09.12.2012 Views

Kritik am Buch „The Shadow Of The Dalai Lama ... - Neues von Shi De

Kritik am Buch „The Shadow Of The Dalai Lama ... - Neues von Shi De

Kritik am Buch „The Shadow Of The Dalai Lama ... - Neues von Shi De

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Arabic influences upon Indian alchemy are presumed, but the latter certainly predates these. Even<br />

older are the sophisticated alchemic–sexual magic experiments of the Taoists. For this reason, some<br />

important Western scholars of Asia, for ex<strong>am</strong>ple, David Gordon White, Agehananda Bharati, and<br />

Joseph Needh<strong>am</strong>, are of the opinion that China could be considered a possible origin for both the<br />

“high art” and Indian Tantrism. On the other hand, European alchemy of early modern times (16 th to<br />

18 th century) has so many similarities to the symbolic world of tantric-alchemic India, that — since a<br />

direct influence is difficult to imagine — one must either posit a common historical, most probably<br />

Egyptian, origin, or must assume that both esoteric currents drew upon the s<strong>am</strong>e archetypal reservoir<br />

of our collective unconsciousness. Most probably, both are the case.<br />

In the West, the close relationship between occidental alchemy and Tantrism has been thematized by,<br />

<strong>am</strong>ong others, the religious studies scholar Mircea Eliade and Carl Gustav Jung, the depth<br />

psychologist. Jung more than once drew attention to the parallels between the two systems. His<br />

introduction to a quasi-tantric text from China with the title Das Geheimnis der goldenen Blüte [‘<strong>The</strong><br />

Secret of the Golden Flower’] is just one ex<strong>am</strong>ple from many. Mircea Eliade also saw “a remarkable<br />

correspondence between Tantrism and the great western mysteriosophical [sic] current ..., in which at<br />

the beginning of the Christian era gnosis, hermetics, Greek/Egyptan alchemy and the traditions of the<br />

mysteries flowed together” (Eliade, 1985, p. 211). <strong>Of</strong> the more modern authors, it is primarily David<br />

Gordon White who deserves mention; he has exhaustively studied the close link between alchemic<br />

ideas and experiments and the Indian Siddhas (sorcerers) and their tantric practices. Without doubt,<br />

Tantrism and alchemy, whether of Indian or European provenance, share many fund<strong>am</strong>ental images<br />

with one another.<br />

Just like their oriental colleagues, the occidental alchemists expressed themselves in a twilight<br />

language (sandhabhasa). All the words, signs, and symbols, which were formulated to describe the<br />

experiments in their obscure “laboratories”, possessed multiple meanings and were only<br />

comprehensible to the “initiated”. Just as in some tantra texts, “secret” practices were represented by<br />

“harmless” images in the European treatises; this was especially true of the topic of erotic love and<br />

sexuality. This strong link to the erotic may appear absurd in the case of chemical experiments, but<br />

the alchemic world view was, just like that of Tantrism, dominated by the idea that our universe<br />

functions as the creation and interplayof a masculine and a feminine principle and that all levels of<br />

existence are interpenetrated by the polarity of the sexes. “Gender is in everything, everything has<br />

masculine and feminine principles, gender reveals itself on all levels”, we can read in a European<br />

treatise on the “great art” (Gebelein, 1991, p. 44).<br />

This was also true for the sphere of chemical substances and compounds, the metals and elements.<br />

Both the tantric and the alchemic writings are therefore maps of the erotic imagination and anyone<br />

with a little speech psychology can recognize the pervasive sexual system of reference hidden in a<br />

hermetical text from the 16 th century. At that time people did not have the slightest qualms about<br />

describing chemical processes as erotic events and erotic scenarios as chemical fusions. <strong>The</strong>y behaved<br />

in exactly the s<strong>am</strong>e manner in the West as in the East.<br />

Let us now ex<strong>am</strong>ine tantric alchemy a little more closely. <strong>The</strong> Tibetan l<strong>am</strong>a, Dragpa Jetsen, for<br />

ex<strong>am</strong>ple, distinguishes three aspects of the royal art: the “Alchemy of life: he can make his life last as<br />

long as the sun and moon[; the] Alchemy of body: he can make his body eternally be but sixteen years<br />

old[; and the] Alchemy of enjoyments: he can turn iron and copper into gold” (quoted by Beyer, 1978,<br />

p. 253). <strong>The</strong>se three experiments, then, primarily concern two goals: firstly the attainment of

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!