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“My Foolish Heart” was where things started<br />
to change for me…where I really started to<br />
appreciate the sincerity in the music of<br />
Nothing But You on their Tony Bennett cover.<br />
I think it’s also the last song where you might<br />
question Nicky’s choices; I could understand<br />
some people thinking she’s right at the edge of<br />
her tone & range to hit the high-parts…but<br />
from what I’ve gathered throughout her<br />
performances on these tunes, she’s putting in<br />
a determined effort to let the art of the writing<br />
shine through her mood, attitude and tone. So<br />
while it could be argued from a technical<br />
standpoint at times that it still sounds a little<br />
raw – I think what we trade for rounded,<br />
polished edges here on “My Foolish Heart”<br />
help bring out the honest sincerity of the<br />
intentions behind the writing of this cover<br />
tune. That’s always a deal I’m willing to<br />
make…and I think you get a lot of Nicky’s<br />
genuine emotion through the way she<br />
approaches her vocals here.<br />
Shota’s piano-playing has been spot-on<br />
throughout everything I’ve heard so far and<br />
has been incredibly reliable for Nicky, who inturn<br />
as a result really gets to explore<br />
entertainment, performance, character &<br />
attitude within these songs they play together.<br />
“New York State Of Mind” is a fantastic<br />
example of this project at its best with bold<br />
confident tones and beautiful notes twinkling<br />
from the piano while Nicky puts a highlight<br />
display of some of her most powerful vocals<br />
we’ve heard so far on the record. Quite often<br />
that can be a result of knowing the material<br />
inside & out…could be a cover that she knows<br />
really, really well – but I think you also hear<br />
the quality of her performances rise again<br />
right around here on the album.<br />
47<br />
She hits the mark with real grace and<br />
power on “New York State Of Mind” and<br />
with a perfect mix of soulful & sweet on<br />
“Cry Me A River” right after – Nicky has<br />
raised-up the standards in the middle of<br />
this album and really become a force of<br />
expression to be reckoned with in these<br />
songs back-to-back. Another<br />
exceptional job of creating a beautiful<br />
combination of art & music combined –<br />
“Cry Me A River” is a massive highlight<br />
on Meant To Be and certainly a worthy<br />
cover version with its own validity.<br />
Switching it up to sweetened tones of<br />
guitar from Jerry Stucker for the emotional<br />
melody of Leon Russell’s “A Song For You”<br />
– this was another highlight for me; and<br />
another tune that had shown me how<br />
much I’ve come to accept the dramatic &<br />
theatrical, artistic approach that Nicky<br />
brings to the vocals. It’s almost similar to<br />
acting in the way she delivers the material<br />
– but the sincere connection she has to the<br />
songs and the passion she brings to her<br />
performances makes it all more real than<br />
mere acting. You can tell Nicky both loves<br />
& lives this material, and was born with a<br />
song to sing & share with the world. “A<br />
Song For You” showcases an artist that’s<br />
right in the moment…committed to the<br />
song & really making it her own. I felt<br />
much the same about Eric Carmen’s “All<br />
By Myself” and Nothing But You’s cover<br />
version; a great performance from Nicky<br />
leads the way to captivating moments that<br />
capture the essence of the emotion – and a<br />
real highlight for Shota’s piano-playing. As<br />
the song progresses, you really get to hear<br />
Shota putting fantastic emotion &<br />
expression in the music, increasingly right<br />
up to its very end.<br />
Album Review