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Kritik am Buch „The Shadow Of The Dalai Lama ... - Neues von Shi De

Kritik am Buch „The Shadow Of The Dalai Lama ... - Neues von Shi De

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<strong>Dalai</strong> L<strong>am</strong>a by Per K. Sorensen. <strong>The</strong> author claims that the poetry of the god-king used the erotic<br />

images as allegories: the “tiger girl” conquered in a poem by the sixth Kundun is supposed to<br />

symbolize the clan chief of the Mongols (Sorensen, 1990, p. 226). <strong>The</strong> “sweet apple” or respectively<br />

the “virgin” for whom he reaches out are regarded as the “fruits of power” (Sorensen, 1990, p. 279).<br />

Sorensen reinterprets the “love for a woman” as the “love of power” when he writes: “We shall<br />

tentatively attempt to read the constant allusion to the girl and the beloved as yet a hidden reference to<br />

the appropriation of real power, a right of which he [the Sixth <strong>Dalai</strong> L<strong>am</strong>a] was unjustly divested by a<br />

despotic and complacent Regent, who in actual fact demonstrated a conspicuous lack of interest in<br />

sharing any part of the power with the young ruler” (Sorensen, 1990, p. 48).<br />

But this is a matter of much more than allegories. A proper understanding of the tantras instantly<br />

makes the situation clear: the Sixth <strong>Dalai</strong> L<strong>am</strong>a was constantly conducting tantric rituals with his girls<br />

in order to attain real power in the state. In his mind, his karma mudras represented various energies<br />

which he wanted to acquire via his sexual magic practices so as to gain the power to govern which<br />

was being withheld from him. If he composed the lines<br />

As long as the pale moon<br />

Dwells over the East Mountain,<br />

I draw strength and bliss<br />

From the girl’s body<br />

(Koch, 1960, p. 172)<br />

- then this was with power-political intentions. Yet some of his lines are of such a deep melancholy<br />

that he probably was not able to always keep up his tantric control techniques and had actually fallen<br />

deeply in love. <strong>The</strong> following poem may indicate this:<br />

I went to the wise jewel, the l<strong>am</strong>a,<br />

And asked him to lead my spirit.<br />

<strong>Of</strong>ten I sat at his feet,<br />

But my thoughts crowded around<br />

<strong>The</strong> image of the girl.<br />

<strong>The</strong> appearance of the god<br />

I could not conjure up.<br />

Your beauty alone stood before my eyes,<br />

And I wanted to catch the most holy teaching.<br />

It slipped through my hands, I count the hours<br />

Until we embrace again.<br />

(Koch, 1960, p. 173)<br />

A tantric history of Tibet<br />

<strong>The</strong> following, Seventh <strong>Dalai</strong> L<strong>am</strong>a (1708-1757) was the complete opposite of his predecessor. Until<br />

now no comparisons between the two have been made. Yet this would be worthwhile, then whilst the<br />

one represented wildness, excess, fantasy, and poetry, his successor relied upon strict observance,<br />

bureaucracy, modesty, and learning. <strong>The</strong> tantric scheme of anarchy and order, which the “Great Fifth”<br />

ingeniously combined within his person, fell apart again with both of his immediate successors.<br />

Nothing interested the Seventh <strong>Dalai</strong> L<strong>am</strong>a more than the state bureaucratic consolidation of the<br />

Kalachakra Tantra. He commissioned the N<strong>am</strong>gyal Institute, which still today looks after this task,

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