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Kritik am Buch „The Shadow Of The Dalai Lama ... - Neues von Shi De

Kritik am Buch „The Shadow Of The Dalai Lama ... - Neues von Shi De

Kritik am Buch „The Shadow Of The Dalai Lama ... - Neues von Shi De

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Alakh Gong Rri Tsang, the woman Grand Buddha of Drukh Kurr Gomba<br />

And now we should let the author speak for himself: „And as I watched her, my jaw dropped. I stared<br />

as she began to disrobe. A shrug of the shoulders her and her long toga slipped to the floor. <strong>The</strong>n she<br />

loosened the silken girdle at her waist and let drop the voluminous skirt-like garment. Her other<br />

garments followed, one by one, until they formed a red pile at her feet. And I saw, what I <strong>am</strong> sure no<br />

white man ever saw before me, or ever will see again, the nude body of Alakh Gong Rri Tsang, the<br />

woman Grand Buddha of Drukh Kurr Gomba. Her body was <strong>am</strong>azingly voluptuous, and, I suppose,<br />

beautiful. Her breasts stood like those of a schoolgirl, firm and round – like hemispheres of pure<br />

alabaster. Her figure was magnificent and of sinuously generous proportions. I was minded of the<br />

substantial nudes of Michelangelo and his school. And <strong>am</strong>id the ever-encircling bats she stood there –<br />

still gazing ecstatically upward” (Forman, 1936, p. 183). If we ex<strong>am</strong>ine the photo which Forman took<br />

of the Abbess in the convent and in which she is not to be distinguished from a portly male Abbot,<br />

one is indeed most <strong>am</strong>azed at just what is supposed to be hidden beneath the clothes of the Living

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