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World Image Magazine - January 2017

World Image Magazine, the Photography and travel magazine of the Peoples Photographic Society.

World Image Magazine, the Photography and travel magazine of the Peoples Photographic Society.

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Kids of Uganda<br />

Foreigner in Concert<br />

Flowers in My Lens<br />

Wildlife Borneo - Sabah Reef<br />

In Flight<br />

British Insects - Bees<br />

The Basilique Notre-Dame de l'Epine<br />

Harbours<br />

Feathered Uganda<br />

Patas Monkey of Uganda<br />

Secret Circus<br />

And more<br />

Website = photosociety.net Page 1 email = magazine@photosociety.net


Gordon Longmead - England - CEO<br />

Peter Hogel - Uganda - Deputy CEO<br />

Scott Hurd - Namibia<br />

Tom Coetzee - South Africa<br />

Paul Welch—Australia<br />

National and Regional Management<br />

Steve Cook - USA<br />

Robert Murray - Scotland<br />

Tina Andreasson - Sweden and Mexico<br />

Jack Glisson - Kentucky USA<br />

Contents:<br />

4 Kids of Uganda<br />

8 Saal Digital Review<br />

12 Foreigner appearing 15/4/14 at Wolverhampton<br />

16 De Havilland Tiger Moth<br />

18 Flowers in My Lens<br />

22 Secret Circus<br />

24 Study in Nature<br />

26 Winter in Minnesota<br />

32 Wildlife Borneo - Another Day in Paradise<br />

36 British Insects - Bees<br />

40 The Basilique Notre-Dame de l'Epine<br />

42 A Study in Greyscale - Harbours<br />

43 Feathered Uganda<br />

44 Patas Monkey of Uganda<br />

© Please remember that all articles and images published in this magazine are copyright protected<br />

Cover Picture Paul Welch, Perth Australia<br />

Website = photosociety.net Page 2 email = magazine@photosociety.net


Satsangi National Park - at Tadoba - Andhari Tiger Reserve. Nam Prasad<br />

Kuyimba means 'to sing' in the Zambian<br />

Chinyanja language and this site is a<br />

celebration of the sights and sounds of southern<br />

Africa. Join us to experience it for yourself.<br />

Derek & Sarah Solomon<br />

www.kuyimba.com<br />

Website = photosociety.net Page 3 email = magazine@photosociety.net


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Ok, so those of you who are in the facebook group and can<br />

remember as far back as last month, you will recall that I<br />

was doing a trial for saal digital on their photo books. To<br />

that end they supplied a copy of their software which was<br />

easy to download and install. There are really two parts to<br />

this trial, the first is the software and the second is the<br />

delivery and book quality. So I will start with the software.<br />

There are a few items that should be looked at to find a<br />

resolution, the first and most annoying is the photo id tag<br />

that appears when you select an image, it gets in the way<br />

when trying to position an image in an overall page design.<br />

This would be an easy fix, simply by putting the tag to the side of the screen and make it smaller. Yes I<br />

do realise that the tag id’s the picture, but we are sensible enough to realise that when we select an image<br />

the details tag applies to that selection.<br />

The second in the annoying stakes (very close second) is that the snap-to refuses to allow you to position<br />

an image where you want it. It shows the alignment assist lines, but with snap-to, you do not need them.<br />

This is especially true if you have other different size images on the page and want to align with the<br />

middle of the second image, it will not allow it, it will only align to the side edges or top and bottom.<br />

The alignment assist lines appear when the snap-to is on, but<br />

try and position images without the snap-to engaged, the<br />

assist lines disappear. The software appears to have this<br />

concept about face, you do not need assist lines with snap-to.<br />

The other downside in the alignment of images and text, is<br />

that there is no tool available to equally distribute the them<br />

either vertically or horizontally. If having designed your page<br />

with five images in a row across the top of the page, and you<br />

just spent lots of time getting their alignment right, make sure<br />

that is where you want them before you start the alignment<br />

process. If you later decide you want to move them to the<br />

bottom, you can not select them as a group, you have to move<br />

them one item at a time and realign them all over again.<br />

Of course you could just stick to using one of the many pre-designed book formats, of which there are<br />

many to chose from. But here you must be aware of the design pitfalls for photographers. As such we do<br />

not always use a standard format for our images, we vary between 4 x 6, 7 x 5, 10 x 8 and a host of<br />

others, but the guide images on the pre-designed books are set to a specific size. These may be vertical,<br />

horizontal, or square formats on the page, but if you import a 10 x 8 picture and the frame is 6 x 4, the<br />

image will be cropped to fit, the frame remains the same.<br />

The frames do have one option which I found useful, by not changing size, they allow you to zoom the<br />

image in to better fill the frame with the main subject. I realise that we tend to do this in camera or post<br />

processing, but there are times we wish we had the facility for aesthetic reasons later on.<br />

Website = photosociety.net Page 8 email = magazine@photosociety.net


Initial observations tend to colour the approach to any task, and that includes the software. So here are two<br />

such observations that could be easily remedied. When you want to return to a project after closing the<br />

program, it reopens on the start page, the link to open your project is in very small text at the bottom of the<br />

screen, this could and should be more prominent. The Help file is of no practical use and needs to relate to<br />

the program functions.<br />

You can add pages, but not on the left where it says add pages, but on the right of the page preview list at<br />

the bottom, you have to look carefully as it is a very small icon.<br />

Once you complete your photo book, there is a large button to submit it to the checkout, click on it and to all<br />

intents nothing happens. Search for the reason as much as you wish, nothing will help you (including the<br />

help file). Having searched the software for a way to access the checkout you may want to give up and go to<br />

bed. Instead, try clicking on that 'submit' button again, eventually it will guide you to the proper place.<br />

There are two different kinds of photo book available from Saal Digital, Photobook and Photobook XT. The<br />

difference lies in the thickness of the pages. The spreads of the photobook are adhered to each other on the<br />

*saal digital<br />

back side, while photobook XT is flush mounted on a thick and stable substrate (600 g/m²).<br />

While this review may appear at first sight to be negative, it must be stressed that all of the points<br />

mentioned are relatively minor and can easily be fixed by saal if they should chose to do so. If they do, this<br />

would be an excellent product.<br />

So how did I decide to test the book? Well I went for the nonstandard design approach. I began with a blank<br />

page and inserted pictures and text where I wanted them. As I have been in publishing for almost 20 years<br />

and in photography for over 50, I set it a high stakes challenge.<br />

I selected the book with the padded gloss cover, and used a single full colour wrap image for front and back<br />

that went fully round the spine. I included colour images of all sizes and shapes, left borders round some<br />

and not others, placed images across the center seam between facing pages, in fact anything I could think of<br />

to challenge the quality of the final product.<br />

Once completed, and submitted, I expected to wait<br />

for a week or more for the book to arrive, three<br />

days later it was delivered. Now that is what I call<br />

service, it may have been a one off experience, but<br />

only time will tell.<br />

The book arrived individually cello wrapped and<br />

protective wrapped, and in an strong envelope.<br />

The result of the test was simply stunning. The<br />

feel of the book was a delight, I half expected to<br />

have a book of chunky pages that felt like a jigsaw<br />

puzzle, but instead it was the feel of quality.<br />

The face is that the saal photo book took all my challenges and expectations in its stride, it is of ultra high<br />

quality, the clarity and colour balance of the printing is stunning, but then so were my pictures, this is not<br />

bragging, but there is no point testing using poor quality images.<br />

Would I recommend these? Well I fully intend to get more of them, so yes, I would strongly recommend<br />

them. I would love to test their other products but that may have to wait awhile.<br />

“@saal.digital.uk”<br />

Website = photosociety.net Page 9 email = magazine@photosociety.net


Bubbles by Mike Shawcros<br />

Valtteri Bottas (Williams) Sakir-Bahrain International Circuit 2016 F1 Grand Prix<br />

Picture by Tony Sparkes<br />

Website = photosociety.net Page 10 email = magazine@photosociety.net


I am Daddy by Brian Chalmers<br />

A creek by where I live in Halifax, Pennsylvania<br />

Picture by Deb Deibler<br />

Marbled Gecko by Paul Welch<br />

Peacock Portrait by Nicola Jane Crawford<br />

Website = photosociety.net Page 11 email = magazine@photosociety.net


Foreigner appearing 15/4/14 at Wolverhampton<br />

Pictures by Alan Griffiths<br />

Foreigner is a British-American hard rock band,<br />

originally formed in New York City in 1976 by<br />

veteran English musician Mick Jones and fellow<br />

Briton and ex-King Crimson member Ian McDonald<br />

along with American vocalist Lou Gramm.<br />

We have not tried to name the artists as with all<br />

groups the members change and, unless an avid fan,<br />

naming them can be a problem, so we will let you<br />

put the names to faces and just let you enjoy the<br />

pictures.<br />

Website = photosociety.net Page 12 email = magazine@photosociety.net


Website = photosociety.net Page 13 email = magazine@photosociety.net


On a recent trip to South Africa we went to a place called St Lucia in Kwa Zulu Natal. We have been here a<br />

few times before but this time we took a boat trip up or was it down the St Lucia estuary. This gave us a<br />

different perspective of the birds and animals from the boat. Here is the worlds largest heron in flight the<br />

Goliath Heron (Ardea goliath) with a wingspan of some 2.5m and standing almost 1.5m high.<br />

Tony Sparkes<br />

Egret take off shot at Sholingnallur by Nam Prasad Satsangi<br />

Website = photosociety.net Page 14 email = magazine@photosociety.net


Great Blue Heron, Reflection in Colour - Henderson Conservation Area, Petrolia, Ontario<br />

Picture by Kevin W. Moore<br />

The lift and takeoff by the African Jacana, Bird watching is big in the world and huge in Uganda...Eden<br />

Adventures knows the spots! Peter Hogel<br />

Website = photosociety.net Page 15 email = magazine@photosociety.net


I purchased my first Airfix model kit over 50 years ago. In those distant days buying a kit was like buying<br />

the x-box in present times, especially when pocket money was a few pence per week and kits were priced<br />

in pounds. The smaller ones were cheaper, and the Tiger Moth was probably the cheapest and thus my first<br />

kit.<br />

When I saw the picture above, I realised that it looked exactly like the kit, not just in appearance but the<br />

colour also. In those days I could never really believe that they would build a warplane and paint it bright<br />

yellow. The colour makes the plane very visible in the sky and I suspect to the enemy pilots. But of course<br />

we should remember that when these aircraft flew in combat, it was considered a gentlemanly sport with<br />

rules of engagement that were the purview of the elite on both sides.<br />

Website = photosociety.net Page 16 email = magazine@photosociety.net


Another reason the De Havilland was a favourite, is that it was built only four miles from my home. The<br />

de Havilland DH.82 Tiger Moth is a 1930s biplane designed by Geoffrey de Havilland, was operated by<br />

the Royal Air Force as a training aircraft. It was built by the de Havilland Aircraft Company based in<br />

Hatfield, England.<br />

The Second <strong>World</strong> War saw RAF Tiger Moth operating in other capacities, including maritime<br />

surveillance, defensive anti-invasion preparations, and some of the aircraft were outfitted as armed light<br />

bombers.<br />

Pictures by Kevin W. Moore<br />

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Warning! Use Secret Circus at your own risk. Studies have shown that first time users run a<br />

97% risk of having their minds blown.<br />

Now that we've gotten the disclaimer out of the way, we would like to introduce you to the best ill-kept<br />

secret around; the Swedish Twin Brother Band - SECRET CIRCUS! Secret Circus was started by twins<br />

Klas and Joel Ahman in 2008 in Stockholm, Sweden.<br />

The maiden voyage sent the brothers<br />

on an adventure through Europe,<br />

playing their way from town to town.<br />

They immediately discovered that<br />

music was their calling and decided<br />

to give music their all.<br />

They quit their jobs and spent the<br />

following year writing and recording<br />

their debut album "This is Secret<br />

Circus".<br />

At the present moment Klas and Joel<br />

have launched a kickstarter campaign<br />

to jumpstart the release of their third<br />

album "The Beginning is Near".<br />

A cohesive blend of the two brothers, the most recent creation of Secret Circus will leave you breathless as<br />

it takes you on a journey of love, loss and everything in between.<br />

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Website = photosociety.net Page 22 email = magazine@photosociety.net


You will lose yourself in the musical soundscape paired<br />

perfectly with the twins soulful voices and insightful lyrics.<br />

The fusion between the two brothers creates a unique<br />

dynamic blend that is truly one of a kind. Since the start,<br />

Secret Circus has toured Europe 3 times, and the<br />

continental USA 5 times.<br />

- Secret Circus - Official Video<br />

-XdUCFHbs<br />

Website = photosociety.net Page 23 email = magazine@photosociety.net


Pied Flycatcher, Male (left) and Female<br />

Robin<br />

Website = photosociety.net Page 24 email = magazine@photosociety.net


Short Eared Owl in flight<br />

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I was a <strong>January</strong> baby, raised in Minnesota and lived<br />

here my entire childhood and most of my adult life.<br />

You’d think I would be used to winter by now.<br />

Then we graduated to sliding down hills on sleds<br />

with metal runners. There was a moment of<br />

exhilaration, only to have to walk all the way back<br />

up the hill – mittens wet and frozen to my hands,<br />

boots full of snow.<br />

My memories, as a child, are of misery. Mom<br />

started it all by putting me in my buggy outside<br />

every day because “She needs a little fresh air.” It<br />

didn’t matter that it was <strong>January</strong>, February or<br />

March, snowing or sunshine.<br />

From there I would walk to the neighbourhood<br />

skating rink.<br />

Website = photosociety.net Page 26 email = magazine@photosociety.net


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If the warming house wasn’t open, I would sit on a<br />

snow bank to put on my skates – skate until I<br />

couldn’t feel my feet any longer and toddle back<br />

home.<br />

When I became a teenager and learning to drive, I<br />

carried a “survival kit” in my car. It had a candle,<br />

matches, water and Twix bars in case I stalled. I also<br />

carried jumper cables and a shovel.<br />

As an adult, I discovered Arizona and for 20 years I<br />

spent several months every year in Tucson where<br />

winter lasted 2 weeks and barely got below 60<br />

degrees.<br />

If the warming house was open, that’s where I<br />

would hang out with my wet, stocking covered feet<br />

steaming on a railing around the big pot bellied<br />

stove, drinking hot chocolate & eating Twix bars<br />

(Heaven!) until I could safely say I went skating &<br />

go home.<br />

Mt. Lemon was just 45 minutes away where I could<br />

find all the snow I wanted, if I was so inclined. A<br />

couple of times it actually snowed down in the<br />

valley and I couldn’t wait to get out with my camera<br />

to photograph the few inches before it all melted.<br />

Website = photosociety.net Page 28 email = magazine@photosociety.net


I am living once again year round in Minnesota. I<br />

don’t play in the snow any more, I don’t have to<br />

shovel the stuff and I have a reliable car, tall boots, a<br />

warm hat, coat and mittens.<br />

I love the lake right before it freezes and the ducks<br />

and geese who haven’t figured out it’s time to leave<br />

for warmer climes. I even love to photograph the<br />

skaters on the lake, teaching their little ones the joys<br />

of winter in Minnesota. But the best place to be is<br />

sitting in front of the fireplace.<br />

Georgene Bergstrom.<br />

I do take my dog out for a walk 4 times a day and<br />

every time it snows, I take my camera for a walk. I<br />

love the snow in the trees, the patterns of ice on the<br />

windows and windblown across the frozen puddles<br />

and the prints made by little animal feet and human<br />

boots.<br />

Website = photosociety.net Page 29 email = magazine@photosociety.net


Rudbeckia in my garden by Louise Bradt<br />

A vietnamese woman selling fish in a market in<br />

the Mekong Delta. Picture By Robert Murray<br />

Website = photosociety.net Page 30 email = magazine@photosociety.net


The Iron Bridge - the first cast iron span bridge in the world, in Ironbridge, Shropshire. Part of a UNESCO <strong>World</strong><br />

Heritage Site. Robert Murray<br />

Fireworks by Alan Griffiths<br />

Website = photosociety.net Page 31 email = magazine@photosociety.net


The underwater world of Sabah Reef is threatened by dev<br />

glimpse of the fragile beauty that may soon disappear.<br />

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century that has since evolved, the statue was<br />

found by shepherds in the Middle Ages in a<br />

burning thorn bush.<br />

Construction as a church began in 1405 and lasted<br />

until 1527, it has the dimensions of a cathedral and<br />

was built in the Gothic style. It was not elevated to<br />

a basilica until 1914.<br />

Notre-Dame-de-l'Épine takes its name from the<br />

devotion given to a statue of the Virgin holding the<br />

Child Jesus. According to a legend from the 17th<br />

Website = photosociety.net Page 40 email = magazine@photosociety.net


Website = photosociety.net Page 41 email = magazine@photosociety.net


A Study in Greyscale - Harbours<br />

Pictures by Alan Griffiths<br />

Oh the glorious English summer beside the sea. We<br />

remember them well. When the sun shines it is a<br />

wonderful place to holiday.<br />

I often think that black and white photography was<br />

made for the English summer. The seaside was grey<br />

and drab with the rain and heavy clouds. Dodging the<br />

showers to get from the gift shop to the chippy.<br />

One time the uncoloured image really comes into its<br />

own.<br />

Website = photosociety.net Page 42 email = magazine@photosociety.net


Feathered Uganda<br />

Pictures by Gordon Longmead<br />

Great Egret (Ardea alba)<br />

Black-Bellied Bustard<br />

Cattle Egret (Bubulcus ibis)<br />

African Wattled Plover (Lapwing) (Vanellus senegallus)<br />

Yellow Billed Stork (Mycteria ibis)<br />

Website = photosociety.net Page 43 email = magazine@photosociety.net


This is the little cheeky Patas Monkey,<br />

these ones are from Murchison Falls NP, it<br />

lives almost only on ground and is the<br />

fastest of monkeys, reaching speeds of<br />

50km/h running, (for you using Mph...its<br />

really really fast)...<br />

Website = photosociety.net Page 44 email = magazine@photosociety.net


If you believe that Eden Adventures Uganda is all about Safari and<br />

Wildlife, you could be right, but that is only part of the beauty that is<br />

Uganda and we can explore it all.<br />

Picture by Peter Hogel<br />

Website = photosociety.net Page 45 email = magazine@photosociety.net


For those readers who are in the south of England, you may be interested in<br />

visiting the annual convention of The Societies of Photographers which is<br />

being held at the Hilton London Metropole Hotel between the 13th and 15th<br />

<strong>January</strong>.<br />

The Hotel is at 225 Edgware Road and is easily accessible by tube train, the<br />

nearest being Edgware Road, but also Lancaster Gate, Marble Arch or<br />

Marylebone stations. These last three are in walking distance.<br />

While much of the show is for Societies members, the trade show is open to<br />

everyone. If you pre-book before the 6th <strong>January</strong> the tickets are free, after<br />

which they are £10 each. The dates given above are for the trade show.<br />

The convention is not as big as the one staged at the NEC, but here you still<br />

get to see some new stands and meet old friends in the industry. The other<br />

‘advantage’ is that you get to see the pictures submitted for the Societies<br />

print exhibition.<br />

From experience these are of a higher than average standard, with some achieving outstanding quality and<br />

subject handling. To be fair, from a personal viewpoint, there were some in last years exhibition that were<br />

not worthy of a place and detracted from the high quality of the display, but this is a purely personal view<br />

and others may well see it differently, such is the art of photography.<br />

There are companies exhibition here from as far away as the USA and New Zealand, and of course the<br />

home grown varieties, including Saal Digital whose photo-book we have reviewed in this issue. This is a<br />

good opportunity to see the product for yourself and to talk to those in the business about the business of<br />

making pictures.<br />

I am intending to visit the show on<br />

Saturday the 14th <strong>January</strong> and will be<br />

happy to meet up with readers who may<br />

be attending. I will be the good looking<br />

one in the hotel coffee lounge at 10.00am<br />

Gordon Longmead<br />

Website = photosociety.net Page 46 email = magazine@photosociety.net


Distant Storm by Paul Welch<br />

Male Praying Mantis<br />

Picture by Louise Bradt<br />

We hope you like the magazine,<br />

the size and content of future<br />

i s s u e s d e p e n d s o n y o u .<br />

Submissions for the next issue are<br />

being accepted<br />

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