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2017 catalog

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4<br />

THE<br />

ANTIQUE<br />

VARNISH<br />

SERIES<br />

Vintage Gets a New Varnish<br />

The Heart of the Eastman Workshop Honored<br />

The phrase “new antique” might sound like a contradiction — but<br />

not when it applies to Eastman’s Varnish Antique Series. This line<br />

of guitars is built on a mix of time-honored craft and ahead-of-thecurve<br />

thinking utilizing classic technique with a decidedly fresh<br />

approach. And yes, it all starts with the finish.<br />

Eastman violins have always been distinguished by their consistently<br />

rich hue varnish that is matched by an equally rich tone. This<br />

unique, even Stradavarius-like quality is the result of a proprietary<br />

process rooted in a tradition going back to the 16th century during<br />

the Golden Age of violin making. And now Eastman is bringing that<br />

time-tested, violin-oriented process to the world of guitars.<br />

No doubt a few existing guitars can lay claim to truly special finishing<br />

work. But such models tend to be collectibles, reserved exclusively<br />

for upmarket buyers who treasure the handmade attention<br />

to detail. The Varnish Antique Series is designed to make such a<br />

rare and labor-intensive feature more available to guitar enthusiasts,<br />

with the proof in the distinctive look and sound.<br />

And just what is it exactly that produces that look and sound?<br />

Therein lies the signature magic. Li Hua Rong, who manages<br />

Eastman’s refined varnish shop is willing to provide a few answers,<br />

but she’ll only reveal so much. The process itself, she relays,<br />

features six distinct steps starting with a basecoat application to<br />

fill the grain, then moving to color application, and concluding with<br />

a French polish. Ultimately, three or four coats of material are<br />

applied and sanded thin. The result is softer than lacquer, creating<br />

a smoother tone.<br />

When Pepijn ‘t Hart of Eastman Europe visited the workshop in<br />

Beijing with a guitar and asked if it were possible to replicate Hua’s<br />

special process on a larger instrument, she had him do some playing<br />

to get a sense of how guitars aged, and soon set to work. From<br />

there a new line formed.<br />

We added Seymour Duncan Seth Lovers or Antiquity P90’s, TV<br />

Jones brushed nickel classics, and aged Gotoh hardware to make it<br />

possible to own a brand-new, vintage feeling, “antique” instrument<br />

fresh out of our workshop.

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