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SnakeMedicine_Book1

first in a series of personal odysseys that explore sacred earth sites. A joint project by photographer Scott Angus and Emily Sopensky.

first in a series of personal odysseys that explore sacred earth sites. A joint project by photographer Scott Angus and Emily Sopensky.

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C o n v e r s a t i o n s w i t h t h e A r t i s t<br />

Dad wanted to see some of the Zuni’s land. We were travelling together for a few<br />

days. We stopped here because I love the landscape of the red soil with the green<br />

trees. It was so green in such a parched area that I thought they must have had some<br />

rain recently.<br />

The shape of the tree is the focus. It automatically draws the eye through the<br />

tree. The limbs alone look like the tree should be dead, but the leaves show that it is<br />

well and alive. The rocks look so uninviting and dead. Such a contrast! To me, it is<br />

obvious that the rocks are sacred.<br />

There were no other angles to this shot—the split in the tree had to be right in<br />

the middle. There is great energy with the red lines. The life and death energy is<br />

cyclic—such a contrast between the green of the tree and the red of the rocks<br />

contrast. There is a flow between the rocks, trees, and plants.<br />

I would crop it tighter on the tree in the center of the photo, and cut out some<br />

of the clouds. Viewers’ eyes naturally go through the tree to the rock. It is a very<br />

complete picture, framed by the tree.<br />

Can you see how the power of this photo is intensified in the black-and-white<br />

version?<br />

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