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Kritik am Buch „The Shadow Of The Dalai Lama ... - Neues von Shi De

Kritik am Buch „The Shadow Of The Dalai Lama ... - Neues von Shi De

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But is there no difference between the guru and the sadhaka any more after the initiation? This is<br />

indeed the case when both are at the s<strong>am</strong>e level of initiation. But if the master has been initiated into a<br />

higher stage, then he completely encompasses the lower stage at which the pupil still finds himself.<br />

For ex<strong>am</strong>ple, if the initiand has successfully completed all seven lower solemnities of the Kalachakra<br />

Tantra yet the Kalachakra master is acting from the eighth initiation stage, then the pupil has become<br />

a part of the initiating guru, but the guru is in no sense a part of the pupil, since his of spiritual power<br />

skills are far higher and more comprehensive.<br />

<strong>The</strong> initiation stages and the individuals assigned to them thus stand in a classic hierarchical relation<br />

to one another. <strong>The</strong> higher always integrate the lower, the lower must always obey the higher, those<br />

further down are no more than the extended arm of those above. Should, for ex<strong>am</strong>ple — as we suspect<br />

— the <strong>Dalai</strong> L<strong>am</strong>a alone have attained the highest initiation stage of the Kalachakra Tantra, then all<br />

the other Buddhists initiated into the Time Tantra would not simply be his subordinates in a<br />

bureaucratic sense, but rather outright parts of his self. In his system he would be the arch-god (the<br />

ADI BUDDHA), who integrated the other gods (or Buddhas) within himself, then since all individual<br />

and human elements of the initiand are destroyed, there are only divine beings living in the body of<br />

the pupil. But these too stand in a ranked relationship to one another, as there are lower, higher and<br />

supreme deities. We thus need — to formulate things somewhat provocatively — to ex<strong>am</strong>ine whether<br />

the Kalachakra Tantra portrays a huge divine time machine with the <strong>Dalai</strong> L<strong>am</strong>a as the prime mover<br />

and his followers as the various wheels.<br />

<strong>The</strong> four higher “secret” initiations<br />

<strong>The</strong> seven lower initiations are supposed to first “purify” the pupil and then transform him into a<br />

deity. For this reason they are referred to as the “stage of production”. <strong>The</strong> following “four higher<br />

initiations” are considered to be the “stage of perfection”. <strong>The</strong>y are known as: (8) the vase initiation;<br />

(9) the secret initiation; (10) the wisdom initiation; and (11) the word initiation. <strong>The</strong>y may only be<br />

received under conditions of absolute secrecy by a small number of chosen.<br />

In all of the higher initiations the presence of a young woman of ten, twelve, sixteen, or twenty years<br />

of age. Without a living karma mudra enlightenment cannot, at least according to the original text, be<br />

attained in this lifetime. <strong>The</strong> union with her thus counts as the key event in the external action of the<br />

rituals. Thus, as the fourth book of the Kalachakra Tantra says with emphasis, “neither meditation<br />

nor the recitation of mantras, nor the preparation, nor the great mandalas and thrones, nor the<br />

initiation into the sand mandala, nor the summonsing of the Buddhas confers the super natural<br />

powers, but alone the mudra” (Grünwedel, Kalacakra IV, p. 226).<br />

Further, in the higher initiations the adept is obliged to ritually consume the five types of meat (human<br />

flesh, elephant meat, horseflesh, dog, and beef) and drink the five nectars (blood, semen, menses ...).<br />

In texts which are addressed to a broad public the vase initiation (8) is euphemistically described as<br />

follows. <strong>The</strong> vajra master holds a vase up before the sadhaka’s eyes. <strong>The</strong> adept visualizes a sacrificial<br />

goddess who carries the vase. <strong>The</strong> vessel is filled with a white fluid (Henss, 1985, p. 51). In reality,<br />

however, the following initiation scene is played out: firstly the pupil brings the l<strong>am</strong>a a “beautiful girl,<br />

without blemish”, twelve years of age. He then supplicates to receive initiation and sings a hymn of<br />

praise to his guru. “Satisfied, the master then touches the breast of the mudra in a worldly<br />

manner” (Naropa, 1994, p. 190). This all takes place before the pupil’s watchful gaze, so as to

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