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Kritik am Buch „The Shadow Of The Dalai Lama ... - Neues von Shi De

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contact with L<strong>am</strong>aist cultural images after the war, they emphatically reassure us that these were a<br />

matter of Western “illusions”, or at least Western hybrids of L<strong>am</strong>aism which were in no sense just.<br />

With this they seem to think the problem is solved (in this regard, see Brauen 2000). But they leave us<br />

waiting for an ex<strong>am</strong>ination of contents which reveals to what depth and extent ideas and practices<br />

from L<strong>am</strong>aism have been directly incorporated by the fascist side. Yet a debate about the images,<br />

archetypes, metapolitical visions, political structures, and rituals from the Tibetan cultural sphere<br />

which the neo-Nazis refer back to is of far greater interest than the question of whether there was<br />

personal contact between l<strong>am</strong>as and Nazis. Here the actual work of cultural criticism begins, which<br />

entails<br />

1. discovering L<strong>am</strong>aist myths of origin behind the “Nazi fantasies”<br />

2. investigating these L<strong>am</strong>aist myths of origin<br />

3. ex<strong>am</strong>ining structural similarities between neo-fascism and L<strong>am</strong>aism<br />

Only then when such “myths of origin” are not to be found can the Nazi- Tibet connection be said to<br />

have been exposed as a purely Western fiction.<br />

<strong>The</strong> following list of paradigms, concepts, theories, methods, and myths which have essentially<br />

shaped the culture of L<strong>am</strong>aism (and still do) have become central for the neo-fascist movement:<br />

• <strong>The</strong> combination of religious and political power<br />

• A strictly hierarchical state structure that rests upon a spiritually based “Führer principle”<br />

• <strong>The</strong> out and out patriarchal orientation of the state and society<br />

• A pattern of complete subordination of pupil to master<br />

• <strong>The</strong> appearance of divine beings of earth to fulfill political missions (the avatar, incarnation,<br />

and Bodhisattva principle)<br />

• A political micro-/macrocosmic theory according to which a Buddhist ruler represents a<br />

likeness of the entire universe.<br />

• <strong>The</strong> idea of a world ruler (Chakravartin) and a violent conquest of the world<br />

• <strong>The</strong> motif of spiritual/political redemption<br />

• <strong>The</strong> idea of a superhuman center of power in Asia, from where an influence on world politics<br />

is exercised (the Sh<strong>am</strong>bhala myth)<br />

• <strong>The</strong> legitimation of contemporary politics through mythic roots<br />

• <strong>The</strong> derivation of political control from myths of the sun and light<br />

• <strong>The</strong> myth of the “black sun” (Rahu myth in the Kalachakra Tantra)<br />

• Alchemic speculations (as in the Kalachakra Tantra)<br />

• An interest in secret men’s associations (members of orders)<br />

• <strong>The</strong> existence of a supernatural community of “priestly warriors” (Sh<strong>am</strong>bhala warriors) who<br />

observe and influence the history of the world<br />

• A “Buddhist” warrior ethic based upon spiritual control of the body and emotions<br />

• An apocalyptic final battle, in which good and evil stand opposed and all nonbelievers are<br />

annihilated (Sh<strong>am</strong>bhala war)<br />

• A fascination with the machinery of war (Sh<strong>am</strong>bhala myth)<br />

• Flying discs (UFOs) — corresponding objects (flying wheels) will be put to use in the final<br />

Sh<strong>am</strong>bhala war<br />

• A magical view of the world and the associated conception that the manipulation of symbols

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