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Kritik am Buch „The Shadow Of The Dalai Lama ... - Neues von Shi De

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of power political concerns nor from executing other f<strong>am</strong>ily members when these opposed her will.<br />

Her generals were engaged with varying success in the most bloody battles with the Tibetans and<br />

other bordering peoples.<br />

Probably because she was a woman, her unscrupulous and despotic art bec<strong>am</strong>e proverbial for later<br />

historians. <strong>The</strong> outrageousness which radiated out from this “monstrous” Grande D<strong>am</strong>e upon the<br />

Dragon Throne still echoes today in the descriptions of the historians. <strong>The</strong> German Sinologist, Otto<br />

Franke, for ex<strong>am</strong>ple, characterizes her with what is for an academic exceptionally strong emotions:<br />

“Malicious, vengeful, and cruel to the point of sadism, thus she began her career, unbridled addiction<br />

to power, insensitivity even to the natural maternal instinct, and a unquenchable desire for murder<br />

accompany her on the stolen throne, grotesque megalomania combined with religious insanity distorts<br />

her old age, childish helplessness in the face of every form of charlatanism and complete lack of<br />

judgement in administration and politics lead finally to her fall and bring the state to the edge ... A<br />

demoness in her unbridled passion, Wu Zetian allied herself with the dark figures of Chinese<br />

history” (Franke, 1961, p. 424).<br />

Wu Zetian supported Buddhism fanatically, so as to establish it as the state religion in place of Doism.<br />

“<strong>The</strong> Empress who takes God as her ex<strong>am</strong>ple”, as she called herself, was a megalomaniac not just<br />

about political matters but also in religious ones, especially because she let herself be celebrated as<br />

the incarnation of the Buddha Maitreya, of the ruler of the of the coming eon. Her she appealed to<br />

prophecies from the mouth of the historical Buddha. In the Great Cloud Sutra it could be read that,<br />

700 years after his death, Shaky<strong>am</strong>uni would be reborn in the form of a beautiful princess, whose<br />

kingdom would become a real paradise. “Having planted the germs of the Way during countless<br />

kalpas [ages], [she as Maitreya] consents to the joyous exaltation by the people”, it says of the<br />

Empress in one contemporary document. (Forte, 1988, p. 122). According to other sources, Wu Zetian<br />

also allowed herself to be worshipped as the Bodhisattva, Avalokiteshvara, and as the Sun Buddha,<br />

Vairocana.<br />

As Buddhist she oriented herself to the Abhidharmakosa’s cyclical conception of the four ages of the<br />

world we have described above, and which we also find in the Kalachakra Tantra. Thus, at end of the<br />

dark and at the dawn of the new age to come, stood this Chinese Empress in the salvational figure of<br />

the Buddha Maitreya. Her chiliastic movement, which she led as a living Buddhist messiah, had no<br />

small following <strong>am</strong>ong the people, yet c<strong>am</strong>e into hefty conflict with established Buddhism and the<br />

Confucian powers at court, above all because this savior was also a woman.<br />

From the Buddhist teachings Wu Zetian also adopted the political doctrine of the Chakravartin, the<br />

wheel turner who reigns over the entire globe. She would lead her people, we may read in a prophesy,<br />

by “turning the golden wheel” (Forte, 1988, p.122). One of her titles was “<strong>The</strong> Golden Wheel of<br />

Dominion Turning God-Emperor”. (Franke, 1961, p. 417). But even this was not enough for her. Two<br />

years later she intensified her existing epithet and let herself be known as “ <strong>The</strong> Holy God-Emperor<br />

Surpassing <strong>The</strong> Former Golden Wheel Turning God-Emperor” (Franke, 1961, p. 417). <strong>The</strong> “golden<br />

wheel”, along with the other appropriate emblems of the Chakravartin were hung in her hall of<br />

audience.<br />

So as to visibly demonstrate and symbolically buttress her control of the world, she ordered the entire<br />

kingdom to be covered with a network of state temples. Each temple housed a statue of the Sun<br />

Buddha (Vairocana). All of these images were considered to be the emanations of a gigantic<br />

Vairocana which was assembled in the imperial temple of the capital and in which the Empress

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