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TMN Magazine issue 4

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“My Foolish Heart” was where things started<br />

to change for me…where I really started to<br />

appreciate the sincerity in the music of<br />

Nothing But You on their Tony Bennett cover.<br />

I think it’s also the last song where you might<br />

question Nicky’s choices; I could understand<br />

some people thinking she’s right at the edge of<br />

her tone & range to hit the high-parts…but<br />

from what I’ve gathered throughout her<br />

performances on these tunes, she’s putting in<br />

a determined effort to let the art of the writing<br />

shine through her mood, attitude and tone. So<br />

while it could be argued from a technical<br />

standpoint at times that it still sounds a little<br />

raw – I think what we trade for rounded,<br />

polished edges here on “My Foolish Heart”<br />

help bring out the honest sincerity of the<br />

intentions behind the writing of this cover<br />

tune. That’s always a deal I’m willing to<br />

make…and I think you get a lot of Nicky’s<br />

genuine emotion through the way she<br />

approaches her vocals here.<br />

Shota’s piano-playing has been spot-on<br />

throughout everything I’ve heard so far and<br />

has been incredibly reliable for Nicky, who inturn<br />

as a result really gets to explore<br />

entertainment, performance, character &<br />

attitude within these songs they play together.<br />

“New York State Of Mind” is a fantastic<br />

example of this project at its best with bold<br />

confident tones and beautiful notes twinkling<br />

from the piano while Nicky puts a highlight<br />

display of some of her most powerful vocals<br />

we’ve heard so far on the record. Quite often<br />

that can be a result of knowing the material<br />

inside & out…could be a cover that she knows<br />

really, really well – but I think you also hear<br />

the quality of her performances rise again<br />

right around here on the album.<br />

47<br />

She hits the mark with real grace and<br />

power on “New York State Of Mind” and<br />

with a perfect mix of soulful & sweet on<br />

“Cry Me A River” right after – Nicky has<br />

raised-up the standards in the middle of<br />

this album and really become a force of<br />

expression to be reckoned with in these<br />

songs back-to-back. Another<br />

exceptional job of creating a beautiful<br />

combination of art & music combined –<br />

“Cry Me A River” is a massive highlight<br />

on Meant To Be and certainly a worthy<br />

cover version with its own validity.<br />

Switching it up to sweetened tones of<br />

guitar from Jerry Stucker for the emotional<br />

melody of Leon Russell’s “A Song For You”<br />

– this was another highlight for me; and<br />

another tune that had shown me how<br />

much I’ve come to accept the dramatic &<br />

theatrical, artistic approach that Nicky<br />

brings to the vocals. It’s almost similar to<br />

acting in the way she delivers the material<br />

– but the sincere connection she has to the<br />

songs and the passion she brings to her<br />

performances makes it all more real than<br />

mere acting. You can tell Nicky both loves<br />

& lives this material, and was born with a<br />

song to sing & share with the world. “A<br />

Song For You” showcases an artist that’s<br />

right in the moment…committed to the<br />

song & really making it her own. I felt<br />

much the same about Eric Carmen’s “All<br />

By Myself” and Nothing But You’s cover<br />

version; a great performance from Nicky<br />

leads the way to captivating moments that<br />

capture the essence of the emotion – and a<br />

real highlight for Shota’s piano-playing. As<br />

the song progresses, you really get to hear<br />

Shota putting fantastic emotion &<br />

expression in the music, increasingly right<br />

up to its very end.<br />

Album Review

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