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THE PRINCIPLE OF HOPE

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Page 484<br />

conceptions of the Golden Age, to those that still remained vivid. In his malicious comedy ‘The Birds’, Aristophanes indicated the scale and the power which the<br />

popularity of this image of pleasure had assumed. The image of pleasure became a rebellious one in the play in so far as it was never accommodated, never remained<br />

undisturbed. After all, the heroes of the comedy, Euelpides (Hopegood) and Peisthetairos (Trusty Friend), who were little satisfied with the earthly Fortunate Islands,<br />

decided to remain in the clouds with the birds and to propose that they found a new state in the air. Yet the different, considerably more earthly and actually existing<br />

utopia of that time is also already cited in the comedy. It is really against this that Aristophanes directs his armoury of wit:<br />

A man will never die of want any more,<br />

Because everything is the property of everybody,<br />

Bread, cake, garments, salted meat,<br />

Wine, peas, lentils and garlands.<br />

This verse — one like it has already appeared in connection with derided wishful images (Vol. I, p. 436) — undoubtedly refers to recollections of the Golden Age<br />

which were beginning to grow dangerous and serious at that time. The verse satirizes the plebeian ‘natural state’ with its reference to lentils, and with the profusion of<br />

other goods it satirizes the Hedonist ideal, or rather: the democratic sell­out of this ideal. The violent belching which fills such travesties is Epicurus among the people as<br />

it were; freedom is meant to appear as gluttony. It appeared among the Hedonists themselves as wine for all, in so far as they are human beings and not slaves. The<br />

freedom of pleasure was democratic, despite boundless egoism; for happiness was conceived in generous terms once again, in terms of live and let live, with polite<br />

good manners.<br />

Plato's dream of the Doric state<br />

It is one thing to mock such wishes, another to render them harmless. Plato undertook to do the latter, in such a way that he both took up the utopian drive and<br />

reversed its trend towards freedom. Plato wrote the first detailed work on the best state, the ‘Republic’, and this work is as well thought­out as it is reactionary. Here<br />

there are no vague dreams any more, no vague notions dreamed through to the end, but neither is some

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