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THE PRINCIPLE OF HOPE

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Page 913<br />

even if the shabbiest, that of acquisition, is abolished; neediness remains enough which presses for information and for the five thousand years of the history of<br />

civilization, as a single, unfinished, continuing day. But the more society is economically in accord, and the slighter its antagonisms stemming from this source are, the<br />

more exactly the genuine discordances of existence then emerge, those worthy of human beings, for the illumination of which culture in fact has its plan of campaign, and<br />

will have it more than ever. It was often rounded but never closed, never a sum of finished products; precisely the great educational works prove their continuing<br />

surplus over the submerged ideology within which they arose. The art of hearing singing in the air then no longer appears as an escape or even as an interested<br />

deification of something poorly available; it no longer appears as a hasty solution of social contradictions in a shining game, but the pre­appearance of what is right<br />

emerges with a continuing effect, alone with a continuing effect. This is the afterripening of every great work after it has been plucked from the tree of its age and this<br />

tree itself has long disappeared; kingdoms pass away, a good verse remains and says what — lies ahead. This pre­appearance so little suited to be a staple commodity<br />

will therefore operate all the more when the inauthentic other reflection, that of mere class ideology, is taken from it. As far as this very preappearance is concerned, as<br />

joy and doctrine of a true dopo lavoro, it was said above, on the problem of the encounter of the utopian function with ideology, with itself pre­appearing significance:<br />

‘Thus it is always only the shaping dream­force towards a better world which is culture­creative, or the utopian function as one which ventures beyond. This function<br />

posits in ideology for the first time what can be named without cliché and hypocrisy, and without property, illusion and superstition, and it alone forms the substratum for<br />

the cultural legacy’.* And: ‘The parasitic enjoyment of culture reaches an end through insight into the more and more adequate trend towards our becoming identical<br />

and through commitment to this; cultural works open up strategically …They are now, from the point of view of the philosophical concept of utopia, not an ideological<br />

prank of a higher kind, but the attempted path and content of known hope’ (cf. Vol. I, p. 153ff.). And if there is still a part of man which is not or not wholly sold, this is<br />

also the same one which has not yet become free for itself. It therefore<br />

* Though this quotation is similar to the content of the section in Volume I ‘Encounter of the utopian function with ideology’, it is not directly quoted verbatim. It may be<br />

a quotation from an earlier draft of the book which was not emended during Bloch's revisions.

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