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first in a series of personal odysseys that explore sacred earth sites. A joint project by photographer Scott Angus and Emily Sopensky.

first in a series of personal odysseys that explore sacred earth sites. A joint project by photographer Scott Angus and Emily Sopensky.

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C o n v e r s a t i o n s w i t h t h e A r t i s t<br />

When I was hiking, I came across this away from the normal tourist track. The patterns<br />

of the rock formations are quite striking. I like the colors, especially the repetitive<br />

reds. The spikes look very uninviting and militaristic, like impaling poles. You<br />

can feel the danger just by looking at this photo. The danger is exciting but no one<br />

is going to hike in there and touch them—at least, I hope no one is insane enough to<br />

attempt it!<br />

The colors have multiple variations of red, capped my streams of verdante green<br />

and then layers of orange cream. The colors remind me of popsicles or rockets ready<br />

to shoot up in the sky.<br />

I was so mordantly fascinated by the grand impossibilities posed by these creamcicles<br />

that I kept two shots. The images running through my mind were compelling.<br />

What quirk of nature made this spectacle? It’s so danger-invoking and titillating to<br />

think about the possibilities, easily stretch into science fiction.<br />

The stalagmite-like pinnacles are so different, that I can conjure up an image of<br />

a gigantic altar. I feel it is a sacred site that is exploited. I mean, you can almost see<br />

the anger, as if the gods were not pleased with the people so the gods pushed these<br />

daggers up to catch the unworthy.<br />

There is ego here wanting more respect. The arena must be taken as a whole;<br />

you can’t hike down. The trail is only along the rim of the canyon. The focus is the<br />

pattern of reds, drawing attention to the sense of the whole.<br />

In both the color and black-and-white, the focus on the entire landscape. I would<br />

suggest only minimal cropping.<br />

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