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Kritik am Buch „The Shadow Of The Dalai Lama ... - Neues von Shi De

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a small devotional shrine which according to Asahara housed some of the bones of the historical<br />

Buddha. He had brought them back with him from Sri Lanka to Japan. <strong>The</strong> room in which a wide<br />

variety of tinctures for the production of poisonous gases were stored was referred to as the “Room of<br />

Genesis”. Things were more matter of fact on the ground floor, there were tanks, extruders, reactors,<br />

ducting systems, circulating pumps. <strong>The</strong> main hall was called Satian 7, which meant “Truth 7". But it<br />

also had a nickn<strong>am</strong>e. <strong>The</strong> young scientists referred to it simply as “the magician”. In the last days<br />

before the fateful attack on the underground a gigantic statue of Buddha was erected there.<br />

<strong>The</strong> Song of Sarin<br />

Since it is not difficult to manufacture and the ingredients were easy for AUM to obtain, research and<br />

production were concentrated upon a highly effective nerve gas by the n<strong>am</strong>e of Sarin. This poison had<br />

been developed by the German national socialists in the Second World War. Asahara’s relation to the<br />

deadly substance proved to be very multi-layered. It followed a fiendish three-stage cycle. At first<br />

there was constant talk of how the sect itself was the victim of poison gas attacks. “Wherever I go,”<br />

the Guru announced, “I have been sprayed from helicopters or planes. <strong>The</strong> hour of my death has been<br />

foretold. <strong>The</strong> gas phenomenon has already happened. Next time it might be an atomic bomb” (Kaplan<br />

and Marshall, 1996, p. 125). As a consequence of this paranoia it was decided to hit back with the<br />

s<strong>am</strong>e weapon. In the third phase the poison bec<strong>am</strong>e independent and developed into a quasi-divine<br />

substance. It was given half-ironic n<strong>am</strong>es like “Magic, Witch, and Sally” (Kaplan and Marshall, 1996,<br />

p. 121) and sung about in the following hymn:<br />

It c<strong>am</strong>e from Nazi Germany, a dangerous little chemical weapon,<br />

Sarin! Sarin!<br />

If you inhale the mysterious vapor, you will fall with bloody vomit<br />

from your mouth,<br />

Sarin! Sarin! Sarin — the chemical weapon.<br />

Song of Sarin, the brave.<br />

In the peaceful night of Matsumoto City<br />

People can be killed, even with our own hands,<br />

Everywhere there are dead bodies,<br />

<strong>The</strong>re! Inhale Sarin, Sarin,<br />

Prepare Sarin! Prepare Sarin! Immediately poisonous gas weapons<br />

will fill the place.<br />

Spray! Spray! Sarin, the brave Sarin<br />

(Kaplan and Marshall, 1996, pp. 212-213)<br />

<strong>The</strong> original plan was to spray the poison gas over the parli<strong>am</strong>ent and government buildings with a<br />

helicopter so as to paralyze the Japanese apparatus of state. <strong>The</strong> attack on the underground system<br />

was therefore regarded as only a preparatory exercise.<br />

Interestingly, 60 years before the events in Tokyo the Russian whom we have already portrayed in<br />

detail, Nicholas Roerich, had linked the Sh<strong>am</strong>bhala myth to poison gases. He was convinced that the<br />

wonderland was protected from invaders by a gaseous substance that he called “sur”. Here is his<br />

story, told to him on his travels through Central Asia in search of Sh<strong>am</strong>bhala by a Buddhist monk: “A<br />

l<strong>am</strong>a, leader of a caravan, covers his mouth and nose with a scarf. He is asked why, since it is not<br />

cold. He reports: 'Caution is needed now. We are approaching the forbidden zone of Sh<strong>am</strong>bhala. We<br />

shall soon notice 'sur', the poisonous gas that protects the border of Sh<strong>am</strong>bhala. Konchok, our

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