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Kritik am Buch „The Shadow Of The Dalai Lama ... - Neues von Shi De

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features. <strong>The</strong>se take the form of unusual markings on his physical body, like, for ex<strong>am</strong>ple, sun-wheel<br />

images on the soles of his feet. <strong>The</strong> tenth sign, known to Western medicine as cryptorchidism, is that<br />

the penis is covered by a thick fold of skin, “the concealment of the lower organs in a sheath”; this<br />

text goes on to add, “Buddha’s private parts are hidden like those of a horse [i.e., stallion]” (Gross,<br />

1993, p. 62).<br />

Even if cryptorchidism as an indicator of the Enlightened One in Mahayana Buddhism is meant to<br />

show his “asexuality”, in our opinion in Vajrayana it can only signal the appropriation of feminine<br />

sexual energies without the Buddha thus needing to renounce his masculine potency. Instead, in<br />

drawing the comparison to a stallion which has a penis which naturally rests in a “sheath”, it is<br />

possible to tap into one of the most powerful mythical sexual metaphors of the Indian cultural region.<br />

Since the Vedas the stallion has been seen as the supreme animal symbol for male potency. In Tibetan<br />

folklore, the <strong>Dalai</strong> L<strong>am</strong>as also possess the ability to “retract” their sexual organs (Stevens, 1993, p.<br />

180).<br />

<strong>The</strong> Buddha as mother and the yogi as goddess<br />

<strong>The</strong> “ability to give birth” acquired through the “theft” of gynergy transforms the guru into a<br />

“mother”, a super-mother who can herself produce gods. Every Tibetan l<strong>am</strong>a thus values highly the<br />

fact that he can lay claim to the powerful symbols of motherhood, and a popular epithet for tantric<br />

yogis is “Mother of all Buddhas” (Gross, 1993, p. 232). <strong>The</strong> maternal role logically presupposes a<br />

symbolic pregnancy. Consequently, being “pregnant” is a common metaphor used to describe a<br />

tantric master’s productive capability (Wayman, 1977, p. 57).<br />

But despite all of his motherly qualities, in the final instance the yogi represents the male arch-god,<br />

the ADI BUDDHA, who produced the mother goddess out of himself as an archetype: “It is to be<br />

noted that the primordial goddess had emanated from the Lord”, notes an important tantra interpreter,<br />

“<strong>The</strong> Lord is the beginningless eternal One; while the Goddess, emanating from the body of the Lord,<br />

is the produced one” (Dasgupta, 1946, p. 384). Eve was created from Ad<strong>am</strong>’s rib, as Genesis already<br />

informs us. Since, according to the tantric initiation, the feminine should only exist as a manipulable<br />

element of the masculine, the tantras talk of the “together born female” (Wayman, 1977, p. 291).<br />

Once the emanation of the mother goddess from the masculine god has been formally incorporated in<br />

the canon, there is no further obstacle to a self-imagining and self-production of the l<strong>am</strong>a as goddess.<br />

“<strong>The</strong>n behold yourself as divine woman in empty form” (Evans-Wentz, 1937, p. 177), instructs a<br />

guide to meditation for a pupil. In another, the latter declaims, “I myself instantaneously become the<br />

Holy Lady” (quoted by Beyer, 1978, p. 378).<br />

Steven Segal (Hollywood actor): <strong>The</strong> <strong>Dalai</strong> L<strong>am</strong>a “is the great mother of everything nuturing and loving.<br />

He accepts all who come without judgement.” (Schell, 2000, p. 69)<br />

Once kitted out with the force of the feminine, the tantric master even has the ability to produce whole<br />

hosts of female figures out of himself or to fill the whole universe with a single female figure: “To<br />

begin with, imagine the image (of the goddess Vajrayogini) of roughly the size of your own body,<br />

then in that of a house, then a hill, and finally in the scale of outer space” (Evans-Wentz, 1937, p.<br />

136). Or he imagines the cosmos as an endlessly huge palace of supernatural couples: “All male<br />

divinities dance within me. And all female divinities channel their sacred vajra songs through me”,<br />

the Second <strong>Dalai</strong> L<strong>am</strong>a writes lyrically in a tantric song (Mullin, 1991, p. 67). But “then, he [the yogi]

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