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THE PRINCIPLE OF HOPE

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Page 915<br />

in this sense of simplicity and at the same time fulfilment is a social utopian category; that it belongs to society precisely because it contrasts with the latter and its<br />

artificiality, even emptiness. As this category it had been varyingly — in the older wishes for free space — played off by Diogenes against the polis, by Rousseau<br />

against the fortress of feudalism, by Ruskin against mechanical capitalism. With ever­varying content, simply according to the character of each society and its<br />

civilization from which the Robinsonade pushed off. And yet it must be emphasized, simply to understand the peculiar unquestionableness of all dreams of free space, in<br />

contrast to the so often embarrassed elaborations of dreams of free time: there is a common matter­of­fact element in the Arcadian contrasting wishes which almost has<br />

as much staying power as the nature sought by them. And despite the vast preponderance of the merely social utopian element, of the social assurances and the<br />

contrast in the pastoral picture: the landscape before the gates, this objective factor, nevertheless constantly presented itself for such a picture. Arcadia was located<br />

from the first beneath trees, beside springs and other elements of paradise, not in the city, however shimmering. A trace of this very old utopia of free space still shines<br />

in every harmony with nature and that which the city­dweller expects and receives from it. Like the public festival in Romance and Slavonic countries, the joy in nature<br />

may well have been most ardently developed and preserved in Germany. But dopo lavoro demands everywhere, in its dreams of space, a portion of the great Pan; and<br />

he certainly provides a hall for leisure.<br />

Live hidden away, this piece of advice is just as dangerously isolating as it is harmlessly quiet. It refers first to the settler's smallholding for which the lonely countryside<br />

gives room, but then also to rural repose. Freud's theory of sleep makes a certain contribution to the particular dopo lavoro of this quietness, as that of the country. For<br />

according to this, the wish for sleep aims at turning away from the outside world, the libido­occupation of objects, the object­occupation of the libido decreases, libido<br />

and ego­interest are again united, in full narcissism. This produces the strongest possible recuperation, namely that of the psychological return to the womb, to<br />

objectless isolation. And in fact this sheds light on the peculiar security which the person who has escaped from the city may find in nature. He does not feel disturbed<br />

by existing objects; there thus arises in the quietness founded by this a particular protective space, in fact a maternal space of leisure. Similarly, writing at night and<br />

writing in the country also have this seclusion in their favour: quietness and darkness, the two grave sisters, or rather: narcissism coats even natural objects themselves,<br />

so that they

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