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TMN Magazine issue 4

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Without being intensely familiar with every song title on the list, the fact that many of<br />

these were classic-theatricals, Broadway melodies and show-tunes of sorts was lost on<br />

me at first. As “Lost Without Your Love” began, I was unsure if Nicky was over-singing<br />

the song…there are moments where the dramatic delivery sounds so committed to<br />

performance that it almost came out over the top; but eventually, the tone and<br />

approach of what she brings to her soulful sound makes much more sense as the<br />

playlist continues on and Meant To Be sticks cohesively to its ambitions, sentiment &<br />

ideas. The earlier tunes like “Lost Without Your Love” and “Misty” both had moments<br />

where I was questioning the performances at moments until I realized that the<br />

theatrical-side of Nothing But You’s music is a part of the recipe to their own signature<br />

magic…and gradually, I accepted these songs more and more.<br />

I still think there are a few questionable moments in “Lost Without Your Love” and in<br />

“Misty” as well as far as Nicky’s vocals are concerned…but nothing off-putting, just<br />

stylistic choices that you may/may-not accept on those first listens through.<br />

Sometimes the break in her voice is the perfect addition…at others it’s right on the<br />

fence for its tone on “Lost Without Your Love” – but with the beauty in Shota’s piano<br />

backing her up…really everything we hear<br />

becomes acceptable to our ears.<br />

That dramatic and theatrical<br />

approach that Nicky uses is built<br />

into the fabric of the writing in<br />

these cover songs…<br />

and in that sense,<br />

she’s doing these first two<br />

songs tremendous justice with<br />

confident and committed<br />

performances.<br />

Progressively, I felt like “Misty”<br />

already began to show an<br />

improvement on what we heard<br />

from her in the first two songs as<br />

she begins to let her voice truly<br />

soar & highlight the impressive<br />

range of her vocals – but it was<br />

after this point on the record that I thought<br />

this project really started to shine<br />

even more.<br />

46

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