dancing<br />

shoes ready, along<br />

with the ham, the<br />

black cake, the pastels,<br />

the bun, the rum, the<br />

ginger beer and the<br />

sorrel -- as we Parang<br />

our way to Christmas,<br />

without forgetting the<br />

reason for the season.”<br />

nadians, Vincentians and Bajans, who<br />

collectively perpetuate the religiosity,<br />

the sweetness and the niceness of these<br />

genres.<br />

Simply put, Parang and Pa-<br />

Continued on page 21

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