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Kritik am Buch „The Shadow Of The Dalai Lama ... - Neues von Shi De

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(Bhattacharya, 1982, p. 116, note 41; Tiwari 1985). <strong>The</strong> native inhabitants of the first pre-Aryan<br />

agricultural societies were followers of the “great goddess”. Ritual objects from excavations of the<br />

ancient towns of Mohenjodaro and Harappa (c. 2500 B.C.E.) indicate that matriarchal cults were<br />

practiced there. Astounding parallels to the Babylonian goddesses of the Fertile Crescent have been<br />

drawn.<br />

Only following the violent intrusion of patriarchal pastoral peoples from the north (around 1500 B.C.<br />

E.) was the native religion of India systematically displaced. From now on the Aryan caste system<br />

with its sacrificial priests (Brahmans) and warriors (Kshatriyas) at its peak determined social religious<br />

politics. Nor did the first phase of Buddhism show any essential change in the androcentric pattern. At<br />

the time of the Maurya and Gupta periods (around 300 C.E.) this experienced a decisive<br />

transformation. <strong>The</strong> ascetic doctrine of early Buddhism (Hinayana) gave way to the ideal of the<br />

compassionate Bodhisattva (Mahayana). Hinduism’s colorful lineage of gods developed — often<br />

represented as great mythical couples. But the archeologists have also excavated numerous clay<br />

figures from this epoch, which depict the Great Mother deity. Her figure even appears on coins. <strong>The</strong><br />

submerged “feminine principle” of the earliest times thus reappeared between the third and seventh<br />

centuries C.E. in India.<br />

Starting <strong>am</strong>ong the rural population it gained access to even the highest strata. “ <strong>The</strong> mass strength<br />

behind it,” Bhattacharyya informs us, “placed goddesses by the side of gods of all religions, but even<br />

by doing so the entire emotion centering round the Female Principle could not be channelised. So the<br />

need was felt for a new religion, entirely female dominated, a religion in which even the great gods<br />

like Visnu or <strong>Shi</strong>va would remain subordinated to the goddess. This new religion c<strong>am</strong>e to be known<br />

as Shaktism” (Bhattacharyya, 1982, p. 207).<br />

<strong>The</strong> Buddhists were also not in a position to remain completely untouched by this renaissance of<br />

ancient female cults. This can be detected, for ex<strong>am</strong>ple, in the f<strong>am</strong>ous collection of poems,<br />

<strong>The</strong>rigatha, where Buddhist nuns sing of their liberation from the slavery of everyday f<strong>am</strong>ily life. But<br />

there was never a real emancipation movement of female Buddhists. In contrast the followers of the<br />

Buddha Shaky<strong>am</strong>uni were successful in their epochal attempt to gain control of the “new women”,<br />

through integration and manipulation, without needing to combat or suppress the emergent “woman<br />

power” directly: the monks discovered Vajrayana.<br />

<strong>The</strong>re is much to be said for the suggestion the tantric practices, or at least similar rites, were<br />

originally part of the cult of worship of the great goddess, which in contrast to early Buddhism had a<br />

completely free and open attitude towards sexuality. This is also admitted implicitly by the Buddhist<br />

yogis when they project all the forces of the universes into a female archetype. Since they were<br />

convinced they possessed a technique (upaya) which in the final instance placed absolute power over<br />

the goddess in their hands, the could maintain this apparent omnipotence of the feminine without risk.<br />

One almost has the impression that they deliberately adopted the omnipotent matriarchal image.<br />

Yet as soon as women actually grasped for power, this was seen by all the androcentric cults of India<br />

as a great disaster and much feared. <strong>The</strong> woman then appears as a bestial horror god or a bloodthirsty<br />

tigress who kills her lover, performs bizarre dances upon his corpse or places the still-aroused penis of<br />

the dead in her vulva. She is depicted as a being with a gaping maw and bloody canines. Numerous<br />

variants of such macabre portraits are known. In the light of such images of horror the fears of the<br />

men were thoroughly justified and man-destroying cult sacrifices were then no rarity in the vicinity of

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