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Kritik am Buch „The Shadow Of The Dalai Lama ... - Neues von Shi De

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Vajrayogini<br />

<strong>The</strong> “tantric female sacrifice” has found a sublime and many-layered expression in what is known as<br />

the “Vajrayogini rite”, which we would like to ex<strong>am</strong>ine briefly because of its broad distribution<br />

<strong>am</strong>ong the Tibetan l<strong>am</strong>as. Vajrayogini is the most important female divine figure in the highest yogic<br />

practices of Tibetan Buddhism. <strong>The</strong> goddess is worshipped as, <strong>am</strong>ong other things, “Mistress of the<br />

World”, the “Mother of all Buddhas”, “Queen of the Dakinis”, and a “Powerful Possessor of<br />

Knowledge”. Her reverential cult is so unique in androcentric L<strong>am</strong>aism that a closer ex<strong>am</strong>ination has<br />

much to recommend it. In so doing we draw upon a document on Vajrayogini praxis by the Tibetan<br />

l<strong>am</strong>a Kelsang Gyatso.<br />

This tantric ritual, centered upon a principal female figure, begins like all others, with the pupil’s<br />

adoration of the guru. Seated upon two cushions which represent the sun and moon, the master holds<br />

a vajra and a bell in his hands, thus emphasizing his androgyny and transsexual power.<br />

Vajra Yogini in the burning circle<br />

External, internal, and secret sacrifices are made to him and his lineage. Above all this concerns many<br />

imagined “sacrificial goddesses” which emanate from the pupil’s breast and from there enter the<br />

teacher’s heart. Among these are the goddesses of beauty, music, flowers, and the light. With the<br />

“secret sacrifices” the sadhaka pronounces the following: “And I offer most attractive illusory<br />

mudras, a host of messengers born from places, born from mantra, and spontaneously born, with

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