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Kritik am Buch „The Shadow Of The Dalai Lama ... - Neues von Shi De

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mentioned above are combined by the Tibetan “god-king” as the highest vajra master with the<br />

Kalachakra Tantra. According to what is known as the Rwa tradition, the Bodhisattva<br />

Avalokiteshvara even stands at the beginning of the Buddhist doctrine of time as the “root<br />

guru” (Newman, 1985, p. 71). Now, what do we know about the performance of the Kalachakra<br />

system by the current incarnation of the Chenrezi, His Holiness the Fourteenth <strong>Dalai</strong> L<strong>am</strong>a?<br />

Almost nothing is known in public about the eight “highest initiations” of the Time Tantra described<br />

in the first part of our study, but all the more is known about the seven lower initiations. <strong>The</strong>y have<br />

been and continue to be conducted by His Holiness — frequently, publicly, on a grand scale and<br />

throughout the whole world. <strong>The</strong> ostentatious performance of a Kalachakra spectacle set in scene by<br />

the monks of the N<strong>am</strong>gyal Institute [3] in colorful robes is meanwhile an exotic sensation, which on<br />

each occasion attracts the attention of the world’s press. Thousands, in recent years hundreds of<br />

thousands, come flocking to experience and marvel at the religious spectacle.<br />

<strong>The</strong> Kalachakra Tantra, whose aggressive and imperialist character we have been able to demonstrate<br />

in detail, is referred to by the <strong>Dalai</strong> L<strong>am</strong>a without the slightest scruple as a “vehicle for world peace”:<br />

“We believe unconditionally in its ability to reduce tensions”, the god-king has said of the Time<br />

Tantra, “<strong>The</strong> initiation is thus public, because in our opinion it is suited to bringing peace, to<br />

encouraging the peace of the spirit and hence the peace of the world as well” (Levenson, 1990, p.<br />

304).<br />

Interested westerners, who still block out the magic-religious thought patterns of L<strong>am</strong>aism, are<br />

presented with the Kalachakra ritual and the associated sand mandala as a “total work of art, in which<br />

sound and color, gesture and word are linked with one another in a many-layered, significance-laden<br />

manner” (Frankfurter Allgemeine Zeitung, 1 February 1986). For the <strong>Dalai</strong> L<strong>am</strong>a, however, an<br />

assembly of the invoked gods actually takes place during the rite.<br />

In the year 1953 His Holiness was initiated into the Kalachakra rites by Ling Rinpoche for the first<br />

time. To what level is unknown to us. Profoundly impressed by the beauty of the sand mandala, the<br />

young Kundun fell into a state of dizziness. Shortly afterwards he spent a month in seclusion and was<br />

internally very moved during this period. In saying the prayers the words often stuck in his throat<br />

through emotion: “In hindsight I understand this situation to have been auspicious, an omen that I<br />

would conduct the Kalachakra initiation much more often than any of my predecessors” (<strong>Dalai</strong> L<strong>am</strong>a<br />

XIV, 1993a, p. 118).

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